Hix Eros 3

Hix Eros Poetry Review’s third issue is live, here:

http://tinyurl.com/nggmzmn

Featuring reviews of Andrea Brady, Stephen Emmerson & Chris Stephenson, Jeff  Hilson, Coleen Hind & Pocahontas Mildew, Frances Kruk, MacGillivray,  Reitha Pattison, Sous les Pavés #3, Steve Roggenbuck and Samantha Walton.  Eds. Lindsay/Luna. Designed, typset and produced by Robbie Dawson. January 2014.

Dusie Magazine 16

Poetry and prose by Christina Chalmers, Frances Kruk, Samantha Walton, Kit Fryatt, David Kelly, Kent Johnson, Verity Spott, Jeff Hilson, Holly Pester, Juha Virtanen, Alice Notley, Nikola Blok, Nat Raha, Susana Gardner, Joshua Ware, David Toms, Steve Willey, Geraldine Bhoyroo, Sam Langer, Jeroen Nieuwland, Carol Watts, Sean Bonney, Lila Matsumoto, Ollie Evans, Louis Armand, Karen Veitch, Lisa Jeschke, David Grundy, and an extract from a novel by Ja el Wiltong, all HERE

Matvei Yankelevich Reading @ Birkbeck

Matvei Yankelevich Reading @ BBK (Monday 10 February 2014)

The CPRC Birkbeck welcomes Matvei Yankelevich

Monday 10 February 2014

7.30 pm, Room G01, School of Arts, Birkbeck College, 43 Gordon Square, London WC1H 0PD.

Click here for a map link

Matvei is a poet, translator of Russian poetry, and one of the founding editors of Ugly Duckling Presse (Brooklyn, NY). This is a great opportunity to hear him reading from his own work.

His books include Boris by the Sea (Octopus, 2009) and Alpha Donut (United Artists, 2012), and he have a book-length poem coming out with Black Square Editions later this year. He also translated Today I Wrote Nothing: The Selected Writings of Daniil Kharms (Overlook / Duckworth, 2007; paperback, 2009).

All welcome – free entry

Do check out the CPRC events page for details of this and other upcoming events at Birkbeck: http://www.bbk.ac.uk/cprc/events/

Otoliths 32

Southern summer 2014 issue, with work from Jennie Cole, Michael D. Goscinski, Howie Good, Kyle Hemmings,  Eric Hoffman, Raymond Farr, Jim Meirose, John M. Bennett, Craig Cotter, Philip Byron Oakes, Jack Galmitz, A. J. Huffman, Reed Altemus, Anne-Marie JEANJEAN, Paul Summers, Philip Terry & Tom Jenks, Miro Sandev, Lee Slonimsky, Joshua Comyn, Zachary Scott Hamilton., SS Prasad, Michael Berton, Marthe Reed, Nicola Griffin, Owen Bullock, John Martone, Louise Landes Levi, Kate Tough, Alex Stolis, Elizabeth Allen, Bobbi Lurie, Cecelia Chapman, Demosthenes Agrafiotis, Catherine Vidler, H. Mark Webster, Adam Fieled, Joel Chace, Carol Stetser, dan raphael, Corey Wakeling, Taylor Reid, Johannes Bjerg, Mariapia Fanna Roncoroni, sean burn, Felino A. Soriano, Leigh Herrick, John Pursch, Mark Cunningham, Tony Beyer, Vernon Frazer, J. D. Nelson, Richard Kostelanetz, Lakey Comess, Andrew Brenza, Jeff Harrison, Darrell Petska, Marc Thompson, Spencer Selby, Katrinka Moore, Michael Brandonisio, Eryk Wenziak & Amy Gentile, Branko Gulin, Bogdan Puslenghea, Caleb Puckett, Bob Heman, Marty Hiatt, Gene Flenady, Tim Wright, Collin Schuster, bruno neiva, Geraldine Burrowes, Dylan Kinnett, & Aditya Bahl.

Blue Bus – Sharon Morris, Burt Kimmelman and Jeremy Hilton

The Blue Bus is pleased to present a reading by Sharon Morris, Burt Kimmelman and Jeremy Hilton, on Wednesday 5th February, from 7.30 at The Lamb (in the upstairs room), 94 Lamb’s Conduit Street, London WC1. This is the eighty-fifth event in THE BLUE BUS series. Admissions: £5 / £3 (concessions). For future events in the series, please scroll down to the end of this message.

Jeremy Hilton is a poet, novelist, and composer of contemporary chamber music. He was born in 1945 near Manchester, and has degrees from Cambridge and Bangor Universities. He worked as a social worker for nearly 30 years. His poems have been published worldwide in magazines and anthologies since the 1960s, and he has published 12 collections with the alternative presses, including Shadow Engineering (Galloping Dog, 1991), Slipstream (Ripostes, 2003) and Lighting Up Time (Troubador, 2007). His first published novel, A Sound Like Angels Weeping, appeared from Brimstone Press in 2013. From 1995 – 2012 he published and edited the radical poetry magazine, Fire, which he co-founded with Chris Ozzard. His String Quartet no.1 was performed in concert in North London in March 2012.

Born in Brooklyn, New York, Burt Kimmelman has published eight collections of poetry: Gradually the World: New and Selected Poems, 1982-2013 (BlazeVOX, 2013), The Way We Live (Dos Madres Press, 2011), As If Free (Talisman House, Publishers, 2009), There Are Words (Dos Madres Press, 2007), Somehow (Marsh Hawk Press, 2005), The Pond at Cape May Point (Marsh Hawk Press, 2002), a collaboration with the painter Fred Caruso, First Life (Jensen/Daniels Publishing, 2000), and Musaics (Sputyen Duyvil Press, 1992).Kimmelman has also published a number of books of literary criticism, including The “Winter Mind”: William Bronk and American Letters (Fairleigh Dickinson University Press, 1998), and scores of essays on medieval, modern, or contemporary poetry. In the 1980s and 1990s he was senior editor of the now-defunct Poetry New York: A Journal of Poetry and Translation. Some interviews of Kimmelman are available online: with Tom Fink in Jacket (text), and with George Spencer at Poetry Thin Air (video). Kimmelman teaches literary and cultural studies at New Jersey Institute of Technology.

Born in west Wales, Sharon Morris is a poet and artist who trained at the Slade School of Fine Art, UCL, where she is currently head of the doctoral programme. Her recent artworks include film-poems, and performance readings with video projection. False Spring, her first collection was shortlisted for the Aldeburgh Jerwood Prize, 2007, and her second collection, Gospel Oak was published by Enitharmon Press in 2013.

The Dark Would: Flux magazine features

Flux magazine continues to explore The Dark Would. In on, in, and out – Artist’s text on text Art Richard Barrett, James Davies, Steve Giasson, Vanessa Place & Nick Thurston explore the work of Arthur and Martha, Fiona Banner, Rob Fitterman, Simon Patterson & Lawrence Weiner. You can read the articles HERE.

Two images from two noses of two bombers, each carrying a message that betrays the anxiety of the messenger. In Bollocks, the “unfeasibly large testicles” of one Buster Gonad prove a crippling load, engulfing the phallus that charged with discharging it. Bollocks, in other words, are a load of bunk. In Sperm, thirty missile silhouettes mark the plane’s partial payoff, denoting the fact that most seed simply spills.