Maintenant #66: Valzhyna Mort

The emigration of European poets to the United States appears a tradition in its own right, and a luminous one at that. The effect of Miłosz, Brodsky et al on American poetry resonates even today, perhaps even to the extent that a restrictive romanticism has emerged in the poetic consciousness of global poetics toward Eastern European poets in the US. Through the celebrated work of Valzhyna Mort that Eastern European influence continues, but abated in reconstituted voice utterly individual and unique. Winner of the Crystal of Vilenica poetry award, lauded on both sides of the continent, Mort is a resolute and dexterous presence in contemporary East coast American poetry circles. A native of Belarus, her poetry is remarkable for its elegance and fluidity, and its ability to maintain an idiom both utterly modern and somehow enduring. For the 66th edition of the Maintenantseries, Valzhyna Mort.

http://www.3ammagazine.com/3am/maintenant-66-valzhyna-mort/

The Other Room 26 – 20th July

A one month advance notification of our next event at The Old Abbey Inn on Manchester Science Park, featuring Chris Goode, Jonny Liron and Tamarin Norwood. Entry to The Other Room is always free, but you can RSVP us at http://theotherroom.eventbrite.com/ if you’d like to let us know that you are coming. There will, as always, be a book table loaded with publications from not only the readers themselves but also other magazines, books and objects from the north west’s ever expanding avant small publishing scene. Details of our three performers below. Previews of each performer will appear here over the next month.

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Chris Goode is a writer and experimental maker who has been described by the Guardian as “British theatre’s greatest maverick talent”. Recent projects include OPEN HOUSE for West Yorkshire Playhouse, KEEP BREATHING for London Word Festival, WHERE YOU STAND for Queer Up North, GLASS HOUSE for the Royal Opera House Covent Garden, WHO YOU ARE for Tate Modern, and KISS OF LIFE for Sydney Opera House. He was also a member of the international touring cast of Tim Crouch’s multi-award-winning play THE AUTHOR. As a poet he has published three chapbooks with Barque Press, and was featured in the Chicago Review British Poetry issue in 2007. He released THE HISTORY OF AIRPORTS: Selected texts for performance 1995-2009′ through his own Ganzfeld imprint, and has now edited an anthology of younger poets, ‘BETTER THAN LANGUAGE’, which will be published in July 2011. He has been blogging at Thompson’s Bank of Communicable Desire (http://beescope.blogspot.com) since 2006. Chris is an Artsadmin Associate Artist.

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Jonny Liron is an experimental writer and performer. His performances include: with Chris Goode: Hey Mathew (Theatre in the Mill, Bradford), King Pelican (Drum Theatre, Plymouth), Glass House (Deloitte Ignite ’09 at the Royal Opera House, Covent Garden) and, as associate artist, The Adventures of Wound Man and Shirley (Queer Up North / UK tour); and with Jeremy Hardingham: Recovery (Judith E. Wilson Drama Studio, Cambridge) and Experience Dante (siteresponsive, various Cambridge locations).

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Tamarin Norwood is an artist and writer. She has recently performed at Tate Britain, for the Maintenant poetry series and for the London Word Festival, and is completing an artist residency at the Chisenhale Gallery, London. Her first artist book “DO SOMETHING” was published by (U)LS in 2009. She has since published issues I-VI of art writing pamphlet “Text As” (Press, 2010) and her forthcoming book “was” will be published next year (LemonMelon Press). Recent critical and experimental texts on the blurring of art/life and words/things have appeared in activate Journal, a-n magazine, Cannon and for the Live Art Development Agency. In 2008 she co-founded art writing platform antepress with whom she has produced live and printed work for the ICA, Whitechapel Gallery, Art on the Underground and Resonance 104.4FM. She has taught art writing workshops at Central St Martins and has spoken on language and translation in her artwork at Spike Island, Cambridge University and SE8 Gallery. Tamarin holds first class degrees from Oxford University (2004) and Central Saint Martins (2007) in Linguistics & Medieval Italian and Fine Art respectively, and gained her MFA in Art Writing at Goldsmiths (2010). More at http://www.tamarinnorwood.co.uk

Upcoming polyvocal explorations

A double bill – talk and performances – of polyvocalia at Birkbeck. Monday 20 June. Free and all
welcome.

6pm, 43 Gordon Square, Room 124
Cris Cheek, ‘Before I am Anything Else: provisional transatlantic communities in polyvocal poetic
performance’.

& then around the corner…
7.15pm, 32 Tavistock Square
FRIENDLY AMENDMENTS
Lawrence Upton, Chris Goode, Cris Cheek, Holly Pester & others revisit work by Sumner, bpnichol,
Basinski, Cobbing, MacLow & other scores, poems and possibilities

Lobe Scarps & Finials by Geraldine Monk

Via Alan Halsey:

Published by Leafe Press
& also available from West House Books (orders to info@westhousebooks.co.uk , postfree in UK, payment by cheque or Paypal

Lobe Scarps & Finials by Geraldine Monk
£8.95 / $14.50. 104 pages

Leafe Press are excited to announce the publication of the latest book by Geraldine Monk. This new collection features the controversial “A Nocturnall Upon S Lucies Day”, a newly revised “Raccoon” and three new sequences: “Glow in the Darklunar Calendar”, “Print & Pin” and “Poppyheads”.

The book is available on Amazon, but it would help Leafe Press if you bought it directly from us via our website.

Geraldine Monk was born in Blackburn, Lancashire in 1952. Since first being published in the 1970s she has published a series of major collections of poetry and numerous chapbooks. Her writing has appeared extensively in the both the UK and the USA. As an extension to her activities in poetry she collaborates with many musicians including Martin Archer, Charlie Collins and Julie Tippetts. A collection of essays on her poetry, The Salt Companion to Geraldine Monk was brought out in 2007 by Salt Publishing.

‘Monk is more attuned to the physical heft of words than any other poet working in English today’

Simon Turner, Horizon Review

“Monk’s latest collection shows a continuing foray into the alchemy of language and a reclamation of the visceral soundscapes of loss and celebration…the poems can seem little miracles of construction.”

Chris Emery, Jacket Magazine on “Noctivagations”.

“Geraldine Monk’s poetry activates words, makes them events rather than hollow vessels for received understanding. They play, clash, spark and rub up against one another in unpredictable ways with unforeseen consequences.”

Julian Cowley, The Wire

Manchester Art Crawl

Saturday, July 2 at 2:00pm – July 16 at 2:00am

Manchester Art Crawl is a festival of contemporary art and ideas as part of the Not Part Of Festival offering a DIY, artist led, experimental fringe event to the Manchester International Festival. The festival straddles Manchester City Centre and neighbouring Salford occupying art and non art spaces alike. Spaces include the new Crawl Space on Ducie Street which acts as the research centre and hub for the festival. Other venues include Blank Space, Kraak Gallery, Islington Mill and Piccadilly Place.

The Art Crawl starts at The Triangle Shopping centre, the info hub for the festival where you can collect your maps and plan your personal crawl through the city beginning with the shows housed in empty units within the centre. The opening day will last between 2pm and 2am ending at Islington Mill with an experimental photography show, bbq, djs and a party in the gallery and courtyard.

The Art Crawl has a research focus on live art, at the centre of the festival the research hub invites artists and their public to discuss their ideas, concepts and interactions relating to the relationship between artist and viewer during the festival. The Art Crawl champions experimentation, interactivity, accessibility and the sharing of information. It is for this reason that the festival is #opendata and completely committed to transparency. This is done with the aim to encourage open experimentation with the festival internally and externally. The festival will prompt questions around what #opendata can mean to art, the relationship between artists, thinkers and data and the distribution of the results with an audience.

As part of the festival there is a big weekend of practice based research with talks, workshops, discussions and presentations. This takes place on the 2nd weekend of the festival between 9-10th of July, 12pm until 8pm with a café and donation bar at Crawl Space. All are invited to meet, gather and share ideas, research and stories of what happened out on ‘the street’ and in the spaces about individual artists’ work, research and interactions. Artists are invited to experiment with whatever output deemed appropriate to get thoughts across during this time. This can be a chat, a presentation, a video, images, sound, a workshop, a reading, a performance or just a discussion about something interesting. These ideas and thoughts will form the basis for the next jumping off point for the Manchester Art Crawl.

More information of individual artists work to be released via website soon.

www.manchesterartcrawl.co.uk

Crater Press wins Michael Marks Award

The Crater Press has won the Michael Marks Awards for Poetry Pamphlets award for a UK publisher of poetry in pamphlet form, on the basis of their publishing programme in 2010.

Robert Hampson, Judge, commented:

“We three judges were heartened and impressed by the vitality and strength of character of all the small presses we shortlisted, and we are delighted to be awarding this year’s Publishers’ Award to the Crater Press. Crater take the traditions of book art and fine printing, and add to them a strong editorial line to produce pamphlets that are both traditional and avant garde, as well as startlingly original.”

Congratulations to Crater Press supremeo Richard Parker.

Maintenant #65: Marco Giovenale

There are figures emerging in European poetry that are defined by their refusal to be limited to one form of poetic, who increasingly maintain their central concerns across sound, visual and linguistic mediums. Then within this group, there are those who are breaking new ground, following in the footsteps of poets as agile as Apollinaire and Mallarmé, whose explicit concerns shed new light on what we might consider poetry. Marco Giovenale is one of the most gifted of Europe’s new breed of poets, and a leading practitioner in the field of asemic writing. The remarkable art of asemic text is one of the most enlivening areas of contemporary poetry – a wordless, semantic, post-lingual poetry that utilises the figuration and trace of handwriting and automatic writing to create superimposed abstract poems and ideograms of visual poetry. Drawing influence from postmodern Chinese calligraphy, the work of Brion Gysin, Roland Barthes, Henri Michaux, Christian Dotremont and others, and the field of undecipherable semiotics, asemic poetry is a beautiful and fascinating practise, and Marco Giovenale is one of the most talented and seminal artists in the field. A prolific journalist, publisher and critic and a respected performer across Europe, we are proud to welcome Marco Giovenale as our first Italian poet into the Maintenant series.

http://www.3ammagazine.com/3am/maintenant-65-marco-giovenale/

Accompanying the interview are eight of Marco’s poems.

http://www.3ammagazine.com/3am/eight-poems-marco-giovenale/

Sous Les Paves

SOUS LES PAVÉS is a quarterly newsletter of poetry & ideation. The latest issue features:

  • Brooks Johnson
  • Rodrigo Toscano
  • Emily Critchley
  • William Fuller
  • Linh Dinh
  • Roberto Harrison
  • John Beer
  • Tyrone Williams
  • Tim Atkins
  • j/j hastain
  • Jerome Rothenberg
  • Hoa Nguyen
  • Mary Burger
  • Sotère Torregian
  • The Rejection Group
  • Brenda Iijima
  • Micah Robbins
  • Edmond Caldwell
  • Frances Kruk
  • Warren Craghead

Tamarin Norwood: Art / Writing in June and July

In addition to her Other Room reading on 20th July, you can find Tamarin Norwood at the following places over the next couple of months:

 

Convergence: Literary Art Exhibitions
Golden Thread Gallery, Belfast
16 June – 6 August (opening 16 June, 6-8pm)

This exhibition will show how reading and interpreting literature is – in diverse ways – at the core of some of the most renowned contemporary artists’ practices: Allotrope, antepress, Julie Bacon, Ecke Bonk, Pavel Büchler, Davide Cascio, Tacita Dean, Cerith Wyn Evans, Maria Fusco, Kenneth Goldsmith, Rodney Graham, Joanna Karolini, Sean Lynch, Simon Morris, Brian O’Doherty, Michalis Pichler,Tim Rollins, Andrea Theis, Nick Thurston and Eric Zboya. Curated by Christa-Maria Lerm Hayes.

Maintenant Slovakia in association with Literature across Frontiers & Arc Publications
Rich Mix, London
Saturday 18 June, 7pm

Ivan Štrpka – Mila Haugova – Marcus Slease – Tamarin Norwood – Jonty Tiplady – Colin Herd – James Wilkes.
Arc Publications’ Six Slovak Poets includes work by a generation who started publishing in the 1960s, who lived through the Soviet invasion of Czechoslovakia in 1968 and saw the 1993 division of the country give birth to today’s Slovak Republic. Emilia Haugovà and Ivan Štrpka, two of the collection’s contributors, will read alongside half a dozen London-based poets to celebrate the sixth event in the Maintenant series held at the Rich Mix arts centre in London’s Brick Lane. As ever, the Maintenant series will advocate a diverse selection of poetic methodologies, ages & nationalities – collecting together some of the most interesting poets Europe has to offer.

The Urban Physic Garden
100 Union Street, London SE1 0NL
Friday 22 July, 7-9pm
This summer an Urban Physic Garden will bloom on a slice of neglected London land. The garden will provide a platform for artists, designers, gardeners and health practitioners from a diverse range of backgrounds and cultures. It will be a place for lively debate – an outside space where a range of people can come together to explore the role of plants in science, health, well-being and the environment, including readings of new poetry commissioned for the garden on 22 July.

activate Journal issue 1, Vol. 1.
Published May 2011
activate is a peer-reviewed electronic journal based in the Department of Drama, Theatre and Performance at Roehampton University, London. The contributions to the inaugural issue, On the paper floor: exploring writing practices, share a concern with language “not as a text, but, as an event”, as Tim Etchells, the artistic director of Forced Entertainment, has aptly noted (1999, p. 105). This publication’s aim is to explore the notion of writing as a way of performing as well as the ways that performance is being elaborated through linguistic and writing processes; and in this way, to expand the forms and ways that one can “make writing perform” (Pollock 1998, p. 75). Includes my article The Inscription of Art and Everyday Life: How Being Slips into Performance.

Mulberry Tree Press: Partial Fictions
Published May 2011
A collaboration between SE8 (Nicolas de Oliveira, Jonathan Houlding, Nicola Oxley), and St Pierre & Miquelon. This collection of partial fictions is the outcome of a collaborative project on the relationship between objects, location and language. In particular, it is concerned with the translation or transcription that takes place in order to facilitate the passage from one place to another, from the studio and the gallery to the printed page. Includes my antepress collaboration with Patrick Coyle and conductor Anthony Weeden, Getting to the Point.

Halfcircle III poetry journal launch party

15 Emmanuel Road, Cambridge (on Christ’s Pieces), from 6:30pm, Thursday 16th June.

With readings by:

  • Emily Critchley
  • Rosa Van Hensbergen
  • Amy De’ Ath
  • Jonty Tiplady

The 52-page journal features poems by:

Richard Barrett, John Wilkinson, James Cummins, Rosa Van Hensbergen, Laura Kilbride, Tom Graham, Amy De’ Ath, Andy Spragg, Tomas Weber, Emily Critchley, Lisa Jeschke, Charles Bernstein, Jonty Tiplady, Keston Sutherland and The Liquid Bros.

Images by Lara Hawthorne, Harry Sanderson, Timothy Crombie and David Savagar and a poetry postcard courtesy of infinite editions (edited by Andy Spragg) by Emily Critchley, Tom Graham, Gerry Loose and Tom Raworth.

The journal will be available for the special price of £4 (usual price £5) at the launch. Wine etc.

Ghost Cargo – a “sky writing” project over Leeds, by Caroline Bergvall

Tuesday, June 21 · 12:00pm – 1:30pm
Be part of an incredible art event, taking place right across Leeds:

At midday on the 2011 summer solstice, Tuesday, 21 June 2011, the skies above and around Leeds city centre will play host to a unique ‘sky writing’ project conceived by internationally renowned artist and writer, Caroline Bergvall, and delivered as a part of the 20th annual Refugee Week celebrations. As part of the project, the artist is inviting people right across Leeds to pick up their phones and video cameras, film the artwork as it passes overhead, and upload their footage to this Event page.

All the footage collected will be edited together into a film for presentation at Leeds Art Gallery later this year.

‘Ghost Cargo’ will fly for 90 minutes across the Yorkshire landscape, reaching Leeds city centre at midday. We are inviting everyone with access to a video camera or video enabled phone to get involved by filming Ghost Cargo as it passes overhead, and to upload their footage to this Event page (if you can add a comment under your video submission, with details of where you filmed from – an address or postcode – that would be great!)

The project is being delivered in partnership with Leeds Art Gallery and Writing Encounters, an initiative that supports writers and artists who work with text.

More information about the project can be found here: www.writingencounters.org

Hi Zero! #FIVE Contemporary Poetry Readings in Brighton

Via Joe Luna:


Announcing the fifth Hi Zero poetry reading of the season, featuring the tongues in action of:

JOHN WILKINSON
(Chicago)

DREW MILNE
(Cambridge)

ED LUKER
(Brighton)

More info soon. Make sure you can come. ALSO PLEASE NOTE CHANGE OF VENUE: We are NOT at the HOPE this time, but at the OPEN HOUSE. It’s right next to London Road station.

If you’re coming from London, or further afield: From Brighton station, instead of walking out and down the hill, just jump on a train going up to Seaford or Lewes (usually platform 8), and the first stop will be London Road. You won’t need to buy an extra ticket for this journey, as an Anywhere – Brighton ticket covers both Brighton itself and London Road.

Once off at London Road, simply turn left and the OPEN HOUSE is RIGHT THERE.

See: http://tinyurl.com/5st3346 for a map.

Doors 7:30 for an 8 o’clock start – £4 for all.

Yes.”

More here.