11:00-11.30 am (dead on)
6th of September 2014
Garden Cafe, Red Lion Square
London
WC1R 4RL
This is part of a bigger programme at Free Verse
Month: August 2014
Under The Influence
Drawing on the scores, scripts and performances from films such as Woman Under The Influence, Love Streams and Minnie and Moskowski, Under The Influence is a live improvisational performance by artist Kathryn Elkin and artist-musicians Simone Congreave, Anne Marie Copestake, John McKeown and Ariki Porteous that explores the exchange between script and soundtrack in the films and compositions of John Cassavetes and Bo Harwood.
Notorious for a directorial style that encouraged actors to embody their character’s meaning using voice, gesture and interpersonal relations, John Cassavetes’ films have long been couched in terms of theatrical improv and noted for their absence of the traditional cinematic semiotics. Sound producer and composer Bo Harwood began his twelve year stint with the director in 1971, first credited as musical supervisor for Minnie and Moskowski and later going on to compose the soundtracks for Cassavetes classics such as Woman Under The Influence and Killing of a Chinese Bookie.
Though Harwood was an accomplished composer it was his unflinching, unrefined and emotive soundtrack demos that Cassavetes often took to the final cut. These scratch tracks the populate many of the director’s films provide their audiences with an acoustic mirror that doubles and bolsters the raw, gestural performances of the cast.
Setting the scene musically, Congreave, Copestake, McKeown and Porteous will deliver a blend of compositions written by Bo Harwood for John Cassavetes’ films, accompanied by and producing the conditions for Elkin’s impromptu obbligatos of remembered lines, dialogue and gestures.
Under The Influence is the final instalment of the Shady Dealings With Language series. It is devised by artist Kathryn Elkin and generously hosted by Rhubaba Gallery, Edinburgh.
Auld Enemies: a poetry documentary by Ross Sutherland
The Enemies project: Auld Enemies was a transnational poetry collaboration where six poets worked in rolling paired to produce original works for readings across the breadth of Scotland and where in each event also featured numerous pairs of writers from the region, who also presented brand new poetry collaborations. Beginning on July 9th and finishing on July 27th, the project visited Dundee, Edinburgh, Glasgow, Aberdeen, Lerwick and Kirkwall, before a wrapping up in London. Auld Enemies was a groundbreaking exploration of contemporary Scottish poetics through the potential of collaboration. Supported by Creative Scotland.
Mike Weller’s Casual Reading 11
Mike Weller wrote us here at The Other Room a very special little poem called Casual Reading 11.
This is well worth a read and can be opened as a pdf below.
Click here > casual reading 11
Penned in the Margins 10th year birthday party
Join us in celebrating a decade of innovative publishing and performance, with readings and live sets from poets and authors including Ross Sutherland and Hannah Silva, plus DJs, roundtable discussions and one very large birthday cake.
Date & time
Saturday 6 September, 6pm till late
Venue
Rich Mix
35-47 Bethnal Green Road
London E1 6LA
Tickets
£5
MJ Weller video from August’s The Other Room
Alison Gibb video from August’s The Other Room
Gareth Twose video from August’s The Other Room
Syndrome 2.1: Choros
A room-as-instrument devised by artist Jamie Gledhill with sound artist Stefan Kazassoglou, using an array of computers attached to X-box Kinect devices. This project brings together popularly available motion capture technology with 3D audio set up into a unique experiential and performative artwork.
The work will allow for the dynamics and speed of a users movement within the space form a live illustrative mapping on the walls, and for sound to be literally ‘thrown’ across the 3D space by a performer – and members of the public as active participators in their own performative moment with the work.
The CHOROS installation will be open for playing and viewing from 10 – 4pm on 22nd – 24th August. Entering the space, the movements of your limbs will be traced by light and sound across a 3D axis using projections and an ambisonic speaker array. Entry is free for all, and suitable for all ages.
A launch event will feature a brand new movement work by SJ Fowler in which he explores the ritual and violence of martial arts:
The Book of Five Rings by SJ FOWLER
The Book of Five Rings is an unforgettable exploration of physicality and martial spirituality through cutting edge avant garde theatre and performance. And while each Ring will be decidedly different, each a unique, responsive production to its subject, as a whole, they will form an unforgettable tale of a universal human expression, battle without violence, war without war.
no. 1: Pugilistica UK / US (western boxing)
A conceptual performance exploring the sport of Boxing. SJ Fowler takes the audience through a boxing workout with a different, shadow boxing with a complex, cutting edge technological rig, so that each movement has a responsive light and sound reaction. An exhausting, explosive performance of light and sound
The work will then be available to view from 21st – 24th August.
EPC@20
Including Charles Bernstein, cris cheek, Tony Conrad, Loss Pequeño Glazier, Steve McCaffery, Myung Mi
Kim, Tammy McGovern, Joan Retallack, Laura Shackelford, Danny Snelson, Dennis Tedlock, Cecilia Vicuña, Elizabeth
Willis, & Wooden Cities with Ethan Hayden, in a dazzling array of stellar talks, performances, and conversation.
Yes But Are We Enemies?
Beginning on September 18th in Belfast and visiting Derry, Galway, Cork, Dublin and finishing in London on September 27th, YBAWE is a multinational project about collaboration and innovation in contemporary poetry.
Six core poets, 3 Irish, 3 English, will present new collaborative works across the six date tour. At each reading they will be joined by numerous pairs of locally based poets. Every event features never before seen collaborative works.
Yes But Are We Enemies, co-curated by Christodoulos Makris, is fundamentally about the creation of new collaborative works and the integration of differing poetic communities, and has only been possible through the generosity of a series of organisational partners, first and foremost The Arts Council of Ireland / An Chomhairle Ealaíon and The Arts Council of Northern Ireland, through their Touring and Dissemination of Work scheme.
More here.
Peter Riley: The Ascent of Kinder Scout
Out now on Longbarrow Press.
S J Fowler’s Vanguard Course for The Poetry School
Now booking for October 2014…
Explore the expansive modern tradition of British experimental poetry, as S J Fowler presents a necessarily idiosyncratic insight into the vibrant innovative poetries which have sought originality in the UK over the last 50 years. The sessions will explore the distinctive qualities of the British avant garde and chart a course through an enormous field of writing. Not formed by generation, region or faction, Vanguard explores characteristics that are possessed by, but in no way encompass, the work of many great British poets.
Week 1 – October 23rd – Rapidity
Exploring immediacy, alertness; quickness; celerity, concision. Scalpel cuts at smugness / pomposity, seeking the fragmentary whole. Drawing from the work of Tom Raworth, Maggie O’Sullivan, Denise Riley, Barry MacSweeney, Andy Spragg, Frances Kruk & others.
Shearsman Review
A new issue of the online Shearsman Review edited by Ben Hickman features reviews of books including Chrissy Williams, Tony Lopez, Marianne Morris, Ken Edwards & Bill Griffiths.
The Other Room – Tonight
Free Verse 2014
Crystal Set
Documenting possessions, hauntings, and abductions.
The Blue Bus – James Davies, Stephen Emmerson & Cathy Weedon
The Blue Bus is pleased to present a reading by James Davies, Stephen Emmerson and Cathleen Weedon on Tuesday 19th August from 7.30 at The Lamb (in the upstairs room), 94 Lamb’s Conduit Street, London WC1. This is the ninety-first event in THE BLUE BUS series. Admissions: £5 / £3 (concessions).
Cathy Weedon was born in Stoke-on-Trent and moved to Luton in the 70’s. A former student of Keith Jebb, she recently completed an MA in Creative Writing at the University of Bedfordshire. In previous years she has created visual poetry. She will read a selection from her series of poems ‘1-50’.
Stephen Emmerson’s most recent publications are Telegraphic Transcriptions (Dept Press/Stranger Press), No Ideas But In Things (Dark Windows), All my Pornography (The Red Ceilings), Comfortable Knives (KFS). He also produces poetry objects which include ‘A never ending poem…(Zimzalla), ‘Albion’ (Like This Press), ‘The Last Ward’ (Very Small Kitchen), ‘Pharmacopoetics’,(Apple Pie Editions) and ‘Stephen Emmerson’s Poetry Wholes’ (If P then Q).Installations / exhibitions include: Albion, The Dark Would, Visual Poetics at the South Bank Centre, Pharmacopoetics, Farringdon Factory, and Illuminations.He also co-edits Blart Books with Lucy Harvest Clarke.More info about his work can be found here https://stephenemmerson.wordpress.com/
James Davies’ poetry collections include Acronyms, A Dog, Plants and most recently Two Fat Boys. Three major works are currently in progress: stack, If the die rolls 5 then I stampthe date and The Lovers – a collaborative novel with Philip Terry. For the last 6 years he has run the poetry night and website The Other Room and edited the publishing house if p then q.
Marcus Slease – Rides
“There is only seeing and, in order to go to see, one must be a pirate” said Kathy Acker. This is pirate literature. On a train. Partly inspired by Ted Berrigan’s Train Ride from 1971, Rides has a reality hunger. A mash up of memories and observations on train rides all over the U.K. Out now on Blart Books.
Uptight magazine
First broadside out now, for £1.
otherroom.org 