The European Review of Poetry, Books and Culture is an online literary journal, funded by the European Union, aiming to create an anglophone publication platform with a focus on continental Europe and world beyond.
Over 80 original essays, articles and reflections from writers across the world will be commissioned and published over the next 12 months. Initial commissions include new pieces by Rasha Abbas, Harry Man, Joanna Walsh, David Spittle, Christodoulos Makris, Andrew Gallix, Rocio Ceron, Catherine Humble and many more. New articles are soon to be published daily at www.versopolis.com
The debut art book SJ Fowler, published in a limited edition by Stranger Press, available to purchase here. The book will be launched on December 15th at The Poetry Society’s Poetry Cafe at7.30pm, free entry. Details here.
The first of a new set of five cinema-poetic collaborations between SJ Fowler and artist-filmmaker Joshua Alexander. Full details here.
A literary event celebrating the visual, visceral, messy, handwritten and colourful in poetry with new unique commissions from writers exploring alternate ways of making literature. Films from the evening, including this from Christopher Stephenson are online here, plus full details of the project..
28th November at 7pm. Waterloo Tea (21-25 Wyndham Arcade Cardiff, Cardiff)
21-25 Wyndham Arcade Cardiff, Cardiff, CF10 1FH.
Lisa Samuels is the author of fifteen books of poetry, memoir, and prose—mostly poetry—including Wild Dialectics (Shearsman 2012), Anti M (Chax 2013), Tender Girl (Dusie 2015), and Symphony for Human Transport (Shearsman 2017). She also publishes essays and soundworks as well as editing books, collaborating with composers, and working with film. Living in Aotearoa/New Zealand since 2006 and having also lived in the Middle East, Europe, Malaysia, and the US, where she was born, has made transnationalism fundamental in her ethics and imagination. Lisa has a University of Virginia PhD and earns her living as an academic while also raising her son.
John Hall is a poet, retired teacher, essayist. He is author of several collections of poetry and of two volumes of essays. He also makes visual texts, mostly for domestic frames, and has been active in collaborations. He was closely involved in the formation of Performance Writing at Dartington College of Arts. As a Said Place is his most recent collection of page-poems.johnhallpoet.org.uk
Flo Fflach AKA Maura Hazelden is a visual artist who has shifted to words/language, on the page & out of the mouth: poetic, abstract, lists. She studied dance, and later 2d design, and then fine art: timebased & photovisual [Caerdydd]. In 2009, she was accepted onto Dartington’s MA Performance Writing but had to defer, but took up a place at Falmouth. Works: PW12, Arnolfini; Noises of Art, Aberystwyth; Text Festival, Bury. Currently: Nid/Not Writer in Residence ArcadeCardiff. Making work that sometimes might fragmented have lost its original meaning; and lists.maurahazelden.blogspot.co.uk
The University of Manchester, Thursday 3rd and Friday 4th May 2018.
On the face of it, few activities, disciplines or modes of thinking seem as disparate or as incommensurable with one another as those of mathematics and literature. If, according to a common, broadly ‘Platonic’ conception of the subject, mathematics insists upon rigor and exactitude in order to discover eternal, objective and universal truths, literature is often imagined as addressing itself to that which is irreducibly human, subjective, particular or contingent. Where the one may be lauded for yielding access to a neutral, unchanging domain of that which is the same forever and for all, the other might be celebrated as the privileged medium of that which differs, or of that which is true or real for us as creatures of material, historical, cultural, intellectual and linguistic change.
Just as this sketch of ‘literature’ will not suffice—failing, as it does, to take account of the significant and often dramatic ways in which our conception of literature and the literary has shifted since the late nineteenth century—so the opposing caricature of mathematics proves inadequate to register the crises and developments that affected the field—and the ways in which mathematicians and others understood it—over the same period.
Please send proposals (250-300 words) for fifteen-minute papers to firstname.lastname@example.org by 5th February 2018. Please include a short (100-150 word) biography with your abstract. Notification of decision will be made by 19th February 2018.
Full details here.
Monday 27th November at 8.00 PM. Fallow Café, 2a Landcross Road, Fallowfield, Manchester, M14 6NA.
The next Verbose will be a Confingo takeover, with readings from Nicholas Royle, Tom Jenks and others. Confingo is a biannual literary magazine published by Tim Shearer. Copies will be available to purchase.If you’re interested in having an open mic slot, email email@example.com