Ad Finitum reviewed by Matt Dalby

Be prepared for the possibility that I will get many things horribly, hilariously wrong. The motivation for this post and the others that will follow, although I’m not currently sure how many that will be, is that I’m simultaneously enjoying and finding it hard to come to an understanding of P.Inman’s work. Therefore I’ve decided to document my thoughts on reading Ad Finitum – which at present I have done in full twice, and will do several times more in the course of these posts.

A thorough review of Ad Finitum by Matt Dalby in three parts…so far!

Part One

Part Two

Part Three

Antifreeze 2009

Contents May Vary are hosting ANTIFREEZE Manchester’s very first art car boot fair as part of Trade City. ANTIFREEZE is an exhibition about the high-end art market delivered within the format of low-end trade. It is the grass-roots answer to hugely commercial art fairs allowing independent and non-commercial practitioners to explore ideas of value, exchange and independence with artists and artist-led organisations responding to the physical, social, economical, geographical and literal situation.

Saturday 4th July 2009. 12-7pm. Free entry.
MAP

CHIPS Building, Upper Kirby Street, off Old Mill Street, New Islington, Manchester, M4 6EB

Link

Treading water

TREADING WATER – a perambulatory poem in Otterspool Park, Liverpool: July 12 2009 1pm

 This poem-performance has been commissioned by Gaia Project and Living at the Edge for HIGH TIDE – an Environment Agency-funded project which is bringing together ten UK based multi-media artists to interpret and explore the theme high tide, in collaboration with Dr Jason Kirby (Liverpool John Moores University) and Prof Philip Woodworth adviser to the Intergovernmental Panel on Climate Change (Proudman Oceanographic Laboratory, Liverpool).

 Treading Water will explore the prehistory, geology, human and natural history of Otterspool Park in order to imagine distant times, images and stories. Staged as a series of posts throughout the park, the piece will unfold as a poem sequence accompanied by dramatic and visual interventions.

 Otterspool’s history, like Liverpool , has been shaped by water. Its stream was formed by melting glaciers 18,000 years ago which carved a path through red sandstone: the remains of ancient sand dunes. Known as Otirpul in medieval times it was originally a tidal creek, which may have been a Viking landing stage in the tenth century, and was famed for the quality of its fishing and abundance of otters. Later on the creek was used to drive watermills and until the 1930s an old fisherman’s cottage still stood on the banks of the Mersey. The astronomer Jeremiah Horrocks (1618-1641) was born and died here in the now demolished Jericho Lodge. He was a major figure in early British Astronomy and the first person to correctly predict and observe the transit of Venus across the Sun. He later began making the first ever tidal measurements to assist his study of the moon’s orbit.

 The poem will attempt to come to terms with Horrocks’ achievements and consider their relevance to our contemporary view of nature. Creating this imaginative space will crucially enable a confrontation with the future of the park, and, by extension, the future of Liverpool and beyond in the context of climate change.

 Check out the High Tide wiki at:

 http://high-tide.wetpaint.com/

 Otterspool Park on Google Maps:

http://maps.google.co.uk/maps?hl=en&q=otterspool%20park%20liverpool&um=1&ie=UTF-8&sa=N&tab=wl

Bad Flarf Vs Bad Poems

Stan Apps reads some bad ass stuff in Poetry Magazine

Is this about flarf or is it about bad poetry? – you decide.

“I am fascinated by the latest issue of Poetry Magazine, which I picked up because I knew it included some Flarf poems, Conceptual Writing, and related materials. I was excited to get it, among other reasons, because it could be bought at Barnes & Nobles in Tampa FL, for cash. Imagine, buying poetry with an internet connection and a credit card!”

read more at this Link

Can Flarf Ever Be Taken Seriously?

Almost a decade after its creation, the experimental poetry movement Flarf—in which poets prowl the Internet using random word searches, e-mail the bizarre results to one another, then distill the newly found phrases into poems that are often as disturbing as they are hilarious—is showing signs of having cleared a spot among the ranks of legitimate art forms. Despite the group’s penchant for shocking content and outrageous titles (Sharon Mesmer’s “Annoying Diabetic Bitch,” for example, or Gary Sullivan’s “Grandmother’s Explosive Diarrhea”), many in the literary world are taking the poems seriously.

Via David Bircumshaw

Read more HERE

Joy as Tiresome Vandalism: Absolute Elsewhere

Absolute Elsewhere is the second poetry/photo project by Joy as Tiresome Vandalism (James Davies (poetry) & Simon Taylor (photography). Rather than JTV responding to the other’s work (as they did in the two aRb projects) they are responding to clues each sets. Starting in April 2009 and finishing March 2010 they will produce 6 pairs of work. In the first month of each pair a clue will be set for the other to respond to. JTV will not see the other person’s work until the project is over. Then the collection will be turned into a pdf. This site is being maintained by an independent body.

Link

Wikipoetry

Each day Wikipedia features one of their best articles on its front page as an example of the heights of clarity and knowledge the volunteer encyclopedia can reach. Clarity and knowledge are not enlightenment however. Wikipoetry’s mission is to translate the featured articles of Wikipedia into a poetic form that speaks to the soul.

Link