GenSex at Edge Hill University

Thursday 19th October, 1pm, Room B004, Edge Hill University, St Helens Rd, Ormskirk, L39 4QP

GenSex presents poet Amy McCauley, who through interactive poetry performance, image & essays, invites you to consider: Is a ‘private’ self possible? Can we speak in voices which are not in some way already inherently ‘public’? How might a writer tackle ancient and contemporary myths around ‘femaleness’, desire, sexuality and the performing body? Do we ever stop ‘performing’ (as bodily forms, forms of language, gendered forms and sexualities)?

For this event, our speaker has provided handouts for attendees, so for all those attending, please email: gensex.ehu@gmail.com for the file. Handouts will be available in the session also.

All are welcome!

Amy McCauley recently completed a PhD at Aberystwyth University and won a Northern Writers’ Award (2016). She works as Poetry Editor for New Welsh Review and as Editor of Creative Response for the feminist visual arts website MAI Journal. She is interested in trans-genre writing, auto-frictions and feminisms. Amy’s first collection of poetry ‘Oedipa’ will be published by Guillemot Press in 2018.

Caplet

18th October at 18:50. St Margaret’s House, 21 Old Ford Road, London, E29PL.

Caplet is back for an eveningful of readering and discusseration.

Appearing this month are:

1. CLIVE GRESSWELL
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Gresswell is a poet who resides in Luton, Earth. His work has been published in BlazeVOX, LondonGrip, Dispatches, and ZombieLogic Review, and is due to be published in Tears in The Fence. He appeared at the recent Tears in The Fence Poetry Festival. His debut edition, ‘Jargon Busters’ was recently published by Knives, Forks, and Spoons press. You can read an enthusiastic review here: https://tearsinthefence.com/2017/08/07/jargon-busters-by-clive-gresswell-kfs-press.

2. DAVID HERD
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David Herd’s collections of poetry include All Just (Carcanet 2012), Outwith (Bookthug 2012) and Through (Carcanet, 2016). His poems, essays and reviews have been widely published in magazines, journals and newspapers and his recent writings on the politics of human movement have appeared in Los Angeles Review of Books, TLS, PN Review and Almost Island. He is Professor of Modern Literature at the University of Kent and a co-organiser of the project Refugee Tales.

Junction Box 10

Junction Box is  a space for poets, primarily, but also for other kinds of creative and critical practitioners, to talk about the world, themselves and the others, in a free and category-open fashion.  Number 10 is now live. featuring:

  • Julia Rose Lewis & James Miller: Preface to ‘Strays’
  • Lucy Sheerman & Karlien van den Beukel: Rem • Press
  • Nia Davies & Sampurna Chattarji: Ritual Correspondence
  • Doug Jones: from ‘Posts’
  • Laura Goode: Two Poems
  • Rebecca Compton: Cooperation vs Collaboration
  • Paul Hawkins: Trailing arm leading edge
  • Holly Corfield Carr: On Caves
  • Eley Williams: Three Pieces
  • Sonja Vitow: 13 Reasons I Believe In Ghosts
  • Tim Allen: from ‘A Democracy of Poisons’
  • Anthony Mellors & David Rees: Winter Journey (Time out x 2)

Murmur

MURMUR #1
A new reading series

Sunday 15th October 2017 / 7pm / free entry
Common

Featuring…
Rachael Allen
Jessica Higgins
Tom Jenks
Tessa Harris
Thom Adams
+++
DJs Comfortable on a Tightrope and Secret Admirer

Readers:

RACHAEL ALLEN is the poetry editor for Granta, co-editor of poetry press Clinic and online journal Tender. Her first full collection is forthcoming from Faber & Faber in 2019.

JESSICA HIGGINS is an artist based in Glasgow who works in sculpture, performance and writing. She is 1/8th of Good Press, a volunteer-led-unfunded-informal-organisation dedicated to the promotion and production of independent artist publications and projects; and one half of Museums Press, a publisher of art for leisure (est. 2009) and its new subsidiary A Plume which publishes writing by artists twice in a year, and an annual (est. 2017). Guilding, a novella and collection of quasi-essays was published by Publication Studio London in April 2017.

TOM JENKS’ most recent book is Crabtree: The Libretto, published by The Red Ceilings Press, with others including Items (if p then q), Sublunar (Oystercatcher Press) and Spruce (Blart Books). His work has appeared in The New Concrete: Visual Poetry in the 21st Century (ed. Victoria Bean & Chris McCabe) and The Best British Poetry 2015 (ed. Emily Berry). He co-organises The Other Room reading series in Manchester and edits the avant -objects imprint zimZalla.

TESSA HARRIS is a writer and poet currently at the Centre for New Writing, University of Manchester as a Commonwealth PhD candidate. She was born and raised in Windhoek, Namibia, and has had short stories and poetry published in Namibia, South Africa and the UK.

THOM ADAMS is a writer based in Manchester. He is a recent philosophy graduate and is currently working on his first pamphlet.

 

Adrian Slatcher: Interesting Drug #4

Latest installment of the hour long arts and music podcast playing music related to the arts and with commentary from Adrian Slatcher on what’s going on in Manchester and beyond: “A couple of weeks ago I saw Sven Helbig perform his Pocket Symphonies at HOME with Manchester Camerata with visuals by Chris Paul Daniels – here’s what I thought. More artistic obituaries – John Ashbery and Walter Becker, two great chroniclers of the American condition – died on the same weekend. Next week I’m seeing Chris Krauss talking about her Kathy Acker biography, so remembering one of my favourite writers. With nuclear brinkmanship back in the news I also look at the honourable history of nuclear war songs from the sixties and eightes.” Listen here.

House without Walls

HOUSE WITHOUT WALLS is an exhibition devised by British visual poet Philip Davenport, featuring art by child refugees, combined with commentary from older members of their community. “A gentle, sideways look at the cost of war, the subtle losses including childhood itself.” Exhibition at Paul Schneider Haus, Spandau, BERLIN 13 Oct-23 Nov.

Davenport is a British visual poet who often works off the page; his work appears in galleries, streets, sound recordings, on objects. He often works with marginalised communities in the U.K. as part of the arthur+martha organisation, collaborating with homeless people and with older people who have dementia.

https://arthur-martha.com

Nia Davies book launch

Saturday November 4th 2.00 pm – 5 pm at The Hen and Chickens, Flannel Street, Abergavenny, NP7 5EG, where Nia will be a launching England, out now on Crater Press.

with a mini-festival of accompanying readers, including
Ailbhe Darcy
David Greenslade
Steven Hitchins
Julia Rose Lewis
Lee Duggan
Chris Paul
Ric Hool
Suze de Lee
Richard Parker
Lyndon Davies
and more to be announced
FREE

Black Market Re-View

Issue 4 out now, with Jim Zola, Niamh McMullan, Richard M Thompson, Torkel Tennberg, Sally Barrett, Aviva Treger, John Grey, Walburga Appleseed, Susan McCraw, Brindley Hallam Dennis, Natalie Crick, Fabrice Poussin, Tom Cowin, Jamie Stewart, Mark Russell, Nick Power, P.J. Kryfko, Susan McCraw. Robert Beveridge, Bill Wolak, John Short, Jamie Stewart, Rose Knapp and A J Taylor.

New books from MA BIBLIOTHÈQUE

New books from Sharon Kivland’s excellent press, including Other Room reader Claire Potter. More details here, here and here.

Sean AshtonLiving in a Land
 ––Living in a Land is a novel written almost entirely in the negative, consisting mainly of things the narrator has never done, no longer does or will never do. Given that what he has not done is more diverse than what he has, there is much ground to cover, and he approaches the task with arguably greater zeal than a conventional diarist. A study of the conceivable versus the actual, the personal versus the universal, idiocy versus logic, black versus white, circles versus squares, renting versus buying, Living in a Land is a chronicle of a mind fighting its own oppositional nature, a portrait of a hypothetical man.

Buster V. DachyThe Crumpled Envelope
 ––Buster V. Dachy pays homage to Poe, Gombrowicz, Godard, and Lacan’s destined ‘purloined letter’. This unusual novel follows the structure of a play, with acts and scenes, but it entertains a rather ambiguous relation to narrative. Although there is one (a detective story even), with beginning and end, it appears to be distributed between a number of characters and voices, which are not always clearly distinct. Yet, the characters are assigned in the ordinary way of a play: they have names, roles, titles, and functions. Undoubtedly the main male character is rather sophisticatedly grotesque and the lead female character rather elegantly contrived. Visitors sound like shadows, which leaves the stage to four museum guardians who are the true heroes of this melancholic comedy. It finishes as it started, with a categorical sense of insignificant necessity.

 Sarah WoodCivilisation & Its Malcontents
 ––Caught up in the vortex of this bellicose age, adrift on the sea of digital information and misinformation, without perspective enough to glimpse the future that is actually forming, I am finding it hard to think.

Here is a book about thought right now and about how to think in a world that asks us at every level not to. Discontent? Malcontent? Sarah Wood looks at the world through Freud and fraud.

Claire PotterRound that way
 ––But the air lays thin and low in the towns around here. Precipitation from the hills causes the pressure to drop off, it puts distance between the air’s molecules, bringing on headaches and low spots where storms kick up.

Round that way is Claire Potter’s second published book. It brings together CHAVSCUMBOSS, a poetic experiment in writing while watching the performance of masculinity by the YouTube user of the same name—and a short story, PRESSURE, in which a house fire raises painful heat in the residents of a small northern town.

Sharon KivlandFreud’s ViewsFreud on Holiday Appendix V
––Almost every year Sigmund Freud went on holiday, often accompanied by his brother Alexander, an expert on railway transport, timetables, and travel tariffs. Freud made a distinction between the holidays he spent with his family during the month of August, usually in the Alps, and those voyages he took later, most often in September, with complicated itineraries. The fifty-six letters and hundred and eighty-nine postcards of his travel correspondence with his family and reveal his enjoyment of these holidays. Herein Freud’s views, as both prospects and opinions.

Launch of Swims by Elizabeth-Jane Burnett

26th September at 18:30–20:30, Tamesis Dock, Albert Embankment (opp no 9), between Vauxhall and Lambeth Bridge, London, SE1 7TP.

Join Penned in the Margins on the water of the Thames to celebrate the debut poetry collection from Elizabeth-Jane Burnett. A lyrical celebration of wild swimming, Swims will be official launched aboard Tamesis Dock in Lambeth. Join us from 6.30 for a reading by Elizabeth, drinks and your chance to pick up a copy of the book.

A long poem taking many forms, Swims begins and ends in Devon, moving across the waterways of England and Wales: from urban pond to open sea. The poet swims among fishermen on Grasmere, reimagines the body as bottle cap in the Channel, and clambers down the bank of the river Ouse with words scrawled on her swimsuit.

As political as they are personal, these meditations are conceived as environmental acts that probe the relationship between landscape, memory and the self. A sinuous, innovative debut, Swims reminds us of the power of swimming to transform the human spirit, registering what the water gives to us and what it takes away.

“These poems flow and sing through salt and sweet water, connecting time and place and spirit in an electric gesture of natural unity. Swims is a wondrous, perfect thing.” –
PHILIP HOARE, AUTHOR OF RISINGTIDEFALLINGSTAR AND LEVIATHAN, OR, THE WHALE

Free entry, but please RSVP to james@pennedinthemargins.co.uk

You can also watch Elizabeth reading from Swims for us at The Other Room here.

 

Antony Rowland – M

The third poetry collection from Antony Rowland, Professor of Modern and Contemporary Poetry at Manchester Metropolitan University, whose work has been compared with poets as disparate as John Ashbery and Ezra Pound. This collection includes the poems that were awarded the Manchester Poetry Prize in 2012.

It will be launched 28th September, Manchester Met Number 70, Oxford Street, Manchester, 6 PM start, with novelist Tony Williams. More details about the launch and the book here.