14th June, 7 PM. The Town Hall Tavern, 20 Tib Lane, Manchester, M2 4JA.
- Joanne Ashcroft
- Lucy Burnett
- Nathan Thompson
- Steve Spence
14th June, 7 PM. The Town Hall Tavern, 20 Tib Lane, Manchester, M2 4JA.
Torque
Fri Jun 06 2014 at 08:00 pm
RichMix, 35 – 47 Bethnal Green Road, London, United Kingdom
The future of speech, language systems and techno-cognition combined as a one-off show for the theatre at Rich Mix.
This multimedia performance night features top practitioners from fields of poetry, live coding, dance, diy robotics, classical music, animation and theatre, entwined into a twisted symphony of voice, light, bodies and sound.
Featuring:
Oliver Coates
NEW COMMISSION comprising cello, electronics and field recordings, alongside ‘Oraison’ by Messiaen, one of the first compositions written for electronic instruments. Accompanied by newly commissioned video works by Sam Skinner.
Holly Pester
HANNAH WEINER’S CODE POEMS: a re-staging of Hannah Weiner’s 1960’s work, a poem/performance score using the coded signalling system for ships at sea.
Alex McLean & Kate Siccio
BODY CODE creates a feedback loop and conversation through code, music, choreography, and dance.
Karl Heinz Jeron
SIM GISHEL is a multi-media robot. He sings and dances for money, and tries hard to take part in casting shows to become a pop-star.
Nathan Jones & Mark Greenwood
THE NODES series of conversations as radical language events, proposing a future for speech beyond communication.
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Torque [LIVE]is part of the Torque programme, exploring the twisting together of language, brain and technology in the 21st century.
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TICKETS: http://www.richmix.org.uk/whats-on/event/torque-twisting-language-brain-technology/
Allen Fisher will perform at the next Other Room on Wednesday, 4th June at The Castle Hotel, 66 Oldham Street, Manchester, M4 1LE. 7 PM start, with Leanne Bridgewater, Agnes Lehoczky and David Miller. Free entry. This film shows Allen performing a collaborative piece with Philip Terry at the third Camarade event in 2012. See Allen’s website for more.
Bio.
Allen Fisher is a poet and painter, art historian and publisher. He has authored 150 publications of poetry, graphic work and commentary. He edits Spanner and co-edits Aloes Books. He worked with Fluxus peformance art in the 1970s. His visual work is held at the Tate Collection, King’s College London and Living Museum Iceland, as well as in many private collections.
This Sunday, 25 May, Carol Watts, Jeff Hilson and Ken Edwards will be reading from their recent work in the Poetry at The Room series, introduced by Anthony Howell.
33 Holcombe Road, London N17 9AS.
7.30pm
£7 admission charge includes refreshments.
Sat 17 May 2014, 3:00 pm, admission free. Serpentine Sackler Gallery Kensington Gardens, London W2 3XA. Poets Eugene Ostashevsky, Holly Pester and Sophie Seita present readings in the Serpentine Sackler Gallery’s Powder Room, within the exhibition curated by Martino Gamper, design is a state of mind. More here.
Leanne Bridgewater will perform at the next Other Room on Wednesday, 4th June at The Castle Hotel, 66 Oldham Street, Manchester, M4 1LE. 7 PM start, with Allen Fisher, Agnes Lehoczky and David Miller. Free entry. The film above shows Leanne at Words V Music #2 in 2013. See also her Homophone Translations at Beard of Bees, some visual pieces at Depart and M58, and her Alternative Anniversaries greetings cards at zimZalla.
Bio.
Leanne Bridgewater is a poet who writes and draws, then draws upon subjects (mostly environmental). She enjoys indulging in language poetry and experimentation. Her latest works are Sentience: a three-thousand word sentence (Stoma Press), Three tales of Dysgeographia (self-published), The Homophone Translator: a project on homophonic translation (Beard of Bees, 2013) and an alternative series of greeting cards (zimZalla avant objects). She is currently working on a project involving random number generation, along with preparing a new collection of poetry.
June 13th and June 14th
The Marlborough Theatre, Brighton
Sussex Poetry Festival, now in its 5th consecutive year, is Brighton’s most exciting annual poetry event, comprising two days and nights of readings from poets and authors both international and local. The festival brings together poets whose work is as stylistically diverse as it is unified by a commitment to formal experimentation and political dissent. Established poets will read alongside younger voices, and the festival aims to create a space of interaction, reflection and debate for all who attend. Featuring:
Tickets now on sale.
PechaKucha Vol 11: TIME, to coincide with the close of the ambitious exhibition by Portuguese artist Joana Vasconcelos ‘Time Machine’.
This event takes place at Manchester Art Gallery on 29th May 7.00-8.30 and is free to attend, including a talk by The Other Room’s Tom Jenks and one by James Davies. 20 images x 20 seconds.
More details HERE
The Other Room this time in Sheffield as part of The Misummer Poetry Festival. Click on the poster to enlarge. Not to be missed.
The Other Room Presents The Other Room
Here is some information on the event:
The Other Room is a long running poetry night based in Manchester which focuses on experimental poetry. Over the last six years it has presented a diverse range of performers of national and international repute as well as showcasing vital emerging talent. It also boasts an amazing website of resources including regular news about poetry from around the globe as well as hosting a belt bursting archive of recordings and interviews. In this event The Other Room’s three organisers – James Davies, Tom Jenks and Scott Thurston – perform their work together for the first time. This unique event is a fantastic opportunity to get a taste of The Other Room.
Other events at the festival include Alan Halsey, Juxtavoices, Ágnes Lehóczky and Harriet Tarlo. See more HERE.


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at 17:00–19:00
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25-27 Shudehill, M4 2AF Manchester, United Kingdom |
Including:
Other Room reader Chrissy Williams will be reading with Richard Scott at Waterstones, 68-69 Hampstead High St, London, NW3 1QP. 7 PM start. Tickets £3 with a Waterstones card (or £5 without). Wine provided. To book, call in the store or telephone on 020 7794 1098.
2 June, 6 PM. Birkbeck School of Arts. 43-46 Gordon Square, London, WC1H 0PD.
new performances by
Ollie Evans :: Lucy Beynon & Lisa Jeschke ::
Jeremy Hardingham :: Irum Fazal :: WIll Stuart
G10, 43 Gordon Square, Birkbeck
5:30 (for 6pm) FREE
b.y.o.b
Ollie Evans
‘About that Original Hen’ : A Finnegans Wake Perfumance
A puppet-lecture-performance of Finnegans Wake through scenes of writing between men and women. A graphologist commands a peasant to write. A spiritualist medium guides the hand of a client. An amanuensis transcribes the notes of a blind writer.
A cop cuffs the wrists of a student. A scholar performs Finnegans Wake with an egg.
Lucy Beynon & Lisa Jeschke
DAVID CAMERON [a theatre of knife songs]
“Everything and everyone that went in to be concealed beneath a surface come out not as ghosts but as fleshly fucking human flesh.”
http://theclaudiusapp.com/6-beynon-jeschke.html
Will Stuart A Performance by Will Stuart
A performance by Will Stuart.
http://face-press.org/nine-plays.html
plus two short pieces by Jeremy Hardingham and Irum Fazal
In Fall 2014, FICTILIS will create an installation celebrating the art of xerography (photocopying). The exhibition takes place in Oakland, California, but submission is by post. More details at the Fictilis site.
Friday 30th May, 7 PM start. The Caledonia, 2 Catharine Street, Liverpool, L7 7DX. Joanne Ashcroft and Rhys Trimble.
Martyrologies opens this Friday at 12.30pm, Centre for Gender, Sexuality and Writing, School of English, University of Kent, Canterbury. Closing time: 6.30pm Saturday 10th May. Admission: free. The installation will run for the duration of the Fear and Loathing: Phobia in Literature and Culture conference, but you do not have to be a delegate to attend.
What do modernist and contemporary traditions of found poetry and conceptual wri ting have to do with Christian history? The sound installation Martyrologies borrows and recontextualizes sentences drawn from Bede, John Foxe, Thieleman van Braght, and other Christian accounts of martyrdom, in order to underline the paradoxical inscription of subjectivity found in these early texts.
Each sentence in the poem was selected specifically because it represents a martyr’s death, and the surrounding story of events leading up to that death has been omitted. Martyrs gain identity precisely at the moment of their own demise 3B in effect, their death is the event which gives them historical subjectivity.
The text’s montage of found sentences defamiliarizes its source material, thereby interrogating connections between narrative and religious identity, and reworking traditional accounts of European religious history. An earlier version of Martyrologies was published in Jaeger’s Eckhart Cars (Salt 2004). This event is organised by Amy Evans as part of the Fear and Loathing: Phobia in Literature conference in the Centre for Gender, Sexuality and Writing at the University of Kent, 9th-10th May 2014.
The Blue Bus is pleased to present a reading by Frances Presley and Alan Halsey, and music by Ken White and David Miller, on Tuesday , 13th May,l from 7.30 at The Lamb (in the upstairs room), 94 Lamb’s Conduit Street, London WC1. This is the eighty-eighth event in THE BLUE BUS series. Admissions: £5 / £3 (concessions). For future events in the series, please scroll down to the end of this message.
Frances Presley lives in north London. Her publications include Paravane: new and selected poems, 1996-2003 (Salt, 2004); Myne: new and selected poems and prose, 1976-2005, (Shearsman, 2006); Lines of Sight, (Shearsman 2009); Stone settings with Tilla Brading (Odyssey, 2010), and An Alphabet for Alina with Peterjon Skelt (Five Seasons, 2012). Her work is in the anthologies Infinite Difference (Shearsman, 2010), and Ground Aslant: radical landscape poetry (Shearsman, 2011). She contributed to a collection of poetic autobiographies, Cusp (Shearsman, 2012). She has translated the work of Norwegian poet Hanne Bramness, most recently No film in the camera (Shearsman 2013). Her next book, halse for hazel, will be published by Shearsman in October.
Alan Halsey will be reading from Rampant Inertia, recently published by Shearsman. His poems have been variously collected in Five Years Out (1989), Wittgenstein’s Devil (2000), Marginalien (2005) and Not Everything Remotely (2006).
David Miller is a clarinettist who has performed and recorded with The Mind Shop (a trio with Armorel Weston and John Gibbens), and performed with SpiritWORK (a duo with Rod Boucher) and as a duo with Ken White. He is a member of the Frog Peak Music collective. David is also a poet, whose most recent book is Reassembling Still: Collected Poems (Shearsman Books, 2014). He will be performing on this occasion with the Australian guitarist Ken White.
In addition to his guitar playing, Ken White is a painter who has exhibited in Australia and Scotland and whose work can be seen on the Art Limited website. He performs regularly in his native Melbourne, and has recorded with Australian vocalists Suzie Dickinson and Patsy O’Neill, as well as recording his own CD, Jazz Guitar. He has also provided the music for two films, Runway and The Roaring Tide. Ken was a member of the legendary Australian jazz rock band Nova Express in the late 1960s.
Shady Dealings With Language is four events guest-curated around art writing and performance, in Leeds, London, Manchester and Edinburgh, programmed by Claire Potter.
The first event in the Shady Dealing With Language tour is Language Urges, programmed by writer Lauren de Sa Naylor. It will take place on Tuesday the 13th of May and includes discussion from translator, writer and academic, Eric Prenowitz; an installation and performance from renowned artist and drone musician Bridget Hayden and a one-off curation of miscellaneous writings from recently deceased and greatly missed, campaigner and educator Callum Millard.
Language Urges considers the effect of language on the body. What traces are left by language and how do they work on us? Where does the urge to articulate come from and what does that desire reveal to and conceal from us? Do we have language urges or does language urge us?
With the tenth anniversary of Jacques Derrida’s death as a backdrop, we look to a dislocation of meaning as something that is as significant for the tongue-in-cheek memo writer crafting their double address, as it is for a bi-lingual translator negotiating linguistic shifts, and equally the musician who disseminates information phenomenologically. Experience ploughs through meaning, which is itself cultivated by experience. This flux of production we can guide, signpost and fine-tune, but we can neither command nor predict the transference from one system or body to the next. We each code our knowledge according to our own poetics.
As a result, something is always perceived to be lost in translation; language tending to distort rather than transmit knowledge. But nevertheless it might be that something can be gained through bypassing and de-authorising original texts, traditions and other arbitrarily appointed authorities and systems, affording us the opportunity to delight in the elasticity of meaning and breathe in the freedom of a no man’s land.
Met Arts Centre, Market St., Bury. Saturday 3rd May 3pm – 4.30pm.
The Knives Forks and Spoons Press has developed the biggest avant garde poetry list in the UK since its launch in 2009. KFS is a forum for an extraordinary range of diversity and risk-taking artistic experiment publishing seminal international figures in experimental poetry like Ed Baker, Geraldine Monk, and Robert Sheppard together with many young poets and ‘outsider’ practitioners. Performers from this great publisher celebrate experiment in readings from Ann Mathews, Lucy Harvest Clarke, Tim Allen, Tom Jenks, Richard Barrett, Bobby Parker, Rhys Trimble & Debbie Walsh.
THE EXHIBITION CENTRE FOR THE LIFE AND USE OF BOOKS
Artist-led reading room, forum and occasional publishing outlet.
The Exhibition Centre for the Life and Use of Books will feature an evolving portable library, made up of independent publications and books chosen by an invited curator, alongside a permanent donated reference library.
Each collection will be on display for a period of approximately two months, during which time an artist will be invited to take up residence and produce an exhibition toward the end of their stay – responding to, and working with (or against) the library.
Presenting coherent literary collections alongside new work by artists will open up a web of connections and interpretations, with a dialogue between the two encouraged through events and commissions for emerging art writers.
The inaugural six-month pilot programme will launch with a library selected by Marcus Barnett, and artist in residence Daniel Fogarty, continuing with a library from the collection of Michael Butterworth, and Ann-Marie Milward in residence.
The Exhibition Centre for the Life and use of Books is based at ArtWork Atelier on Greengate, with events taking place at venues around Manchester and Salford beginning at Islington Mill.
The Exhibition Centre for the Life and use of Books will be open by appointment on the 8th and 9th of May, and will continue to be open to visitors on every following Thursday and Friday during May and July. More here.