Journal of British and Irish Innovative Poetry launch events

There will be a series of launch events in
2009 for the Journal of British and Irish Innovative Poetry
(http://www.gylphi.co.uk/poetry).

The first of which will be a celebration of the journal occurring at Edge
Hill’s own celebration of its decade of poetics:

Edge Hill University
Education Building
8 October, 6.30 pm
(http://robertsheppard.blogspot.com/2009/09/going-public-autumn-2009.html)

The other two launch events will be standalone. There will be speeches and
discussion of the journal. As well as an opportunity for readers and
contributors to the journal to meet with editorial board members.

Birkbeck
University of London
Main Building (Room B29)
Malet Street WC1E 7HX
21 October, 7.30 pm
(http://www.bbk.ac.uk/maps)

University of Salford
9 December, 3 pm (tbc)
Featuring Christine Kennedy,
Allen Fisher and Ian Davidson
(http://www.salford.ac.uk/travel)

Via Anthony Levings, Managing Editor
Gylphi Limited, http://www.gylphi.co.uk

damn the caesars

Volume 5 of this US magazine is out now and ready to buy, featuring, amongst others, Other Room readers Sean Bonney, Alan Halsey and Geraldine Monk and The Other Room’s very own Scott Thurston. Full list:

  • Roberto Tejada
  • Stephen Collis
  • Margaret Konkol
  • Scott Thurston
  • Kemeny Babineau
  • Alejandra Pizarnik translated by John Martone
  • Sean Bonney
  • Kaia Sand
  • Alan Halsey
  • Alessandro Porco
  • Geraldine Monk
  • Ammiel Alcalay
  • Jeffery Beam
  • William R. Howe

Link

Journal of British and Irish Innovative Poetry

The first issue is out now, 112 pages in length and the contents are as follows:

EDITORIAL: Scott Thurston and Robert Sheppard

Dragging at the haemorrhage of uns : Maggie
O’Sullivan’s excavations of Irish history
Mandy Bloomfield

Democratic consensus in J. H. Prynne’s Refuse Collection
Ian Davidson

Veronica Forrest-Thomson s Cordelia , tradition and
the Triumph of Artifice
Gareth Farmer

Expectant contexts : Corporeal and desiring spaces in
Denise Riley’s poetry
Christine Kennedy and David Kennedy

BOOK REVIEWS
Tony Lopez, Meaning Performance
Reviewed by Robert Sheppard

John Wilkinson, The Lyric Touch
Reviewed by Scott Thurston

More here.

Treading water

TREADING WATER – a perambulatory poem in Otterspool Park, Liverpool: July 12 2009 1pm

 This poem-performance has been commissioned by Gaia Project and Living at the Edge for HIGH TIDE – an Environment Agency-funded project which is bringing together ten UK based multi-media artists to interpret and explore the theme high tide, in collaboration with Dr Jason Kirby (Liverpool John Moores University) and Prof Philip Woodworth adviser to the Intergovernmental Panel on Climate Change (Proudman Oceanographic Laboratory, Liverpool).

 Treading Water will explore the prehistory, geology, human and natural history of Otterspool Park in order to imagine distant times, images and stories. Staged as a series of posts throughout the park, the piece will unfold as a poem sequence accompanied by dramatic and visual interventions.

 Otterspool’s history, like Liverpool , has been shaped by water. Its stream was formed by melting glaciers 18,000 years ago which carved a path through red sandstone: the remains of ancient sand dunes. Known as Otirpul in medieval times it was originally a tidal creek, which may have been a Viking landing stage in the tenth century, and was famed for the quality of its fishing and abundance of otters. Later on the creek was used to drive watermills and until the 1930s an old fisherman’s cottage still stood on the banks of the Mersey. The astronomer Jeremiah Horrocks (1618-1641) was born and died here in the now demolished Jericho Lodge. He was a major figure in early British Astronomy and the first person to correctly predict and observe the transit of Venus across the Sun. He later began making the first ever tidal measurements to assist his study of the moon’s orbit.

 The poem will attempt to come to terms with Horrocks’ achievements and consider their relevance to our contemporary view of nature. Creating this imaginative space will crucially enable a confrontation with the future of the park, and, by extension, the future of Liverpool and beyond in the context of climate change.

 Check out the High Tide wiki at:

 http://high-tide.wetpaint.com/

 Otterspool Park on Google Maps:

http://maps.google.co.uk/maps?hl=en&q=otterspool%20park%20liverpool&um=1&ie=UTF-8&sa=N&tab=wl

Journal of British and Irish Innovative Poetry

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The journal will centre on the poetic writings that have appeared in Britain and Ireland since the late 1950s under various categorizations: for example avant-garde, underground, linguistically innovative, second-wave Modernist, non-mainstream, the British Poetry Revival, the parallel tradition, formally innovative, neo-modernist and experimental, while also including the Cambridge School, the London School, concrete poetry, and performance writing. All of these terms have been variously adopted and contested by anthologies such as Children of Albion (1969), A Various Art (1987), The New British Poetry (1988), Floating Capital (1991), Conductors of Chaos (1996), Out of Everywhere (1996), Foil (2000), Anthology of British and Irish Poetry (2001) and Vanishing Points (2004).

Edited by Scott Thurston & Robert Sheppard

Link