Sophie Mayer: A Preview

On December 9th 2015 The Other Room is very pleased to be hosting the launch of Out of Everywhere 2: Linguistically Innovative poetry by Women in North America & the UK. Hope to see you there. Flier in the middle column for more details.

Sophie Mayer is the co-editor of Catechism: Poems for Pussy Riot (English PEN, 2012, with Markie Burnhope and Sarah Crewe) and Glitter is a Gender (Contraband, 2014, with Sarah Crewe). She has published poetry collections with Shearsman, Salt, Oystercatcher, Knives Forks and Spoons, and – most recently – (O) with Arc and kaolin, or How Does a Girl Like You Get to be a Girl Like You with Lark. She is currently a full-time feminist film activist. @tr0ublemayer.

Christine Kennedy: A Preview

On December 9th 2015 The Other Room is very pleased to be hosting the launch of Out of Everywhere 2: Linguistically Innovative poetry by Women in North America & the UK. Hope to see you there. Flier in the middle column for more details.

Christine Kennedy is a Sheffield-based writer, artist and independent scholar who has published co-authored articles on women’s experimental poetry. Her own experimental poetry grew out of her fine art practice and has remained largely integral to it. Her poetry publications include ‘Hobby Horse: A Puppet Play for Cabaret Voltaire’ in Dadadollz (ISPress, 2010), Nineteen Nights in San Francisco (West House Books / The Cherry On The Top Press, 2007) and Possessions (The Cherry On The Top Press, 2003). The poetry sequence Twelve Entries from The Encyclopaedia of Natural Sexual Relations is published by The Cherry On The Top Press (2000/2003) including her short supporting essay. The White Lady’s Casket, her site-specific text installation for Bishops’ House and her supporting essay, are published in RSE 4packs No4: Renga + (Reality Street Editions, 2002). She is the co-author of Women’s Experimental Poetry in Britain 1970-2010: Body, Time and Locale (Liverpool University Press, 2013) which is the first full-length study of these poets. Readings of her work can be heard at http://www.archiveofthenow.org/authors/?i=49&f=1515#1515 and her studio blog is at https://warmstoragestudio.wordpress.com/

Patti Smith, Grayson Perry, Holly Pester, Anthony Horowitz on The Verb

Friday No 27th 2015 on BBC Radio 3 – The Verb, Patti Smith, Grayson Perry, Holly Pester, Anthony Horowitz

Where do you find the permission to be creative? The Verb aims to find out with Patti Smith, Grayson Perry, Anthony Horowitz and Holly Pester.

Patti Smith has just published her second volume of memoir ‘M Train’ (Bloomsbury), a book that follows Patti around New York as she writes, reads and drinks coffee.

Grayson Perry’s recent exhibition at the Turner Contemporary in Margate ‘Provincial Punk’ examined his interests in contemporary Britain from class and taste to war.

Anthony Horowitz has just published his second James Bond novel ‘Trigger Mortis’ (Orion). He explains where he gets the permission to take on another writer’s most famous character.

The poet and sound artist Holly Pester examines the phenomenon of ‘vocal fry’ in a special commission for The Verb.

LINK

Emily Critchley: A Preview

On December 9th 2015 The Other Room is very pleased to be hosting the launch of Out of Everywhere 2: Linguistically Innovative poetry by Women in North America & the UK. Hope to see you there. Flier in the middle column for more details.

Emily Critchley is the author of several poetry collections (with Arehouse, Bad press, Dusie, Oystercatcher, Torque, Holdfire, Corrupt and Intercapillary presses) and a selected writing: Love / All That / & OK (Penned in the Margins, 2011). She has also published critical articles – on poetry, philosophy and feminism – and is the editor of Out of Everywhere 2: linguistically innovative poetry by women in north America & the UK (Reality Street, 2015). Critchley is Senior Lecturer in English and Creative Writing at the University of Greenwich, and lives in London with her partner and daughter.

Here is Emily being interviewed at The Other Room a few years back


derek beaulieu: The Unbearable Contact with Poets

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if p then q is very pleased to announce a new publication of reviews, essays and interviews by poet derek beaulieu. The edition is available at a snip of £5 or as a free pdf edition.

The Unbearable Contact with Poets, derek beaulieu’s second selection of essays and reviews, is essential reading. A keen and shrewd essayist, he marks himself out as one of the key commentators on contemporary concrete and conceptual poetry. The selection includes a substantial review of concrete poetry by women, an exploration into concrete and conceptual poetic representations of the holocaust, alongside interviews with Tony Trehy, Natalie Simpson and Gregory Betts, as well as lots more. The edition is available as a free pdf and as a perfect bound copy.

derek beaulieu is author of eight books of poetry (including a volume of his selected poetry entitled Please, No More Poetry), four volumes of conceptual fiction (most recently the short fiction collection Local Colour: ghosts, variations), 2 collections of critical writing and over 175 chapbooks, derek beaulieu’s work is consistently praised as some of the most radical and challenging in contemporary Canadian writing.

LINK to book’s page

Elizabeth Jane Burnett: A Preview

On December 9th 2015 The Other Room is very pleased to be hosting the launch of Out of Everywhere 2: Linguistically Innovative poetry by Women in North America & the UK. Hope to see you there. Flier in the middle column for more details.

Elizabeth-Jane Burnett is a poet, critic and curator. Poetry includes: Her Body: The City, Exotic Birds and oh-zones and has been anthologised in Dear World And Everyone In It: New Poetry in the UK (Bloodaxe). Criticism has appeared in journals such as the Journal of British and Irish Innovative Poetry, Jacket, How2, Green Humanities. She has curated exhibitions with the Centre for Contemporary Art and the Natural World (CCANW) and is currently collaborating on a film on the poet John Clare. A collection on wild swimming and a monograph on the gift are forthcoming. She is Senior Lecturer in Creative Writing at Newman University in Birmingham.

http://www.elizabethjaneburnett.com/

Robert Creeley events at Double Change

double change vous invite à une série de lectures et à un concert au mois de novembre (annonces individuelles à suivre):

– le jeudi 12 novembre, hommage à Robert Creeley avec Jim Dine, Barbara Montefalcone et Martin Richet à l’atelier Michael Woolworth, 2 rue de la Roquette, cour Février, 75011 Parishttp://doublechange.org/2015/11/02/12-11-15-soiree-hommage-a-robert-creeley-avec-jim-dine-barbara-montefalcone-martin-richet/

– le vendredi 13 novembre, à l’invitation d’Etel Adnan, Vincent Broqua lira ses traductions d’Anne Waldman (Archives, pour un monde menacé, joca seria, 2014) à la Monnaie de Paris, 11 quai de Conti, 75006 Paris. Etel Adnan invite Pauline Behr, Sophie Bourel, Vincent Broqua,
Alicia Bustamante, Lionel Jung-Allegret, Hanna Schygulla à lire un/une poète de leur choix.

– le samedi 21 novembre, à 19h30, lecture de Jim Dine et Valérie Mrejen, galerie éof, 15 rue Saint Fiacre, 75002 Paris

– le dimanche 22 novembre, à 17h, performance concert de Jim Dine avec Marc Marder, galerie éof, 15 rue Saint Fiacre, 75002 Paris

Nemici: an Italian Enemies Project

Nemici : an Italian Enemies project
Saturday November 7th at the Rich Mix

Nemici: an Italian Enemies project at the Rich Mix www.theenemiesproject.com/nemici
November Saturday 7th – 8pm start – Free Entry http://www.richmix.org.uk/whats-on/event/the-enemies-project-nemici/ 35-47 Bethnal Green Rd, London. E16LA  02076137498

One of the most ambitious Enemies project events in London, Nemici: an Italian Enemies project will bring together Italian poets and artists from all over Europe, to work in collaboration, as pairs, with a series of British poets.

Each pair will produce original work for the night, in what should be a great testament to the dynamic potential of collaboration alongside the best of the rapidly evolving 21st century Italian literary tradition.

Covering lyrical poetry, avant-garde poetry, text art, performance art and video poetry, this evening will be exploration of the possibilities of poetry as well as what collaboration can bring. Please join us for an unforgettable night at the Rich Mix. Featuring:

Daniela Cascella & James Wilkes
Francesco Pedraglio & Paul Becker
Marco Fazzini & Douglas Reid Skinner
Francesca Serragnoli & Annabel Banks
Livia Franchini & Georgia Rodger
Roberto Minardi & John Goodby
Giovanna Coppola & Clover Peake
Andrea Inglese & Philip Terry
Davide Castiglione & Alex Houen
Christian Patracchini & Richard Skinner

Alessandro Burbank & SJ Fowler

www.theenemiesproject.com www.stevenjfowler.com

‘Not memory but a work’: Eric Mottram after 20 Years

More details of this event via Facebook

Thursday, November 19:

Visit to the Eric Mottram Archive at King’s College, London.
1.00 to 4.00.
(Details to follow)

7.30 Xing the Line: Poetry Reading @ The Apple Tree, 45 Mount Pleasant, London WC1x 0AE
Maggie O’Sullivan and Allen Fisher

Friday, November 20:
10.00 – 10.30: Registration
10.30-11.30: Keynote Lecture:
John Whiting: Recordings of Eric Mottram

11.45-1.00: Mottram and American Poetry
Gavin Selerie: Mottram and Charles Olson
Robert Hampson: Mottram and Ginsberg
Juha Virtanen: Mottram on poetry and performance

2.00- 3.30: Workshop: Eric Mottram’s Legal Poems
Led by Will Rowe

4.00-6.00: Mottram and British Poetry
Simon Smith: Interrogation Poems
Gareth Farmer: Mottram and Veronica Forest-Thomson
Geraldine Monk: King’s Reading

6.30-8.00: Poetry Reading
By participants in conference – and to include poems by Mottram
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Saturday, November 21:
10.00 – 10.30: Registration
10.30-11.30: Keynote Lecture:
Clive Bush: ‘Eric Mottram, Muriel Rukeyser and Juhasz’

11.45-12.45: Workshop: Elegy 30
Allen Fisher

1.45- 3.00 Mottram and American Studies
Peter Barry: Mottram as educator
Maggie Humm: Eric, Paul Goodman and Me: Eric as Supervisor
Dale Carter: Mottram and American Studies

3.15-4.15: Workshop: Shelter Island & the Remaining World
Ian Brinton

4.15-5.30: Mottram Miscellany
Frances Presley: Experimental poetry and feminism? Eric Mottram in London
Peterjon Skelt: “He has been a rover of the outer seas: paying attention with Eric Mottram”.
Steven Willey: Girlie Poems: Gender and Naming in the British Poetry Revival.

PhD opportunities at Salford

From The Other Room’s Scott Thurston…
Once again, as part of the North West Consortium of universities (NWC), the University of Salford is keen to receive proposals for PhDs in a variety of Arts and Humanities subjects. If your proposal is accepted then you may be eligible for funding. We are initially looking for expressions of interest accompanied by a draft proposal by 3rd December 2015. If viable you will be asked to submit a formal proposal to Salford by the 22nd January and, if accepted at this stage, you’ll be asked to submit a funding proposal to the NWC by 12 February
Because of the nature of this email list, I would like to let you know that I am particularly interested in receiving proposals for PhDs in Creative Writing, with a focus on innovative poetic practice. I work in the context of the English Language, Literature and Creative Practice research group, which is also keen to receive proposals for PhDs in Literature across a range of areas.
Please see the following link for more details:
More information will be available on the Salford website in due course. Michael Goddard is the official contact for the School of Arts and Media (m.goddard@salford.ac.uk) to discuss your proposal, but please also contact me directly at S.Thurston@salford.ac.uk if you have an idea that you wish to discuss.