Philip Terry and Emily Critchley new Crater pamphlets

Two new summer Craters are now available:

Crater 33: August 2015. Philip Terry’s Du Bellay – Like Catalan Anarchy, with a lino-cut by Tim Atkins. Letterpressed broadside, three colours, £3 + p & p (run of 60).

Crater 32: August 2015. John Hall & Emily Critchley’s A Salutation to
Poetry. Letterpressed broadside, three colours, £3 + p & p (run of 70).

Available at www.craterpress.co.uk

Our next 4 events

Put em on yr calendar!

Future Events

7th October 2015 7.00 @ The Castle, Oldham Street, Manchester – Alistair Noon, Chris Pusateri, Michelle Naka Pierce, Robert Hampson

9th December 2015 7.00 @ The Castle, Oldham Street, Manchester – Out of Everywhere 2, an anthology of women poets launch

17th February 2016 7.00 @ The Castle, Oldham Street, Manchester – Mark Leahy, Will Montgomery and TBA

13th April 2016 7.00 @ The Castle, Oldham Street, Manchester – The Other Room 8th birthday, readers TBA

Bad Language

26 August, 7 PM. The Castle Hotel, 66 Oldham Street, M4 1LE, Manchester. Headliner: Other Room organiser and if p then q poet Tom Jenks with Ros Ballinger, Robert Stevenson, Gareth Taylor, Naomi Scott, Polly Checkland Harding, Lauren Hickin, Alex Webb, Stephen Curtis, George James, Dave Hartley.

From the Diaries of John Dee

Apple Pie Editions is delighted to announce the publication of From the Diaries of John Dee.

Poems by Nigel Wood, with images by Alan Halsey.

Mathematician, scholar, astronomer, advisor to Queen Elizabeth I … alchemist, occultist, heretic … John Dee (1527–1608) is one of the most enigmatic figures in British history.

Using material from Dee’s diaries, Nigel Wood has made poems that delve beneath the rumours and mythologies to offer a multifaceted portrait of a man seeking to understand the cosmos and his place within it. Accompanying the poems are visuals by Alan Halsey based on Dee’s transcriptions, charts and diagrams, his attempts to decode and interpret communications from other realms. Together the texts and images undertake a series of parallel explorations of his life and vision, resurrecting Dee with his own words.

isbn 978-1-909388-13-0

2015

78pp  •  paperback  •  £6.99 + £1.17 UK postal order

Book orders to a.halsey@westhousebooks.co.ukPayment by cheque or Paypal

See also: YouTube playlist Footnotes for John Dee

Barlow’s Cigarette – Patricia Farrell, Sarah Hesketh, Alan Baker, Joanna Ashcroft

Barlow's flier 14

5th September, Waterstones, Manchester, Free, 4pm

‘Patricia Farrell is a poet and visual artist. She co-organised the SubVoicive reading series in the early 80s and was a member of the arts group New River Project. She has collaborated with other writers, artists and musicians on a range of projects and publications: most notably the poets Robert Sheppard and Joanne Ashcroft, the jeweller and installation artist Jivan Astfalck, on the projectB*twixst, and Jennifer Cobbing on the dance piece, A Space Completely Filled with Matter (recently published by Veer Publications as a visual text sequence). Her work is published in magazines and collections, as well as individual pamphlets: most recently, Seven Bays of Spirituality (Knives Forks and Spoons Press). She completed a PhD thesis in 2011 on poetic artifice in philosophical writing. Her collection, The Zechstein Sea, was published by Shearsman Books in 2013.’

Sarah Hesketh is a poet and freelance project manager. She holds an MA in Creative Writing from UEA and is the author of two collections of poetry Napoleon’s Travelling Bookshelf (Penned in the Margins, 2009) and The Hard Word Box: A Poet’s Exploration of Dementia and Ageing. (Penned in the Margins, 2014). In 2013-14 she was a poet in residence with Age Concern. In 2015 she was commissioned by the Holocaust Memorial Day Trust to write Grains of Light, a sequence based on the life of holocaust survivor Eve Kugler.

Alan Baker grew up in Newcastle-upon-Tyne, and has lived in Nottingham since 1985, where he is editor of poetry publisher Leafe Press and its associated magazine Litter. His latest poetry collections are “all this air and matter” (Oystercatcher) and “Whether” (KFS)

Joanne Ashcroft has a BA Creative Writing and English, Edge Hill University 2008 and an MA Creative Writing, Edge Hill University 2010. She was joint winner of the inaugural Rhiannon Evans Poetry Scholarship 2010. From Parts Becoming Whole (The Knives Forks Spoons Press, 2011) is her first collection of poetry. Joanne was winner of Poetry Wales Purple Moose Prize 2012. Her pamphlet Maps and Love Songs for Mina Loy is available from Seren.  With Patricia Farrell she co-authored Conversational Nuisance, an A3 size directional poster poem with anthropomorphised rabbit insignia, released this year by Zimzalla.

Poetry and Comics with Chrissy Williams, A Poetry School course

Poetry and Comics

Have fun approaching the page in a new way at this all-day workshop with poet and poetry comics anthology editor Chrissy Williams. The morning will start with an introduction to the subject, followed by lots of writing and visual exercises, culminating in an afternoon of cutting, pasting, doodling and poeming. All materials supplied. No art skills required! This workshop will accompany the Over the Line poetry comics exhibition at the Poetry Café (1 Sept – 31 Oct), which you’ll also have a chance to explore on the day. More poetry comics at http://www.poetryandcomics.tumblr.com. Workshop in association with the Poetry Society. (The workshop will be on the ground floor and in the basement at the Poetry Cafe, not in the studio as stated in the printed programme. Both the ground floor and the basement are wheelchair accessible.)

BOOKING INFORMATION

11am – 5pm

Type: Workshop
Level: Open to all
Location: London

Details

Date: Saturday 5th Sep 2015
Time: 11am – 5pm
Cost:
Full cost:£72.00
60+:£68.00
Concs:£58.00

More HERE

The New Concrete: Visual Poetry in the 21st Century (Online Reading Group). A Poetry School course with Chris McCabe and Victoria Bean

The New Concrete: Visual Poetry in the 21st Century (Online Reading Group)

Understanding visual poetry gives all poets an understanding of the essential but often hidden details of how poems work. This online reading course invites you to immerse yourself in the world of 21st century visual poetry with the editors of The New Concrete (Hayward Publishing) a major new anthology of this genre. Victoria Bean and Chris McCabe have worked with over 100 artists over a two year period and will instigate discussion around the new approaches, ideas and techniques being used in visual poetry. You will get the chance to explore new work being created at the intersection of visual art and literature and see how digital text, image manipulation, modern printing and the Internet has re-energised an approach poetry inspired by the original concrete poetry movement. You will further understand how the phoneme can be used for syntactic play and for sound effect, how the poem can catch the eye before it is read, how white space is the basis for the essence of a poem and can be seen as part of its cohesive whole, and how all poems in their spacing, breathing, line breaks and stanza shapes are in fact ‘visual’ and can be expressed in multiple ways.

BOOKING INFORMATION

Type: Interactive Online Course
Level: Open to all
Location: Poetry School Online

Details

Start date: Tuesday 15th Sep 2015
Session times: Ten sessions.
Cost:
Full cost:£20.00
60+:£20.00
Concs:£20.00

more HERE

Minimalism: from Within and Without, a poetry school online course with Ira Lightman

Minimalism: from Within and Without

How do you write a minimalist poem? Do you start out minimalist and avoid waffle? Or do you start out waffling and reduce it to something stark like an Emily Dickinson poem? Or almost whited-out like one by Susan Howe? This course is about the art of a very short poem taking up a whole page by itself. Such poems sometimes feel a waste of a page, but they can be a new way in, an amuse-yeux after a forest of larger poems. We will look at the poem as a minimalist object, condensed down to the size of a maths equation, or a quip. And we’ll also look at performing the minimalist fragment, comparing minimalist poetry with minimalist music, where ‘phrases’ are played repetitiously for an extended time. If you’ve ever wondered instead of piling up detail how we can let one verb do the work for two sentences worth, without it all seeming unnaturally tight, start here.
Live chats: Mondays, fortnightly, 7pm UK time.
First live chat: 28 Sep. 5 sessions.

Type: Interactive Online Course
Level: Open to all
Location: Poetry School Online

Details

Start date: Monday 14th Sep 2015
Session times: Live chats: Mondays, fortnightly, 7pm UK time. First live chat: 28 September. 5 sessions.
Cost:
Full cost:£104.00
60+:£94.00
Concs:£83.00

more HERE

Tear Fet: A Preview

The next Other Room takes place on August 19th at 7pm at The Castle Hotel. Sarah Kelly has unfortunately had to reschedule but Tear Fet has very kindly stepped in. See the middle column for more details about the event.

‘Tear Fet is the sound-making alias of Matt Dalby, a Manchester artist in various media. His most recent project was a walk around the outside of the M60 on 30 May, generating material for several ongoing extended pieces. Tonight’s semi-improvised performance, called Icarus, grows out of a text work from that process.

Matt’s collection of short improvisations, Underpath, came out last October on Chocolate Monk records, and he’s one of 30 artists featured in the pop-up text art exhibition Total Recall at Bury Art Gallery.

You can follow Matt as Tear Fet on SoundCloud, as well as on YouTube under his own name, and at his blog, santiago’s dead wasp.’

 

Blue Bus – Patricia Farrell, Robert Sheppard, Michael Zand

The Blue Bus is pleased to present a reading of poetry by Patricia Farrell, Robert Sheppard and Michael Zand  on Tuesday 18th August from  7.30 at The Lamb (in the upstairs room), 94 Lamb’s Conduit Street, London WC1. This is the 103rd event in THE BLUE BUS series. Admissions: £5 / £3 (concessions). For future events in the series, please scroll down to the end of this message.

 

‘Patricia Farrell is a poet and visual artist. She co-organised the SubVoicive reading series in the early 80s and was a member of the arts group New River Project.  She has collaborated with other writers, artists and musicians on a range of projects and publications: most notably the poets Robert Sheppard and Joanne Ashcroft, the jeweller and installation artist Jivan Astfalck, on the project B*twixst, and Jennifer Cobbing on the dance piece, A Space Completely Filled with Matter (recently published by Veer Publications as a visual text sequence).  Her work is published in magazines and collections, as well as individual pamphlets: most recently, Seven Bays of Spirituality (Knives Forks and Spoons Press). She completed a PhD thesis in 2011 on poetic artifice in philosophical writing. Her collection, The Zechstein Sea, was published by Shearsman Books in 2013.’

Robert Sheppard has just published Words Out of Time from KFS, his ‘autrebiographies’ and ‘unwritings’. Veer is soon to publish Unfinish, a book of varied prose pieces. And slightly later in the year, Shearsman will publish a Selected Poems of over 30 years of work. Former works include Twentieth Century Blues and Warrant Error, and he is curretly writing more ‘fictional poems’ in collaboration with other poets, in the mode of his 2013 Shearsman book, A Translated Man. See http://www.euoia.weebly.com for more on that. Other projects include a big sonnet and a critical book on form. Living in Liverpool, he is Professor of Poetry and Poetics at Edge Hill University and co-runs the Storm and Golden Sky reading series.

Michael Zand is a writer, editor and researcher. He was born in Iran, but has spent most of his life in London, where he is a Lecturer in Creative Writing at the University of Roehampton. His research interests lie in alternative translations of Middle Eastern poetry, the use of psycho-geography in contemporary literature, and modern readings of the medieval notion of the “Ashik” or wandering poet. His collections include Kval (Arthur Shilling, 2009) and Lion: The Iran Poems (Shearsman, 2010). He was included in the Best Poetry of 2011anthology (Salt, 2011) and won the Roehampton Poetry Performance Prize in 2008. His  collection The Wire and Other Poems was published by Shearsman Books in 2012. Michael has participated in various collaborations with musicians and multi-media artists and read at a wide range of poetry events across Europe. Other projects include an international translation project called Lexico and a contemporary translation of The Rubaiyat of Omar Khayyam entitled Ruby. In February 2013 his sequence of poems entitled “Pang” was included in an exhibition on “Poets of the Thames” at the Museum of English Rural Life in Reading, Berkshire.

Forthcoming events will include Zoë Skoulding, Ian Brinton and Stephen Watts (15th September) Carol Watts, Lucy Harvest Clarke, Tom Jenks and Juliet Troy  (20th October). David Miller, Michael Heller and Jane Augustine (17th November).

Rachel Sills: A Preview

The next Other Room takes place on August 19th at 7pm at The Castle Hotel. See the middle column for more details.
Below is a sample from Rachel Sills’ collaboration with Richard Barrett Endless/Nameless:

Oblivion. Nothing: side-by-side on a bookshelf
Above a bookshelf. Where I keep last year’s diary
Volumes I – III and VI – VIII
They are not a legal proof, dreams
They melt into dark praline shadows
It’s your birthday tomorrow so “best wishes”
Or alternatively “bon voyage”
None of this matters of course (still I worry)
Note: avoid ledges, edges, suspension bridges
One room is not the house taken over
After this the conversation flags, imagining
(Easier to) the end of the world than the end of capitalism
And prefers his seascapes to be stormy
Meaning re time and motion: a different concept entirely

Total Recall exhibition at Bury Art Gallery

total_recall

TOTAL RECALL 1 August — 3 October, 2015 

BURY ART MUSEUM

Moss St, Bury, Lancashire BL9 0DR, United Kingdom

How do you remember the people who are important to you? How do you conjure your shared past? Is it in an image, a sound, a smell, a touch? Or do you use words?

We invited world-leading poets and text-artists to make a language-memory for Tony Trehy, who has directed the internationally renowned Text Festival at Bury Art Museum since 2005. This exhibition celebrates a 10-year anniversary of the Festival and a 20-year anniversary of Tony’s time at Bury. Writing on a wall, an Internet search, a diary entry, a flurry of thoughts … what is remembering and who is it for?

Tony Trehy has been the ring-leader of decade-long conversations, new opportunities, challenges and heated debates. Each of his four Text Festivals has added to a continuing dialogue between language and art. Every Text Festival has asked the audience a simple-but-complex question: How do I read?

Into the historic space of Bury Art Museum, Trehy has injected text that is a new ‘language art’ for the 21st Century. Bury was once the centre of paper-making in Britain, now it is a pioneer of language-making, with its Text Archive welcoming readers from all over the world.

TOTAL RECALL is a guerrilla makeover, an A4 invasion of reading into the larger narrative of looking. Unlike the street signs outside, these are not corporate instructions or sales pitches; they are antidotes. Walls, vitrine, archival box—nary a “book” to be found, but a heap of language left in memory.

TOTAL RECALL includes work by local, national and international text-based artists and poets: angela rawlings, Alan Halsey, Barrie Tullett, Carolyn Thompson, Cecilie Bjørgås Jordheim, Darren Marsh, derek beaulieu, Emma Cocker, Eric Zboya, Erica Baum, Jaap Blonk, James Davies, Jayne Dyer, Jesse Glass, Karri Kokko, Kristen Mueller, Lawrence Weiner, Leanne Bridgewater, Liz Collini, Lucy Harvest Clarke, Marco Giovenale, Márton Koppány, Matt Dalby, Mike Chavez-Dawson, Paula Claire, Penny Anderson, Peter Jaeger, Philip Davenport, Rachel Defay-Liautard, Robert Grenier, Ron Silliman, Satu Kaikkonen, Sarah Sanders, Seekers of Lice, Stephen Emmerson, Steve Giasson, Steve Miller, Tom Jenks, and Tony Lopez.

— derek beaulieu and Phil Davenport, Curators