I’ve “…been really interested in the physicality of books and book production for a while, an interest that was piqued in particular when I visited the Tyopgraphy Museum in London several years ago. I think it’s more established now but it was an old, ramshackle place then, hard to find, largely unorganised, with boxes of type lying out on every surface. It was a place in which to lose yourself.” Nikolai Duffy talks about Like This Press on Rob Mclennan’s blog.
The latest publication from Like This Press is Stephen Emmerson’s book-in-a-box, Albion.
Albion was generated at Inland Studios over 2 days in August during an installation organised by Stephen. Details of the original exhibition are available here: http://www.inlandstudios.co.uk/home/index.php?/projects/abion/
This installation was centred around the work of William Blake.
An 8 foot by 8 foot pentagram was placed on the floor with a typewriter at each of the 5 points. There were 5 visual poems derived from Blake’s writing, and a 30 minute soundtrack that was played on a loop. Participants were asked to channel Blake and let him write through them, but the event was also a way for the audiovisual landscape to be translated into text.
Each box contains:
1 x introduction in an envelope
4 x hand-ripped poster poems
6 x photos
1 x 6 track CD
44 x hand-torn loose leafed transcriptions
Boxes can be purchased for £9 direct from Like This Press: http://www.likethispress.co.uk/publications/stephenemmerson
Stephen Emmerson is the author ofTelegraphic Transcriptions (Dept Press),Poems found at the scene of a murder(Zimzalla), The Last Word (Very Small Kitchen), A never ending poem…(Zimzalla), Pharmacopoetics (An Apple Pie Edition), and No Ideas but in Things (Dark Windows Press). He lives in London. More information about Stephen is available on his website at: http://stephenemmerson.wordpress.com/.
Like This Press is delighted to announce the publication of three new titles: Blart & Kid by Andy Spragg, Neurotrash by James Russell, and When You Were a Mod I Was a Rocker by Robert Graham.
All titles can be purchased direct from Like This Press here:
Blart & Kid is a book-in-a-box comprising 1 x poetry pamphlet, 1 x photo book and 3 x postcards by Natalie Orme.
‘To Blart & Kid is a stop-start pile-up of angelically goofball, loosely metrical verse and a sharp chart of repetitive fear; a proprioceptive documentary-tale of an outrage only sometimes felt among the meek in a time of “well-pulped vocations and lost confidence”. Here between the clouds of overseer and overseen, Spragg shows you what’s yours and what’s not, and in the process enacts a kind of ontological crisis that is already blithely churned up by a cement-mixer, or “located in the foot-well of a minicab.’ – Amy De’Ath
‘To Blart and Kid sets itself the task of pushing a poetics of suburbia beyond a glib, broadsheet-endorsed clutch of epiphanies about the so-called ‘magic of the everyday’. The writing here edges into this territory, surveying the abandoned quarries, feeling out rents in the chainlink, sniffing ‘mildewed wood and/ stink leather’, but gradually enacts a landgrab, asserting itself over GCSE-syllabus verse via a frenetically inventive formal approach. Sure, there are rainswept cadences your average Faber wannabe would die for, but these are interspersed with notes of satirical belligerence which evoke nothing so much as Dada’s little-known Leatherhead branch. ‘Dozing and touching periphery’, Andy Spragg’s idiomatic cartography of the stockbroker belt is a remarkable phenomenological outing, in both senses of that word.’ – Joe Kennedy
Neurotrash seeks to to attend away from the popular neuroscience that envelops us, nodding to it in a distracted manner. The idea that the brain sciences will dissolve deep mysteries is beyond parody and eventually it will go away. Meanwhile, we have the more serious and joyful business of poetry itself, which is capable of capturing the various nature of life and the way language can play in the deep waters.
When You Were a Mod I Was a Rocker is Like This Press’ first fiction title: a book-in-a-box comprising 7 individually bound short stories and 1 collection of flash fiction, with original illustrations by Hannah
All enquiries to: firstname.lastname@example.org
The latest publications from Like This Press are two new collaborations by SJ Fowler with Ben Morris and David Kelly, the Estates of Westeros and Gilles de Rais. Each box contains 34 loose-leafed A5 postcards, blending text and image.
The Estates of Westeros is where avant garde poetry meets avant garde illustration. Whether perception or reality, housing estates are environments of occlusion, claustrophobia and damage, and poetry about them has a responsibility to reflect this complexity and intensity in its tone and form. The Estates of Westeros is a meditation on this living space through the universe of George RR Martin’s Game of Thrones, and where Gilles de Rais explores the absurdity of mythmaking in that which once was real, the Estates … explores the grinding realism at the heart of the fantastical.
In Gilles de Rais – an interchangeable narrative reflection on the life and legend of Gilles de Rais – this fusion of avant garde poetry and modernist line drawing aims to satirise and subvert the manner in which the monstrous myth surrounding such de Rais is echoed in our own time by Jimmy Saville. This is the disjunctive folklore of idiot’s resounding through the ages, from 15th century France to 21st century Britain.
Both books can be purchased for £9 direct from Like This Press: http://www.likethispress.co.uk/publications/sjfowlerandbenmorris
Special offer: buy the Estates of Westeros with Gilles de Rais together for £15 from here: http://www.likethispress.co.uk/specialoffers
the Estates of Westeros and Gilles de Rais launched as part of the Enemies of the North project on 30 March, at the Cornerhouse, Manchester. Both books will feature also in the group exhibition,Synesthesia, organised by Leap into the Void & held at Darnley Gallery, in Hackney, London, 12-19 April. For more information, see: http://leapintothevoid.co.uk/2013/03/26/synesthesia-15th-19th-april-2013/
SJ Fowler is a poet living in London. He’s published four collections of poetry including Fights (Veer books) and Minimum Security Prison Dentistry (AAA press), and has collections forthcoming from Penned in the Margins and Eggbox publishing. He has been commissioned by the Tate, the London Sinfonietta and Mercy and has read and exhibited across Europe. He curates the Enemies project, supported by the Jerwood Charitable Foundation, and Maintenant, a series of reading and interviews focusing on contemporary European poetics and collaboration. He is currently undertaking a Phd at the Contemporary Poetics Research Centre, Birkbeck College and is an employee of the British Museum. www.sjfowlerpoetry.com / www.blutkitt.blogspot.com / www.weareenemies.com /
David Kelly is an artist working in the modernist tradition, currently with a centre of interest in collage. He has collaborated with and ‘visually translated’ numerous writers and poets including David Berridge, Daniele Pantano and SJ Fowler. His collaborative works have been exhibited at The Saison Poetry Library, The Horse Hospital, My Pixxa and Rich Mix. He received a degree from the University of Leeds School of Fine Art, History of Art & Cultural Studies in 2007 and is now an employee of the British Museum.
Ben Morris is a London based experimental musician and artist. He has been active in the UK underground music scene since 2005 and is best known as 1 half of Chora, which he formed with Robert Lye in Sheffield. He has gigged and toured extensively throughout Europe receiving critical praise in The Wire magazine, on webzines such as The Quietus, Dusted and Foxy Digitalis and on radio stations like WFMU (America), VPRO (Holland) and BBC radio 3. Chora have a large multi-format back catalogue on labels like ChocolateMonk, Singing Knives Records and Winebox Press. He has played gigs with Sonic Youth, Wolf Eyes and Psychic TV as well as shows at Colour Out Of Space Festival, the ICA and at the Liverpool Biennial. He has received commissions from Mercy for collaborative sound performances with Steven Fowler. Other musical projects include: Le Drapeau Noir, Akke Phallus Duo and he records/performs solo as Lost Wax…
Out now on Like This press, Where Were You When the Stars Went Out? consists of a group of 10 poems in memory of the singer Jhonn Balance (of the group Coil), composed by applying a chance selection procedure derived from Jackson Mac Low to Rilke’s “Duino Elegies”, then treating the results of that process as a first draft to be edited, shaped, added to, deleted from, etc. Phil Davenport has commented how: ‘Nigel Wood allows himself to be a vessel of others’ voices, other modes of hearing. In this daring but subtle book he uses another human’s life as material for an experiment in both commemoration and forgetting. Where were you... is a scattered memorial for the musician Jhonn Balance, quite unlike the ‘lead graves’ and last words that are usually stacked up to make the obituary of a life. In fact, they frequently mock the ponderousness of death-speak and the gothic. But more intriguingly, as I read some of these pieces I have the sense that the lines have been somehow erased even as they’ve touched the surface of the page, they’re the gaps in narratives, the pieces of half-dusted thinking, the moments of lucidity that toppled. It’s a book that’s been lived rather than written, or, more fancifully, I suppose it’s a book that’s been ‘died’. Wood’s melodic transliterations of this other-space sing from from the page, they’re scores of what comes between – breathings-in and whiteout. This little book of un-ideas imprints on me deeply – and has done so from the first time I encountered it. The details are so sharp and so heavy: childhood’s illnesses evaporate across the inevitable scales to nowhere Poised to a nicety, Wood writes us into some impossible conjuring trick – a knife blade balancing atop a pebble. The delicacy of these moments is often vertiginous, unsettled. Jhonn Balance lived forcefully, embracing both the shitstorm and the big light. Where were you… somehow manages to employ the forces that impinge on living as components of composition. It’s as if horror and happiness, disappointment, ennui, forgetfulness, transcendence have become tools for shaping. And out of it all, something emerges that is brisk and full of marvelling.’
- Jennifer Copley
- Nikolai Duffy
- Ian Seed
Tuesday 19th March. 7.30 at The Gregson Arts and Community Centre, (Olive Bar), 33 Moorgate, Moor Lane, Lancaster, LA1 3PY.
Free entrance. Open bar. Books to browse and buy.
New from Like This Press, The Tower of Babel comprises a set of 24 original postcards and an essay, both by Rupert Loydell, together with an anthology of Babel poems, featuring: Philip Terry, Sheila E Murphy, Andy Brown, rob mclennan, A.C. Evans, H.L. Hix, Angela Topping, Paul Sutton, Peter Dent, Camille Martin, Ian Seed, David H.W. Grubb, Seren Adams, Andrea Moorhead, Jane Routh, John Mingay, Luke Kennard, Steven Waling, Alan Halsey, Peter Gillies, Bill O’Brien, Mike Ferguson, David Hart, Martin Stannard, Rupert M. Loydell, Mark Goodwin, Natasha Loydell, Ira Lightman. Each box is hand-stamped and lined with black tissue paper.