Eiríkur Örn Norðdahl – a preview

Eiríkur Örn Norðdahl will be performing at our evening of poetry from Iceland on Wednesday 19th July at the Castle Hotel, Northern Quarter, Manchester. More details here.

Eiríkur Örn Norðdahl (1978) is an Icelandic poet and novelist. For his novel Illska (Evil, 2012) he was awarded The Icelandic Literary Prize and The Book Merchant’s Prize, as well as being nominated for the Nordic Council’s Literary Award. When it came out in France in 2015 it was shortlisted for the Prix Médicis Étranger, the Prix Meilleur Livre Étranger and received the Transfuge award for best nordic fiction 2015. In 2012 he was poet-in-residence at the Library of Water in Stykkishólmur, in 2013 he was chosen artist of the year in Ísafjörður and in 2014 he was writer-in-residence at Villa Martinson in Sweden. Since his debut in 2002 he has published six books of poems, most recently Hnefi eða vitstola orð (Fist or words bereft of sense, 2013), five novels and two collections of essays. Eiríkur is also active in sound and performance poetry, visual poetry, poetry film and various conceptual poetry projects. Eiríkur has translated over a dozen books into Icelandic, including a selection of Allen Ginsberg’s poetry and Jonathan Lethem’s Motherless Brooklyn (for which he received the Icelandic Translation Award), but most recently Ida Linde’s Maskinflickans Testamente. He lives in Ísafjörður, Iceland, a rock in the middle of the ocean, and spends much of his time in Västerås, Sweden, a town by a lake.

ENEMIES: THE SELECTED COLLABORATIONS OF SJ FOWLER

ENEMIES: THE SELECTED COLLABORATIONS OF SJ FOWLER
Toynbee Studios, London E1 6AB (Map)
Friday 25 October
7pm, Free
 Readings with Sam Riviere, David Berridge, Tim Atkins, Sarah Kelly, Eirikur Orn Norddahl and Tom Jenks. From the publisher:
“You are invited to join independent poetry publisher Penned in the Margins for the launch of SJ Fowler’s groundbreaking, multi-disciplinary collection Enemies; the result of collaborations with over thirty artists, photographers and writers – each imbued with the energy, innovation and generosity of spirit that has become Fowler’s calling card as a poet.
Meta-diary entries mingle with a partially redacted email exchange; texts slip and fragment, finding new contexts alongside paintings, diagrams and YouTube clips. Animalistic Rorschach blots and behind-the-scenes photographs from the Museum inspire a poetic that is dynamic but unstable: Fowler’s texts walk the high-wire between reason and madness, the individual and the collective, human and animal.
The Enemies are: Tim Atkins, David Berridge, Cristine Brache, Patrick Coyle, Emily Critchley, Lone Eriksen, Frédéric Forte, Tom Jenks, Samantha Johnson, Alexander Kell, David Kelly, Sarah Kelly, Anatol Knotek, Ilenia Madelaire, Chris McCabe, nick-e melville, Eiríkur Örn Norðdahl, Matteo X Patocchi, Claire Potter, Monika Rinck, Sam Riviere, Hannah Silva, Marcus Slease, Ross Sutherland, Ryan Van Winkle, Philip Venables, Sian Williams”
“An overwhelming assault. The geography is unnerving, almost familiar, then stinging in its estrangement.
Intensity crackles. Tension teases. At what point does collision become collaboration? When do the bandages come off?”
Iain Sinclair

The Language Moment

Opening salvo of this year’s essential Text Festival in Bury and elsewhere.

Featuring Eiríkur Örn Norðdahl, Maggie O’Sullivan, Phil Minton and Ben Gwilliam & Phil Davenport

@ The Green Room, Manchester

Friday 15 April 2011

In a pre-festival partnership event with the Green Room, Manchester, the Text Festival presents an evening of virtuoso vocal performance and groundbreaking sound art.

Eiríkur Örn Norðdahl is an Icelandic poet and author of three novels. He works with performance and sound-poetry, and regularly appears at poetry and music festivals, as well as dabbling in the dark arts of the concrete. In the recent years he has explored the possibilities inherent in the European and North-American avant-garde traditions, and focused on disassembling language into its visual, social and linguistic units. Nothing can prepare you for the power and dexterity of his performance, the sonically richness of his sound poems, and his amazing control of his material. His huge contortions twist his mouth to stun the audience.

Phil Minton is a dramatic baritone with a free-form style of “extended techniques” that are extremely unsettling. His vocals often include the sounds of retching, burping, screaming, and gasping, as well as childlike muttering, whining, crying and deep-throated drones; he also has an ability to distort his vocal cords to produce two notes at once. Phil Minton’s voice occupies a category apart, as joyously accessible as it is radical.

For over thirty years, Maggie O’Sullivan has been one of the leading figures of British innovative poetry. An international performer and visual artist, she is committed to excavating language in all its multiple voices and tongues, known and unknown, in visceral gestures that collage and pulverization at the service of a rhythmic vortex.

Phil Davenport & Ben Gwilliam are artists engaged in collaborative practice across different artforms: Davenportthe poet and Gwilliam the sound artist merge experimental language through the infrathin processing of the silence between sounds.

The event will also feature specially commissioned sound art interventions in various Green Room Spaces.

Curated by:

Tony Trehy

Commissioned by:

Green Room

Ticket Prices:

£9.50/£6.50

Venue:

Green Room

54-56 Whitworth St West

ManchesterM1 5WW
0161 615 0500

http://www.greenroomarts.org/