The Start of Sentences

James Davies’ experiences of reading Robert Grenier’s Sentences in Bury’s Text Art Archive:

I don’t want to go into individual poems so much here as to explain the joy of reading Sentences as archived material, in the archive, and the processes of reading the poems in accordance with the way Sentences is catalogued. The copy of Sentences at Bury, “The Bury Sentences” as I now call it, is a like a “bootleg” record — just as cool as the original but with minor differences to interest the aficionado. I’ll explain why.

LINK for more.

Total Recall exhibition at Bury Art Gallery

total_recall

TOTAL RECALL 1 August — 3 October, 2015 

BURY ART MUSEUM

Moss St, Bury, Lancashire BL9 0DR, United Kingdom

How do you remember the people who are important to you? How do you conjure your shared past? Is it in an image, a sound, a smell, a touch? Or do you use words?

We invited world-leading poets and text-artists to make a language-memory for Tony Trehy, who has directed the internationally renowned Text Festival at Bury Art Museum since 2005. This exhibition celebrates a 10-year anniversary of the Festival and a 20-year anniversary of Tony’s time at Bury. Writing on a wall, an Internet search, a diary entry, a flurry of thoughts … what is remembering and who is it for?

Tony Trehy has been the ring-leader of decade-long conversations, new opportunities, challenges and heated debates. Each of his four Text Festivals has added to a continuing dialogue between language and art. Every Text Festival has asked the audience a simple-but-complex question: How do I read?

Into the historic space of Bury Art Museum, Trehy has injected text that is a new ‘language art’ for the 21st Century. Bury was once the centre of paper-making in Britain, now it is a pioneer of language-making, with its Text Archive welcoming readers from all over the world.

TOTAL RECALL is a guerrilla makeover, an A4 invasion of reading into the larger narrative of looking. Unlike the street signs outside, these are not corporate instructions or sales pitches; they are antidotes. Walls, vitrine, archival box—nary a “book” to be found, but a heap of language left in memory.

TOTAL RECALL includes work by local, national and international text-based artists and poets: angela rawlings, Alan Halsey, Barrie Tullett, Carolyn Thompson, Cecilie Bjørgås Jordheim, Darren Marsh, derek beaulieu, Emma Cocker, Eric Zboya, Erica Baum, Jaap Blonk, James Davies, Jayne Dyer, Jesse Glass, Karri Kokko, Kristen Mueller, Lawrence Weiner, Leanne Bridgewater, Liz Collini, Lucy Harvest Clarke, Marco Giovenale, Márton Koppány, Matt Dalby, Mike Chavez-Dawson, Paula Claire, Penny Anderson, Peter Jaeger, Philip Davenport, Rachel Defay-Liautard, Robert Grenier, Ron Silliman, Satu Kaikkonen, Sarah Sanders, Seekers of Lice, Stephen Emmerson, Steve Giasson, Steve Miller, Tom Jenks, and Tony Lopez.

— derek beaulieu and Phil Davenport, Curators

Robert Grenier’s Cambridge M’ass reissued

Grenier’s important poem/collection/poster is back in print after some 30 odd years. It’s a must have. It’s been republished by the American press Convultion – http://www.convolutionjournal.com/cambridge-mass/

CAMBRIDGE M’ASS should have won the Pulitzer Prize and the National Book Award and gotten Grenier a MacArthur too. But it didn’t work out that way. Don’t miss it this time around.

Charles Bernstein

The Text Festivals: Language Art and Material Poetry

Text_collini

The Text Festivals: Language Art and Material Poetry edited by Tony Lopez

It is a remarkable phenomenon that the foremost among recent sites of this interrogation of boundaries has been a series of festivals located in Bury, on the outskirts of Greater Manchester. World leading artists and poets have been brought together in a range of exhibitions and performances that demonstrate a new and productive collision of different cultural enterprises and expectations. Among those shown at the Text Festivals are Fiona Banner, derek beaulieu, Caroline Bergvall, Joseph Beuys, Christian Bok, Brass Art, Marcel Broodthaers, Pavel Buchler, Augusto de Campos, Zeynep Cansu, Henri Chopin, Bob Cobbing, Liz Collini, Philip Davenport, Ian Hamilton Finlay, Hamish Fulton, Eugen Gomringer, Robert Grenier, Alan Halsey, Alexander Jorgenson, Satu Kaikonen, Martin Kippenburger, Karri Kokko, Marton Koppany, On Kawara, Helmut Lemke, Richard Long, Tony Lopez, Jackson Mac Low, Hansjorg Mayer, Steve Miller, Kerry Morrison, Maurizio Nannucci, Patrick Fabian Panetta, Holly Pester, Tom Philips, Shaun Pickard, Kate Pickering, Hester Reeve (HRH.the), Spencer Roberts, Ed Ruscha, Ron Silliman, Mary Ellen Solt, Magda Stawarska-Beavan, Harald Stoffers, Carolyn Thompson, Nick Thurston, Aysegul Tozeren, TNWK, Tony Trehy, Nico Vasilakis, Carol Watts, Lawrence Weiner, George Widener, Ming Wong, and Eric Zboya. Artists, poets and curators working in these overlapping fields have written this book. It includes new essays by Tony Trehy (director of the Text Festivals), derek beaulieu, Christian Bok, Liz Collini, James Davies, Philip Davenport, Robert Grenier, Alan Halsey, Tony Lopez, Holly Pester, Hester Reeve (HRH.the), Carolyn Thompson, and Carol Watts.

OUT NOW from Plymouth University Press or via Amazon