The collaborative text and image project between James Davies and Simon Taylor – collectively Joy As Tiresome Vandalism – concludes with a poem by James. An edited version of Absolute Elsewhere will come out in free pdf format and possibly some other form later in the summer on if p then q. See the complete project here.
James Davies
Tom Jenks interviewed by 3 AM magazine
An indepth interview in 3 AM magazine conducted by Stephen Fowler. Excerpt below, link to article and extract from * Tom’s next collection which’ll be published in the next few months by if p then q
‘it quickly struck me how almost everybody was ploughing the same few acres. I became more and more interested in doing things in a different way. I started to experiment with form and with space, using the page as a canvas rather than simply a frame. I began to incorporate images and found text and moved beyond using the computer as a typewriter, exploring the potential information technology offers for the production of texts. I wouldn’t say that I had done any more than scratch the surface in this regard so far, but it is something I remain committed to.’
LINK to read more
LINK to extract from *
Preview of TOR April reader Ian Davidson
Bob Grumman reviews ntst
Bob Grumann reviews ntst.
Extract and link below:
I was feeling too lousy to post anything here for two or three days, and wouldn’t today, either, although I feel a lot better. However, today I got a copy of Geof Huth’s NTST, the subtitle of which is the collected pwoermds of geof huth. It’s perfect for a blog entry because I can quote whole poems from it quickly, and because I found some pwoermds I can be quickly insightful about.
Salford Concert series
*SCS 10 :: Ryu Hankil, T.H.F. Drenching, Ben Gwilliam.*
Tuesday 16th March 8.00pm
Islington Mill, James Street, Salford, M3 5HW
Entry: £5 on the door
More info at LINK
Philip Davenport
More from the April 2009 reading with this film of Philip Davenport.
Thanks to Ed Moore for filming and transferring this video.
Vodpod videos no longer available.
Click here to open the film in a bigger screen.
Lisa Samuels
More from The Other Room’s first birthday in April 2009 with this film of Lisa Samuels.
Thanks to Ed Moore for filming and transferring this video.
Vodpod videos no longer available.
Click here to open the film in a bigger screen.
The Small Press catalogue
Harry Godwin launches the Small Press Catalogue; a portal which provides easy access to experimental small presses. Nice one.
Tim Atkins
Tim Atkins reads at The Other Room’s first birthday, April 2009.
Thanks to Ed Moore for filming and transferring this video.
Vodpod videos no longer available.
Click here to open the film in a bigger screen.
British and Irish Journal 2 launch
In advance of the imminent publication of the Journal of British and Irish Innovative Poetry Volume 2, Number 1 (see http://www.gylphi.co.uk/poetry), a launch event will be held at University of Cork in association with SoundEye.
Featuring papers by Alex Davis, Sam Ladkin, Robert Sheppard and Scott Thurston.
Venue: University College Cork, O’Rahilly Building, Room 1.23, Cork City, Ireland, 16 March 2010, 6 pm – 7 pm.
Directions: http://www.ucc.ie/en/VisitorstoUCC/Transportmapsandparking/Maps/
Poster (PDF):
http://www.scribd.com/full/27468552?access_key=key-13fj15l8ams7kkokrdyo
Geof Huth’s ntst published
Geof Huth’s collected pwoemrds ntst has just been published by if p then q.
More Absolute Elsewhere
Absolute Elsewhere is a collaborative text and image project by James Davies and Simon Taylor – collectively known as Joy As Tiresome Vandalism. The latest instalment is online now. Click here to view the whole project.
Tom Jenks
Technical difficulties have dogged this film of Tom Jenks reading at the inaugaral Other Room in April 2008, but it is now ready for viewing.
Vodpod videos no longer available.
Click here to open the film in a bigger screen.
Simon Taylor’s responses to Scott Thurston’s Internal Rhyme
In 2007, in the space of two weeks, Simon Taylor responded to Scott Thurston’s Matchbox N0. 9, Internal Rhyme, shooting around 12 films. These were then edited down to 150 negatives which became 150 unique gifts in Matchbox No. 9. Matchbox No.9 was just a sample of the collection Internal Rhyme which will be available in 2011 from Shearsman. Other parts of the poem have been published over the last couple of years in various magazines. The links below are to:
Matchbox No.9, Scott Thurston’s Internal Rhyme poems (Poetry Library digital archive)
Off the Shelf
From Steve Willey
OFF THE SHELF
Monday 22 March 6 – 10:30 p.m.
OFF THE SHELF, is an event that involves musicians, poets, painters and film makers, it is structured around, and is in dialogue with, the Small Press and Little Magazine Collection at UCL.
Over the next two weeks I am going to try and put together a short Ten Minute Film about Writers Forum and AND Magazine which will be shown at this event.
I will be filming over an EIGHT-DAY period, from 3 – 10 March. I will be editing the film on the 11 March. I will be submitting the film on the 12 March for inclusion in the event on the 22 March. So a very tight turn around.
Please email me before the 3 march (swilley17[at]aol[dot]com) to let me know your availability between the 3-10 march (all the possible times you could be free) and i will endeavor to meet with as many people as I can within that time frame. To structure the film I propose to film short responses to the following topics (see below) from poets that have been involved/published in AND magazine and by Writers Forum.
I know that by working with such a short time frame the film will not be an authoritative or comprehensive record of the long and amazing projects that are Writers Forum Press and AND magazine but i hope the film will be a worthwhile document which will raise the profile of AND Magazine and Writers Forum Press and act as an introduction to these projects
Some Topics to Stimulate Conversation (not necessarily to be followed):
- How did you find out about AND Magazine and Writers Forum Press?
- What was the first poem that you ever had published in AND?
- What was the first work you had published by Writers Forum Press?
- If you only had 20 words how would you describe AND Magazine and/or Writers Forum Press.
- How has being involved with Writers Forum Press and/or AND Magazine effected your poetry, in aesthetic, political or social terms?
- To your mind, over the period you have been acquainted with AND Magazine, and/or Writers Forum Press, what were the most significant social, aesthetic and/or political changes, that have both effected AND Magazine and Writers Forum Press, and/or have been represented by And Magazine and the Press?
- What is the most important question that I should have asked that I haven’t and what is the answer?
- Can you now read a poem you like from either one of the And Magazines or from on of the Writers Forum Publications?
- How significant has the work of Bob Cobbing been to your practice as a poet?
PLEASE DISTRIBUTE THIS POST TO ANYONE CONNECTED TO WRITERS FORUM OR AND, WHO YOU THINK MIGHT WANT TO BE INCLUDED IN THE FILM.
I AM BASED IN LONDON BUT CAN DRIVE TO FILM YOU (and i am willing to travel). HOWEVER, IF YOU HAVE ACCESS TO YOUR OWN FILMING EQUIPMENT AND/OR LIVE ABROAD, PLEASE FEEL FREE TO FILM YOUR OWN RESPONSES TO THE ABOVE TOPICS AND SEND ME THE FOOTAGE IN HIGH RESOLUTION QUICK TIME FORMAT BEFORE THE 10TH OF MARCH. YOU CAN EMAIL ME or ask me FOR MY POSTAL ADDRESS ON THE EMAIL INCLUDED IN THIS POST.
ntst SAMPLER
if p then q‘s imminent next publication ntst by Geof Huth is at the printers. In the mean time here’s a sampler. I think you’d define it as a corker:
Matchbox Digital Archive
The poetry library has completed its digital archiving of Matchbox finishing with issues 7-12: Allen Fisher/Maja Fagerberg, Craig Dworkin, Scott Thurston/Simon Taylor, Chris McCabe, Matthew Welton, Tom Jenks
See all here – LINK
The Theory of the Avant-Garde
Notes from The Theory of the Avant Garde (1962) by Renato Poggioli. Mostly summaries of his ideas:
Avant-garde could simply mean new art
100% Marxists are anti the avant-garde
Marxists use term ‘bourgeois art’ rather than avant-garde to attack/negate the work
Term is ignored in English-American culture – no aggressive world wars
Term is Parisian and ingrained in French culture
The divorce of the two avant-gardes – political and aesthetic around 1880
Avant-garde is a new phenomenon
Avant garde movements spring out of enthusiasm
Avant-garde more interested in gestures than acts
Isn’t it traditional to want the new?
The avant-garde artist wants to be an individual in society but paradoxically wants society to change and take him in
The avant-garde acts and speaks like a child
The avant-garde is unpopular
Unpopularity thru non distribution
1) Package the avant-garde for a more populist audience
2) In pop culture the author is often ‘unknown’ to the public – see adverts/Youtube
Romanticism was more popular than avant-garde or classical art – cite fall of the aristocracy/rise of the working and middle classes
Voluntary and involuntary unpopularity
Romanticism direct link to avant-garde
Is there an avant-garde any more?
Romanticism was easily understood by the people as is Tate
N.B. romantic + avant-garde art are aristocratic movements existing in democratic times
Do nihilistic tendencies work deliberately against social relations?
The rush to become future movements
Fashion
There are two types of followers (audience) of the avant-garde
1) Those who accept it all
2) And those with an exclusive passion
The extreme left wants content and therefore denies the avant-garde
The followers of the avant-garde sees the joining of isolated individuals who come from different backgrounds – think Long Tail Theory
In a feeling of uselessness or estrangement here comes Americanisation. Term globalisation is misleading
The romantic artist resorts to self-mockery, hysteria & caricature
The artist wants material success in the age of capitalism. When he was in the court he was satisfied with creation.
The avant-garde is constantly conscious of writing its historical place
The avant-garde artist is always protesting socially tho not necessarily politically
Poggioli – “experimentalism aiming solely at novelty can end up sterile and false”
The avant-garde uses secret communication which even some of its followers don’t get.
Some of the pleasure is in not getting
I don’t get it
1) Sincere confession
2) Versus lament
Ignored not necessarily disliked
Avant-garde junk comes out the same as normal junk just with different labels and intentions
The labels and intentions are important – concrete versus abstract
Realism is a useless competition with no winners
Ours is an age of stylistic pluralism – watering down
The avant-garde’s analogies aren’t inverted
We now demand extreme liberty and extreme intensity of feeling
Holly Pester – The Other Room interview
Holly Pester interviewed by The Other Room, February 3rd 2010. Part of The Other Room interview series.
Vodpod videos no longer available.
Click here to open the film in a bigger screen.
Steven Waling – The Other Room interview
Steven Waling interviewed by The Other Room, February 3rd 2010. Part of The Other Room interview series.
Vodpod videos no longer available.
Click here to open the film in a bigger screen.
otherroom.org 