Transgressive Culture

Gylphi is proud to announce a forthcoming journal entitled Transgressive Culture (ISSN 2043-7102), which will launch next year (2011) and be accompanied by a companion book series of the same name. The editor for this venture will be Jason Lee from the University of Derby. Forthcoming books include:

Literature, Women and their Addictions: A Comparative Analysis – Nycole Prowse (American University in Dubai)

Addiction, Modernity and Urban Space – Christopher Smith (University of Pennsylvania)

Media Technologies, Japan, and Transgression – Adam Stapleton (University of Western Sydney)

Hedonism and Transgression in British Cinema since 1960 – Felix Thompson (University of Derby)

For full details see here.

zimZalla object 004

 

zimZalla object 004, a postcard set by Stephen Emmerson, is now available. Go here to view a sample or buy. Also available on zimZalla:

Object 001: Opposable Dumbs – Tina Darragh
Object 002: Poetry – James Davies, Julius Kalamarz, Holly Pester
Object 003: Sound poetry – Matt Dalby

as the rushes were – Francesca Lisette

£8 (£1 P&P). 13pp.

This pamphlet collects poems – including Tar Orchid, published separately as a broadside last year – written between February 2008 and February 2009. Machine-printed but otherwise hand-made copies, with cover artwork by Paul Alexander Thornton, and designed using a new typeface by Daniel Rhatigan.

In the recent Openned Zine Issue 2, Luke Roberts said THIS about Lisette’s recent work: “… toying with obscurity, confident measure, I think actually being deliberately secretive as a form of intimacy, or a way of controlling intimacy. The highly ornate vocabulary of her poetry establishes a strange relationship with the listener: the way I follow Lisette’s work is like a grid, or aspects and planes of meaning and signifying which are constantly shifting. Maybe these grids and aspects and planes are attached to bodies, or at least a you and an I, even if those poles get repeatedly flipped and turned and examined.”

http://www.grasp-press.co.uk

information as material

From Nick Thurston:

“Firstly, (and in another sense, finally!) we’ve readied a new information as material website. You’ll soon notice that it’s WordPress powered, for the sake of compatibility and manageability, and that there’s still plenty of historical information which needs to be posted. However, it’s current, it’s functioning, and we’ll be much more diligent about keeping it so than before. Have a look if you get a chance: www.informationasmaterial.com.

Secondly, attached is the general press release for an information as material-curated exhibition at Shandy Hall (The Laurence Sterne Museum), Coxwold (UK). It runs from September to late October and as you’ll read in the PDF there’s a lot on show and lots of new releases to celebrate. We’ll post full listings on the website nearer the time, but do contact the persons listed in the PR if you’d like to be kept posted by any other means.”

Press release here.

Reality Street Summer Sale

Reality Street announces its SUMMER SALE of selected titles from the back catalogue. This unique opportunity to acquire some of the most interesting innovative poetry texts of recent years at knock-down prices is available exclusively to visitors to http://www.realitystreet.co.uk during July and August. Buy the books with your debit/credit card via our PayPal site.

Kelvin Corcoran; Lyric Lyric (was £5.99) £2
Allen Fisher: Dispossession & Cure (was £6.50) £2
Fanny Howe: O’Clock (was £6.50) £2
Tony Lopez: Data Shadow (was £6.50) £2
Denise Riley: Selected Poems (was £9) £5
Lisa Robertson: Debbie: An Epic (was £7.50) £2
Lisa Robertson: The Weather (was £7.50) £2
John Seed: Interior in the Open Air (was £5.99) £1
Maurice Scully: Steps (was £6.50) £2
Robert Sheppard: The Lores (was £7.50) £2
Lawrence Upton: Wire Sculptures (was £5) £2
John Welch: Blood & Dreams (was £6.99) £1

Five From Finland: translated & edited by Anselm Hollo (was £7.50) £2
Out of Everywhere: linguistically innovative poetry by women in North America & the UK, edited by Maggie O’Sullivan (was £12.50) £5
Reality Street 4Pack #2: Vital Movement (Andy Brown, Jennifer Chalmers, Mike Higgins, Ira Lightman) (was £5) £1
Reality Street 4Pack #3: New Tonal Language (Patricia Farrell, Shelby Matthews, Simon Perril, Keston Sutherland) (was £5) £1
Reality Street 4Pack #4: Renga+ (Guy Barker, Elizabeth James, Peter Manson) (was £5) £1

Offer is valid while stocks remain or until 31 August 2010. Direct internet orders accepted from individual retail customers only via http://www.realitystreet.co.uk, and limited to one copy of each title – offer not available elsewhere. Postage & packing will be added at the following rates (valid anywhere in the world): £2.50 (orders totalling up to £5); £3.50 (£5.01-£14.99); £5 (£15-£24.99); £6.50 (£25 upward).

Ken Edwards
Reality Street
63 All Saints Street
Hastings, East Sussex TN34 3BN
United Kingdom

http://www.realitystreet.co.uk

Nojagtig Pamplemousse

Nojagtig Pamplemousse was shown at the recent if p then q book launches. It is part of the book  Absolute Elsewhere by Joy as Tiresome Vandalism published by The Knives Forks and Spoons Press. The video below is to be played on a loop. It’ll be archived at if p then q in the next few days.

LINK to Knives Forks and Spoons Press

LINK to video

Sudo Poetry

From Michael Egan:

Dear Poets,

I am inviting you all to take part in a poetic experiment. If you don’t like experiments then stop reading now. I am putting together a blog called Sudo Poetry.  This is a new poetic form and I hope to use the blog to present ‘sudo’ (as in judo) poems – purely the poems, no social commentary or critical chit chat. 

The first rule of Sudo poetry is that poets use pseudonyms.  Obviously when poems are submitted a note will be made and stored of the poet’s true name alongside the ‘sudo’ name but only the ‘sudo’ name will be displayed on the blog.

You may at this point say, ‘nah, what’s the point’ and wander away.  That’s fine, I am merely inviting submissions and may get zero submissions whereby there will be no blog (maybe the few sudo poems I have written) and no ‘sudo’ poetry.

And so ‘sudo’ poetry requires rules for me to call it a poetic form.  Here are those rules which I hope you may be moved to try out:

Sudo poems are 7 lines long.
Lines 1, 2 and 3 consist of the following syllable count: 7/10/7.
The last syllables of line 1 and 2 rhyme.
That rhyme is loosely carried over into the first syllable of line 3.
These first 3 lines are called the ‘su’ and must have some reference to either an animal or a bodily function or a wildflower.

The second section of 4 lines is called the ‘do’ and each line has six syllables.  There is no rhyming structure here but you can always impose one if you like.
The first syllable of the first 3 lines should begin with the same vowel.  So line 4,5 and 6 might each begin with an ‘a’ say or maybe an ‘e’.
The last syllable of lines 4, 5 and 6 should also end with the same consonant.  Each might stop with a t. Or even a v.
And for line 7.  The last line of the ‘do’.  This should be nothing to do with anything you’ve written about in the rest of the poem.  If the poem is about the world cup then make the last line about Harald Hardrada.  The vowel and consonant rules do not apply here.

And by following these rules you should have written a sudo. 
I will use the blog as a tool to express only Sudo poetry and as I said, I would like poets to write under pseudonyms…sudonyms…sudo-nyms. Hammer that point in.

This is a purely poetic experiment but may become an academic one.  I would also ask if anyone is bored enough to write a sudo poem and submit one, might they then pass the email on to other poets they know.  It would be good to do this for say a year and see how many sudo poems I can get on the blog. 

Here is an example of a sudo poem I have written.


daschund of our separation

when last I saw that daschund

our night was paid for by the christmas fund

round after round of schnapps downed

it slept right through our songs

ignorant of our sins

inebriated bliss

how quickly maize crops fail.

Yours sincerely

Michael Egan….I will be presenting poems on the blog as Ian McMichael.

Also can all submissions be sent to      sudopoetry@yahoo.co.uk

Hearing Voices

Crystal Clear Creators, an arts organisation devoted to developing, producing, publishing and promoting new writing, is pleased to announce Hearing Voices, a new literary magazine. The magazine is now open to submissions (see below).

Description
Hearing Voices is a triannual magazine of poetry and prose by new, up-and-coming and established writers. The magazine will initially run for a year, and hence include three issues. Each issue will be edited by a guest editor, who will provide feedback on ALL submissions, whether or not they are accepted. Each edition of the magazine will have an ISBN and be professionally designed and printed.
The project will also include redesigning our website (currently out of action) in order to promote the magazine, and to include some of the submissions as a kind of showcase.
We hope to run a launch event sometime in 2011 (venue and date t.b.a.).

Timetable and Editors
This is a provisional timetable for publication, and will be subject to change:
15 October 2010 1st issue published, edited by Maria Taylor
15 January 2011 2nd issue published, edited by Sue Mackrell and David McCormack
15 April 2011 3rd issue published, edited by Mellissa Flowerdew-Clarke and Alex
Plasatis

Deadlines for submissions for each issue are as follows:
20 July 2010 deadline for submissions for 1st issue
15 November 2010 deadline for submissions for 2nd issue
1 March 2011 deadline for submissions for 3rd issue

Email submissions received after the deadline will be held over to the next issue. Some accepted works may, where necessary, also be held over to the next issue, depending on space and theme.
The overall coordinator and general editor of the magazine is Jonathan Taylor (crystalclearjt@hotmail.co.uk).

Submission Guidelines
Hearing Voices is a magazine of poetry and prose (short fiction and creative non-fiction). If you would like to submit poetry or prose to Hearing Voices, please send your work as an email attachment (MS-Word document or similar) to cccsubmissions@hotmail.co.uk. Please:

• include a short (three-line) biography about yourself in the email or on the document.
• send no more than three poems for each issue of the magazine. Poems should be no longer than 60 lines each.
• send no more than one piece of prose (fiction or non-fiction) for each issue, of no more than 1,000 words.
• do not send review or feature articles, which we cannot publish.
• make sure that your name is clearly displayed both on the email and on the attached document.
• only send original, unpublished work by yourself, which has not been simultaneously submitted elsewhere.

There is no payment for accepted work, but all writers included in the magazine will receive a complimentary copy. Uniquely, the editors will provide a short report on ALL submissions, whether or not the work is accepted for the magazine. We would encourage all writers who submit work to the magazine to consider joining Crystal Clear Creators (see below), but this is entirely up to you, and will not influence the editors’ decisions.
Please note that the magazine has an ‘interventionist’ editorial policy. If your work is accepted, the editors reserve the right to alter minor elements of the writing, or to make suggestions to you for further revisions. Submission to the magazine implies you accept this ‘interventionist’ approach. The editors’ decision on all work is final.

Please note
Ideally, the magazine will aim to publish as many different writers as possible. This means that we will normally only accept ONE piece per submission – so, if you submit three poems, we will normally accept one of them. We hope you understand that this is to maximise the number of different writers we can publish each issue. There will, of course, be exceptions made to this rule where deemed necessary by the editors.

Cost and Subscriptions
• Each individual issue of the magazine costs £3, or £2.50 to members of Crystal Clear Creators (see below). This includes postage and packing.
• A subscription to all three issues of the magazine costs £8, or £7 to members of Crystal Clear Creators (see below). This includes postage and packing.
• Membership of Crystal Clear Creators costs £5 per year.
Please send all cheques, with a covering note, to Crystal Clear Creators, c/o Dr. Jonathan Taylor, Department of English and Creative Writing, Faculty of Humanities, Clephan Building, De Montfort University, Leicester, LE1 9BH.

Call for Work – Gulf Coast Poems

Poets for Living Waters is a poetry action in response to the BP oil disaster in the Gulf of Mexico begun on April 20, 2010, one of the most profound human-made ecological catastrophes in history.

The first law of ecology states that everything is connected to everything else. An appreciation of this systemic connectivity suggests a wide range of poetry will offer a meaningful response to the current crisis, including work that harkens back to Hurricane Katrina and the ongoing regional effects.

Please submit 1-3 poems, a short bio, and credits for any previously published submissions to: poetsforlivingwaters@yahoo.com

More information here. Via Nicole Mauro.

FUTURES by Ken Edwards reissued

FUTURES, Ken Edwards’ 1998 novel, has been reissued by Reality Street with a new cover, after briefly going out of print.

The narrative traces the paths taken on her bicycle by the protagonist, Eye, across and out of an unnamed city in the wake of an event she can’t remember. Her quest is to face her terror and retrieve the fragments of her life, which lie in the future that never quite arrives, until it does.

More here.

New from West House Books

 
Co-published by BookThug & West House Books
 
 
Karen Mac Cormack:
 
TALE LIGHT: NEW & SELECTED POEMS 1984-2009
 
192pp.
isbn 978-1-904052-26-5
 
£14.95 postfree in UK
 
Review copies will be sent on request.
 
 
TALE LIGHT draws from previously uncollected poems, revisions of published earlier poetry from Nothing by Mouth, Straw Cupid, Quill Driver, Quirks & Quillets, Marine Snow, The Tongue Moves Talk, At Issue, Vanity Release, and a rich selection of new work. For the first time the strategies Mac Cormack develops for each separate project (her often witty and ludic explorations, wherein she confronts the habitual in language and representation) are brought together for the reader as a collective textual experience.
 
‘Mac Cormack’s concern with the contingent, fugitive aspects of sense and perception as revealed when confronted with their temporal character yields a pleasure not as mastery but of mystery and surprise. … The atomic components of Mac Cormack’s text function as “lucid apertures”. Openings “to supply instead of render” a focus on the multiple.’ Scott Pound, American Book Review
 
‘From the beginning this poet’s approaches to writing have been beguiling: seemingly aloof and simultaneously engaging, probing and juxtaposing lexes, iconoclastic in her approaches and very funny. … Few writers make such a wrestle with language and our own unconscious syntactic projections onto the printed page so rich and illuminating.’ David Annwn, The David Jones Journal
 
 
Other titles by Karen Mac Cormack available from West House
( * = not represented in Tale Light ) :
 
* Implexures (Complete Edition). Polybiographical prose-poem. Chax & West House 2008. 132pp. £11.95
Plural Modifiers. Gargoyle 2006. 4pp. £2.50
* From a Middle (with Steve McCaffery). Housepress 2nd edn 2003. 28pp. £6
Nothing by Mouth. BookThug reprint 2003. 40pp. £6.50
At Issue. Coach House 2001. 70pp. £8.50
* Fit to Print (with Alan Halsey). Coach House & West House 1998. 64pp. £8.50
The Tongue Moves Talk. Chax & West House 1997. 60pp. £7.50
 
(all prices including UK postage)
 
Payment by cheque or Paypal.
 
West House Books, 40 Crescent Road, Nether Edge, Sheffield S7 1HN
 

Maintenant – new site

The 3am magazine Maintenant series aims to evidence, through discussion with Europe ’s most exceptional young poets, the continued pertinence of poetry for a new generation of talent from a diverse selection of European poetic traditions. The interviews, and the poetry that accompanies them, have shown the slow dissolution of stylistic recalcitrance, internal bias to gender and race, methodological snobbery and poetical jingoism. The fusion of poetic expression inevitable in a world of increased communication, access and political freedom is remarkable and cause for optimism where so often there is pessimism in poetry circles. The range and depth of poetry on display, and it’s standard, is a small representation of what each nation is producing.

The Maintenant dictum is to introduce poets that might lie outside of the Anglo-American scene, or be overlooked until they have reached the prominence of middle age. More at the new Maintenant site here.

ANGEL EXHAUST TWENTY-ONE

Via David Bircumshaw:

EACH AEON FREE AFTER THE FIRST ONE: THE WELSH UNDERGROUND

Despite the denials of official organs, Wales participated in the great blossoming of poetic culture of those decades between the end of the primary Cold War and the dawn of the New Right, and this unofficial English literary magazine is offering a large-scale celebration of the achievements of Welsh poets whose optimism captured them. The fall of monoliths spills daylight onto the missing half of the picture. The most interesting anglophone Welsh literature of the past century has been in the innovative vein.

A mixture of poetry, essays, memoirs, and interviews recreates a literary era in depth.
Poets featured are: John James, David Barnett, Paul Evans, Iain Sinclair, Zoë Skoulding, Ralph Hawkins, Peter Finch, David Greenslade, John Goodby, Nic Laight, Nick Macias, Niall Quinn, Philip Jenkins, Graham Hartill, Lynette Roberts, Chris Ozzard, Rhys Trimble, John Powell Ward. We touch on the history of innovative writing in Welsh and even turn up two avant garde texts in Welsh. An analytical essay (drawing on work only available in Welsh) uncovers the use of Welsh patterns of consonantal echoing in the English experimental tradition. An ample poetry anthology includes mainly unpublished poetry but also recovers texts from as far back as the seventies, defying forgetfulness.

Living witnesses told us strange tales. Recovery of original texts from archives and deposits has brought a disintegration of the intellectual legacy. Salvaged from among the debris of Christian, nationalist, and communalist ideologies, we shake clear a brilliant line of liberated and imaginative writing. Set up in order to fill a gap, the project has uncovered a whole gulf, a submerged realm of sophisticated intellectual exploration. Awed, we recover the traces of the classic Welsh magazine 2nd Aeon between 1966 and 1975. That is truly why each aeon is free after the first one.

£7. 1.70 pp. publication date 4 June 2010. available from: 21 Querneby Road, Nottingham, NG3 5JA. cheques payable to ‘Andrew Duncan’ please.

edited by Goodby and Duncan.

Tolling Elves at Poetry Magazines

One of my favourite things in the world, Tolling Elves edited by Thomas Evans, is now digitally archived at The Poetry Library’s http://www.poetrymagazines.org.uk

First six issues up are Rob Holloway, Bill Griffiths, Aaron Shuren, P. Inman, Barbara Wright & Leslie Scalapino

This is what it says:

Tolling Elves was a mail-only newsprint magazine that printed one writer and one artist every month from August 2002 to October 2006 (with very occasional gaps). There were 41 issues, plus various inserts and related spin-offs. Issues 1-25 were produced in New Cross, South East London, and the rest were done in Sunnyside, New York. For more information see: http://www.onedit.net/tollingelves

LINK

Bookstall annex

The tremendous amount of titles by last night’s three readers Peter Manson, Nicole Mauro and Susana Gardner + if p then q titles, Knives Forkes and Spoons, Object Permenance, The British Journal of Innovative Poetry, ZimZalla, The Other Room Anthology, Maggie O’Sullivan & Scott Thurston books and then…a whole different bookstall for the humungous Dusie Press. Whopping!

The Other Room Bookstall

The Dusie Bookstall

Openned Zine #2

■Peter Philpott explaining reasons and motivations behind the Great Works website
■Save Middlesex Philosophy
■Emily Critchley and Carol Watts provide a schedule for the Women’s Innovative Poetry & Cross-Genre Festival in Greenwich
■Jeff Hilson, Edmund Hardy, Richard Owens and Peter Riley on Mendoza, or, Linus Slug
■Sejal Chad, Becky Cremin, Ryan Ormonde and Karen Sandhu on press free press
■Harry Gilonis Edmund Hardy, Tessa Whitehouse and Michael Zand on Klatch 3: Dérive
■Luke Roberts looks back on the Sussex Poetry Festival
■Stephen Mooney on the launch of the new Voiceworks website
■Matt Dalby on a new sound-text-performance series in Manchester, Counting Backwards
■Timothy Thornton close reads Ryan Ormonde’s firstdraftofhypertextrespondingtoalicefallingdownrabbithole
■Johanna Linsley on I’m With You, a series of live art events in Clapton, London
■Alex Davies on the Openned Table
Plus a set of regular new features:

■Bookface
■Birk Puke
■Photography: in this issue, Sharon Borthwick, Marianne Morris, Nat Raha and Malcolm Phillips
Available in full-colour PDF or an easy-to-print black and white version.
 

More here.