Cemetery Romance

Czech artist, writer and dramatist Miloslav Vojtíšek was joined by a series of contemporary British poets for a unique literary tour of the magnificent Kensal Green Cemetery. S.d.Ch. who has worked for many years as a grave digger will explain the art of exhumation, while other artists including Emily Berry, Alex MacDonald, James Davies & Tom Jenks presented their work each next to the grave of a famous figure (William Thackeray, Isambard Brunel, Harold Pinter, JG Ballard), throughout the beautiful Gothic surroundings of one of London’s magnificent seven cemeteries. More at the Enemies site.

Lost avant gardes

Free public lectures (no booking required) to be held at Gulliver’s 109 Oldham Street, Northern Quarter, M4 1LW
7 pm, Monday 20th April

The British Experimental Novelists of the 1960s

Joseph Darlington

For all the excesses of 1960s alternative culture, the British literary scene of the period was surprisingly dismissive of experimental approaches. This talk aims at bringing to life the history of an avant garde movement which sought to revolutionise the novel form and was largely sidelined and ignored for its trouble. Individual authors, particularly B.S. Johnson and Ann Quin, are only now being recognised for their contributions to literature, and this will be the first lecture to engage with the group surrounding them as a whole. Based on four years of original archive-based research, a picture is now emerging of a group committed to tearing down Victorian traditions and constructing in their place a new set of fictional forms.

Mark Greenwood: A Preview

Lots of examples of Mark’s work are available on his website such as:

IS/THIS/HIS. a collaboration between Alastair MacLennan, Bean and Mark Greenwood. Three figures slowly unravel white wool for three hours. Inscription, testing of material, knots and the generation of trace configures an immediate and sustained public utterance.

greenwood

Mark will perform at The Other Room 7th birthday, 30th April.

For more details of the night see the poster in the middle column.

Word’s Work

27 April, 19:00–22:00.& Model, 19 East Parade, Leeds, LS1 2BH.

Five diverse writers from UK and Ireland are brought together to read and perform previously published essays, poetry and sound works on the top floor of &Model gallery in Leeds.
Published and artist-published books, zines and audio will be on display and for sale during the evening with readings and performances by

Amy Cutler (Leeds),
Stephen Emmerson (London),
Megan Nolan (Dublin),
Nat Raha (London) and
Nathan Walker (York).

Free Entry and Donations Bar.
Word’s Work is organised by Matt Cole, Chris Stephenson and Claire Potter.

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Amy Cutler is a writer, curator and post doctoral fellow at the University of Leeds where she researches environmental history, historical geography, and modern British poetry. Amy is also the co-founder of the award winning cultural film program PASSENGER FILMS. amycutler.wordpress.com

Stephen Emmerson’s current practice investigates, space, performance, and the placebo effect. His collections include: ‘A never ending poem…’ (Zimzalla) ‘Telegraphic Transcriptions’ (Dept Press / Stranger Press), ‘No Ideas but in Things’ (Dark Windows Press), ‘Stephen Emmerson’s Poetry Wholes’ (If P then Q), and ‘Letters to Verlaine (Deep White Sound). His work has been exhibited at Albion, The Dark Would, Visual Poetics at the South Bank Centre, Pharmacopoetics, Farringdon Factory, Illuminations, and Lorem Ipsum. stephenemmerson.wordpress.com

Megan Nolan is based in Dublin, where she has written poetry, stand up comedy, and freelance journalism. She is currently focused on creative non-fiction and the confessional essay. Megan recently participated in Morgan Quintance’s radio show ‘Studio Visit’ at the Irish Museum of Modern Art, due to be broadcast on Resonance FM this summer. megannolanwriting.tumblr.com

Nat Raha lives in South London. Her poetry includes countersonnets (Contraband Books, 2013) and Octet (Veer Books, 2010) and pamphlets including ‘radio / threat’ (sociopathetic distribution, 2014) and ‘mute exterior intimate’ (Oystercatcher Press, 2013). Her work has appeared in numerous journals, including Tripwire, Elderly, Materials and Cordite Poetry Review, and has performed her work internationally. She’s currently undertaking a PhD on Marxism, queer theory and contemporary poetry at the University of Sussex, UK. sociopatheticsemaphores.blogspot.co.uk

Nathan Walker is an artist, curator and writer. His work investigates writing and speaking in and as performance. Primarily working in the fields of performance and action art, Nathan’s works explores expanded concepts of writing, including durational writing and sound poetry. His work also extends into online projects that consider the event of performance in electronic poetry. Alongside artist Victoria Gray he is co-director of Oui Performance an artist-led organisation dedicated to research and presentation of performance art.
nathan-walker.co.uk

Shadowtrain 43

April-May 2015

Kate Ashton romps through slipping seasons; Tom Snarsky shakes a tattered image of himself; David Spittle remembers to leave the door open; Anne Gorrick is sleepless and heartbroken; Katherine Holmes meditates on window-wordless birds; Tim Allen finds a lost ticket for the stars; Sarah James drinks it with down with black medicine; Neil Fulwood admires a small, discreet tattoo; Patricia Farrell pushes to the absolute end; Ian Seed rifles through Tom Jenks’ Items. Board here.

UEA Poetry Festival now booking

The Inaugural UEA POETRY FESTIVAL

Starring

ANDREA BRADY
FRANCESCA LISETTE
REBECCA PERRY
SAM SOLOMON
JULIANA SPAHR
SAMANTHA WALTON
+ more tba

Friday 17 April: 18.00 till late (venue tbc.)
Saturday 18 April: 13.00 -23.00 (UEA Drama Studio)

Friday night: entrance free
Saturday: £10 waged, £5 unwaged

For more details, see UEA POETICS PROJECT:
https://www.uea.ac.uk/literature/research/research-centres-and-projects/poetics

Yesterday’s Music Today Crowdfunder

KFS is attempting to raise £600 in preorders for an anthology edited by the legendary Mike Ferguson & Rupert Loydell. The anthology will be about 150 pages long and will be in A5 or comic book format.  The recommended retail price will be at least £11, but those who order now will get the book for £10 (which includes postage and packaging). You can preorder yours here: http://www.crowdfunder.co.uk/yesterdays-music-todayan-anthology
We have also put together 5 money saving bundles that may be of interest:

Save £1+
£10 for a copy of the anthology, which will be approximately 150 pages and have an R.R.P. of at least £11.
Save £6
£20 for a copy of the anthology, and 3 mystery KFS pamphlets.
Save £8
£30 for a copy of the anthology, 3 mystery pamphlets, and one mystery KFS collection or anthology.
Save £10
£40 for a copy of the anthology, 3 mystery pamphlets, and two mystery KFS collections or anthologies.
Save between £11 and £46
£50 for a copy of the anthology, 3 mystery pamphlets, and 5 KFS books of your choosing.
Save between £31 and £136
£100 for a copy of the anthology, 3 mystery pamphlets, and 15 KFS books of your choosing.

ABOUT THE ANTHOLOGY
This anthology came out a shared enthusiasm for and addiction to music, along with a certain middle-aged nostalgia which emerged as the result of failing to be moved by so much of the music we have greedily devoured over the last few years, and thankfully being intensely moved by some. Music can excite, delight, goad, amuse or bore the listener – it also has the capacity to lodge itself in your brain and be heard in the imagination at the strangest times.This anthology is about that, about spiralling back into memories, about yesterday’s music today: music that has lodged itself in these poets’ hearts and souls, and which never fails to move them when recalled or listened to anew.

It has to be said, we didn’t get the work we expected when we sent out our call for submission. Whilst we share a taste for 70s rock and have differing individual tastes that lean more towards blues and west coast rock or free jazz and post-punk respectively, our contributors here are moved by different things. Squat bands, contemporary and romantic classical composers, singer songwriters, improvisers, glitch artistes and trad jazzers all get a mention here in this fascinating and engaging cornucopia which we hope will surprise you as much as it surprised us as the work arrived.– Mike Ferguson & Rupert Loydell.

THE ANTHOLOGY INCLUDES:
Roselle Angwin,Susan Birchenough,Elizabeth Burns,M.C. Caseley,Mike Ferguson,David HartPaul Hawkins,Sarah James,Norman Jope,Jimmy Juniper,David Kennedy,John Lees,Rupert M. Loydell,Stephen C. Middleton,Ester Muchawsky-Schnapper,Sheila E. Murphy,Mario Petrucci,Jay Ramsay,Robert Sheppard,and Angela Topping.

via Alec Newman

Kenneth Goldsmith’s: The Body of Michael Brown

Conceptual poet Kenneth Goldsmith’s attempt to reframe the Michael Brown autopsy report as poetry has caused an outcry on social media. The work, he said was “in the tradition” of his previous book Seven American Deaths and Disasters. “I took a publicly available document from an American tragedy that was witnessed first-hand (in this case by the doctor performing the autopsy) and simply read it. Like Seven American Deaths and Disasters, I did not editorialize; I simply read it without commentary or additional editorializing,” he wrote. “The document I read from is powerful. My reading of it was powerful. How could it be otherwise? Such is my long-standing practice of conceptual writing: like Seven American Deaths and Disasters, the document speaks for itself in ways that an interpretation cannot. It is a horrific American document, but then again it was a horrific American death.” More here.

Enemigos: a Mexican Enemies project

April Tues 14th : 7.30pm : Rich Mix Arts Centre: Main Space : Free Entry
in partnership with the British Council, the London Book Fair & Conaculta

New collaborations from Rocio Ceron & Holly Pester, Nell Leyshon & Carmen Buellosa, Adriana Diaz Enciso & Fabian Peake, and Amanda de la Garza & SJ Fowler. Also the launch of the long awaited Enemigos anthology.

Co-curated by SJ Fowler and Rocio Ceron. More here.

A Clockwork Orange: Re-typed

A Clockwork Orange: Re-typed
Monday, March 16th – Saturday, March 21st, 2015
Manchester Central Library
10.00 am – 4.00 pm | Free 

One typewriter. Six days. Two hundred and four pages. See Los-Angeles artist Tim Youd re-type Anthony Burgess’s A Clockwork Orange in full as part of his multi-year project to re-type one hundred 20th century classic novels. Exploring the ‘fetishisation of the lives and tools of authors’ Youd’s performance takes place on the same model typewriter it is believed Burgess used to type A Clockwork Orange. An accompanying exhibition, featuring Burgess’s typewriters and one of Tim’s earlier works (Hemingway’s A Farewell to Arms) is open to the public in the Reading Room. Find out more about Tim’s work at timyoud.com

“It’s all one enormous blancmange” – an interview with S J Fowler

“For me, poetry is about the human animal in wonderment about the very possibility of language at all. It should be about refracting and reflecting and mulching the endless and idiosyncratic world of language, its materials, its meaning and the expression of that which surround us all differently. The poet’s ‘gift’ is the skill, attention and uniqueness of this refraction.” SJ Fowler talks to Sabotage Reviews.

Brighton Noise Poets in The Wire

“A wave of outsider poets and musicians is threatening to breach the UK’s coastal defences with their DIY mixes of spoken word, broken noise and radical politics.”

There is an extensive profile of the Brighton scene in the latest print edition of The Wire magazine, featuring Keston Sutherland, Joe Luna and Verity Spott amongst others.