3am magazine presents contemporary Romanian poetry

Via Steven Fowler:

3am magazine presents contemporary Romanian poetry – Elena Vladareanu, Ruxandra Novac and Adrian Urmanov.

The Rich Mix arts centre, London (Shoreditch / Brick Lane) – Saturday May 29th – 7pm – Entrance free to all http://www.richmix.org.uk

For the first of the Maintenant interview series readings 3am magazine presents three of the most exciting and acerbic contemporary poets emerging from Romania since the millenium. Challenging, caustic and resolute, their poetry retains the dark humour so prevalent under dictatorship with the utterly modern vernacular of a generation that has come to fruition post-1989. Attacks on misogyny, sexual repression, political idealism and linguistic correctness are interspersed with exactingly crafted free poetry, literary and resounding, distinct for it’s energy and image, and despite a textual tendency to the climactic, this reading will remain very much literary in style. Performing as part of a national tour, this is a chance to see the brightest young talent from a distinct and vivid European poetical tradition.

Selections of their work have recently been published by Cleaves Journal http://www.cleavesjournal.com/issue2/romania/romania2.htm.

Interviews with each poet are available here at 3am, Cadaverine and Pomegranate magazines respectively.
http://www.3ammagazine.com/3am/maintenant-2-elena-vladareanu/
http://www.pomegranate.me.uk/submission/read/well-sing-for-the-third-millenium-an-interview-with-ruxandra-novac
http://web.mac.com/thecadaverine/Site/Interviews/Entries/2010/2/3_Adrian_Urmanov.html

Maintenant live event

To mark the tenth edition of the Maintenant interview series…

The 3am magazine Maintenant series aims to evidence, through discussion with Europe’s most exceptional young poets, the continued pertinence of poetry for a new generation of talent from a diverse selection of European poetic traditions. The interviews, and the poetry that accompanies them, have shown the slow dissolution of stylistic recalcitrance, internal bias to gender and race, methodological snobbery and poetical jingoism. The fusion of poetic expression inevitable in a world of increased communication, access and political freedom is remarkable and cause for optimism where so often there is pessimism in poetry circles. The range and depth of poetry on display, and it’s standard, is a small representation of what each nation is producing.

The Maintenant dictum is to introduce poets that might lie outside of the Anglo-American scene, or be overlooked until they have reached the prominence of middle age. Though not an orthodoxy, we also aim to introduce poets who might be considered experimental or seminal.

The series is published each Sunday at www.3ammagazine.com and features an extensive interview coupled with a selection of poetry of the poet’s choosing in English translation. The first ten editions can be found below, with links to both interview and poetry.

The first Maintenant reading to accompany the series will take place Saturday May 29th at the Rich Mix arts centre in London, located near Brick Lane. www.richmix.org.uk Three Romanian poets – Adrian Urmanov, Ruxandra Novac and maintenant featured Elena Vladareanu will be in attendance to read recent work. Entrance is free and the event begins at 7pm.

More about Maintenant here.

Islington Mill Art Academy

“Islington Mill Art Academy is a free self-organised art school based in Manchester, UK. It was set up in 2007 by a group of art foundation students, dissatisfied with the quality and standards in University fine art courses open to them at that time.

The Academy exists to experiment with what an education in art can be, where it can take place and how it can be paid for. It is open to anyone who would like to be an artist and who is interested in taking responsibility for, and direction of the way in which they intend to do this. The artists in the group take all of the decisions related to their personal learning process and put these decisions into practice themselves.

The group invites visiting artists to talk about their work and to give feedback on the work of artists from the Academy on a regular basis. Academy artists organise residencies and research trips to other parts of the UK and abroad for all members of the group. In 2008, we visited Glasgow, Bristol and Sheffield and held residencies in Berlin and the Lake District.”

More here.

The stamp of approval

Tom Jenks and Phil Davenport caught stamping the Chinese ideogram, which reads SUSPICION, into Phil’s poem MY PAINTINGS ARE INVISIBLE which is part of The Other Room anthology 2009-10. The anthology also contains a CD insert of sound poetry by Matt Dalby and poems by the wonderful poets we’ve been lucky enough to put on this year. Purchase details will be up on the website in the next few days.

Becoming Post Avant

The thoughts of Steve Waling:

“It was a pressure in my head that made me finally admit that I was whatever kind of poet it is I think I’ve become. I had a failing poem that annoyed me so much, as a last resort, I cut it up. Lo! A light came down from heaven illuminating the path I must follow… or something… Rather, I discovered that I didn’t have to do the whole thing straight, that going the crooked route was just as interesting.”

More here. See Steve’s reading for The Other Room in February here.

Tom Jenks interviewed by 3 AM magazine

An indepth interview in 3 AM magazine conducted by Stephen Fowler. Excerpt below, link to article and extract from * Tom’s next collection which’ll be published in the next few months by if p then q

‘it quickly struck me how almost everybody was ploughing the same few acres. I became more and more interested in doing things in a different way. I started to experiment with form and with space, using the page as a canvas rather than simply a frame. I began to incorporate images and found text and moved beyond using the computer as a typewriter, exploring the potential information technology offers for the production of texts. I wouldn’t say that I had done any more than scratch the surface in this regard so far, but it is something I remain committed to.’

LINK to read more

LINK to extract from *

Schematic Differences between Modernism and Postmodernism

Modernism Postmodernism
romanticism/symbolism paraphysics/Dadaism
purpose play
design chance
hierarchy anarchy
matery, logos exhaustion, silence
art object, finished word process, performance
distance participation
creation, totalization deconstruction
synthesis antithesis
presence absence
centering dispersal
genre, boundary text, intertext
semantics rhetoric
paradigm syntagm
hypotaxis parataxis
metaphor metonymy
selection combination
depth surface
interpretation against interpretation
reading misreading
signified signifier
lisible (readerly) scriptible
narrative anti-narrative
grande histoire petite histoire
master code idiolect
symptom desire
type mutant
genital, phallic polymorphous
paranoia schizophrenia
origin, cause difference-difference
God the Father The Holy Ghost
Metaphysics irony
determinacy indeterminacy
transcendence immanence

Hassan “The Culture of Postmodernism” Theory, Culture, and Society, V 2 1985, 123-4.

William Blake and the Naked Teaparty

The new issue of Ekleksographia online magazine ‘William Blake and the Naked Teaparty’ guest edited by Philip Davenport features textworks that emphasise the touch – handwrit and haptic – particularly pieces that consider emotional engagements, human space – that weird trace and corporate/military erasure of the handmade, the human touch, the not-digital. These qualities link into the alternative tradition of poetics – and to ‘outsider’ artists who are owed a debt by the experimenters (an IOU all the way back to Will Blake, he and the Mrs sitting on the lawn in London afternoons, naked, drinking tea).

Contributors: Alan Halsey, Anna MacGowan, The Atlas Group, Ben Gwilliam, Carol Watts, Carolyn Thompson, Darren Marsh, Dave Griffiths, David Tibet, Geof Huth, George Widener, Geraldine Monk, The Gingerbread Tree, Hainer Wormann, Harald Stoffers, Helmut Lemke, Holly Pester, James Davies, Jesse Glass, Jonathan Penton, Julia Grime, Kerry Morrison, Kirstie Gregory, Laurence Lane, Lee Patterson, Li E Chen, Liz Collini, Matt Dalby, Michael Wilson, Morry Carlin, Nick Blinko, Nico Vassilakis, Patricia Farrell, Rachael Elwell, Robert Grenier, Robert Sheppard, Sarah Sanders, Sean Bonney, Stephen Vincent, Steve Waling, Sue Arrowsmith, Todd Thorpe, Tony Lopez and Tony Trehy

The issue goes online 15th March 2010 and will be launched with a 24 hour ‘live’ online writing event by Sarah Sanders

Series Editor Jesse Glass; this issue designed by Jonathan Penton.

LINK