A Writer’s Guide to Social Media with Adrian Slatcher

chorlton-book-fest

Advance warning of what will no doubt be a very interesting session as part of the Chorlton Book Festival:

A Writer’s Guide to Social Media
Writer Adrian Slatcher advises arts organisations on their use of social media at Manchester Digital Development Agency. He’ll show how writers are using the web for writing, marketing and publishing their work. Whether an experienced or novice writer, published or not, this workshop will give you all the ideas you need to enhance your own online presence.

Wednesday 18 November, 7.30pm
Chorlton Library

LINK

Small Publishers’ Fair 2009

SMALL PUBLISHERS FAIR 2009

Friday/Saturday 13th/14th November, 11am to 7pm

Conway Hall, Red Lion Square, London WC1R 4RL

Poetry presses include Colin Sackett, Coracle, Essence, Leafe/Bamboo, Moschatel, Reality Street, Shearsman, Veer & West House.

Exhibition of vintage NY mimeos curated by Les Coleman & John Janssen

Saturday afternoon readings:

1.30 Royal Holloway Poetic Practice: Sejal Chad, Becky Cremin, Ryan Ormonde, Karen Sandhu
2.00 Shearsman Books: Linda Black & John Welch
2.30 Kurt Johannesen: Everything & Nothing
3.00 Les Coleman: Written, Drawn & Stapled (NY mimeos)
3.30 Road Books: Judy Kravis
4.00 Loose Teeth Press: Joey Comeau
4.30 Reality Street: Wendy Mulford
5.00 Light-Trap Press: Angela Gardner
5.30 Veer Books & Torque Press: Will Rowe, Piers Hugill, Aodan McCardle, Tony Trehy, Antony John & Carol Watts
Free admission to fair & readings

Researchers seek UK ‘soundscapes’

A project has launched to capture the sounds of UK locations, mapping  
them to create “soundscapes” that can be visited by users of the  
project’s site.
Participants are asked to record 5 – 10 second intervals of sound  
using their mobile phones, describing where and why they took the  
recording.
The sound samples are then uploaded to a site where they are mapped.

LINK

via mIEKAL aND

Poetry Library Special Collections and Artists’ Book Open Day

Poetry Library Special Collections and Artists’ Book Open Day

Sunday 15 November 2009

 From the first drafts of Joyce’s Finnegan’s Wake in the magazine Transition (1927) and the beginnings of Philip Larkin’s and Simon Armitage’s careers in pamphlet form, The Poetry Library collection includes the whole range of poetry publications since 1912. The Library invites you to an open display of posters, pamphlets, artists’ books, postcards and magazines from its various collections. With items from early modernism through to the Beat and Concrete movements, take this chance to engage with the underworld of nearly a century of poetry, including works on display from TS Eliot, Ian Hamilton Finlay, Robert Creeley and Sarah Lucas.

Also includes a section ‘mail out poetry’ with Matchbox

Link

Does the art world have little knowledge of contemporary poetry?

Caroline Bergvall reviews the Poetry Marathon:

I’m writing in from London where I’ve recently been part of a highly ambitious poetry event. The internationally reputed Serpentine Gallery in Hyde Park has for the past 4 years been hosting a mad type of event, an annual 36 hours live event, a more or less non-stop art marathon of presentations. This year they decided to create it as a Poetry Marathon. Some 50 poets were slated to take part, each reading for approx. 15 mins—a decent time given the chain of readings and the expected strained attention span.

The event has been summarized in great detail online, complete with program notes, introductory remarks by the curator and high-end cultural entrepreneur Hans Ulrich Obrist, as well as pics and comments on many of the readers. Although amazing, I have to admit the event has left me thoughtful…

Read more

Openned presents ‘basemeta’

In the basement of the Foundry, Old Street, London, from 18:30 to 23:30 on the 25th of March 2009, poets Becky Cremin and Ryan Ormonde documented the entire Openned poetry reading from before it started to well after it had finished. This reading was the eighteenth in the series. From this they produced a document called basemeta.

In some of the recordings of the 18th Openned night you can catch occasional glimpses of them or hear the gentle tap of typewriter keys as they produced the documentation.

basemeta was performed at the next Openned night and their performance of this document can be viewed here. However, the documentation also stands as a poem in its own right and is an excellent piece of work and is available here for free and will be permanently available from our Nights Documentation page.

Click HERE to link to blog entry for free downloadable pdf and links to visual material

Two more Matthew Welton dates

One at MMU with Jeremy Over and Richard Price

And one at Bolton Octagon with Paul Griffiths

With Jeremy Over and Richard Price

MMU and Carcanet invite you to the Manchester launch for
‘We needed coffee but…’
by Matthew Welton
&
Deceiving Wild Creatures
by Jeremy Over

Free entry

on Thursday 29th October at 6.30pm
in Lecture Theatre 6, Geoffrey Manton building

With Paul Griffiths

Monday 2 November 2009
8pm
Bolton Octagon
£4

Cleaves

Cleaves is a new journal collecting poetry from the United Kingdom and Europe. Each area will have an editor, who selects another editor after their issue is complete.

Areas and Editors identified so far include:

London – Sean Bonney
Brighton
Liverpool/Manchester – Richard Barrett
Midlands
North East
South-West (Bristol, Dartington & Plymouth)
Cork, Ireland – David Toms
Denmark, Poland and Turkey – Marcus Slease

If you would like to suggest/discuss an area or volunteer to be an editor, please go to http://cleavesjournal.wordpress.com/ and email poet and webmaster Harry Godwin using the link provided on the site.

Here is the guidance for editors that is posted on the website:

3 to 4 pages (this is not strict) of 3 poets (2 + your work, though you don’t have to include your work), from your local area and/or scene of poets.

You may create/commission your own cover of the issue for your area – all covers will be displayed online in a separate document. You may just choose to use the online cover. Anything goes.

Once you have edited your selection together send it to the webmaster (me for the time being: h j g o d w i n @ g m a i l . c o m).

When I have received all of the expected collections I will collate them and send them out to all editors.

You can print the journal any way you see fit – in booklet form (by using Adobe Reader – print as booklet, then you’ll have to print half of it, turn it over manually and print the other half – I have a good method of doing this, e-mail me for help), or as an A4 document or…

Distribute the journal – either through the associated reading series, or at any reading series you attend. You can charge for it to cover your printing costs and the cost may vary depending on how large it is. If there is any profiteering, I would love to see some.

Choose the next editor wisely, and ask them to e-mail or call me.

Thank you for donating your editing time to Cleaves!

if p then q Issue 4 now available

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if p then q issue 4 has finally arrived. To purchase go to THIS LINK

This is the last issue  of the magazine and  is packed full of all your favourites:

  • Caroline Bergvall – Cash for Questions and poem
  • Allen Fisher – 60 Second Interview and poems
  • Lucy Harvest Clarke – What’s in my Fridge and poems
  • Richard Makin – The Writer’s Room and poems
  • Joy as Tiresome Vandalism – Summer Sizzlers
  • Scott Thurston on Stuart Calton and Ira Lightman

    Also poems by:

  • Charles Bernstein
  • Philip Davenport
  • Ray DiPalma
  • Andrew Shelley

    Allen Fisher – Proposals (pdf Sample) – HIT THIS LINK

    Allen Fisher video version of 60 Second interview below

Journal of British and Irish Innovative Poetry launch events

There will be a series of launch events in
2009 for the Journal of British and Irish Innovative Poetry
(http://www.gylphi.co.uk/poetry).

The first of which will be a celebration of the journal occurring at Edge
Hill’s own celebration of its decade of poetics:

Edge Hill University
Education Building
8 October, 6.30 pm
(http://robertsheppard.blogspot.com/2009/09/going-public-autumn-2009.html)

The other two launch events will be standalone. There will be speeches and
discussion of the journal. As well as an opportunity for readers and
contributors to the journal to meet with editorial board members.

Birkbeck
University of London
Main Building (Room B29)
Malet Street WC1E 7HX
21 October, 7.30 pm
(http://www.bbk.ac.uk/maps)

University of Salford
9 December, 3 pm (tbc)
Featuring Christine Kennedy,
Allen Fisher and Ian Davidson
(http://www.salford.ac.uk/travel)

Via Anthony Levings, Managing Editor
Gylphi Limited, http://www.gylphi.co.uk

Into the Openned

We were recently interviewed by Oliver Fay for Resonance FM. The show is being broadcast on Tuesday 29th September at 11pm. You can stream the show online here at that time, or alternatively if you live in central London you can tune in to 104.4fm. We are working on archiving the recording too, so keep an eye out on the blog if you miss the show and want to listen to it.

if p then q calls for manuscripts

 

Duck-Rabbit_illusion1The imminent issue of if p then q magazine issue 4 will be the last so that I can concentrate on doing more full length collections. I am therefore encouraging more manuscripts to be sent. Please see the lowdown at www.ifpthenq.co.uk or more specifically at http://www.ifpthenq.co.uk/contact.html for what the house style is. Replies will be reasonably quick although there is no definite time proposed.

At the moment I only publish around two/three collections a year; so please bear that in mind but I’d love to see stuff.

 James

Google to reincarnate digital books as paperbacks

Millions more titles could be added to On Demand’s virtual inventory if Google gets federal court approval of a class-action settlement that would grant it the right to sell copyrighted books no longer being published. Google estimates it already has made digital copies of about 6 million out-of-print books.

The settlement terms includes a provision that could authorize republishing the books with a machine like the Espresso. Some of Google rivals and a long list of other critics are hoping to block the settlement, mainly because they believe it will give Google a monopoly on the digital rights to out-of-print books and make it too easy to track people’s reading preferences.

Read more HERE in the independent