The Spring 2009 issue of BlazeVox is online now, featuring work from mez breeze, Rachael Stanford, Brooks Johnson, Patrick Chapman, Aaron Anstett, Abby Stringer, Scott Abels, Adam Siegel, adam strauss, Alec Newman, Andy Frazee, A.D.Hitchin, Ashley VanDoorn, Dennis Barone, Alex Stolis, Brian Hardie, Christie Ann Reynolds, Constance Stadler, Curt Hopkins, Darren Caffrey, David Tolkacz, David Wolach, Dion Farquhar, Donald Illich, Ed Baker, Felino Soriano, Glenn R. Frantz, John C. Goodman, James Brown, Jan Imgrund, Jay Snodgrass, Jennifer H. Fortin, Joe Hall, John Pursley III, John Moore Williams, Karen Sandhu and Tom Jenks.
Tom Jenks
Hot Gun
Hot Gun! is an occasional journal of poetry + criticism. It is oblatory in mode, committed to whatever it HAS to be each issue. Featuring poems and critical works (on Angela Brady, the role of women in Language poetry, Guy Debord and Keston Sutherland) by:
- Kyle Storm Beste-Chetwynde
- Ryan Dobran
- Luke Roberts
- Justin Katko
- Jow Lindsay
- Marianne Morris
- Amica Dall
- Emily Critchley
- Kate Riley
- J.H. Prynne
- Neil Pattison
:ab ovo:

Dusie Press happily announces the publication of Jenn McCreary’s :ab ovo:
“Jenn McCreary’s… questioning of a lifetime of a priori givens takes over language, inviting it to accommodate her unacknowledged world.” –Marcella Durand.
“A book of awe and charm from the inside out.” — Rachel Blau DuPlessis.
Via Dusie Press
Robert Lax
Ron Silliman reads The Alphabet
Ron Silliman Reading “Albany” from The Alphabet, The Met, Bury, UK (2 May 2009). Via Geof Huth.
Poet, husbandman and tunemaker
Michael George Gibson, prospective Oxford Professor of Poetry, has things to say about people like us.
Richard Barrett
Other Room reader Richard Barrett is reading as part of the second farewell evening for Manchester poetry magazine The Ugly Tree. Thursday 28 May, from 6.00pm. Free. Manchester Central Library, St Peter’s Square, Manchester M2 5PD. Get down there to catch up with where this rapidly emerging poet is at.
Tom Jenks reading at The first ever The Other Room
The first part of Tom’s reading. Alan Halsey and Geraldine Monk also kicked off the show. Videos of them are currently being transferred, uploaded and caressed.
Jeff Hilson at Edge Hill University
Thursday 23rd April 2009, 6.30-8.30 E24 at 6.30-8pm. (upstairs) FREE.
Fresh from his brilliant reading of Bird Bird at the Runnymeade Festival:
Jeff Hilson will be talking about his work.
Jeff Hilson’s works include A Grasses Primer (2000), Stretchers (2007), Bird Bird (2009), and In the Assarts (ongoing). He teaches at Roehampton University, London. With Sean Bonney and David Miller, he co-founded Crossing the Line, a reading series based in London.
Sampled in various small press editions over recent years and aired in live performances in London and elsewhere, Jeff Hilson’s Stretchers comprise three fast moving sequences of (more or less) 33-line poems. “Each stretcher contains a story, and each story contains other stories.” “A stretcher mis-uses that which it stretches into. Reading down the column, which stands immaculate among the ruined vocabularies. The idea of a stretcher works so well that every reading simply multiplies – by dint of new stretcher-ideas – whatever Hilson scraps together. How far can a lie stretch?” Edmund Hardy, Intercapillary Space
He is also the editor of the well-received and controversial Reality Street Book of Sonnets With no fewer than 84 contributors, this is a truly groundbreaking anthology. There are plenty of modern sonnet anthologies around; but none that have delved so thoroughly into the myriad ways poets have stretched, deconstructed and re-composed the venerable form, including visual and concrete sonnets. We take as our time frame 1945 to the 21st century, with poets ranging from Edwin Denby (b. 1903) to those currently in their twenties. Jeff Hilson, the editor, contributes an introductory essay.
Via Robert Sheppard
if p then q issue 3

if p then q issue three is a special poster set commissioned by The Text Festival It comprises five colour posters in a postal tube by:
Anne Charnock
Craig Dworkin
Geof Huth
P. Inman
Tom Jenks
Anne Charnock’s Uncertainty Series No. 10 is pictured here.
Price is £5 + postage.
Available to buy HERE or at Bury Art Gallery.
Alan Halsey: Term as in Aftermath
Poems 2005-2008, including the complete ‘Looking-glass for Logoclasts’, the first publication of ‘Unkempt Archive’ and in the title sequence re-readings of texts from the schoolbooks of the ancient Egyptians via Seneca and Stein to The Tennis Court Oath and the codenames of recent military operations, together with translations of newly discovered fragments of Mercurialis and further studies of the lizopard.
100pp. ISBN 978-0-9808873-5-8. £11.95 postfree in UK.
North American distribution by SPD. More information at West House Books.
startrunning

Based in Manchester UK, startrunning is a non-profit making, independent, artist-led project with a focus on bringing together and developing an array of interdisciplinary arts practice. Created in order to present and experience challenging new work in unique environments, the initiative aims to offer opportunities to both emerging and established practitioners. This project has a limited lifespan and will run for twelve months. One event will take place each month during its existence.
Charles Bernstein web log
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James Davies meets Tom Jenks
Tom Jenks was born in Sunderland and now lives, works and writes in Manchester. He is the founding editor of Parameter Magazine and has had a mini-series, OMEN, published by Matchbox. His first collection is A Priori.
In two parts below from if p then q downloads
TOR in MEN
“Literature should be seen as well as heard of course, and the relaunched website for The Other Room, Manchester’s only (as far as I know!) regular avant garde poetry night held at the Old Abbey Inn, has a great range of video content as well as the other stuff you’d expect, and is a really nice use of one of the more recent WordPress templates.”
By Adrian Slatcher. From The Mancunian Way, part of the Manchester Evening News site.
Link.
If you haven’t already done so, check out Adrian’s Art of Fiction pages via our links in the third column.


