THE PASSION OF PHINEAS GAGE & SELECTED POEMS

Poetry. THE PASSION OF PHINEAS GAGE & SELECTED POEMS presents the best of Jesse Glass’ experimental writing in a single volume. Glass’ ground-breaking work has been hailed by poets as diverse as Jerome Rothenberg, William Bronk and Jim Daniels for its insight into human nature and its exploration of forms. Glass uses the tools of post-modernism: collaging, fragmentation, and Oulipo-like processes along with a keen understanding of poetic forms and traditions that stretches back to Beowulf and beyond. Moreover, Glass finds his subject matter in larger than life figures like Phineas Gage-the man whose life was changed in an instant when an iron bar was sent rocketing through his brain in a freak accident. The product of over 30 years of engagement with the avant-garde, THE PASSION OF PHINEAS GAGE & SELECTED POEMS is the work of a mature poet who continues to reinvent himself with every text he produces.

A native of Carroll County, Maryland, Jesse Glass now makes his home in Tokyo, where he teaches American literature and history at Meikai (Bright Sea) University. His books include LOST POET: FOUR PLAYS BY JESSE GLASS (BlazeVOX Books, 2010), Gaha Noas Zorge (New Sins Press, 2009), and THE PASSION OF PHINEAS GAGE & SELECTED POEMS (Ahadada Books/West House Books, 2006). Praised by Geraldine Monk, Jerome Rothenberg, Michael Heller, William Bronk, and other major voices of contemporary experimental poetry, Glass is an internationally acclaimed performer of his own work and features prominently at PennSound, Ubu Web, and in dozens of other anthologies and magazines devoted to “the sweet science.” He is currently developing a puppetry and poetry theater with the aid of his students. Glass’s literary manuscripts are archived in Special Collections at the University of Maryland Libraries, College Park and ten of his handmade, painted books are in the collection of the Tate Gallery, London.

Published by Ahadada Books/West House Books.

West House Books

Steve McCaffery PANOPTICON. BookThug rev. edn. 2011. £15

Taking its inspiration from Jeremy Bentham’s ‘Panopticon Papers’, McCaffery’s Panopticon shatters all omnivision in a tour de force of formal innovation, theoretical comment and narrative critique. In Panopticon narrative stutters, repeats itself, sequence is deranged and complicated by a multimedia presence on the page of grids, film bands and acoustic channels. On its first appearance Charles Bernstein hailed the book as ‘perhaps the exemplary “antiabsorptive work” and William McPheron claimed it as “an extraordinary act of revolution and charity”. Out of print for more than twenty years, this new edition has been revised extensively and is accompanied by an afterword written by McCaffery himself.

OPEN LETTER 14.7, Fall 2011: Breakthrough Nostalgia: Reading Steve McCaffery Then and Now. Ed. Stephen Cain. 172pp. £10.50

W/ contributions by Geoffrey Hlibchuk, Stephen Voyce, Gregory Betts, Tim Conley, Jason Starnes, Alessandra Capperdoni, Jean-Jacques Lecercle, Matt Carrington, Lori Emerson, Andy Weaver, Christian Bök, Derek Beaulieu, Alan Halsey, Peter Jaeger + new poetry & prose by SMcC.

Allen Fisher PROPOSALS, 1-35. Poem-image-commentary. 76pp incl. 35 images in colour. Spanner 2010. £9.50

Allen Fisher STROLL & STRUT STEP. 16pp + 3 images in colour. Spanner 2004. £7.50

Post-free in UK. Payment by cheque or Paypal.

Orders to info@westhousebooks.co.uk

www.westhousebooks.co.uk

The Text of Shelley’s Death

Alan Halsey

reading

The Text of Shelley’s Death

An Optic Nerve CD, 70′ 37″

Recording by Colin Still

£12 post free in the UK. Payment by cheque or Paypal.

The Text of Shelley’s Death was first published by Five Seasons in 1995. The West House reprint, 2001, 84pp, is still available @ £8.95

The Text of Shelley’s Death ‘merely underlines one’s worst fears that the postmodern world view adds nothing to any subject and tends to confuse what we already know.’ Christopher Goulding, Keats-Shelley Review

”I sometimes carry it with me for protection against the spirits who want to steer me away toward death.’ Ronald Palmer, Goodreads

West House Books, 40 Crescent Road, Nether Edge, Sheffield S7 1HN

www.westhousebooks.co.uk

info@westhousebooks.co.uk

New from West House Books

 
Co-published by BookThug & West House Books
 
 
Karen Mac Cormack:
 
TALE LIGHT: NEW & SELECTED POEMS 1984-2009
 
192pp.
isbn 978-1-904052-26-5
 
£14.95 postfree in UK
 
Review copies will be sent on request.
 
 
TALE LIGHT draws from previously uncollected poems, revisions of published earlier poetry from Nothing by Mouth, Straw Cupid, Quill Driver, Quirks & Quillets, Marine Snow, The Tongue Moves Talk, At Issue, Vanity Release, and a rich selection of new work. For the first time the strategies Mac Cormack develops for each separate project (her often witty and ludic explorations, wherein she confronts the habitual in language and representation) are brought together for the reader as a collective textual experience.
 
‘Mac Cormack’s concern with the contingent, fugitive aspects of sense and perception as revealed when confronted with their temporal character yields a pleasure not as mastery but of mystery and surprise. … The atomic components of Mac Cormack’s text function as “lucid apertures”. Openings “to supply instead of render” a focus on the multiple.’ Scott Pound, American Book Review
 
‘From the beginning this poet’s approaches to writing have been beguiling: seemingly aloof and simultaneously engaging, probing and juxtaposing lexes, iconoclastic in her approaches and very funny. … Few writers make such a wrestle with language and our own unconscious syntactic projections onto the printed page so rich and illuminating.’ David Annwn, The David Jones Journal
 
 
Other titles by Karen Mac Cormack available from West House
( * = not represented in Tale Light ) :
 
* Implexures (Complete Edition). Polybiographical prose-poem. Chax & West House 2008. 132pp. £11.95
Plural Modifiers. Gargoyle 2006. 4pp. £2.50
* From a Middle (with Steve McCaffery). Housepress 2nd edn 2003. 28pp. £6
Nothing by Mouth. BookThug reprint 2003. 40pp. £6.50
At Issue. Coach House 2001. 70pp. £8.50
* Fit to Print (with Alan Halsey). Coach House & West House 1998. 64pp. £8.50
The Tongue Moves Talk. Chax & West House 1997. 60pp. £7.50
 
(all prices including UK postage)
 
Payment by cheque or Paypal.
 
West House Books, 40 Crescent Road, Nether Edge, Sheffield S7 1HN
 

BILL GRIFFITHS: COLLECTED EARLIER POEMS (1966-80)

We’ve already posted about this, but it’s well worth a reminder that Bill Griffiths’ Collected Earlier Poems (1966-80) is now available. Details of this and the upcoming Birkbeck launch event below, via Alan Halsey:

BILL GRIFFITHS: COLLECTED EARLIER POEMS (1966-80)

Published by Reality Street in association with West House Books

This volume brings together for the first time the late Bill Griffiths’ poetry up to ‘Building: The New London Hospital’. The text, edited by Alan Halsey in consultation with Ken Edwards, includes the full ‘Cycles’ and ‘War W/ Windsor’ sequences that so astonished readers when they first appeared, as well as much other poetry that was published by his own Pirate Press imprint, Writers Forum and other small presses during the 1970s; and also poems and performance texts that have only made fleeting appearances in ephemeral pamphlets and magazines, or have never been published before. The works are presented in largely chronological order. Comprehensive endnotes detail both the publishing history and (Griffiths having been an inveterate reviser) variations in texts and alternative versions.

368pp.
ISBN: 978 1874400 45 5
Publication date 29 January 2010
Pre-publication price £17.50 post free
(after January, £18 + post)

Orders to reality.street@virgin.net or info@westhousebooks.co.uk

LAUNCH at Birkbeck, Wednesday 17th February, 7.30
in Room 203, Clore Management Centre (Torrington Square, facing Birkbeck main entrance)
featuring a reading of the complete Cycles by Sean Bonney, Ken Edwards, Allen Fisher, Alan Halsey, Geraldine Monk & Maggie O’Sullivan

cris cheek’s part: short life housing

Published by The Gig, 2009, 259pp. The most substantial collection to date of cris cheek’s ‘poems performing thematic extraction’: mud (and fluff), fogs, squat, broom sleigh, plain speaking yet, canning town chronicles, short life housing: texts begun in the 1980s & ’90s and worked through into the 2000s.
 
£17 + £2.24 UK postage. Payment by cheque or PayPal.
 
or West House Books, 40 Crescent Road, Nether Edge, Sheffield S7 1HN
 
‘is your tongue a glom / weapon that stains?’ cris cheek is the Kepler of Chisenhale Dance Space. After a century of developments in poetic form best understood as a series of metaphors for transcribed speech, cheek’s poetry often is transcribed speech, throwing shapes on the page that pay homage to (and lay the ghosts of) all the dead metaphors. As in Alvin Lucier’s I Am Sitting in a Room, the speech in cheek’s work functions as something like echolocation: its reflections (on him and in us) mapping out an ever more complex and multifocal shape for the public sphere, ‘where others fear to / t / read’. Peter Manson
 
‘For all its thickness, unanticipated moves, visual beauty, and playful language acrobatics, the poetry of part: short life housing consistently retains the edge of serious critique. There are few poets as attuned to the sounds and ambient fogs of everyday life as cris cheek, yet his record is tuned and sharply turned toward the reimagining of social knowledge. This volume is a generous move towards the full representation of cheek’s crucial project.’ Carla Harryman
 
‘Finally a good and rich span of writings from cris cheek. Here’s an artist and writer whose work has always taken up active tenancy of the languages and the streets of urban living, recording them and composing them back into the dense abstract neighbourhoods of his pieces. With this careful selection, cris cheek reminds us that he is a Londoner and as such is inhabited by Dickens’ dark maze of industrial streets as by mind-altering years of activist art lodgings, smoggy thoughtful wanderings or the eerie shock of the thatcherite city. That’s at least two hundred years of grime, greed and energy you’ll find distilled in the cellular lines and ink splashes of this great volume.’ Caroline Bergvall
 

Alan Halsey: Term as in Aftermath

Poems 2005-2008, including the complete ‘Looking-glass for Logoclasts’, the first publication of ‘Unkempt Archive’ and in the title sequence re-readings of texts from the schoolbooks of the ancient Egyptians via Seneca and Stein to The Tennis Court Oath and the codenames of recent military operations, together with translations of newly discovered fragments of Mercurialis and further studies of the lizopard.

100pp. ISBN 978-0-9808873-5-8. £11.95 postfree in UK.
 
North American distribution by SPD. More information at West House Books.