Para-text reading – Eleanor Chandler, Amy Evans, Jazmine Linklater and Matthew Welton.

We’re delighted to launch the third issue of para·text on Tuesday 28th March at Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
Readings from Eleanor Chandler, Amy Evans, Jazmine Linklater and Matthew Welton.
7pm for a 7.30 start, £2 suggested donation. All welcome.
The magazine will be on sale at a reduced price on the night but if you’re unable to come you can purchase copies online at paratext.bigcartel.com.

Colin Herd, Iain Morrison, and Vicky Sparrow in Nottingham

Poetry Performance Evening: Colin Herd, Iain Morrison, and Vicky Sparrow

Location
Five Leaves Bookshop, Nottingham
Date(s)
Wednesday 29th March 2017 (19:00-20:30)
Contact
fiveleaves.bookshopevents@gmail.com

Colin Herd is a poet, fiction writer and critic based in Edinburgh. His first collection of poems too ok was published by BlazeVOX in 2011 and a second full-length collection Glovebox was published by Knives Forks and Spoons Press in 2013. Colin’s work has been anthologised in the Forward Book of Poetry 2015 and Dear World and Everyone in It (Bloodaxe, 2013).

Currently based in Edinburgh, Iain Morrison  has a frequently collaborative practice as a writer, working in poetry and live literature. Projects have included Subject Index a durational installation of the complete poems of Emily Dickinson developed in residency at Forest Centre+ and toured to Berlin’s SOUNDOUT! New Ways of Presenting Literature Festival in 2014, and a night of drag queen poetry at Scottish Poetry Library in 2016 which bagged him a Creative Edinburgh award. Publishing includes MARQUE, a pamphlet with If A Leaf Falls Press (2017), and poems in anthologies and magazines including Kakania (Austrian Cultural Forum 2015), HOAX and Gutter. A first collection comes out with Vagabond Voices later this year.

Vicky Sparrow is completing a PhD on the poet-activist Anna Mendelssohn at Birkbeck,  ersity of London. Her writing can be found in datableedKakaniaLitmus and the Literateur and she serves as reviews editor for the Journal of British and Irish Innovative Poetry. Her first pamphlet Notes to Selves is published by Zarf.

Admission for this event is £3 and refreshments will be available. Booking is recommended. To attend this event, please RSVP to fiveleaves.bookshopevents@gmail.com

Reading: Calton / Doherty / DeWitt / Cassels — 10.02.2017

PPS READING # 2: *STUART CALTON ~~ CAITLÍN DOHERTY ~~ JOHN DE WITT ~~ IMOGEN CASSELS (Cambridge, 10th Feb 2017)

The second reading in the Poetry Performance Series (PPS) features two visiting poets – Stuart Calton, from Manchester, and John De Witt, from Paris – alongside Cambridge’s Imogen Cassels and Caitlín Doherty. There will also be a book table. Please feel free to circulate info to those who might be interested.

~~~

STUART CALTON

Stuart Calton is the author of the following books: Blepharospasms (2016), Live at Late Dilated Ileum (2015), The Torn Instructions for No Trebuchet (2013), Three Reveries (2010), The Corn Mother (2006), The Bench Graft (2004), United Snap Up (2004), and Sheep Walk Cut (2003). As a musician, he is the incomparable dictophonist TFH Drenching. His book Wimpy and André has just been released from MATERIALS press and will be on-sale on the night. A poem in ten sections, setting forth the interrelations between protagonists Wimpy, Climpy, Sandy and André, in a potentially infinite selection of mixed scenarios. Amongst other sounds, the poem includes the sounds of a car alarm, the thin barking of a radically rationalised trick poultice, a shout, a voice, silence, static, galloping and The Lark Ascending played triple-speed nine octaves up like rain on a steel bin-lid over a rave synth line.
“Just too big. Firstly way too big. And then just right.”

~~~

CAITLÍN DOHERTY

Caitlín Doherty is the author of O (Foule Press, 2012) and Satellites (Tipped Press, 2012).

About the latter, China Miéville has written in the Guardian:

“Doherty, an outstanding young poet, uses our orbital trash, the bric-a-brac of communication tech and a deflating space race as a hook for her interrogations. Even a familiar notion is reinvigorated: the pathos of the first dog in space is not a subject previously untouched, but in her eulogy to Laika, Doherty marries cool rigour and generosity without sentimentality, and if you can get to the end without tearing up you’re stronger than I.”

Doherty is also the poetry editor of the journal Salvage, and her new book, Our Party, is forthcoming from Critical Documents.

“could you plan on my improvement
could it be wagered thus
a silk drape and a massage of the air
a yankee candle and the Tory grandee
unlabouring harmony
ah”

~~~

JOHN DE WITT

John DeWitt was born in Mexico City, later moved to Nashville, and now lives in Paris. He is the author of Ends (Tipped Press, 2011), and Visceral Apocrypha (Shit Valley, 2013) and co-wrote, with Rosa Van Hensbergen, as Bill Ding, Buildings (Tipped Press, 2012).

“Nevermind spirits, it was motherfucker(!)

Motherfucker how could you have me at the end of my legs

He shook his fist at the chairs, at the light, maybe even at the flowers in the garden

as motherfucker has such a small mouth for the world

and such a ponytail floating in the wind

~~~

IMOGEN CASSELS

Imogen Cassels is from Sheffield and reads English at Cambridge. She was a Young Poet on the Underground in 2015, and in 2016 was a winner of the Poetry Business New Poets Prize. Her poems have appeared in Blackbox Manifold, The Literateur, Ambit, and the LondonMagazine.

“Somewhere they are watching rockets bombing

with fireless grace. Somewhere we end up

fucking in our sleep, and are disturbed by waking.”

~~~

Friday 10th February [2017], 7.30pm.

Judith E. Wilson Drama Studio, English Faculty Building, Cambridge.

Email David Grundy (dmg37@cam.ac.uk <mailto:dmg37@cam.ac.uk>), Rosa Van Hensbergen (rv252@cam.ac.uk <mailto:rv252@cam.ac.uk>) or Janani Ambikapathy (ja555@cam.ac.uk <mailto:ja555@cam.ac.uk>) for further details.

Pedicure by Tom Betteridge from Sine Wave Peak

P E D I C U R E

a new book of poems by Tom Betteridge
published by Sine Wave Peak
January 2017

Pedicure remains a pleasure, read at any speed or hovered over. Filtered through a fairy feller’s garden of delights, music layers merge as language zooms through thought to focus bracketed by timed description. Pages twitch body pollen mist to drift across purls in wine. All this under a Gulley Jimson foot: on record, grateful.”
– Tom Raworth
hand-sewn paperback with French folds and a foil-embossed cover, edition of 250

The O and the Owl by Leanne Bridgewater

The new ebook from Argotist Ebooks is “The O and The Owl” by Leanne Bridgewater

Description:

An eco-sound-poem in 50 parts

“The O and The Owl” is about a play on letter ‘o’ and the ‘owl’ as a word, phonically, but also metaphorically: environment; animal instinct; nature. We have become so dependent on having to know what everything means, we ask it too much. The O and The Owl – what does it mean? It has no formal meaning but it asks you ‘what do you think / what do you see / do you see the play on word / do you see the oblong rhythm / do you see the hidden politics / do you feel tongue-twisted / do you see the micro-meanings instead of ‘what is the true meaning of this?’ – Language’s seatbelt has become unfastened, landing face-down in earth where the tongue licks and sniffs at it in a playful manner – and then the owl comes!

Available as a free ebook here:

http://www.argotistonline.co.uk/THE%20O%20AND%20THE%20OWL.pdf

Full Argotist Ebooks catalogue here:

http://www.argotistonline.co.uk/Ebooks%20index.htm