Starcrusher

STARCRUSHER NIGHT

{{ SATURDAY 9th MARCH }}

songs         poetry        noise           and  film

poetry from SEAN BONNEY LISA JESCHKE VERITY SPOTT IAN HEAMES NAT RAHA TOMAS WEBER

songs from JEREMY HARDINGHAM BUSINESS LUNCH

noise from OLLIE EVANS CAMBRIDGE IMPROVISERS

the world premiere of KLAUS KINSKI ERLOSER

Judith E Wilson Drama Studio English Faculty, Cambridge

7pm till late

~~~~ Mit Alcohol und Book Tables                  ~~~~

http://starcrushernites.tumblr.com/

Mudflats

Fri, 22 Mar 2013 7.00 PM – 8.30 PM Tickets: £5/£3

Part of Northern Elements, which develops spoken word in the North of England through commissions of new, imaginative and high quality spoken word material, the Bluecoat is working with independent promoter Michael Egan to present performances celebrating lost stories and forgotten voices. Chris McCabe’s commission Mudflats explores where history, language and memory meet across generations for one Liverpool family, played out against the backdrop of an ever changing city and the river that flows through all their lives. Programme also includes Dinesh Allirajah, James Byrne, Andrew McMillan and Rebecca Sharp.

More here.

Linda Black – The Son of a Shoemaker

Wednesday, 20 March, 6.30 PM, Poetry Café, 22 Betterton Street, London WC2H 9BX.

Linda Black’s exhibition of drawings and prints draws on her new book, The Son of a Shoemaker’ (Hearing Eye, 2012). The sequence of nineteen prose poems,based on the early life of Hans Christian Andersen, is illustrated by the author. The exhibition includes other illustrations and etchings. There will be a reading and a musical performance.

Literary Collaboration at Edge Hill

Literary Collaboration – a symposium hosted by the Edge Hill University Poetry and Poetics Research Group (English and History Department)

23rd April 2013 1pm-9pm E1 (afternoon) & Hub 2 (evening)

To accompany the exhibition of image and text MANIFEST by Pete Clarke and Robert Sheppard in the Edge Hill Arts Centre, Ormskirk, between April 8th – 26th 2013 (Private View April 16th 5.30 – 7.30).

We are living through an intense period of collaboration between writers and practitioners in other media – as well as between writers, either on the page, live, on the wall, or in new media. This symposium hopes to bring together practitioners and theorists to collaborate in a discussion of the issues raised by these often one-off encounters between artists.

Topics may include but need not be limited to:

  • Literary collaboration – poets, novelists and others
  • The theory of collaboration in the arts
  • The practice of collaboration
  • Multiple collaborations
  • Collaborations between humans and intelligent machines
  • Procedural and conceptual writing and collaboration
  • New methods of collaboration

We are looking for formal papers, demonstrations (but not ‘straight’ readings) that will last for 20 minutes (or less time if you desire).

Confirmed speakers so far:

  • Joanne Ashcroft (Edge Hill) on collaborating with Mina Loy
  • Pete Clarke (UCLAN) on artistic collaboration
  • Patricia Farrell (Edge Hill) will speak on the collaborations of Clarke and Sheppard
  • SJ Fowler
  • Rodge Glass (Edge Hill) on writing a graphic novel
  • Tom Jenks (Edge Hill) will speak on the human-machine interface
  • Nathan Jones (Mercy)
  • Andrew McMillan (JMU) on collaborations with photographers: a ‘third’ voice emerges.
  • Des McCannon (MMU) and Eleanor Rees (Exeter)

We are now looking for other speakers and presences.

Please send abstracts and proposals to shepparr@edgehill.ac.uk by March 18th, clearly marking the email ‘Literary Collaboration Proposal’.

If you wish to attend send you name to shepparr@edgehill.ac.uk . Attendees and delegates will be limited to 50 places.

There will be two sessions, the afternoon (1.30-5.30) and the evening (6.30-9.00). They can be booked together or separately. Please state whether : Afternoon: Evening or All day is desired.  Clearly entitle the email ‘Literary Collaboration Places’.

This event is free but limited to 50 speakers and delegates. Campus facilities will be open for refreshments and dining. This is a zero budget symposium.

Committee

Robert Sheppard

Joanne Ashcroft

Tom Jenks

Veer Books at the Surrey New Writers Festival

Veer Books will be hosting a reading and launch evening as part of the Surrey New Writers Festival in Guildford on Saturday 16 March (6 – 8PM), featuring the launch of Allen Fisher’s Defamiliarising ____________* and Martin Bakero’s abjects. Readers will be: Allen Fisher, Martin Bakero, Adrian Clarke, Stephen Mooney. Hosted by Stephen Mooney and Holly Luhning. (free admission). Venue: Three Pigeons, Guildford,169 High Street,Guildford,GU1 3AJ. More here.

 

Juxtavoices at the Network Musical Festival

The second Network Music Festival will take place in Birmingham (UK) on 22-24 February and will feature a performance by Juxtavoices on Sunday February 24th

Juxtavoices was formed in 2010 by composer Martin Archer and writer Alan Halsey. Since then the group has been surprising, delighting and occasionally alarming audiences across the region with their performances, often in public spaces. Comprising both trained and untrained voices, the group uses fixed texts and structures for its compositions, but no specific pitches are ever written and through use of improvised elements no two performances of a given piece are ever the same.

OUT OF THE DEBRIS

 

 Simon Barraclough, Isobel Dixon and Chris McCabe have collaborated across film and music with Jack Wake-Walker (film) and Oli Barrett (music) of Petrels to produce  The Debris Field, an alternative artistic take on the sinking of the Titanic. After a sold out performance at the BFI in 2012, there will be  another London performance at the Rich Mix in Bethnal Green on Thursday 21st February.

Visual Poetics

This exhibition, curated by David Miller and Chris McCabe, focuses on the ways in which poetry has moved into a visual dimension in work by recent practitioners.

In particular, the emphasis is on the way that individual poets have incorporated their writing in or with visual images, or pushed their writing into something inherently visual, either lucidly, vividly or extravagantly. Among those whose work is exhibited are Thomas A Clark and Laurie Clark, Gavin Selerie, Liliane Lijn, James Harvey, Sarah Kelly and David Miller.

David Miller’s involvement in the curating of this exhibition is part of the Text and Image Project at Nottingham Trent University.

Saison Poetry Library at Royal Festival Hall, Tuesday – Sunday 11am – 8pm
Free

12 February 2013, 11:00am – 14 April 2013, 20:00pm.

More here.

Allen Fisher: connected events for the Birkbeck and Royal Holloway nexus.

event one: 7.30pm, Thursday, 14th February, Birkbeck
Clore Management Building Room G01, Torrington square.

Testing & Experimenting
**

event two: Thursday, 28th March, Royal Holloway, Central London
site and room tbc

Æsthetics of the Imperfect Fit.

Birkbeck, Thursday 14th February

Testing & Experimenting, the event sets out to review for London the sequence of Allen Fisher’s Complexity Manifold talks (2006-2011), followed by a brief application of the result from the review, using examples from fourteen English poems published in the last five years and a concluding coda: the governance of the self and others.

Royal Holloway, Central London, Thursday 28th March

Æsthetics of the Imperfect Fit, a synthesis with an underlying theme of facture and æsthetic reception. Eventually the subject includes how meaning might be achieved by slow accretions and lead to aspects of truth telling. This subject is skewed by the poetics, confronted with the contradiction of the world as it is understood to be and the changing proposals for a different world.

Free Modern Poetry online course with Al Filreis

“ModPo” is an entirely free, non-credit, online 10-week version of the 14-week course on modern and contemporary American poetry I’ve been teaching for thirty years, mostly here at Penn in Philadelphia, mostly here in the Kelly Writers House.
The course makes use of audio recordings of the poets reading the poems we discuss, as well as other materials and resources we’ve assembled through PennSound, Jacket2, PoemTalk and the programs of the Kelly Writers House over the years.
The course was offered last fall, with 36,000 people enrolled from 129 different countries. An overview of that experience, including links to reviews of and articles about the course, is available here:
As of today, we are taking enrollments for the second running of ModPo – starting Saturday, September 7, and finishing 10 weeks plus two days later, on Monday, November 18. One can enroll here:
– providing merely an email address and name (no other information is requested). As I say, it is entirely free and entirely open. (Entirely open: for instance, a number of people with disabilities took the course last time, with little to no difficulty; and people in remote places with slow and far-flung connections were still able to keep up; participants ranged from 15 to 95 years old; etc.)
A 20-minute video introduction to the course can be found on YouTube here: http://youtu.be/HsE6f0hbHwI .