Perhaps other than the rarefied skill of performance, originality might be the hardest attribute to find in contemporary poetry. The ability to engender an audience to one’s work without appearing reluctant or melodramatic or trite is a trait often located in the poet’s personal dedication and consideration. Originality is perhaps harder to explicate, given the nature of its newness. These characteristics are what define the work of Holly Pester, and the experience of seeing or hearing her perform leaves an indelible impression on the viewer that they are witnessing a deeply gifted poet, one who it would seem will lead the way in the UK in the near future and beyond. Her work is incisive and wise, unpretentious yet sophisticated. She is without posture or affectation and still her urbane performances entrap and captivate audiences, their exploration of tonality, voice, volume and sound forcing a profound concentration on the potentialities of everyday language, whether that is a potential for oppression or amusement. Truly representative of what we hope to advocate in the Maintenant series, the 46th edition of the series – Holly Pester.