Phonica is a new Dublin-based poetry and music venture with an emphasis on multiformity and the experimental. Conceived, curated and hosted by Christodoulos Makris and Olesya Zdorovetska, it aims to provide an outlet for the exploration and presentation of new ideas, a space where practitioners from different artforms can converse, and an environment conducive to collaborative enterprise and improvisation.
takes place on Wednesday 20 January 2016
in Jack Nealons
(165 Capel Street, Dublin 1) where the curators will be joined by Linda Buckley, Nick Roth, Sue Rainsford and Maurice Scully. Admission is free
and start time is 8pm
. All welcome.
is a composer from the Old Head of Kinsale currently based in Dublin. Her music has been described as “exquisite” (Gramophone) “strange and beautiful” (Boston Globe), “glacially majestic” (RTÉ Ten) with “an exciting body of work that marks her out as a leading figure in the younger generation of Irish composers working in the medium” (Journal of Music). Her work has been performed by the BBC Symphony Orchestra, Dresden Sinfoniker Orchestra, Fidelio Trio, Irish Chamber Orchestra and at international festivals including Bang on a Can at MassMoCA, Gaudeamus Music Week Amsterdam and Seoul International Computer Music Festival. She studied Music at University College Cork and Music and Media Technologies at Trinity College Dublin. She holds a Ph.D in Composition from Trinity College, where she also lectures, and was RTÉ lyric fm Composer in Residence 2011/13.
is “one of Ireland’s leading contemporary explorers of experimental poetics” (Rick O’Shea, The RTÉ Poetry Programme). His most recent book is The Architecture of Chance
(Wurm Press, 2015). He is the poetry editor of gorse
journal, and in 2014 he produced and co-curated the transnational poetry collaborations project and tour Yes But Are We Enemies
is a writer based in Dublin and Vermont. Recently, she read at Foaming at the Mouth No.5 and presented at the Art | Memory | Place research seminar at IMMA. She is currently partaking in the Writing Seminars at Bennington College, and is editor of the limited edition publication some mark made
is a saxophonist, composer, producer and educator. A fascination with emergence, cycle and structure has led to ongoing conversations with scientists and research institutions across the interweaving disciplines of mathematical biology, forest canopy ecology, marine geology and hydrology in search of a conception of music as translative epistemology. Simultaneously subsumed by an insatiable appetite for literature, his compositions often explore the philosophical implications of poetry and the symbiotic resonance of words as sound and image.
was born in Dublin in 1952. Writing & publishing since the early 70s, his latest (twelfth) book, Several Dances
, was published by Shearsman Books in 2014.
is a Dublin-based performer and composer originally from Kiev, Ukraine. Her solo projects include ‘Subconscious Songs from Ukraine’, exploring traditional music, ‘Before Speech’ songs without words in search of a musical proto-language, ‘Undefined Pleasure’, discovering the physicality of the instrument through the body of the performer, ‘Poesias Espanolas’, an investigation of Spanish poetry, ‘The Docks’ a sonic response to social and political life and ‘Sounds of Telling’, based on Ukrainian contemporary poetry. Throughout a wide range of other collaborations she frequently performs contemporary classical, jazz, salsa and improvised music. Her current artistic practice also includes scores and sound design for film, theatre and contemporary dance.Her visual art focuses on the exploration of the relationship between photographic image, painting and reality.