Charlie Sayzz

A twitter haiku poem made from Iraq/Afghanistan war reportage, intercut with quotes from cult leader Charles Manson, will tweet 1st Oct onwards from: https://twitter.com/CharlieSayzz

The poem draws comparisons between psychopathology and foreign policy.

“An American nightmare, with its condensation of Holy Spirit + Charles Manson + War + haiku (a Japanese form that could recall of course another war)… Another voice among the voices, a way to explore trauma… Poetry should do this.” (Steve Giasson)

Charlie Sayzz is constructed from incorrect 18-syllable haiku, to be transmitted one per day for the next year. The haiku is a much-abused and appropriated short (17-syllable) Japanese form, often meditative and peaceful. It is chosen here for its very in-appropriateness as a vehicle for war poetry. And yet under the placid surface, haiku surely is angry, because it is now such a colonised poetry. The extra syllable in these ‘bad’ haiku is to create dissonance (in old numerology, 9 is the number of aggression; 18 syllables = 1+8 = 9).

The poem was devised by Philip Davenport and co-written by him with Richard Barrett, Steve Giasson, Tom Jenks, Michael Leong, copland smith and Steve Waling.  Tom Jenks programmed the twitter feed and shaped many of the verses as visual poems.

This project is a parallel to Davenport’s novel Charlie Says (2013)

http://www.amazon.co.uk/Charlie-Says-ebook/dp/B00DDU1R6A

 

@tweetfromengels Manchester, UK

Snapshots in text of homeless lives. Engels wrote about the harshness of 19 Century Manchester; people today who live a comparable existence are the homeless.

This project with homeless people in Manchester, UK is run by arthur+martha arts organisation in partnership with the Text Festival. Other partners were The Big Issue in the North, The Red Door (Bury Housing Concern),
Brighter Futures, The Booth Centre, The Lowry, LOVE Creative, the BBC. Poets and writers who’ve been involved include Steve Giasson, Geof Huth, copland smith, Anna MacGowan. Editors Philip Davenport and Rebecca Guest. The resulting long poem will be tweeted over the coming weeks.

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