CUBE GIVES AWAY LATEST INSTALLATION – FREE TO THE FIRST 100 VISITORS!

COLLECTION AVAILABILITY: 12am – 5pm, Monday 18th April – Tuesday 19th April

For a limited period only, CUBE is giving visitors the opportunity to own a part of their current exhibition osa/MERZEN.

The monumental installation by osa (Office for Subversive Architecture), as featured in international architecture publications AJ and Blueprint magazine ends on Saturday 16th April. The exhibition is the first time the osa, renowned for their public realm works have worked in a gallery setting, with CUBE challenging them to ‘subvert’ the gallery space in response using the collage by Schwitters, YMCA Flag Thank-you Ambleside, made by the artist whilst in exile in Cumbria.

The exhibition has proved popular with visitors commenting “Wonderful, fascinating exhibition, excellent to see what can be done with imagination and discarded materials” and “Excellent, very brave, thought provoking, thank you” (Andrew J. Holland).

A unique window of opportunity has been provided by CUBE that will allow the first 100 people who arrive to own their very own piece of an International commission.

CUBE Staff will be on hand to assist the first 100 people who visit the gallery with their selection on Monday 18th and Tuesday 19th April between 12 – 5pm.

All materials left at the end of the give away period will be recycled, reclaimed or reused.

CUBE 113-115 Portland Street Manchester M1 6DW
Tel: 0161 237 5525 fax 0161 236 5815
http://www.cube.org.uk
email info@cube.org.uk

SJ Fowler book launch at the Blue Bus

Red Museum with Knives, Forks & Spoons press

www.sjfowlerpoetry.com

www.knivesforksandspoonspress.co.uk

April Tuesday 19th 7.30pm
at The Lamb, 94 Lamb’s Conduit Street, London WC1N 3LZ<

'A tremendous and persuasive surge of the red and the black: conflicted doctrines, scorched paper. Gothic scripts and plague-year screenplays for an apocalyptic cinema. Death chess. Heretical crusades. Hurt flesh. Fire angels. Madness. A grimoire for a haunted river-city. The poetry lies in the interpretation of malfated woodcuts. It is sinewy, knotted, persistent. And true.'

Iain Sinclair

also to be released, the chapbooks:

Fights XIX: Johnny Tapia with Oystercatcher press
www.oystercatcherpress.com

Fights XX: the Songs of Salvador Sánchez with the Red Ceilings press
www.theredceilingspress.co.uk

The Language Moment

Opening salvo of this year’s essential Text Festival in Bury and elsewhere.

Featuring Eiríkur Örn Norðdahl, Maggie O’Sullivan, Phil Minton and Ben Gwilliam & Phil Davenport

@ The Green Room, Manchester

Friday 15 April 2011

In a pre-festival partnership event with the Green Room, Manchester, the Text Festival presents an evening of virtuoso vocal performance and groundbreaking sound art.

Eiríkur Örn Norðdahl is an Icelandic poet and author of three novels. He works with performance and sound-poetry, and regularly appears at poetry and music festivals, as well as dabbling in the dark arts of the concrete. In the recent years he has explored the possibilities inherent in the European and North-American avant-garde traditions, and focused on disassembling language into its visual, social and linguistic units. Nothing can prepare you for the power and dexterity of his performance, the sonically richness of his sound poems, and his amazing control of his material. His huge contortions twist his mouth to stun the audience.

Phil Minton is a dramatic baritone with a free-form style of “extended techniques” that are extremely unsettling. His vocals often include the sounds of retching, burping, screaming, and gasping, as well as childlike muttering, whining, crying and deep-throated drones; he also has an ability to distort his vocal cords to produce two notes at once. Phil Minton’s voice occupies a category apart, as joyously accessible as it is radical.

For over thirty years, Maggie O’Sullivan has been one of the leading figures of British innovative poetry. An international performer and visual artist, she is committed to excavating language in all its multiple voices and tongues, known and unknown, in visceral gestures that collage and pulverization at the service of a rhythmic vortex.

Phil Davenport & Ben Gwilliam are artists engaged in collaborative practice across different artforms: Davenportthe poet and Gwilliam the sound artist merge experimental language through the infrathin processing of the silence between sounds.

The event will also feature specially commissioned sound art interventions in various Green Room Spaces.

Curated by:

Tony Trehy

Commissioned by:

Green Room

Ticket Prices:

£9.50/£6.50

Venue:

Green Room

54-56 Whitworth St West

ManchesterM1 5WW
0161 615 0500

http://www.greenroomarts.org/

Station Stories

THE EXPERIENCE

Station Stories is a unique site specific live literature promenade event using digital technology and live improvised electronic sound. From platform to platform, café to café and shop to shop, six writers take you on a tour of Piccadilly station and read specially commissioned stories inspired by the station and the people who use it and work there. It’s a unique live literature promenade performance featuring live improvised sounds using samples of ambient station noises as they happen.

Station Stories will explore the day-to-day life of the station – its platforms, its workers, the journeys people take, the waiting, the encounters, the thrill, the loneliness, the joy. It will express the peculiar, unique qualities of this marginal, in-between world, where anything can happen and often does.

HOW IT WORKS

Audiences are linked to the writer’s microphones by headsets using wireless technology, making the event unobtrusive and ensuring the audience hear every single word, whilst still experiencing the live ambience of the location. A musician accompanies the writers and improvises music using sampled live sounds from the station, manipulating these sounds and playing them into the audience’s headsets between and underneath the text. The writers interact with passing members of the public who may be unaware that a performance is taking place.

More.

The Poetry and Poetics Research Group at Edge Hill

Thursday 31st March at 6.30 (till 8.00) in E21 at Edge Hill University, Ormskirk, Lancashire L39 4QP

The OULIPO writers have been fascinating readers for many years now, whether through the novels of Italo Calvino or the masterpieces of Raymond Queneau, the teasing novels of George Perec or the poems of Jacques Roubaud.  Experimenting with constraints (‘Write a novel without using the letter e’ or replace every noun with the seventh word after it in the dictionary’, through to complex mathematical systems) they have been slowly changing the way much mainstream writing is written. The results are often hugely funny.

The main practitioners are French and it is appropriate that the best British writer to follow this school is also one of its most adept translators into English.  Now Philip Terry will be visiting Edge Hill for the first time to talk about his versions of Shakespeare’s sonnets. This hallowed work of literature is ransacked and re-written before our eyes. Come and see Philip read from, and talk about the work.

Philip Terry was born in Belfast in 1962. He has taught at the universities of Caen, Plymouth and Essex, where he is currently Director of Creative Writing. His fiction, poetry and translations have been widely published in journals in Britain and America. His books include the celebrated anthology of short stories Ovid Metamorphosed (Vintage, 2000), Fables of Aesop (Gilliland Press, 2006) and the poetry collection Oulipoems (Ahadada, 2006). In 2008 Carcanet published his acclaimed translation of Raymond Queneau’s Elementary Morality. His latest Carcanet collection Shakespeare’s Sonnets was published in 2010.

Sonnet 18

Shall I compare thee to a Smirnoff ad?

Thou art more shimmering, more full of zap;

Icy winds do freeze the Russian steppes,

And vodka’s high hath all too short a date:

Sometime too cold the eye of Yeltsin shines,

And oft is his bleached complexion dimmed;

And every drunk through drunkenness declines,

By cancer of the liver or septicaemia untrimmed:

But thy eternal glimmer shall not fade,

Nor lose possession of that zip thou ow’st,

Nor shall death brag thou sup in his shade

When in immortal lines like these thou glowest:

So long as men can drink and take a piss,

So long lives thine in this.

See also his anthology of English language Oulipo-influenced work at http://ekleksographia.ahadadabooks.com/issuethree/

Hay Jam

Run by volunteers on a shoestring, the Hay Poetry Jamboree is one of the most open-spirited, inquisitive and intimate of all the small poetry/arts festivals. It seeks above all to provide a performing space for those poetries which tend to be ignored by the big literary festivals – poetries which operate outside the margins of the mainstream. But the Jamboree is determinedly anti-doctrinaire – it showcases not only the very best radically innovative work, but welcomes writers of quality from any context, who are attempting new things, making interesting connections. The Jamboree is unique and it needs your support.

Become a Friend of the Jamboree, and simultaneously advertise your wares, your books, your business, your projects, your thoughts or simply yourself, on the Jamboree webpage, (or not, if you’d prefer) by sending us a cheque for either ten, fifteen or twenty pounds, according to the following scheme:

£10 to have your name listed on the Jamboree web-page, with up to 30 words of biography/bibliography (or any other kind of textual utterance). £15 for a textual entry of up to 60 words on the web-page. Plus, choose a free cd from any one of nine performances from the previous two Jamborees: namely, Peter Finch, Boiled String, Wendy Mulford, John James, Chris Torrance, David Greenslade, Childe Roland, Geraldine Monk, Alan Halsey, Elisabeth Bletsoe, Robert Minhinnick.

£20 for a paragraph of up to 200 words on the web-page with web-links, logos, graphics where possible, plus the option of a choice of free cd from the above list.

By becoming a Friend of the Poetry Jamboree you can now get a reduction of
25% on a one-year four-edition subscription to the amazing POETRY WALES
– £15 only! Email goodbard@yahoo.co.uk for a subscription form.

Send cheques made out to Glasfryn Seminars, to Lyndon Davies, Glasfryn, Llangattock, Nr Crickhowell, Powys, NP8 1PH with letter listing your name, address and choice of cd where applicable.

Send details for inclusion on webpage to goodbard@yahoo.co.uk

Hay on Wye 3rd annual Jamboree

Advance notice of this splendid looking event.

THIRD HAY-ON-WYE POETRY JAMBOREE

JUNE 2nd – 4th 2011

Oriel Gallery of Contemporary Arts
Salem Chapel, Bell Bank, Hay on Wye

THURSDAY JUNE 2ND

6.30 – 7.30 pm: Festival Launch Reception

7.30 – 9.15 pm: Ralph Hawkins + Allen Fisher

FRI JUNE 3RD

11.00 – noon: Film and poetry: Colin Still

2.00 – 4.00 pm: Helen Lopez, John Freeman, Angela Gardner, Rhys Trimble, Paul Green

5.00 – 6.00 pm: Lecture: Robert Sheppard

7.30 – 9.15 pm: Carol Watts + Sean Bonney

SAT JUNE 4TH

11.00 – noon : Frances Presley, Glenn Storhaug

2.00 – 4.00 pm: Gavin Selerie, Tiffany Atkinson, David Annwn, Zoe Skoulding with Poetry Wales special bill.

7.30 – 9.15 pm: Kelvin Corcoran + Maggie O’Sullivan

9.30 – 10.30 pm: Grand Finale – Chicken of the Woods (bluegrass band, with dancing, drinking, and other enjoyable post-poetic shenanigans …)

Plus – All Saturday in Salem Chapel proper, Elysium Gallery in collaboration with

Hay Poetry Jamboree presents Bus Stop Cinema – a festival of short films.

ENTRANCE TO 7.30 EVENTS £5 (CONCESSIONS £3). ALL OTHER EVENTS FREE

The Other Room Itinerary rest of 2011

An exciting series of events already brewing. Advance notice for those of you booking your holidays to the south of France. All at The Old Abbey Inn, Manchester, 7pm start unless stated.

April 6th – Ken Edwards, Alec Finlay, Carrie Etter & Derek Henderson

June 7th – Steve McCaffery, Karen Mac Cormack, Geraldine Monk, Alan Halsey (THE OTHER ROOM IN ASSOCIATION WITH INFORMATION AS MATERIAL IN LEEDS – TIME AND VENUE TBC)

June 8th – Steve McCaffery & Karen Mac Cormack

July 20th – Chris Goode, Jonny Liron & Tamarin Norwood

August 24th – Phil Terry, Rachel Lois Clapham & David Berridge

Scott Thurston’s Internal Rhyme now archived at PENN Sound

Occassional Readings, Furzeacres on Dartmoor in Devon, UK, July 4, 2010

In this performance Scott Thurston reads the entirety of his book Internal Rhyme (Exeter: Shearsman Books, 2010). Divided into four sections, the book comprises a sequence of eighty poems in total, each constructed in four four-line stanzas which can be read in a vertical as well as in a horizontal direction. For this performance, Thurston experimented with reading two of the book’s sections in both directions. Taking the poems in groups of five, he used two approaches: firstly, reading all five in one direction and then returning to read the same five in the other direction and, secondly, reading each poem in one direction immediately followed by the other direction.

Internal Rhyme develops Thurston’s preoccupation with time and process as compositional elements, as seen in his previous book for Shearman, 2008’s Momentum. The subjects and themes are diverse and include poems responding to Blake, Klimt and Twombly alongside refigurings of the theoretical works of Alain Badiou.

LINK