THE OTHER ROOM

Experimental poetry in Manchester

New Joy As Tiresome Vandalism

More from Simon Taylor and The Other Room’s James Davies year long collaborative text and image project, this month’s instalment being a poem from James. View the whole project so far here.

What’s on this week

Events this week from The Other Room calendar. The calendar is open access. If you have an experimental poetry, art or music event you want to publicise, feel free to post. If you would prefer us to post for you, email us at otherroomeditors@gmail.com

Wednesday 25th November

Openned – the final reading: Andrea Brady; Ian Heames; Antony John; Geraldine Monk; Linus Slug; Timothy Thornton. The Foundry, London. 7.30 PM start. Free. More here.

Thursday 26th November

Alec Newman at Manchester Central Library: Reading from Alec Newman, poet and editor of Knives, Forks and Spoons press, with John G. Hall and Simon Rennie. 6 PM start.

Lemke/Gwilliam CD launch: Castlefield Art Gallery, Manchester 6-8pm. fourmill plus quarterinch is the duo of sound artists and improvising musicians Helmut Lemke and Ben Gwilliam. In this collaboration the two artists use different formats of audiotape; pre-recorded, prepared and unprepared. From individual banks of sound recordings on tape comes a subtle and often dense music that is both composed and improvised in concrete time.More here.

Streetcake issue 8 now online

The latest issue of Stretcake magazine is now online here, featuring:

  • Edna Romero
  • Sean Burn
  • Steph Codsi
  • John George‐Nicholson,
  • Simone Gilson – dynamic cassette
  • Ianna Hawkins Owen
  • Katarina Johansson
  • Kevin Meehan

Herman van Rompuy vs. Basho

The new President of the European Union is not only a consumate political operator, but also a haiku master. For instance:

Hair blows in the wind
After years there is still wind
Sadly no more hair

and

Puddles wait
for warmth to evaporate.
Water becomes a cloud

We’d have him at The Other Room, but we couldn’t afford his expenses. Anyway, he might decide to turn it in after his work was described as having “an awful conservative, picturesque prettiness” by Andrew Motion here. That’s got to hurt.

Lemke/Gwilliam’s fourmill plus quarterinchback

Do not miss this -

Lemke/Gwilliam’s fourmill plus quarterinchback
Category: Launch
Profile: Castlefield Gallery
Opening hours: (For Castlefield Gallery) Wednesday – Sunday. 1 – 6 pm
Event Date: 18:00 – 20:00 Thursday, 26th Nov 2009
Organisation: Castlefield Gallery
Venue: Castlefield Gallery, 2 Hewitt Street, Manchester, M15 4GB.
Contact: Castlefield Gallery
Email: info@castlefieldgallery.co.uk
Website: http://www.castlefieldgallery.co.uk

Description: Performance and CD Launch of Lemke/Gwilliam’s fourmill plus quarterinch

fourmill plus quarterinch is the duo of sound artists and improvising musicians Helmut Lemke and Ben Gwilliam. In this collaboration the two artists use different formats of audiotape; pre-recorded, prepared and unprepared. From individual banks of sound recordings on tape comes a subtle and often dense music that is both composed and improvised in concrete time.

This CD comes in a 5inch tape reel box, including 5 prints made in conjunction with the recordings. http://www.thosesoundsbetween.co.uk

FREE EVENT, BOOKING REQUIRED To book please call the gallery on 0161 832 8034 or email events@castlefieldgallery.co.uk with your contact details and number of places.

Reading the Removal of Literature

Alan Halsey’s review of December Other Room reader Nick Thurston’s Reading the Removal of Literature can be read at Stride magazine. Here’s the start:

Reading the Remove of Literature is unlike any book I’ve looked at. I’ve read it too but the looking at it is the first essential. With all but a few books one reads without consciousness of seeing. Nick Thurston’s book demands that one look at it constantly and never detach the seeing from the reading – and yet it is only marginally what we generally describe as a ‘visual text’.

The first words of Craig Dworkin’s introduction set the scene: ‘The book you are holding is an edition of Maurice Blanchot’s L’Espace littéraire, although not a word of Blanchot’s text remains. Every page of this book has been assiduously erased by Nick Thurston.

click the LINK for more

Diverse Deeds

Diverse Deeds: Tuesday, December 1: Caroline Bergvall + Erín Moure + Roshi
Café Oto, 18-22 Ashwin Street, Dalston, London E8 3DL.
doors open at 7.30; start at 8.00; end by 10.00; entry £6 (£4 concessions).

This new series of poetry and music performance events continues with three fascinating and innovative artists, who each blend distinctive international elements into new and exciting forms.

Caroline Bergvall is one of Britain’s leading experimental poets, with a large international reputation. Her work blends written, spoken and graphic language and different languages – blends performance, art installation, electronic media and written text – blends challenge, information and pleasure. This is poetry really at the point where it mutates into the defining art form for the electronic information age – exciting, stimulating and astonishing. “One of the most influential experimental spoken-word artists internationally” (US Publishers Weekly).

Caroline Bergvall describes herself as “Writer & artist. French Norwegian, based in London”. Her most recent performance in London was as part of the Serpentine Gallery Poetry Marathon in October, and she has performed or taken parts in events this year in Los Angeles, New York, Providence Rhode Island, Vienna and Ely. She is at present one of the UK’s AHRC Fellows in the Creative and Performing Arts.

Erín Moure is a Canadian poet visiting Britain this autumn on a programme introducing two new books, Expeditions of a Chimaera (with Oana Avasilichioaei) and My Beloved Wager (essays from a writing practice). As a professional translator, her poetry is often a language

Erín Moure was recently described as one of the 10 best English-language poets in Canada by the CBC’s Barbara Carey, who also refers to her as “one of our best – and most audacious – at expanding the possibilities of language.” She is a powerful and clear performer of her work, and Diverse Deeds is privileged to host one of her few readings on this visit.

Roshi is an exponent of “stunningly beautiful Welsh-Iranian torch song electronica“ says Mixmag. Born in Wales to Iranian parents, Roshi Nasehi is a singer-writer who presents her own evocative songs alongside sometimes quite radical interpretations of the Iranian songs she was brought up listening to. Her songs reflect her origins, influences and experiences in a personal and unique way accompanied by unusual piano or keyboard arrangements – they are reflective, melodic and quirky – her voice airy and tender but possessed of an inner power. When she interprets Iranian song it is in a personal style bringing a contemporary twist combined with an authentic understanding of context and language.

Roshi, with her band, or alone at the keyboard is a regular and welcome live performer especially in London, developing a loyal following. She has had a new CD out in October, The Sky and The Caspian Sea (with Pars Radio, her band), of both original and traditional Iranian songs. She has performed on Radio 3’s The Verb poetry show, and at Diverse Deeds’ predecessor, Sundays at the Oto.

Wednesday, December 16: Angela Gardner + the voice of Harry Godwin + Mendoza + Nat Raha +  Rebecca Rosier
 
This event links the visiting Australian poet and artist Angela Gardner with readings and performances from a group of young and innovative London poets. More information will follow nearer the date.

Angela Gardner is an Australian poet with a prize-winning reputation in her own country (2006 Arts Queensland Thomas Shapcott Poetry Prize and 2004 Bauhinia/Idiom 23 Prize). Harry Godwin, Mendoza, Nat Raha and Rebecca Rosier are all poets in their early 20s now (or until recently) based in London and are part of the exciting innovative poetry scene based around small-scale and internet publishing, with strong elements of performance in how they present their poetry.

Diverse Deeds is a series of poetry and music events, each featuring two or three poets and a musician or two. The emphasis is on contemporary innovative poetry, and music at least inflected by improvisation. Diverse Deeds succeeds last year’s successful afternoon Sundays at the Oto events, but now with an evening scheduling. There will be information available on the night (and beforehand online) on all the performers.

For further information:

Maggie O’Sullivan – visual archive

Maggie O’Sullivan’s website now features a selection of her visual work and the work of Antony Cook. More here.

Missing: 6 years of Poetry Review – reward for finder

A counterblast to Blake Morrison from Matt Dalby:

“Not only are we not really here, it seems we were never here. I would have posted this sooner if I’d got round to reading the weekend Guardian before now. In a review on Saturday Blake Morrison reviewed Fiona Sampson’s A Century of Poetry Review.

Now given that things were fairly eventful round there in the 70’s you’d think there might be plenty of opportunity to mention the British Poetry Revival, Bob Cobbing and so on. Apparently not. The closest he comes are the following:

Controversy also surrounded Eric Mottram in the 1970s, with his radical Anglo-American poetics. Which comes as an aside in a discussion of Muriel Spark’s editorship, and

Several editors of the Poetry Review, including Mottram and later Peter Forbes, strenuously avoided little-Englandism, and there’s a reasonable showing of Americans and Europeans here, including Brodsky, Ginsberg, Ashbery and Primo Levi.

And that’s your lot. Maybe this is reflective of the contents of the book, I can’t find a list of contents and don’t propose buying a copy to find out.”

More Matt Dalby here.

Working methods – speed vs. slowness

“I have always known that I work quickly. My work whether text, visual or sound poems, essays, or whatever else emerges in brief intense bursts. I simply assumed that this was a flaw, that high quality work could only be reached through laborious and extended processes. Education and other aspects of the culture tended to support this belief…But it’s only in the last week that I’ve begun to think that this might not be a fault, it might just be the condition of my mind, the way that I work best. I think part of the reason is there’s a kind of moral supposition that the more carefully thought-out something is the better it is. We distrust pleasure, are suspicious of fun and things that seem effortless.”

Matt Dalby, here.

“Recollection in tranquillity, not derangement of the senses, is the sine qua non of good writing…the digital age has simply compounded a problem caused by the increasing hegemony of one school of writing (the Ionic) over another (the Platonic).”

Andrew Gallix, here.

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