Equus Press / Minor Literature[s] / 3AM

11th November at 19:00. Caravansérail, 5 Cheshire Street,  London, E2 6ED

An exciting evening of readings by contemporary experimental authors from Equus Press, Minor Literature[s] & 3:AM Magazine.

Louis Armand – author of eight novels and ten collections of poetry, most recently The Combinations (2016) and East Broadway Rundown (2015).

Daniela Cascella – her work is focused on sound, literature, and art, driven by a longstanding interest in the relationship between listening, reading, writing & translating.

Lara Alonso Corona – a freelance writer of noir, sci-fi and literary fiction. London via Gijón.

Juliet Jacques – author of a book on English avant-garde author Rayner Heppenstall for Dalkey Archive Press (2007), and a memoir entitled Trans (Verso Books, 2015).

Fernando Sdrigotti – a London-based Argentine writer and cultural critic. He is editor-in-chief of Minor Literature[s] and a contributing editor to Numéro Cinq and 3AM Magazine.

Richard Makin – a writer, poet and artist. His first trilogy of novels comprises Work (Great Works, 2007), Dwelling (Reality Street, 2011) and Mourning (Equus Press, 2015).

Richard Marshall – has been a contributing editor for the cultural magazine3ammagazine.com since 2001. He has published Philosophy at 3AM: Questions and Answers with 25 Top Philosophers (2014).

The highlight of the evening will be Daniela Cascella & Juliet Jacques launching Cascella’s brand-new book, Singed (Equus Press 2017).

Entry free of charge. Everyone welcome.
Equus Press: https://equuspress.wordpress.com/
Minor Literature[s]: https://minorliteratures.com/
3AM: http://www.3ammagazine.com/


National Creative Writing Graduate Fair

From Comma Press…

The National Creative Writing Graduate Fair takes place on the 3rd November in Manchester, a day dedicated to emerging creative writers, from poets, to short story writers, to novelists. 

The Fair is all about giving writers practical and up-to-date advice on how to live, work, and succeed as a writer. Over the course of the day, you will attend panel sessions, talks and workshops about topics like digital innovations in publishing, choosing the correct form for your idea, and book publicity. Moreover, writers are given the opportunity to meet with two agents, and have a pitching session where they can present their work for on-the-spot feedback. 

You don’t have to be a university graduate to attend the fair, nor do you have to have had anything published. All you need to do is prepare two verbal pitches, in 2 of 10 genres. We cater to writers working in everything from commercial fiction to short stories, from poetry to historical fiction.

The programme includes ‘Next Generation’ poet and novelist Luke Kennard (keynote speaker), Betty Trask Award winning Irenosen Okojie, Jhalak Prize winning Jacob RossBookseller Start Up of the Week Bookollective and leading writer’s magazine Mslexia

Head to the Grad Fair website for the full programme and more information about the day. Tickets are £40, or £35 when booked in a group of five. If you are in receipt of means-tested benefits, or a single parent, you can apply for a reduced fee place for £20.

Bookings close on Wednesday 25th October, so don’t miss out on securing your place.

Work Processing – A Forum for the Sharing of Live Practice

Work Processing – A Forum for the Sharing of Live Practice

Work Processing is a day-long event open to postgraduate/early-career artist-practitioners and independent artists working in the arts and humanities. The focus of Work Processing is practice itself. It offers a space in which to explore practice in process, stepping aside from the perceived obligation to qualify practice in terms of traditional academic discourse, and shifting focus away from product-based conceptions of artistic endeavour. The event will showcase the work of artist-practitioners over the course of a day, encouraging practice to speak to practice, unmediated by verbal explication. It will conclude with a communal dinner in the performance space where food, ideas and responses can be shared, and we can explore the kinds of conversations a forum like this can generate without the formalities of an academic Q&A.

We are currently seeking proposals for 20 minute contributions in any live format, from any discipline. Incomplete and/or speculative works-in-progress are of particular interest, although any work that engages with the theme of “Work Processing” will be considered. The event will take place on the 1st of December 2017 at Chisenhale Dance Space, London. Chisenhale has a large performance space with lighting and sound rig, basic projection facilities, and the raw aesthetic appropriate to sharing all types of live work in development.

Participants are invited to submit a short description of their intended work, their institutional affiliation (if applicable) and projected technical requirements, as well as weblinks to any supporting materials (videos/recordings/text etc.) to:workprocessing2017@gmail.com by the 13th of October 2017.

This event is being organised by five interdisciplinary practice-based PhD candidates, supported by the TECHNE AHRC Doctoral Training Partnership.


UK launches of Choreo-graphic Figures: Deviations from the Line

The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness  — the qualitative-processual, aesthetic-epistemological and ethico-empathetic dynamics — within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice. Cultivating sensitivity towards the barely perceptible micro-movements within the process of artistic ‘sense-making’ has wider structural — even political — implications at the level of the macro, encouraging the de-, re- and trans-figuring of our ways of being in the world, inviting new forms of relationality, sociality and solidarity. Hybrid of an artists’ book and research compendium, Choreo-graphic Figures: Deviations from the Line invokes action by operating as a score that can be activated by others, providing artists, theorists and creative practitioners with a modular toolkit of performative and notational approaches for future experimental play.

Based on original research and edited by Nikolaus Gansterer, Emma Cocker and Mariella Greil. With contributions by Alex Arteaga, Arno Böhler, Christine De Smedt, Catherine de Zegher, Christopher Dell, Gerhard Dirmoser, Karin Harrasser, Adrian Heathfield, Victor Jaschke, Simona Koch, Krassimira Kruschkova, Brandon LaBelle, Erin Manning, Dieter Mersch, Lilia Mestre, Werner Moebius, Alva Noë, Jeanette Pacher, Jörg Piringer, Helmut Ploebst, P.A. Skantze, Andreas Spiegl.

More details on the book here.
Sample pages here.
Buy the book here

12 + 14 November 2017


On Sunday 12 November 2017 Choreo-graphic Figures: Deviations from the Line will give a one day workshop (11:00 – 17:00) hosted by Independent Dance at Siobhan Davies Dance Studios, London, UK. Additionally, on Tuesday 14 November 2017, 19:00 – 20:30 Emma Cocker, Nikolaus Gansterer and Mariella Greil will present a performance lecture at the Crossing Borders Talks in the 2017 series at Independent Dance at Siobhan Davies Dance Studios, London, UK launching their recent publication Choreo-graphic Figures: Deviations from the Line.

Simon Taylor – Prospectus

if p then q is very pleased to announce the publication of Prospectus by Simon Taylor.

prospectus sample

Part Cindy Sherman part HR, Prospectus is a beautiful square format book which consists of a selection of colour photographs and descriptive texts for that all important ‘about me’ page.

Prospectus front cover flattened

Simon Taylor is one half of Joy as Tiresome Vandalism whose works are the books aRb and Absolute Elsewhere and the card game What’s the Best? He has also designed book covers for if p then q and posters for The Other Room poetry series. A sketchbook of his work and images from Prospectus can be found at Instagram – https://www.instagram.com/discomoobs/

You can buy at the if p then q website – LINK

Ben Hickman’s If Bird published by Crater and launch

Ben Hickman’s great little Crater booklet If Bird, Then Tree is now available through Lulu – it’s full colour, with a series of great paintings by Oliver Baggott created in response to Hickman’s poems: “If Bird, Then Tree sees birds as one of our most visible signs of connectedness. Less ‘about’ birds than written around them, the sequence explores the world birds find themselves in: the network of relations and conditions they move through, make up and, finally, are made of. If Bird, Then Tree seeks to identify and identify with a nature that capital constantly makes but insistently makes other.” It’ll be £12 and you can get it through the website now. Use this code at purchase and you should get a 15% discount: FWD15


There’ll also be a London launch event with readings from this book and stuff from some other Crater and Craterish poets at Iklectik (Old Paradise Yard, 20 Carlisle Lane, London SE1 7LG) on the 11th of October at about 19.30. There’ll be readings and you’ll also be able to eye Oliver Baggott’s bird paintings.

Ben Hickman’s books include Later Britain (Oystercatcher, 2014) and the critical works John Ashbery and English Poetryand Crisis and the US Avant-Garde (Edinburgh University Press, 2012, 2015). He works at the University of Kent.

Vera Chok has performed her writing widely and has been published in Rising and Transect magazines and by The Brautigan Free Press and Brain Mill Press. A chapbook, scritch, was written in collaboration with Serena Braida and Gloria Sanders, and new work is on the way.

Robert Kiely is the author of How to Read (2017), Killing the Cop in your Head (2017), and Fionn ag aislingeacht (2014).

T. Peeps writes and performs collaboratively with themselves and other Peeps who are not themselves. Recent publications:Entro & Un-love Son-nots Gutteral (2017), the science of poetry • the poetry of science Linus Slug / Peter Manson broadside (2015), and Type Specimen: An Observant Guide To Linus Slug, Contraband, (2014). Collaborative performances include: Poem Factory and the Masque of Ninnies.

£5/£3 contribution