Thursday 23rd November 7:30pm
Launch of the second title from Edge Hill University Press
Atlantic Drift: An Anthology of Poetry and Poetics
TICKETS FREE, but booking required
7.00pm – Light Refreshments
7.30pm – Atlantic Drift Book Launch
Introduced by the books’ editors, Professor Robert Sheppard and Dr James Byrne
This reading will feature three poets from a new and groundbreaking publication of poetry and poetics and a brief Q&A.
Atlantic Drift publishes 24 poets from the UK, Ireland, USA and Canada in partnership with Arc Publications. This anthology seeks to highlight new and existing writing and to define/redefine the discussions between poets from both sides of ‘the pond’. By developing a dialogue between English-speaking traditions, Atlantic Drift will include some of the most exceptional poetry and poetics written in the 21st century.
A reminder about this event at Edge Hill on Wednesday 16th November, now with a flyer and more details.
11th March 7.30 at The Rose Theatre, the Arts Centre, Edge Hill University, Ormskirk; £4.50
A Poetry Event of Two Halves
A Quick Fire First Set of Poetry to Celebrate 25 Years of Creative Writing at Edge Hill
(All these poets are featured on Robert Sheppard’s blog. Go to for summary and links to all the poets
11th March ROSE READING Ian Seed
Ian Seed teaches Creative Writing at the University of Chester. He has lived and worked in different countries, including Italy, France and Poland. His poetry, prose poetry, fiction, reviews and translations have appeared in such journals as Blackbox Manifold, Free Verse, Flash: The International Short-Short Story Magazine, The North, PN Review, Poetry Salzburg Review, Poetry Wales, Shearsman, Stride and Tears in the Fence. Seed’s first full-length collection, Anonymous Intruder, was published by Shearsman in 2009. Shearsman have also published his collections Shifting Registers (2011) and Makers of Empty Dreams (2014).
Tuesday, 28th February 2012, 7:30pm
The Rose Theatre, Edge Hill University
Edge Hill’s Creative Writing Department present
An Evening with Canadian poet, Peter Jaeger, at the Rose Theatre.
Tickets £4.00 all
Peter Jaeger is a Canadian poet, literary critic and text-based artist now living in the UK. He is the author of five books of poetry, including Rapid Eye Movement (2009) and The Persons (2011). He has recently collaborated with the video artist Kaz to produce the film Nozomi, which was exhibited at the Bury Text Festival in 2011, and he is currently
working on a critical monograph on John Cage. Peter uses found texts to write through the words of others: those protagonists who have animated his imagination and left their traces in newspapers, emails, diaries, books (from literature to philosophy), and in all the countless ephemera with which the externalised inner drama of our lives plays out.
Peter Jaeger teaches poetry and literary theory at Roehampton University, in London. http://www.roehampton.ac.uk/staff/Peter-Jaeger/
His work includes the poetry collections Power Lawn (1999), Eckhart Cars (2004), and Prop (2007), as well as a critical study on contemporary poetics, entitled ABC of Reading TRG: Steve McCaffery, bpNichol, and the Toronto Research Group (2000). He currently divides his time between London and rural Somerset, where he lives with his family.
Recent book from Reality Street: Rapid Eye Movement follows a strict constraint: two bands of text run continuously throughout the book. The top band consists entirely of fragmented dream narratives recorded by historical and contemporary dreamers, while the lower band juxtaposes found material which includes the word “dream.” No two sentences taken from the same source follow each other. As an investigation of the sign “dream” across a number of social discourses, including literature, psychoanalysis, advertising, popular culture, song lyrics, philosophy and
religious literature, Rapid Eye Movement presents a record of our culture dreaming.
“Jaeger dreams of the day when forestry operations can use balloon-based, skidding devices that float above the treetops and winch trees out of the forest without damaging the woodland floor. Jaeger dreams up some interesting shots. Jaeger dreams of peace. His book of dreams is not too different from a hope chest. His dreams are getting better all the time.
His dreams are coming true.”
Members of the Edge Hill Poetry and Poetics Research group will be reading as a warm-up.
Poetry Reading 19th October 2011 at The Rose Theatre, Edge Hill University, Orsmkirk, Lancaster, 7.30: £4.
Tim Atkins is the author of Folklore 1-25 (Heart Hammer), To Repel Ghosts (Like Books), 25 Sonnets (The Figures), Oriental Tapping (Penguin), Horace (O Books), and Folklore (Salt). Another volume, Petrarch, is available from Barque Press. His work to ‘translate’ the whole of Petarch is one of the most exciting poetic projects of our time. He calls them ‘versions & perversions of the love poems of Petrarch’. He is editor of the online poetry journal onedit, Senior Lecturer in creative writing at the University of East London, a practising Buddhist, practising father, and is lousy at multi-tasking.
Via Scott Thurston:
Two Edge Hill University lecturers have published four books and two pamphlets of poetry between them in the last few months.
‘To celebrate this we will be launching them with two short readings, a Q and A and a chance to buy the books!’
Daniele Pantano and Robert Sheppard
Reading on Thursday 5th May 2011
at 5.30 in B005 (ground floor Business Centre, Edge Hill University, Ormskirk campus)
Senior Lecturer Daniele Pantano, who is Programme Leader for the BA Creative Writing, has published The Oldest Hands in the World, a new book of poems about exile, translingualism and writing one’s way home, as well as The Possible Is Monstrous, a collection of poems in English translation by Friedrich Dürrenmatt, who is seen not only as the most prominent Swiss novelist, playwright and essayist of the twentieth century but as one of the most influential authors of modern literature.
Both books are published by Black Lawrence Press/Dzanc Books, New York.
Professor Robert Sheppard, who is Programme Leader of the MA Creative Writing, has published a new book of poems, Berlin Bursts. Themes covered include the troubled history of Berlin, Riga and other places ravaged by history. There are poems about poems and a sequence about the doomed attempt to create a hologram poet. His critical book When Bad Times Made for Good Poetry is a history of alternative British poetry and deals with major figures like Iain Sinclair, Tom Raworth and Maggie O’Sullivan. Both books are published by Shearsman Books.
They both have pamphlets out from the enterprising local Knives Forks and Spoons Press–one of our Creative Writing students is currently serving as an intern there. Robert’s book, The Given, is an anti-autobiography, telling his life via events in his diary he cannot remember and others that he’d rather forget. Daniele’s book, Mass Graves (XIX-XXII), is an excerpt from a new collection of poems he’s currently writing that examines the lives, events and connections between an unknown Swiss poet and the savage murder of one of Egon Schiele’s young girls.
Daniele and Robert work together to teach Creative Writing within the English and History Department at Edge Hill.
Book details and links:
1. Robert Sheppard
Berlin Bursts (poems)
When Bad Times Made for Good Poetry (criticism)
The Given (anti-autobiography)
2. Daniele Pantano
The Oldest Hands in the World (Black Lawrence Press/Dzanc Books)
The Possible Is Monstrous: Selected Poems by Friedrich Dürrenmatt (Black Lawrence Press/Dzanc Books) both at:
Mass Graves (XIX-XXII) (The Knives, Forks and Spoons Press)