
Out now on Knives Forks and Spoons.

Out now on Knives Forks and Spoons.
Hi Zero magazine number(ed) 27. On sale. Features poems/prose by Juha Virtanen, Danny Hayward, John DeWitt, Purdey Lord Kreiden, Christina Chalmers, Michael Thomas Taren, Sam Langer, Verity Spott, Timothy
Thornton, Ed Atkins, Lisa Jeschke and Florence Warner. Cover designed by Robbie Dawson, edited by Joe Luna. UK £4 incl. p+p; ROW £6.
Ten Zones by Joe Luna. 18-panel Z-fold concertina pamphlet. Designed and (ltd. number) hand-painted-on by Ed Atkins. Edition of 200. UK £6 incl. p+p; ROW £8.
Contact hizeroreadings@gmail.com to purchase and query.
The next meetings are August 16th, October 25th and 13th of December. 2-4pm at the function room above Terrace bar, in Edge Street, Northern Quarter, Manchester. Organised by Gareth Twose, WFW(N) is an opportunity for innovative/experimental poets to present their work for feedback in a mutually supportive atmosphere. Ideally, please bring along copies of the work you intend to read for the other group members. Anyone who wants to come along but doesn’t want to read is also very welcome.
The Leslie Scalapino Award for innovative women performance writers. The winner will receive a $2,500 cash prize, print publication of the winning text by Litmus Press, a staged reading of the piece this autumn at the The New Ohio Theatre in New York, by Fiona Templeton’s company The Relationship; and a full production of the work in the following year. Deadline 4th July. More here.
Up the stairs (at the back of the barroom) at the Caledonia pub, Catharine Street, in the Georgian Quarter, Liverpool, £4, 7 pm spot-on start!
FRIDAY 27th June 2014
Holly Pester & Evan Jones
Holly Pester is a sound poet, archive-curator and researcher based in London.She has recently completed a practice-based PhD in poetics at Birkbeck, University of London titled, ‘Making Speech-Matter: Recurring Mediations in Sound Poetics and Its Contemporary Practice’. Her practice-work experiments in frequencies of speech, song and articulated noise through performance and installation. She has performed at art events including the Prague MicroFestival 2012, Text Festival 2011 and Serpentine Poetry Marathon 2009, and was a writer in residence at dOCUMENTA 13. Holly Pester’s poetry collection, Hoofs, was released with if p then q press in 2011. See (or rather hear): https://soundcloud.com/#holly-pester
Evan Jones was born in Toronto. A dual citizen of Canada and Greece, he has lived in Britain since 2005. He has a PhD in English and Creative Writing from the University of Manchester and has taught at York University in Toronto, and in Britain at the University of Bolton and Liverpool John Moores University. His first collection, Nothing Fell Today But Rain (2003), was a finalist for the Governor General’s Literary Award for Poetry. He is co-editor of the anthologyModern Canadian Poets (Carcanet, 2010).He is working on a new translation of Cavafy for Carcanet. Did you know Cavafy lived just round the corner from tonight’s venue? Evan did.
See http://www.carcanet.co.uk/cgi-bin/indexer?product=9781847771377
Born of a Liverpool taste for variety and drama, Storm and Golden Sky offers literary high style from across the poetic landscape. Programmed by a collective of Liverpool-based poets, Michael Egan, Nathan Jones, Robert Sheppard and Eleanor Rees.


Out now on Veer Books.


Opened in 1837 and inspired by the Pere Lachaise in Paris, West Norwood became known as the Millionaire’s Cemetery. But within its opulent grounds there are twelve buried names whose currency is language: these are the dead poets of West Norwood.
In the first instalment of a project to map the Magnificent Seven, Chris McCabe takes us off the main track of London writing and asks why the works of Hopkins, Tennyson and Dickinson are still read above those buried in this suburban enclave of South London. Join McCabe on the hunt for a great lost poet, as he walks the winding Gothic paths of the Cemetery and makes an unexpected discovery underground in the catacombs. The stories of those loved and dismissed by Charles Dickens are carefully uncovered; those who influenced Lewis Carroll and Winston Churchill; and those whose burial in the common ground has not been enough to silence them.
A startling and original work of literary detection, In the Catacombs is written in a hybrid form – part literary criticism, part Gothic fiction- and places West Norwood Cemetery and its dead poets back into the foreground of the London psyche.
Out now on Penned in the Margins.
More details HERE

An Oulipian treatment of John Stuart Mill, out now on Knives Forks and Spoons.
A taste of what is to come at The Other Room on July 2nd for our evening of technopoetics, as described by Clive Fencott:
“The text as a catalyst for performance, the poem/piece realised through performance, the text thus lost in performance rather than an end in itself, has been of particular interest to and a way of working for sound poets and others for many years.
The ergodic text, and in particular the cybertext, the dynamic presentation of lexia, selections/creations of a text in response to the reader’s interaction with it through digital means, has been a growing phenomena for over 3 decades now.
This performance is an exploration of the augmented cyber/text as a dynamic entity in performance; the use of both the real and the virtual as augmentation. For instance, the the tactile interaction with the text, in the process of perception, generates data for the augmentation, the digital completion of the audible and/or visual performance.
In this process the text reasserts itself in performance: becomes a player in amongst the performer(s).”
The other performers are Hazel Smith and Roger Dean. Full previews to follow.
Black & BLUE is pleased to present ILLUMINATIONS, a radical new exhibition showing at The Crypt Gallery, London, from the 19th – 21st June. The exhibition explores textual art through a
variety of different media; sculpture, photography, film, painting, ceramics, textiles and works on paper. Featuring works by Robert Montgomery; Julius Kalamarz; Lara Popovic; Anna Pickles Harvey; Hyeran Han; Celia Wickham; Andie Mckenzie Meadows; Lillian Wilkie; Dario Srbic; Kerry O’connor; Simone Barnes; Lindenberg Munroe; Anna Klimentchenko; Christabel Macgreevy; Emma Kelsey; Lewis Lazar; Dane Weatherman; Charles Ogilvie; Stephen Emmerson; Kirsty Andrew; Daniel Leyland; Alice O’Neill. Click on the image to read the catalogue.

No Press is proud to announce the publication of Ulysses by Jacqueline Valencia.
Published in a limited edition of 50 copies (only 25 of which are for sale), Ulysses is available for $3.50 including domestic postage (+ $1 non-Canadian postage).
One of the boundless figures of late 20th century Czech literature, Bohumil Hrabal was a novelist, a drinker, a bon vivant, an avant gardist, a railway dispatcher during the Nazi occupation, a traveling salesman, a steelworker, a recycling mill worker, a stagehand… His novels, which include Too Loud a Solitude, Closely Observed Trains, and I Served the King of England, were censored under the Communist regime, yet have since been translated into nearly thirty languages. A survivor of both the Nazi and Soviet occupations of Czechoslovakia, much of Hrabal’s work juxtaposes the darkness of history to the comic, human-scale happenings of the every-day. His oeuvre is as inimitable as his novels are unforgettable.
Through a half-dozen brand new commissions from some of the most exciting UK based poets, artists, conceptualists, theatre makers and dramaturges, Hrabal will be evoked and enveloped, transposed into some of the most exciting literary experimentalists of contemporary London.
Featuring Zoe Skoulding (sound poetry), Sarah Kelly (book sculptures), Joshua Alexander (film art), Stephen Emmerson (conceptual performance), Marcus Slease (poetry), Tom Jenks (literary experiments), Eva Danickova (stage reading) and Lucinka Eisler (theatre), this is a chance to discover, or rediscover, a great European writer through new and exciting works that pay their debt to the remarkable achievements of Hrabal in the essence of their happening.
Read more at the Czech Centre London site.
An evening of experimental poetry, music and visual art at Out of the Blue Drill Hall, 36 Dalmeny St, Edinburgh, EH6 8RG. Saturday 14th June 2014.
ANAK-ANAK + SARAH HAYDEN + ROBERT KIELY + RICHARD TAYLOR + ILIOP
This evening raises its glass to Dick Higgins who said: ‘The idea has arisen, as if by spontaneous combustion throughout the entire world, that these points are arbitrary and only useful as critical tools, in saying that such-and-such a work is basically musical, but also poetry. This is the intermedial approach, to emphasize the dialectic between the media… As with the cubists, we are asking for a new way of looking at things. We do not ask any more to speak magnificently of taking arms against a sea of troubles, we want to see it done.’
More here.

Crabtree lived here and his father before him,
but neither of them built the pyramid.
40 poem chapbook by Tom Jenks, out now on The Red Ceilings.
Monday, 9th June, 18:00 F02, Firth Court, Western Bank
Free Entry. All are Welcome
Readings by Zoe Skoulding and Lisa Robertson followed by a Conversation with Lisa Robertson
Lisa Robertson is a Canadian poet now living in France.With Matthew Stadler she edited and annotated Revolution: A Reader, a 1200 page guide to how to live in the present. Her books include Debbie: An Epic and The Weather, both co-published in the UK by Reality Street Editions, a collection of essays Nilling (Bookthug, 2012), Occasional Work and Seven Walks from the Office for Soft Architecture (Coach House, 2004), Magenta Soul Whip (Coach House, 2009) and RE28099s Boat (University of California Press, 2010). Cinema of the Present is forthcoming from Coach House, and Enitharmon is to publish a new edition of The Men (Bookthug, 2006). She was the Bain Swigget visiting Lecturer in Poetry at Princeton University, and teaches in the MFA programme at Piet Zwart Institute in Rotterdam.
ZoeSkoulding is a poet, translator, editor and critic. She has published four collections of poetry, most recently The Museum of Disappearing Sounds (Seren, 2013) and Remains of a Future City (Seren, 2008), poems from which have been widely translated. She has performed her work at many international festivals, often incorporating electronic sound in her readings as well as collaborating with musicians. She is Senior Lecturer in the School of English at Bangor University.
20/06/2014, 6:30 pm – 7:30 pm.
A reading from contributors from the Bloodaxe anthology, Dear World & Everyone in it, including Nathan Hamilton, Steven Fowler, Kate Kilalea and Sam Riviere as part of the Midsummer Poetry Festival at Bank Street Arts, Shefiield.