SJ Fowler’s epic Enemies exhibition and series of events at the Hardy Tree gallery has now drawn to a close, with the following films online:
Closing night – July 20th
SJ Fowler’s epic Enemies exhibition and series of events at the Hardy Tree gallery has now drawn to a close, with the following films online:
Closing night – July 20th
Wednesday, 31 July 2013, 19:30.
Entry: Donation on the door.
Venue: Power Lunches, Arts Café,
446 Kingsland Road Hackney,, E8 4AE London (nearest tube: Haggerston Overground)
“We’re in a helicopter flying through language storms over a landscape that is spook smoke in a valley, playing with the camera zoom, station static in the headphones. The pilot knows the secret economy of a hot service wash. Disaster and love are an animated gif on his mobius watchband. The landscape arranges its chuckle. A fast read to return to.” – Tom Raworth
Out now from Contraband Books.
Readings from The Hardy Tree Gallery, St Pancras which took place on the closing night of the Enemies exhibition, 20th July 2013
Tamarin Norwood http://www.youtube.com/watch?v=TtE2sBTai1A
Sandeep Parmar & James Byrne http://www.youtube.com/watch?v=KUhLczT7Wl4
James Davies http://www.youtube.com/watch?v=VUyGoEE94UQ
Tom Jenks http://www.youtube.com/watch?v=zQ5Kmy4UMxk
Ensemble collaborative reading & Goodbye http://www.youtube.com/watch?v=R6yJ3m5x4rs
MoMA’s Poet Laureate, Kenneth Goldsmith, discusses his book, “Seven American Deaths and Disasters.”
Listening to the Dead : a tour of the West Norwood poets.
Chris McCabe + Colin Fenn
Gates of West Norwood Cemetery
Thursday 25th July, 1pm
Free
On the (im)possibility of a pure praise poem
Dom Sylvester Houédard (dsh), Aliki Braine, Mark Dean, Anna Sikorska
21st June — 27th July 2013
Finissage: Friday 26th July 6 — 9pm
Performances: 6.45 — 8pm
In conjunction with SLAM Last Fridays, the closing event incorporates poetry readings and performances given in response to the work of dsh. Performers are Elizabeth-Jane Burnett, Wayne Clements, Harry Gilonis, David Miller and poetic duo ‘mmmmm’.
RSVP: info@manandeve.co.uk
Image: ‘Grove Sings River a Song’, dsh, 1971
Issue 10 out now, featuring:
The new ebook from Argotist Ebooks is Commentaries on Bob Cobbing by Lawrence Upton. Available free here:
“Oulipians are into literary bondage. Their fetish is predicated on the notion that writing is always constrained by something, be it simply time or language itself. The solution, in their view, is not to try, quixotically, to abolish constraints, but to acknowledge their presence, and embrace them proactively.”
Andrew Gallix, writing in The Guardian.
Sarah Crewe reading at The Other Room, June 2013
Juxtavoices’ first album Juxtanother antichoir from Sheffield (Discus 44) is now available from
http://www.discus-music.co.uk/menu.htm
& from West House Books, a.halsey@westhousebooks.co.uk
80 minutes. £10 incl. post.
Suppose you invited thirty people to meet one Saturday morning to try out their voices and hear how they might sound together. That’s what Martin Archer did in 2010 and out of that and subsequent meetings came Juxtavoices. Only a few of the thirty were experienced singers. They found themselves performing alongside musicians from the improvising scene, a few poets, visual artists and some less rarefied souls who also happened to find it an exciting prospect.
Juxtanother antichoir from Sheffield presents a repertoire developed over three years and performed in venues as diverse as a bear pit, a library stairwell, a disused steelworks, churches and more conventional concert settings. It includes arrangements of poems by singers Christine Kennedy and Geraldine Monk and others by Samuel Beckett, Gertrude Stein and the grandmaster of sound poetry Bob Cobbing, with solo and collaborative compositions by Martin Archer and co-director Alan Halsey.
Juxtavoices is no ordinary choir. It’s not an ordinary antichoir either. You’ve probably heard nothing quite like them before. Nor, they’ll assure you, have they. ‘Precisely what art should be: challenging, reflective and dislocating. Voices struggling to articulate thought and emotion, whispered and screamed and seduced and accosted from nowhere’ (Norman Paul Warwick).
West House Books, 40 Crescent Road, Nether Edge, Sheffield S7 1HN
Lewis Freedman reading at The Other Room, June 2013
cris cheek reading at The Other Room, June 2013

Great writer, great press, out now.
Malgras|Naudet, Crusader Mill, 66-72 Chapeltown Street, Manchester, M1 2WH.
Opening / Sculpture with Performances
Friday 19th July 2013
6 – 9pm
Sculpture Post – Performances
20th – 21st July 2013
12 – 6pm
O X O X O X O X O X O X O X O
Malgras|Naudet is pleased to present, The First Oxo Conference, curated by gallery member, Daniel Fogarty, as part of our summer 2013 programme, feat. Patrick Coyle, Tom Jenks, Holly Pester and Mark Reid.
Using the word ‘Oxo’ as a tool to look at language (objectively?), and the context of conferences as a format of presentation, ‘The First Oxo Conference’ is an evening of performances, and a weekend of what remains of their sculptural backdrop, that in one way or another relate to the word ‘Oxo’ and its many attributes both formally and linguistically.
The conference is hinged on ‘Oxo’; its physical suggestion of a rudimentary face (two eyes and a nose), its reading as an algorithm, a game of noughts and crosses, a set of orifices where food goes in and shit comes out, an equation or a brand name for a beef or vegetable extract. Throughout the evening the word ‘Oxo’ will be used as a clothes-horse, a device on which to hang a range of new and existing performance works by Patrick Coyle, Tom Jenks, Holly Pester and Mark Reid. Taking the format of a conference (after all, is an exhibition not too static and a meeting not too informal?), the evening brings together a range of performers whose work approaches language from a formal and / or potentially skewed perspective. There is an ‘Oxo’ Tower that looms over all of us, and not just as a backdrop to the Thames.
The speakers have been invited by Daniel Fogarty to perform in front of his vision of an ‘Oxo’ backdrop (…not the Tower), a new sculptural work by Fogarty consisting of a large sheet of hand-dyed material covered in the letters ‘o’ and ‘x’ falling in and out of formation, spanning the width of the gallery. The sculpture sits awkwardly between a nomadic tent and a promotional stand functioning as a backdrop, a temporary piece of architecture, against which the conference’s performances take place. Constructed with the potential for it to be flat-packed and moved from venue to venue, conference to conference, the sculpture / backdrop aims to act as a part of the performance / conference as much as a wall would. It is a passive agent, something like a prompt, prop or post-match analysis backdrop (with great bouncebackability), brought in and out of audience and gallery perspective with a range of text and performance-based works.
The weekend aims to point a finger (pick your ‘Oxo’ expression to match now), if only for a second, in the right or wrong direction, towards the temporary nature of graphical, spoken and written language.
www.danielfogarty.co.uk
www.malgrasnaudet.tumblr.com
O X O X O X O X O X O X O X O
Notes to Editors.
Daniel Fogarty is a Manchester-based artist whose current project is Another Television Ident, presented by VINYL : SITE, Birmingham. Past shows include IDENTS, Cornerhouse, Manchester; Held, Open Eye Gallery, Liverpool; The Manchester Contemporary, Manchester. Please contact Helen Collett at malgrasnaudet@gmail.com for further information.
Membership.
To find out more about Malgras|Naudet and become a member, please visitwww.malgrasnaudet.tumblr.com/membership.
Films from the launch of Gareth Twose’s debut collection Top Ten Tyres, published by The Red Ceilings Press, are now online, with readings by Gareth, Richard Barrett and Rachel Sills, all below:
Gareth Twose, pt. 1
Rachel Sills
Richard Barrett
Gareth Twose, pt. 2

2nd edition now available from Stranger Press.
Initiated by curator Hans Ulrich Obrist with artists Christian Boltanski and Bertrand Lavier 20 years ago, do it has been enacted in 50 different places, making it the widest-reaching and longest running ‘exhibition in progress’ ever to occur.
To celebrate its 20th anniversary, and in homage to the original idea, this new exhibition premieres 70 brand new instructions. It brings together artists from the first do it experiments with a new generation of contemporary artists from Ai Weiwei and Adrian Piper to Tracey Emin and Richard Wentworth.
do it is a generative exhibition conceived and curated by Hans Ulrich Obrist. do it 2013 is produced by Manchester International Festival and Manchester Art Gallery, in collaboration with Independent Curators International (ICI), New York.
Friday 5 July 2 – 6pm
Saturday 6 – Sunday 21 July 10am – 6pm
Monday 22 July – Sunday 22 September 10am – 5pm
(Open till 9pm every Thursday)