James Davies
Peter Barlow’s Cigarette #15 – Alan Halsey, Tom Jenks, Geraldine Monk, Harriet Tarlo
An afternoon of experimental poetry
Featuring Alan Halsey, Tom Jenks, Geraldine Monk & Harriet Tarlo.
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Free entry, all welcome. Wine.
Upstairs at Deansgate Waterstones. 4pm. Saturday 7 November.
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Alan Halsey will be reading from his Versions of Martial, published earlier this year by Knives Forks & Spoons. His back catalogue includes The Text of Shelley’s Death (Five Seasons 1995), Marginalien (Five Seasons 2005) and Rampant Inertia (Shearsman 2015). Images he developed out of Dee & Kelley’s Enochian transcripts form the graphic component of Nigel Wood’s From the Diaries of John Dee, recently published by Apple Pie Editions. ‘Halsey’s publications bolt around the field like a deranged beagle’ (Ray Davis, Pseudopodium).
Tom Jenks’ latest collection is Spruce, published by Blart Books. Other works include Items, a 1000 fragment sequence published by if p then q, The Tome of Commencement, a spreadsheet translation of the Book of Genesis published by Stranger Press and 1000 Proverbs, a guide to modern life and manners with SJ Fowler, published by Knives Forks and Spoons. He administers the avant obects imprint zimZalla and co-organises The Other Room reading series and website
Geraldine Monk was first published in the 1970’s. Her poetry has appeared extensively in the U.K. and USA. Her latest book They Who Saw The Deep will be published next year in the USA by Free Verse Editions/Parlor Press. She is an affiliated poet to the Centre of Poetry and Poetics at the University of Sheffield.
Harriet Tarlo’s poetry publications include Love/Land (REM Press, 2003), Poems 1990-2003 (Shearsman Books, 2004), Poems 2004-2014 (Shearsman, 2015) Nab (Etruscan Books, 2005) and 2 artists books, Sound Unseen and behind land with Judith Tucker (Wild Pansy, 2013, 2015). Her academic essays on modernist and contemporary poetry appear in critical volumes published by Edinburgh University Press, Salt, Palgrave and Rodopi. Recent critical and creative work appears in Pilot, Jacket, Rampike, English Journal of Ecocriticism; Classical Receptions and Yellow Field. Exhibitions of texts, in collaboration with Jem Southam and Judith Tucker, have appeared at The Lowry, Salford, Tullie House, Carlisle; Musee de Moulages, Lyon and The University of Minneapolis. She edited a special feature on “Women and Eco-Poetics” for How2 Vol 3: No 2 and The Ground Aslant: An Anthology of Radical Landscape Poetry (Shearsman 2011). She is a Reader in Creative Writing at Sheffield Hallam University
Cardiff Poetry Experiment – COLE SWENSEN, DAVID GREENSLADE, CAMILLA NELSON
Please join us at the next Cardiff Poetry Experiment on Friday, 30th of October.
Doors open at 7pm, readings promptly at 7:30pm, with free admission
accompanied by tea, cake and discussions
At the Waterloo Teahouse, Wyndham Arcade, Cardiff City Centre, CF10 1FH (enter opposite Central Library)
Featuring: COLE SWENSEN, DAVID GREENSLADE, CAMILLA NELSON
Cole Swensen is the author of fifteen volumes of poetry, most recently Landscapes on a Train (Nightboat Books, 2015) and Gravesend (U. of California Press, 2012), and a volume of essays, Noise That Stays Noise (U. of Michigan Press, 2011). She co-edited the 2009 Norton anthology American Hybrid and was guest editor of the 2014 Best American Experimental Writing from Omnidawn Press. A translator of contemporary French poetry, prose, and art criticism, she is the founding editor of La Presse Books (www.lapressepoetry.com), which specializes in contemporary experimental French writing translated by English-language poets. Her awards include a Guggenheim Fellowship, a PEN USA Award for Literary Translation, the Iowa Poetry Prize, and the San Francisco State Poetry Center Book Award, among others. She divides her time between Paris and Providence, Rhode Island in the U.S., where she teaches at Brown University.
David Greenslade is a reluctant surrealist and isn’t sure why. Recent books include Rarely Pretty Reasonable – made with thirty visual artists – and Free Style, a collaborative translation of Czech surreal poet Josef Janda. His work has a theatrical dimension and has been broadcast on television.
Camilla Nelson is a poet, text-artist, researcher and collaborator across a range of disciplines. She is poetry editor for The Goose and founding editor of Singing Apple Press. Her first full collection Apples & Other Languages was long-listed for the 2015 Melita Hume Poetry Prize and is due to be published by Knives Forks and Spoons Press in May 2016.
Cardiff Poetry Experiment is supported by Cardiff University’s School of English, Communication and Philosophy.
cardiffpoetryexperiment.blogspot.co.uk
Enjoy Your Homes Press
Linda Kemp’s new little press of pamphlets and sound recordings. More https://eyhpress.wordpress.com
David Gaffney, Dan Berry, Sarah Lowes – The Three Rooms In Valerie’s Head
The Three Rooms In Valerie’s Head
The Three Rooms in Valerie’s Head by Dan Berry and David Gaffney is a Lakes International Comic Art Festival commission. Experimental and original, it’s a live performance of a graphic novel with projected images and specially commissioned music by acclaimed recording artist Sara Lowes. The piece explores relationships, memory, loneliness and obsession in a darkly humorous way, and will also be published in book form. Dan Berry is an illustrator, designer, cartoonist and lecturer.
The first performance is at 6 o’clock on Saturday 17th October at the Brewery Arts Centre, Kendal, as part of the Lakes International Comic Arts Festival.
Anna Mendelssohn archive launch
Transformation Marathon at The Serpentine Gallery
Major American poets Aram Saroyan and Robert Grenier will be at this great all day event at The Serpentine on October 17th.
Among many other topics, the Transformation Marathon invites artists, writers, academics, scientists, musicians and filmmakers to explore the transformative potential of micropolitics as well as changes in art, literature and design; transgender politics and pharmacology; adaptation, the environment and the futurology of cyborgs; bio-engineering and artificial intelligence. In its tenth year, the Marathon also addresses the transformation of the art institution, in a special section with curator and historian Dorothea von Hantelmann and artist Tino Sehgal.
Participants on stage and on air include: Peter Adamson; Etel Adnan; Sophia Al-Maria; Ayşe Gül Altınay; Katherine Angel; Julieta Aranda; Mary Bauermeister; Liz Berry; Nick Bostrom; Roy Boswell; Rosi Braidotti; Federico Campagna; Judy Chicago; Ken Cockburn; Gabriella Coleman; Company: Movements, Deals and Drinks by artist group Myvillages; CA Conrad; Hilary Cottam; Aimee Meredith Cox; Elysia Crampton; Jude Crilly; Abraham Cruzvillegas with Mark Godfrey; Keren Cytter; Deep Lab with Kate Crawford, Harlo Holmes, Madeleine Varner, Joana Varon, and Addie Wagenknecht; John Densmore; Leah Borromeo and Katharine Round as Disobedient Films in collaboration with Jamie Perera; Marcus du Sautoy; Jimmie Durham; Francine Elena; Tim Etchells; Alec Finlay; Gilbert & George and Victoria; Harry Gilonis; Dominique Gonzalez-Foerster; Adam Greenfield; Robert Grenier; Haunted Machines (Natalie Kane and Tobias Revell); Lynn Hershman Leeson; Helen Hester; Adrian Hon; Charles Hope; Juliet Jacques; Alejandro Jodorowsky; François Jullien; Samson Kambalu; Alexandra Kleeman; Bruno Latour; Gil Leung; Candice Lin; Anthony Arthur Long; Catherine Lord; Maurice Louca; Gabriel Ann Maher; Jumana Manna; Christien Meindertsma; Lucy Mercer; Patrick Mudekereza; Nkisi; Jaakko Pallasvuo; Alice Rawsthorn; Rachel Rose; Declan Ryan; Aram Saroyan; Saskia Sassen; Tino Sehgal; Lorenzo Senni; Patrick Staff; Koki Tanaka; Julia Tcharfas; Territorial Agency; Time Is Away; Jalal Toufic; Dorothea von Hantelmann; Peter Wächtler; Binyavanga Wainaina; Mark Waldron; Grace Wales Bonner; Steven Warwick; Eyal Weizman; Kim West; Holly White and more.
Claire-Louise Bennett and Brian Dillon at Anthony Burgess Foundation
Pond with Claire-Louise Bennett and Brian Dillon
Tuesday, October 6th, 2015, 6:30 pm | Free
Pond, the first collection of short stories from Galway-based writer Claire-Louise Bennett, is an absorbing chronicle of the pitfalls and pleasures of a solitary life told by an unnamed narrator living on the edge of a coastal town. Bennett pushes the boundaries of the short story into new territory. Part prose fiction, part stream of consciousness, Pond has been compared to Jenny Offill’s acclaimed Dept of Speculation. Hosted in partnership with Fitzcarraldo Editions, an independent publisher specialising in contemporary fiction and long-form essays, this event offers the opportunity to hear from a writer experimenting with narrative and form. Claire-Louise will be interviewed by writer and critic Brian Dillon. Brian is reader in critical writing at the Royal College of Art, and UK editor of Cabinet magazine. His books include Objects in This Mirror: Essays (Sternberg Press, 2014), Sanctuary (Sternberg Press, 2011), Ruins (MIT Press/Whitechapel Gallery, 2011), Tormented Hope: Nine Hypochondriac Lives(Penguin, 2009) and In the Dark Room (Penguin 2005). His writing appears regularly in the Guardian, the London Review of Books, the Times Literary Supplement, Artforum and Frieze. Contact events@anthonyburgess.org to book.
The Journal of British and Irish Innovative Poetry relaunched
The Journal of British and Irish Innovative Poetry edited by Scott Thurston and Gareth Farmer is re-launched at the Open Library of the Humanities.
You can find out more HERE
Bob Perelman’s “Confession” on PoemTalk
episode #92 of PoemTalk, a discussion of Bob Perelman’s “Confession” with Kathy Lou Schultz, Kristen Gallagher, and Bruce Andrews:
Rhys Trimble residency and events at AiR Space/Craft Swansea
The launch of Rhys Trimble’s latest book Swansea Automatic, as he uses Bernadette Mayer’s writing experiments to take us on an experimental poetic exploration through Swansea.
“Pick a word or phrase at random, let mind play freely around it until a few ideas have come up, then seize on one and begin to write. Try this with a non-connotative word, like “so” etc” – Bernadette Mayer.
Swansea Automatic (Aquifer Press) is an experimental novel by poet Rhys Trimble. It celebrates Swansea through the creative writing advice of Bernadette Mayer – an author associated with the American l=a=n=g=u=a=g=e poets. In the novel Trimble attempts every one of nearly a hundred pieces of ‘advice’, the results of which are a cross between an epic poem, a surreal semi-autobiographical comic novel and a notebook exploring the springs of creativity.
To launch the book Rhys Trimble will be in residence at Swansea’s AiR art and craft space, there’ll be an evening launch event and creative workshop where those that attending can try out some of Mayer’s innovative ‘experiments in writing’ for themselves.
Residency: 24th – 26th of September in AiR building
Launch party: 25th September 6.30pm
Workshop: Saturday 26th September 1 – 3pm, £5
The Globe Road Poetry Festival, 13-15 November
The QMUL Centre for Poetry is thrilled to invite you to a three-day world poetry festival, celebrating the diversity of local and global poetic traditions in London’s East End, to be held at Queen Mary University of London, 13-15 November 2015.
Performers include Linton Kwesi Johnson, Daljit Nagra, M. NourbeSe Philip, Myung Mi Kim, Kaiser Haq, Caroline Bergvall, Samira Negrouche, Agnes Agboton, Anthony Joseph, Avaes Mohammed, Siddhartha Bose, Aisling Fahey, Pangaea Poetry, Ladies of the Press, Ross Sutherland, Theo Chiotis, Hannah Silva, Andra Simons, Shama Rahman, Miriam Nash, Michael Vidon, Gareth Evans, and Elaine Mitchener.
Programme and booking information on the QMUL Centre for Poetry website: http://www.poetry.qmul.ac.uk/events/globeroad/152563.html. Almost all events are free but booking is essential.
Peter Hughes, John Hall and more at The Plymouth Arts Club
James Davies – Changing Piece
Changing Piece is a new on going poem by James Davies which exists online. The base sentence of this online version was written 16/09/15.
Abandoned Word and print-based versions exist from around 2006 — about 50 poems were written intermittently.
In the Word version one word was deleted and replaced with another. After this the file was always saved so that on the computer there was only ever one poem in existence, the most current.
The poems were also printed out and stored in a box.
Find out more HERE
POLYproject 7: Text.Score.
POLYproject 7: Text.Score.
Angharad Davies
Redell Olsen
Rhodri Davies
Will Montgomery
Realisations of scores by Davies, Olsen and Davies.
12 October, 7.30pm, free entry.
The Cello Factory, Cornwall Street, London SE1 8TJ (nearest tubes Waterloo, Southwark).
Presented by the Poetics Research Centre, Royal Holloway, University of London.
Rachel Sills video from The Other Room August 2015
Tear Fet video from The Other Room August 2015
Spruce by Tom Jenks
Tom Jenks has a new book out by the great blart press.
Spruce is poem of the long now, where everything that happens and has happened happens at once, where King John and Lenin occupy the same space as Piers Morgan and the cast of Glee. Written rapidly in longhand on lunch breaks, on public transport and in various provincial shopping malls and melancholic chain hotels in David Cameron’s Britain, Spruce could be called a business park pastoral or a sustained work of muffled hysteria, like someone screaming under a duvet.






