Other Room 21 update

Unfortunately Matt Wand won’t be able to perform at The Other Room 21, 1st December. We will hopefully be putting him on at a later date. Watch this space for a replacement to perform alongsde Ken Edwards and Neil Addison.

Jerome Rothenberg, Maggie O’Sullivan, Allen Fisher & Poems for the Millennium 3: Preview of 19th October event

Some tasters for our three readers. In addition there will be readings by all three poets, Jeffrey Robinson and The Other Room of a selection of poem from Poems for Millennium Volume 3. Videos of O’Sullivan and Fisher can be found in the middle left column. Please note that this event starts at 6pm and is at THE INTERNATIONAL ANTHONY BURGESS FOUNDATION

Jerome Rothenberg

Jerome Rothenberg is the author of over seventy books of poetry including Poems for the Game of Silence, Poland/1931, A Seneca Journal, Vienna Blood, That Dada Strain, New Selected Poems 1970-1985, Khurbn, and most recently, A Paradise of Poets and A Book of Witness (all from New Directions). Describing his poetry career as “an ongoing attempt to reinterpret the poetic past from the point of view of the present,” he has also edited seven major assemblages of traditional and contemporary poetry.

LINK TO Buffalo Page with links to poems and publications

Maggie O’Sullivan
 
O’Sullivan’s work is influenced by Kurt Schwitters, Joseph Beuys, Jerome Rothenberg, Bob Cobbing and Basil Bunting. Her books include An Incomplete Natural History (1984), In the House of the Shaman (1993), Red Shift (2000) and Palace of Reptiles (2003). She edited out of everywhere: An anthology of contemporary linguistically innovative poetry by women in North America & the UK (1996).

LINK to BEPC page

Allen Fisher
 
Allen Fisher has been involved in performance writing since 1962. A poet, painter, publisher, editor and art historian, he has produced one hundred and forty chapbooks and books of poetry, graphics and art documentation. He was co-editor and publisher of Aloes Books and he currently edits and publishes Spanner. He lives in Hereford and is Head of Contemporary Arts at Manchester Metropolitan University in Crewe. His books and chapbooks include: The Apocalyptic Sonnets (1978), Poetry for Schools (1980), Brixton Fractals (1985, republished 1999), Dispossession & Cure (1994), Civic Crime (1994), Now’s the time (1995), Fish Jet (1997), Place(collected set 2005) Gravity(2004), Entanglement(2004), Singularity Stereo(2006), Leans(2007), Birds (2009). 

LINK to Allen Fisher at BEPC

Manchester’s (and north west) Huge winter programmme

Things to juggle with:

30th September – James Davies & Adrian Slatcher @ Didsbury Arts Festival: LINK

30th September – Anthony Rowland, Scott Thurston, Robert Sheppard (KFS event) @ Burgess Centre: LINK

6th October – The Other Room 19 with Emily Cricthley, Adrian Clarke and Steve Willey @ Old Abbey Inn

7th October – Counting Backwards with Sonic Pleasure, Mick Beck, Richard Barrett and Stephen Emerson: LINK

19th October – The Other Room 20 with Jerome Rothenberg, Maggie O’Sullivan and Allen Fisher @ Burgess Centre

4th September – 31st October – A Perverse Library curated by Information as Material (Simon Morris, Nick Thurston, Craig Dworkin et al) @ Shandy Hall (just outside York) : LINK

James Davies interviewed about if p then q at Ink Sweat and Tears

My approach is to banish the myth that experimental poetry is impossible to read. I think that being able to read experimental poetry is often seen as an elitist or privileged skill. But it’s not always like that: I don’t know how to fix a sink but I could do it if I did the training. It’s often a case of time or patience. I have an aim of presenting it as such, letting people know that. I’ve done a lot of bubblegum things to get people interested: promotional paraphernalia, wacky gifts, goofy blog speech, events. And I’m also in the business of telling people they don’t have to ‘understand’ a poem for it to be fun. I mean, I don’t understand an ice cream. I personally don’t understand a lot music I listen to but again I could do if I put in the work.

Read the rest HERE

Damn the Caesars

Four new publications now available, including DAMN THE CAESARS vol. N ($15.00).

NEW WRITING: Keston Sutherland, Justin Katko, Emily Critchley, Luke Roberts,
Francesca Lisette, Dale Smith, Geoffrey Gatza, Josh Stanley, Frances Kruk, David
Hadbawnik, Carrie Etter, Francis Crot, and Rosa Alcala.

FEATURE: New writing and 6 full-color visual pieces from Allen Fisher followed by
an extended consideration of Allen Fisher’s work by Pierre Joris.

ESSAY: Dennis Tedlock on Alcheringa’s relationship to Language Writing.

TRANSLATION: The Papyrus of Ani translated by Steve McCaffery; writing from
Egyptian poet Ahmed Abdel Muti Hijazi translated by Rick London and Omnia Amin.

More here.

Other Room service update

We are having problems with some of our longer videos hosted by MySpace. Unfortunately, this means that the Stuart Calton, James Davies, Craig Dworkin, Michael Haslam, Nick Thurston and Tony Trehy readings and the Tina Darragh and P.Inman inerviews cannot currently be played. Sorry to all concerned: we will resolve this situation soon. Thanks to Jaime Birch for bringing this problem to our attention.

if p then q launches TONIGHT with Joy as Tiresome Vandalism, Tom Jenks. Lucy Harvest Clarke and Geof Huth

if p then q readings & book launches

@ Odder Bar
14 Oxford Road (opposite The BBC), Manchester, UK
23rd June 2010
6.30 pm [1:30 pm Eastern Time in the US]
Free admission

Performers:

Joy as Tiresome Vandalism
Geof Huth
Tom Jenks
Lucy Harvest Clarke

Programme:

6.30: Joy as Tiresome Vandalism present Nøjagtig Pamplemousse
7.00: Geof Huth (live stream – watch at http://www.ustream.tv/channel/geof-huth)
7.45: Lucy Harvest Clarke (watch live at http://www.ustream.tv/channel/tom-jenks-lucy-harvest-clarke)
8.15: Tom Jenks: (watch live at http://www.ustream.tv/channel/tom-jenks-lucy-harvest-clarke)

If you can’t be there in person use the above URLs to watch on the internet. Please be aware that all times are approximate.

Extension to this work i don’t know what is

this work im doin I don’t kno what it is

Philip Davenport’s visual poetry project at Henry Moore Institute library will be exhibited until July. Poems have been written into spreadsheets, presenting moral dilemmas as accountancy – war crimes, celebrity, or the simple act of shopping become a tangle of questions. The spreadsheets are accompanied by 3D objects. So, dozens of broken eggshells become symbols for smashed skulls; a poem inscribed within the fragments. From these broken pieces of information, Davenport rebuilds delicate, intuited meanings…

Images and more details at LINK

(Please note that the exhibition run has been extended for longer than originally advertised.)

Henry Moore Institute
The Headrow
Leeds LS1 3AH, UK

Open Monday to Sunday from 10am to 5.30pm, and Wednesday from 10am to 9pm

ANGEL EXHAUST TWENTY-ONE

Via David Bircumshaw:

EACH AEON FREE AFTER THE FIRST ONE: THE WELSH UNDERGROUND

Despite the denials of official organs, Wales participated in the great blossoming of poetic culture of those decades between the end of the primary Cold War and the dawn of the New Right, and this unofficial English literary magazine is offering a large-scale celebration of the achievements of Welsh poets whose optimism captured them. The fall of monoliths spills daylight onto the missing half of the picture. The most interesting anglophone Welsh literature of the past century has been in the innovative vein.

A mixture of poetry, essays, memoirs, and interviews recreates a literary era in depth.
Poets featured are: John James, David Barnett, Paul Evans, Iain Sinclair, Zoë Skoulding, Ralph Hawkins, Peter Finch, David Greenslade, John Goodby, Nic Laight, Nick Macias, Niall Quinn, Philip Jenkins, Graham Hartill, Lynette Roberts, Chris Ozzard, Rhys Trimble, John Powell Ward. We touch on the history of innovative writing in Welsh and even turn up two avant garde texts in Welsh. An analytical essay (drawing on work only available in Welsh) uncovers the use of Welsh patterns of consonantal echoing in the English experimental tradition. An ample poetry anthology includes mainly unpublished poetry but also recovers texts from as far back as the seventies, defying forgetfulness.

Living witnesses told us strange tales. Recovery of original texts from archives and deposits has brought a disintegration of the intellectual legacy. Salvaged from among the debris of Christian, nationalist, and communalist ideologies, we shake clear a brilliant line of liberated and imaginative writing. Set up in order to fill a gap, the project has uncovered a whole gulf, a submerged realm of sophisticated intellectual exploration. Awed, we recover the traces of the classic Welsh magazine 2nd Aeon between 1966 and 1975. That is truly why each aeon is free after the first one.

£7. 1.70 pp. publication date 4 June 2010. available from: 21 Querneby Road, Nottingham, NG3 5JA. cheques payable to ‘Andrew Duncan’ please.

edited by Goodby and Duncan.

If Only..! Robert Sheppard and others at The Bluecoat

IF ONLY..!

Wed 9 June 8pm Free!

Bluecoat Arts Centre, School Lane, Liverpool

The LAUNCH of Liverpool’s monthly melting pot of music, performance, dance, spoken word and the otherwise unclassifiable. If Only..!’s eclectic bills are brought to you by a group of Liverpool-based artists, curators and promoters in the spirit of celebration, exploration, provocation and revelation..!

Trinity Girls Brass Band [music]

The nation’s only all female brass band in virtuoso concert

Steve Lewis [music]

Original songs created from Lewis’s signature combination of voice, unexpected texts, bric-a-brac percussion and live sampling

Robert Sheppard [spoken word]

Sheppard performs new work exploring the poetics of space and launches Looking Thru’ a Hole in the Wall, a collaborative pamphlet created with Patricia Farrell

Maria Malone and Chris Murray Cover [dance/physical theatre] A duet between a girl and her bedclothes exploring the lands where addiction and dependence can lead.

Original concept by Marcus Drummond

Choreography and performance, Maria Malone and Christopher Murray with directorial input from Yorgos Karamalegos

LIC Studio and associate artists [dance/performance/music] Some of Liverpool’s finest improvisers and performers create a multi-disciplinary performance score

MC: Mandy Romero

LINK

Menu for Murmur

Final exhibition at Salford’s Chapman Gallery as the univeristy shuts it down. The line-up should make for a wonderful final curtian; an exhibition of sound artists.

Click on the picture for more details

Artists: Matt Wand, Lee Patterson, Seth Cluett, Chris Gladwin, Frans de Waard, Chop Shop, Ryu Hankil, Stan Pete, Jason Zeh, Matt Dalby, Kirsten Reese, Adolfo Guevara, Urban Maeder, G. Fisher, Hainer Woermann, Petri Kuljuntuarte, Hans Specht, Claus van Bebber, Beserker, Rob Gawthrop, Espen Jensen, Bob Levene, Henning Schweichel, Paul Haywood, Tony Trehy, Jonathan May