Kerry Morrison – A Preview

The next Other Room takes place on December 7th 2016 at The Castle Hotel, Manchester and as always is free entry. It features Kerry Morrison, Wayne Clements & Cathy Butterworth. More at the EVENTS page.

Kerry Morrison – Kerry is an experienced environment artist and ecologist. She has worked throughout the UK, including commissions for Liverpool Biennial, Tate Liverpool, and Grizedale Forest. Kerry has also worked in forests in Japan and Korea, parks, wilderness and farms in Germany, neighbourhoods in America, and urban streets in Finland. Her work is often performative and since 2006 she has endeavoured to create art without creating demands on natural resources.

Here is an example of her work, ‘Bird Sheet Music’ as featured on the BBC and at The Tate Gallery

Charles Bernstein – a preview

The next Other Room is on Monday 3rd October at The Castle Hotel, Manchester, featuring Susan Bee, Charles Bernstein and Maggie O’Sullivan. 7 PM start, free entry, as always.

This clip is of v’s University of Pennsylvania 6o second lecture What Makes a Poem a Poem?

Charles Bernstein is an American poet, essayist, editor, and literary scholar. He holds the Donald T. Regan Chair in the Department of English at the University of Pennsylvania and is one of the most prominent members of the Language poets, having co-edited (and co-founded) L=A=N=G=U=A=G=E magazine with Bruce Andrews between 1978 and 1981. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. He has published 17 major books of poetry including Legend, with Bruce Andrews, Steve McCaffery, Ron Silliman and Ray DiPalma (New York: L=A=N=G=U=A=G=E/Segue, 1980), Controlling Interests (Roof Books, 1980), Islets/Irritations (Roof Books, 1992), Rough Trades (Sun & Moon, 1991) The Sophist (Sun & Moon, 1987) and many others, including two selected volumes: Republics of Reality: 1975-1995 (Sun & Moon, 2000) and All the Whiskey in Heaven: Selected Poems (Farrar, Straus and Giroux, 2010). Bernstein is also an important critic and editor of contemporary poetry and this year the University of Chicago press published his Pitch of Poetry. His other remarkable critical writings include: Attack of the Difficult Poems: Essays and Inventions (University of Chicago Press, 2011), My Way: Speeches and Poems (University of Chicago Press, 1999), A Poetics (Harvard University Press, 1992) and Content’s Dream: Essays 1975-1984 (Sun & Moon Press, 1986). Other notable projects include A Conversation with David Antin (Granary Books, 2002) and Shadowtime: a libretto for an opera about Walter Benjamin with music by Brian Ferneyhough (Green Integer, 2005). Find out more about his work at the Electronic Poetry Center and Penn Sound.

Susan Bee – a preview

The next Other Room is on Monday 3rd October at The Castle Hotel, Manchester, featuring Susan Bee, Charles Bernstein and Maggie O’Sullivan. 7 PM start, free entry, as always.

This clip is a sound recording of Susan Bee reading with Johanna Drucker as part of the Segue Series at the Bowery Poetry Club, New York, May 2007.

Susan Bee is an artist who lives in Brooklyn. She has had seven solo shows at A.I.R. Gallery, NY, and solo shows at Southfirst Gallery, Accola Griefen Gallery, and Lisa Cooley Gallery in NY. She has a BA from Barnard College and a MA in Art from Hunter College. Bee has published sixteen artist’s books. She has collaborated with poets including: Johanna Drucker, Susan Howe, Charles Bernstein, and Jerome Rothenberg. She is the coeditor of M/E/A/N/I/N/G Online. Bee received a Guggenheim Fellowship in Fine Arts in 2014. She teaches at the University of Pennsylvania. Find out more about her work at the Electronic Poetry Center site and at Penn Sound.

Maggie O’Sullivan – a preview

The next Other Room is on Monday 3rd October at The Castle Hotel, Manchester, featuring Susan Bee, Charles Bernstein and Maggie O’Sullivan. 7 PM start, free entry, as always.

This clip is of Maggie O’Sullivan’s interpretation of the letter L, part of our celebration of Bob Cobbing’s The ABC in Sound in October 2012. For more clips of Maggie, see her page at Penn Sound or her performance as part of the Other Room’s Poems for the Millennium launch in October 2010.

Maggie O’Sullivan has been making and performing her work internationally since the mid 1970s. Anthology appearances include Poems for the Millennium, Volume 2. She is the editor of out of everywhere: an anthology of contemporary linguistically innovative poetry by women in North America and the UK (1996). Books include eXcLa with Bruce Andrews (1993), In the House of the Shaman (1996), red shifts (2001), Palace of Reptiles (2003), all origins are lonely (2003) and Body of Work (2006), WATERFALLS (2009), ALTO (2009), and murmur (2011). The Salt Companion to Maggie O’Sullivan (2011) collects essays by contemporaries on her work. Her author page at Pennsound is a primary resource for online recordings of her readings/performances. Her website is www.maggieosullivan.co.uk

James Wilkes: a preview

https://youtu.be/E37JWNMJ750

The next Other Room is on Thursday 25th August at The Castle Hotel, 66 Oldham Street, Manchester, M4 1LE. 7 PM start, free entry. The readers are Joey Frances, David Kennedy, Wanda O’Connor and James Wilkes.

James Wilkes is a poet, writer and performance maker. His poems and prose have appeared recently in GorsePoetry Wales, Torque 2 andThe Wire; recent performances have included live work for ‘This is a Voice’ (Wellcome Collection, London) and ‘Where Were We – On Intimacy, Writing, Body’ (Godsbanen, Aarhus). He is Associate Director of Hubbub, an interdisciplinary group of artists and researchers investigating rest, noise, tumult, activity and work. Links: www.renscombepress.co.uk // twitter.com/wilkesjames

 

Wanda O’Connor: a preview

The next Other Room is on Thursday 25th August at The Castle Hotel, 66 Oldham Street, Manchester, M4 1LE. 7 PM start, free entry. The readers are Joey Frances, David Kennedy, Wanda O’Connor and James Wilkes.

Wanda O’Connor is a doctoral candidate at Cardiff University researching the intersections between critical theory and contemporary poetry. Recent writing is available in Asymptote, Datableed, Magma, Poetry Wales, Zarf, and “The Best Canadian Poetry 2014” (Tightrope Books). She co-organizes the Cardiff Poetry Experiment reading series and participates in collaborative projects, most recently with Enemies Gelynion. She is currently composing a film project and a libretto.

Links:

Asymptote: http://www.asymptotejournal.com/special-feature/wanda-o-connor-omophagos/
Datableed: http://www.datableedzine.com/#!wandaoconnorfuguestate/ch41f
Poetry Wales: http://poetrywales.co.uk/wp/2953/poem-palatine-hill-by-wanda-oconnor/
Junction Box: http://glasfrynproject.org.uk/w/4041/wanda-oconnor-drawing-hour/

Sad Press Summer Bundle

** THE SAD PRESS SUMMER BUNDLE **

1. Karl M.V. Waugh, Obsessed by Proportions
2. Tom Jenks, An Anatomy of Melancholy
3. Anne-Laure Coxam, Toolbox Therapy
4. R.K., Killing the Cop in Your Head
5. Sally-Shakti Willow & Joe Evans, The Unfinished Dream
6. Eley Williams, Frit

Your friends are all telling you this is normal and fine and even a gesture of friendship but you’re not so sure. Anyway you may have them ALL for £30 (c.$1.07) including P&P at http://sadpress.wordpress.com, & they will be posted to you as they’re published between now and December.

PS: Review copies of individual titles available on request. Or we’ll do you the bundle for 0.07 BTC or 3 Echos (http://economyofhours.com/): get in touch & we’ll figure that out. We do also still have copies available of Jennifer Cooke’s Apocalypse Dreams (£5 incl. P&P, http://sadpress.wordpress.com), & back catalogue PDFs are available by donation (scroll down).

David Kennedy: a preview

The next Other Room is on Thursday 25th August at The Castle Hotel, 66 Oldham Street, Manchester, M4 1LE. 7 PM start, free entry. The readers are Joey Frances, David Kennedy, Wanda O’Connor and James Wilkes.

David Kennedy was born in Leicester in 1959 and has degrees from the universities of Warwick and Sheffield. He is Senior Lecturer in English and Creative Writing at the University of Hull and publishes widely on elegy, ekphrasis and experimental poetries. His books include Women’s Experimental Poetry in Britain 1970-2010, co-authored with Christine Kennedy. His own poetry has appeared in three collections from Salt including The Devil’s Bookshop. His most recent collection is a book length sequence about the art of the French painter Paul Cezanne entitled The Apple and The Mountain (Shearsman 2015). More at David’s author page at Archive of the Now: http://www.archiveofthenow.org/authors/?i=50

The Blue Bus – Keith Jebb, Phillip Rowland & Cathy Weedon

The Blue Bus is pleased to present a reading of poetry on Tuesday 16th August  at 7.30 by  Keith Jebb, Phillip Rowland and Cathy Weedon. PLEASE NOTE CHANGE OF VENUE the reading will still be in Lambs Conduit street but slightly further up at:

The Perseverance (pub) 
63 Lamb’s Conduit St,
London 
WC1N 3NB.

This is the 115th  event in THE BLUE BUS series. Admissions: £5 / £3 (concessions). For future readings in the series, please scroll down to the end of this message.

Keith Jebb teaches Creative Writing at the University of Bedfordshire,  he published ‘hide white space’ and ‘tonnes’, both from Kater Murr’s Press, and  has been in numerous poetry magazines over the years, including Folded Sheets, Fire and Poetry Salzburg Review. He also co-edited New Poetry from Oxford, and is one of the organisers of The Blue Bus. 

Born in south-west London in 1970, Philip Rowland is a long-time resident of Tokyo ‘Something Other Than Other’, (Isobar Press) is Philip Rowland’s most recent collection an excerpt can be found at:   http://isobarpress.com/?page_id=1281

Philip  has published two previous collections and is the founding editor of NOON: journal of the short poem; he is also co-editor of the anthology Haiku in English: The First Hundred Years (Norton, 2013).

Cathy Weedon was born in Stoke-on-Trent and moved to Luton in the 1970s. She recently completed an MA in Creative Writing at the University of Bedfordshire. Previously she has created thematic visual poetry. Her recent book is ‘1-50’ (Blart Books 2015). She has read at the Blue Bus and in 2015 she contributed to SJ Fowler’s Mahu exhibition at the Hardy Tree Gallery. In February 2016 she read at the Institute of English Studies as part of a symposium for Race & Poetry & Poetics in the UK.

Joey Frances: a preview

The next Other Room is on Thursday 25th August at The Castle Hotel, 66 Oldham Street, Manchester, M4 1LE. 7 PM start, free entry. The readers are Joey Frances, David Kennedy, Wanda O’Connor and James Wilkes.

Joey Frances is based in Manchester. He is a member of Generic Greeting, a multi-disciplinary arts collective with whom he has collaborated on zines, posters, exhibitions and other events. He also co-organises the reading series Peter Barlow’s Cigarette. His poetry has appeared in Manchester Poets Declare A No Spy Zone, The Red Ceilings, e-ratio, The Curly Mind, Generic Greeting Zine #1 & #2, Sure Hope #1 (collab with Bryony Bates), Brewtopia by Generic Greeting for the Manchester Beer Festival, Brexit: Borders Kill (collab with Will Berry). His first full collection, a l’instar de, was published this year with Knives Fork and Spoons Press. He will shortly begin a PhD on contemporary innovative poetry and ideological resistance. Find him at bubblethesedatasets.tumblr.com // genericgreeting.co.uk // twitter @JoeyFrances

 

The Start of Sentences

James Davies’ experiences of reading Robert Grenier’s Sentences in Bury’s Text Art Archive:

I don’t want to go into individual poems so much here as to explain the joy of reading Sentences as archived material, in the archive, and the processes of reading the poems in accordance with the way Sentences is catalogued. The copy of Sentences at Bury, “The Bury Sentences” as I now call it, is a like a “bootleg” record — just as cool as the original but with minor differences to interest the aficionado. I’ll explain why.

LINK for more.

Blue Bus – Giles Goodland, Alistair Noon, Juliet Troy

The Blue Bus is pleased to present a reading of poetry on Tuesday 21st June  at 7.30 by  Giles Goodland, Alistair Noon and Juliet Troy at The Lamb (in the upstairs room), 94 Lamb’s Conduit Street, London WC1. This is the 113th  event in THE BLUE BUS series. Admissions: £5 / £3 (concessions). For the next reading in the series, please scroll down to the end of this message.

Giles Goodland has published several books of poetry including A Spy in the House of Years (Leviathan, 2001), Capital (Salt, 2006), What the Things Sang (Shearsman, 2009), Gloss (Knives Forks and Spoons Press, 2011) and The Dumb Messengers (Salt, 2012) and in collaboration with Alistair Noon) Surveyors’ Riddles, Sidekick Books.

Alistair Noon’s most recent publications are The Kerosene Singing (Nine Arches Press, 2015) and Surveyors’ Riddles (Sidekick Books, 2015), a collaboration with Giles Goodland from which they’ll be reading at this event. He has also published a dozen chapbooks of poetry and translations from German and Russian from various small presses, and appeared in anthologies including Sea Pie, Lung Jazz and The Best British Poetry 2013. His hobby is translating Osip Mandelstam. He lives in Berlin.

The Kerosene Singing available from Nine Arches Press
http://ninearchespress.com/publications/poetry-collections/thekerosenesinging.html

Surveyors’ Riddles, with Giles Goodland, available from Sidekick Books
http://www.sidekickbooks.com/surveyorsriddles.php

Juliet Troy is an anglo/guyanese poet and one of the organisers of the Blue Bus.  Her  work includes  Rhythm of Furrows across a field, 2013 – Kater Murr  and  Motherboard, 2015 – Knives Forks and Spoons – one of these poems was displayed in last Autumn’s Blackpool illuminations. She has had work published most recently in Snow Lit Rev, Spring 2016 –  Allardyce, Barnett.

The next reading at the Blue Bus will be by Peter Larkin, Joanne Ashcroft and tbc on Tuesday July 19th at 7.30.

The Other Room website rebooted!

The Other Room website has been running the whole duration we’ve been running our nights and has started to bulge and bulge. So we decided to do a bit of a spring clean in order to make it easier to navigate. We’ve also tidied up all those inevitable missed links which Mick Weller celebrates HERE.

If you’re old or new to the site have a look around our massive archive of blog/news posts, video archive from most of our readings, video and print interviews, book reviews, reviews of our events, poster archive and photos. Don’t forget of course to check out our upcoming events and annual anthology.

James, Scott & Tom

 

 

Neil Campbell, Rhys Trimble & Tim Allen at Verbose

Monday 23 May 2016, Manchester literature night verbose continues

Headliners from the fabulous Knives Forks and Spoons press: Tim Allen, Neil Campbell and Rhys Trimble.

Live literature night Verbose is back on Monday 23 May, with special guests from the fabulous Knives Forks and Spoons press and the usual open mic of prose and poetry performances – sign up for a three-minute slot by emailing verbosemcr at gmail dot com.

Run by Alec Newman, Knives Forks and Spoons has developed the biggest avant garde poetry list in the UK since its launch in 2010, publishing seminal international figures in experimental poetry together with many young poets and “outsider” practitioners. May’s Verbose welcomes Tim Allen, Neil Campbell and Rhys Trimble.

Tim Allen edited the magazine Terrible Work and is involved with the Peter Barlow’s Cigarette live literature events in Manchester. He has a number of poetry pamphlets to his name. Neil Campbell has been included three times in the brilliant Best British Short Stories series. He has three collections of short fiction, two poetry chapbooks and his first novel, Sky Hooks, is out in September. Rhys Trimble is a poet and shoutyman from Wales who enjoys poetry across languages. He has performed extensively across UK and Europe.

Verbose is hosted by Sarah-Clare Conlon at Fallow café, 2a Landcross Road, Fallowfield, M14 6NA. It’s free entry and doors are at 7.30pm. Verbose takes place every fourth Monday of the month.

 

Gary Fisher: a preview

Gary Fisher will perform at our next event on Wednesday 13th April. The other performers are Stuart Calton, Linda Kemp and Rosanne Robertson. Scroll down for previews of Stuart and Linda, with a preview of Rosanne to appear here in the next few days.

​Gary Fisher is an artist and improviser who explores sounds, objects, actions, words and places through processes of experimentation and enquiry. He has made works for live radio, gallery installation, performance and published recordings. Central to the work is the on-going development of improvised playing, composing and recording practises exploring intersections between analogue and digital, acoustic and electronic, composed and accidental. He is particularly interested in using found sounds and materials, the amplification of objects and surfaces and site-specific responses.

After graduating from the University of Salford in 2008 with BA in Visual Arts and already focussing on sound, Gary went on to develop his work independently for a number of years before joining the Masters in Sound Arts programme chaired by David Toop at The London College of Communication and graduating in 2015.

Working solo and collaboratively Gary has created various live, recorded and site-based works including: the experimental radio broadcast The Inaugural Terminal Program on Resonance FM London with artists Barry Dean and Gilda Manfring; a group improvisation as YARD Collective in the 50th anniversary installation of Allan Kaprow’s YARD at The Hepworth Wakefield for David Toop and Rie Nakajima’s Sculpture series. In 2015 he played in an ensemble with Christian Marclay, Thurston Moore, members of London Sinfonietta and CRISAP for Marclay’s major exhibition at White Cube London; during press week of Venice Biennale featured in Rob Pruitt’s Flea Market with Gilda Manfring and in collaboration with the School For Curatorial Studies Venice and during April 2015 Gary was artist in residence for Noise Above Noise at the Penthouse, Manchester. More here.