
zimZalla object 019 is Shrewsbury by Matt Dalby, a non-verbal, synethesiac comic. For more details, including how to buy, visit the zimZalla site.

zimZalla object 019 is Shrewsbury by Matt Dalby, a non-verbal, synethesiac comic. For more details, including how to buy, visit the zimZalla site.
©_© Press would like to announce the publication of the second issue of NO PRIZES, featuring: Anonymous, Bonney, Brasch (trans. Jeschke), Curran, De’Ath, Fuller, Jarvis, Manson, Prynne, Robertson, Seita. 60pp. http://cucpress.tumblr.com/
£5 : $8 : €6
Like This Press is delighted to announce the publication of three new titles: Blart & Kid by Andy Spragg, Neurotrash by James Russell, and When You Were a Mod I Was a Rocker by Robert Graham.
All titles can be purchased direct from Like This Press here:
http://www.likethispress.co.uk/publications/andyspragg
http://www.likethispress.co.uk/publications/jamesrussell
http://www.likethispress.co.uk/publications/robertgraham
Blart & Kid is a book-in-a-box comprising 1 x poetry pamphlet, 1 x photo book and 3 x postcards by Natalie Orme.
‘To Blart & Kid is a stop-start pile-up of angelically goofball, loosely metrical verse and a sharp chart of repetitive fear; a proprioceptive documentary-tale of an outrage only sometimes felt among the meek in a time of “well-pulped vocations and lost confidence”. Here between the clouds of overseer and overseen, Spragg shows you what’s yours and what’s not, and in the process enacts a kind of ontological crisis that is already blithely churned up by a cement-mixer, or “located in the foot-well of a minicab.’ – Amy De’Ath
‘To Blart and Kid sets itself the task of pushing a poetics of suburbia beyond a glib, broadsheet-endorsed clutch of epiphanies about the so-called ‘magic of the everyday’. The writing here edges into this territory, surveying the abandoned quarries, feeling out rents in the chainlink, sniffing ‘mildewed wood and/ stink leather’, but gradually enacts a landgrab, asserting itself over GCSE-syllabus verse via a frenetically inventive formal approach. Sure, there are rainswept cadences your average Faber wannabe would die for, but these are interspersed with notes of satirical belligerence which evoke nothing so much as Dada’s little-known Leatherhead branch. ‘Dozing and touching periphery’, Andy Spragg’s idiomatic cartography of the stockbroker belt is a remarkable phenomenological outing, in both senses of that word.’ – Joe Kennedy
Neurotrash seeks to to attend away from the popular neuroscience that envelops us, nodding to it in a distracted manner. The idea that the brain sciences will dissolve deep mysteries is beyond parody and eventually it will go away. Meanwhile, we have the more serious and joyful business of poetry itself, which is capable of capturing the various nature of life and the way language can play in the deep waters.
When You Were a Mod I Was a Rocker is Like This Press’ first fiction title: a book-in-a-box comprising 7 individually bound short stories and 1 collection of flash fiction, with original illustrations by Hannah
Dickinson.
All enquiries to: nikolai@likethispress.co.uk
Sarah Crewe is from the Port of Liverpool. Her chapbooks include flick invicta from Oystercatcher and Signs Of The Sistership with Sophie Mayer, from Knives Forks and Spoons. She is one third of Stinky Bear Press and her work has featured in Shearsman, Tears In The Fence and Litter magazines. She also starred as the little girl in the Trio biscuit advert.
The other readers will be cris cheek and Lewis Freedman. Previews of both to follow.
Full flier here.
The 2013 Holmfirth Arts Festival sees the culmination of a two-year commission of poet Harriet Tarlo and artist Judith Tucker whose collaborative project focused on the land between Digley Reservoir and Black Hill, in particular the intricate convergences of the tributaries of the Holme River. Since last year’s festival, work from the project has been shown and acclaimed in places as far afield as Lyon, France and Minneapolis, U.S. Now their final showing of old and new work, covering all seasons and featuring new perspectives on this familiar landscape, comes back home to “upstairs at Up Country”, showing in shop hours throughout the festival. More at the Holmfirth Arts Festival site.
The Paper Nautilus Magazine is seeking for contributions for a dual-translation issue featuring translations of contemporary or recent experimental women’s poetry in any foreign language. Please get in touch with proposals, submissions and suggestions of poets or translators for consideration by June 15th. The publication date is expected to be early Autumn. More about previous issues and the magazine here.
Cusp: The Event. Monk & Halsey will read poetry which inspired their generation of Brit Poets from Sappho to Stein, from Metaphysicals to Beats, from Trad to Mad from Avant to Garde from Anon to Dada. An hour of body electrics and aural delights.
Thursday, 6 June 2013, 6.3o pm start. Bank Street Arts, 32-40 Bank Street, Sheffield, S1 2DS.
Films from the Enemigos event in London on 30th May are now online, including this one of SJ Fowler. Other films available as follows:
A good review of Philip Terry’s novel tapestry is in today’s Guardian, and can be read online here.
Sadly, Corina Copp is unable to read for us on June 24th as previously advertised, but happily, Sarah Crewe can. The changed line up is now cris cheek, Sarah Crewe, and Lewis Freedman. Previews of all three readers will appear on the site over the next few weeks. An amended flier can be found in the ‘Upcoming’ section in the centre column.

“One man has declared his ambitious plan to print out the entire Internet and in true ‘social’ fashion wants the public to help him with his impossible feat.
Avant-garde technology artist Kenneth Goldsmith has 500 square meters of space in Mexico City to fill with ceilings six meters high and has given himself a deadline of July 26th to have the entire Internet printed off and under one roof.”
More here.
This symposium will be held at St Peter’s College, Oxford on 15 June, 2013. Charlotte Brewer, Professor of English in the University of Oxford, will deliver the opening address, and Peter Gilliver, who is currently writing a history of the Oxford English Dictionary, will also be contributing. More here.
An archive of papers presented at the Militant Poetics and Poetry seminar at Birkbeck on 18th May 2013 can be found here.

Tuesday 4 June 2013 at 7:30pm, to launch By the North Sea. An anthology of Suffolk poetry.
Swedenborg Hall, Swedenborg House, 20/21 Bloomsbury Way, London, WC1A 2TH.
Via Tamarin Norwood:
Keeping Time Again
At the end of our year-long collaborative residency between Italy and the UK, we’re celebrating with screening and discussion events in London and Abruzzo. I’ve been working with Italian pianist Rossella Rubini to produce a new video artwork called ‘Keeping Time Again’.
http://www.tamarinnorwood.co.uk/keeping-time-again-london-abruzzo/
Friday 31 May, 7pm in Abruzzo, Italy
Friday 7 June, Central Saint Martins, King’s Cross London N1C 4AA
Musica Practica at Platform33
Following its performances at Tate Britain and Modern Art Oxford, my conducting piece ‘Musica Practica’ is returning to London as part of Platform33’s biggest event to date. As it’s P33 I’ll be giving an informal talk about my work over the course of the evening, along with conductor Anthony Weeden. Details and other contributors here:
http://www.tamarinnorwood.co.uk/sunday-musica-practica-at-kings-place/
Sunday 2 June, 4pm at King’s Place, London N1 9AG
Dawn Chorus on twitter
Next weekend I’m one of seven writers each stationed at a National Trust property for the night, up before dawn to lead a mass observation on Twitter. An original idea of Natasha Vicars, the project was developed through the Live Art Development Agency DIY initiative, and this will be its third iteration. (yes that really is 2:45 in the morning)
http://www.tamarinnorwood.co.uk/dawn-chorus/
Sunday 9 June, 2:45am-5am on twitter: #dawnchorus