Journal of British and Irish Innovative Poetry

The first issue is out now, 112 pages in length and the contents are as follows:

EDITORIAL: Scott Thurston and Robert Sheppard

Dragging at the haemorrhage of uns : Maggie
O’Sullivan’s excavations of Irish history
Mandy Bloomfield

Democratic consensus in J. H. Prynne’s Refuse Collection
Ian Davidson

Veronica Forrest-Thomson s Cordelia , tradition and
the Triumph of Artifice
Gareth Farmer

Expectant contexts : Corporeal and desiring spaces in
Denise Riley’s poetry
Christine Kennedy and David Kennedy

BOOK REVIEWS
Tony Lopez, Meaning Performance
Reviewed by Robert Sheppard

John Wilkinson, The Lyric Touch
Reviewed by Scott Thurston

More here.

The Other Room 2, June 2008

The Other Room’s second outing proved to be as wonderful as the the first thanks to the amazing line-up. At the start of the first part of Alex Middleton’s reading you can hear some people talking who proved difficult to bargain with but they do leave after about 3 minutes so persevere and enjoy.

Robert Sheppard

Alex Middleton reading translations of Inger Christensen

Harriet Tarlo

Journal of British and Irish Innovative Poetry

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The journal will centre on the poetic writings that have appeared in Britain and Ireland since the late 1950s under various categorizations: for example avant-garde, underground, linguistically innovative, second-wave Modernist, non-mainstream, the British Poetry Revival, the parallel tradition, formally innovative, neo-modernist and experimental, while also including the Cambridge School, the London School, concrete poetry, and performance writing. All of these terms have been variously adopted and contested by anthologies such as Children of Albion (1969), A Various Art (1987), The New British Poetry (1988), Floating Capital (1991), Conductors of Chaos (1996), Out of Everywhere (1996), Foil (2000), Anthology of British and Irish Poetry (2001) and Vanishing Points (2004).

Edited by Scott Thurston & Robert Sheppard

Link

Jeff Hilson at Edge Hill University

Thursday 23rd April 2009, 6.30-8.30 E24 at 6.30-8pm. (upstairs) FREE.

 

Fresh from his brilliant reading of Bird Bird at the Runnymeade Festival:

 

Jeff Hilson will be talking about his work.

 

Jeff Hilson’s works include A Grasses Primer (2000), Stretchers (2007), Bird Bird (2009), and In the Assarts (ongoing). He teaches at Roehampton University, London. With Sean Bonney and David Miller, he co-founded Crossing the Line, a reading series based in London.

 

Sampled in various small press editions over recent years and aired in live performances in London and elsewhere, Jeff Hilson’s Stretchers comprise three fast moving sequences of (more or less) 33-line poems. “Each stretcher contains a story, and each story contains other stories.”  “A stretcher mis-uses that which it stretches into. Reading down the column, which stands immaculate among the ruined vocabularies. The idea of a stretcher works so well that every reading simply multiplies – by dint of new stretcher-ideas – whatever Hilson scraps together. How far can a lie stretch?” Edmund Hardy, Intercapillary Space

 

He is also the editor of the well-received and controversial Reality Street Book of Sonnets With no fewer than 84 contributors, this is a truly groundbreaking anthology. There are plenty of modern sonnet anthologies around; but none that have delved so thoroughly into the myriad ways poets have stretched, deconstructed and re-composed the venerable form, including visual and concrete sonnets. We take as our time frame 1945 to the 21st century, with poets ranging from Edwin Denby (b. 1903) to those currently in their twenties. Jeff Hilson, the editor, contributes an introductory essay.

 

Via Robert Sheppard 

Robert Sheppard, Warrant Error

“This work-four sets of 24 sonnet forms plus four poems, making
100-is highly allusive to the language of the ‘war on terror’ waged
after September 11, 2001.”

Robert Sheppard will read from his new collection along with philip kuhn as part of Shearsman’s reading series

7:30 pm.
Tuesday 3 March 2009
philip kuhn and Robert Sheppard
Swedenborg Hall, Swedenborg House, 20/21 Bloomsbury Way, London WC1A
2TH.
There is no admission fee.

Link