Journal of British and Irish Innovative Poetry: call for papers

In an attempt to redress and rethink boundaries between the historical UK avant-gardes and work produced by Black, Asian and ethnic minority poets, the Journal of British and Irish Innovative Poetry is seeking essays on race specifically in UK and Irish poetry. The aim of this special issue, edited by Sandeep Parmar, is to reconsider how poets of colour working across ‘avant-garde’, ‘performance’ and ‘mainstream’ traditions broaden the definition of innovation and the ‘possibilities of language’ in contemporary poetry and practice. More details, including the submission deadline, here.

Cardiff Poetry Experiment, March 10th 2016

Please join us in Cardiff at the Waterloo Teahouse in the beautiful Edwardian Wyndham Arcade
on Thursday, March 10, 2016 at 7pm (readings promptly at 7:30)
for the innovative poetry reading series “Cardiff Poetry Experiment”

featuring:

CAROL WATTS
author of
many weathers wildly comes, Sundog, and Occasionals

TOM JENKS
author of
Spruce, Items, and The Tome of Commencement

SANDEEP PARMAR
author of
Eidolon and The Marble Orchard

Books and refreshments for sale onsite. Visit http://cardiffpoetryexperiment.blogspot.co.uk for more information.

Myths of the Modern Woman

Sat, 30 Jan 2016 4.00 PM – 6.00 PM Tickets: £3/2 – Bluecoat, School Lane, Liverpool

 

Myths of the Modern Woman – an afternoon of readings and discussion curated by Sandeep Parmar, academic, poet and author of The Reading Mina Loy’s Autobiographies: Myth of the Modern Woman. The event features contributions from poets Zoe Skoulding, Sara Crangle, Joanne Ashcroft, Robert Sheppard and artist Melissa Gordon.

Parmar has programmed Myths of the Modern Women in response to Loy’s writing and to Melissa Gordon’s enduring fascination with Loy’s play ‘Collision’ (1916). Gordon’s exhibition Fallible Space, an installation determined by the script of ‘Collision’ provides the backdrop for the afternoon. The event will be introduced by Sandeep Parmar followed by poetry readings by Skoulding, Crangle, Ashcroft and Sheppard. The readings will be followed by a round table discussion and drinks in the Bluecoat bar.

Mina Loy (1882-1966) is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers.

About the Poets:

Robert Sheppard’s History or Sleep: Selected Poems has just been published by Shearsman, and showpieces work from the last 30 years. Last year he also published his ‘autrebiographies’ Words Out of Time and this yearThe Drop will appear from Oystercatcher. He is Professor of Poetry and Poetics at Edge Hill University, and is also a critic of contemporary poetry.

Sara Crangle is a Reader in English at the University of Sussex. She edited Mina Loy’s unpublished short prose works for a volume titled Stories and Essays of Mina Loy (Dalkey Archive Press 2010). She has published writing on Loy’s associates Gertrude Stein, James Joyce, Wyndham Lewis and members of Dada, and is currently working on a book with the working title, Mina Loy: Anatomy of a Sentient Satirist (forthcoming, Edinburgh University Press). She started her first book of poetry, Wild Ascending Lisp (Critical Documents 2008), whilst on a research trip to explore the Loy archive at Yale.

Zoë Skoulding is primarily a poet, though her work encompasses sound-based vocal performance, collaboration, translation, literary criticism, editing, and teaching creative writing. She lectures in the School of English at Bangor University, and has been Editor of the international quarterly Poetry Wales since 2008. Her recent collections of poems are The Museum of Disappearing Sounds (Seren, 2013), Remains of a Future City (Seren, 2008), long-listed for Wales Book of the Year 2009, and The Mirror Trade (Seren, 2004). Her collaborative publications include Dark Wires with Ian Davidson (West House Books, 2007) and From Here, with Simonetta Moro (Dusie, 2008). She is a member of the collective Parking Non-Stop, whose CD Species Corridor, combining experimental soundscape with poetry and song, was released on the German label Klangbad in 2008. You Will Live in Your Own Cathedral is a multimedia soundscape, video and poetry performance with Alan Holmes that has been presented across Europe in several languages.

Joanne Ashcroft has had poems published in journals, pamphlets, and in The Other Room anthology 2015. Her pamphlet Maps and Love Songs for Mina Loy won the Poetry Wales Purple Moose 2012 and is published by Seren. Most recently she has a collaborative work with Patricia Farrell, Conversational Nuisance available as a zimZalla object. Several of her ‘Charm’ poems can be read in the current edition of The Wolf and in Litter (online). Joanne is currently a research student at Edge Hill University, studying ‘sound and transformation’ in the work of three contemporary innovative poets.

Storm and Golden Sky: Sandeep Parmar and Robert Sheppard

Up the stairs (at the back of the barroom, above the pub name, above) at the Caledonia pub, Catharine Street, in the Georgian Quarter, Liverpool, £5, 7 pm spot-on start!

FRIDAY 27th November 2015

Sandeep Parmar and Robert Sheppard

(with a short reading by Adam Hampton)

 Sandeep Parmar was born in Nottingham in 1979 and was raised in Southern California. She received her PhD in English Literature from University College London in 2008 on the unpublished autobiographies of the modernist poet Mina Loy. She holds an MA in Creative Writing from the University of East Anglia. She is the Reviews Editor of The Wolf magazine and edited The Collected Poems of Hope Mirrlees for Carcanet Press (2011). Her critical book on Loy, Reading Mina Loy’s Autobiographies, appeared from Bloomsbury in 2013. She teaches twentieth-century literature and creative writing at the University of Liverpool. Her books are Eidolon and The Marble Orchard, both from Shearsman.

 

http://www.liv.ac.uk/english/staff/sandeep-parmar

 

 

Robert Sheppard is launching two books tonight, his new History or Sleep: Selected Poems, which covers the full range of his work since 1982, and his autrebiographies, Words Out of Time. He lives in Liverpool, is one of the organisers of Storm and Golden Sky, and is also a literary critic of work generally known as ‘linguistically innovative’. He teaches at Edge Hill University.