Openned presents ‘basemeta’

In the basement of the Foundry, Old Street, London, from 18:30 to 23:30 on the 25th of March 2009, poets Becky Cremin and Ryan Ormonde documented the entire Openned poetry reading from before it started to well after it had finished. This reading was the eighteenth in the series. From this they produced a document called basemeta.

In some of the recordings of the 18th Openned night you can catch occasional glimpses of them or hear the gentle tap of typewriter keys as they produced the documentation.

basemeta was performed at the next Openned night and their performance of this document can be viewed here. However, the documentation also stands as a poem in its own right and is an excellent piece of work and is available here for free and will be permanently available from our Nights Documentation page.

Click HERE to link to blog entry for free downloadable pdf and links to visual material

Two more Matthew Welton dates

One at MMU with Jeremy Over and Richard Price

And one at Bolton Octagon with Paul Griffiths

With Jeremy Over and Richard Price

MMU and Carcanet invite you to the Manchester launch for
‘We needed coffee but…’
by Matthew Welton
&
Deceiving Wild Creatures
by Jeremy Over

Free entry

on Thursday 29th October at 6.30pm
in Lecture Theatre 6, Geoffrey Manton building

With Paul Griffiths

Monday 2 November 2009
8pm
Bolton Octagon
£4

Cleaves

Cleaves is a new journal collecting poetry from the United Kingdom and Europe. Each area will have an editor, who selects another editor after their issue is complete.

Areas and Editors identified so far include:

London – Sean Bonney
Brighton
Liverpool/Manchester – Richard Barrett
Midlands
North East
South-West (Bristol, Dartington & Plymouth)
Cork, Ireland – David Toms
Denmark, Poland and Turkey – Marcus Slease

If you would like to suggest/discuss an area or volunteer to be an editor, please go to http://cleavesjournal.wordpress.com/ and email poet and webmaster Harry Godwin using the link provided on the site.

Here is the guidance for editors that is posted on the website:

3 to 4 pages (this is not strict) of 3 poets (2 + your work, though you don’t have to include your work), from your local area and/or scene of poets.

You may create/commission your own cover of the issue for your area – all covers will be displayed online in a separate document. You may just choose to use the online cover. Anything goes.

Once you have edited your selection together send it to the webmaster (me for the time being: h j g o d w i n @ g m a i l . c o m).

When I have received all of the expected collections I will collate them and send them out to all editors.

You can print the journal any way you see fit – in booklet form (by using Adobe Reader – print as booklet, then you’ll have to print half of it, turn it over manually and print the other half – I have a good method of doing this, e-mail me for help), or as an A4 document or…

Distribute the journal – either through the associated reading series, or at any reading series you attend. You can charge for it to cover your printing costs and the cost may vary depending on how large it is. If there is any profiteering, I would love to see some.

Choose the next editor wisely, and ask them to e-mail or call me.

Thank you for donating your editing time to Cleaves!

Knives, Forks and Spoons – relaunched

Alec Newman has picked up the torch from Richard Barrett and is now managing Knives, Forks and Spoons press. His publication schedule is as follows:

October 2009:

‘Earthworks’, poetry by Alec Newman and illustrations by Stacey Dunkinson. £5.00.
‘Londonstone’, a long poem by Alex Davies. £3.50.
‘Little Machines’, poetry by Simon Rennie. £5.00.
‘Captured Yes’, poetry by Steven Walling. Price to be confirmed.

Later in 2009:

‘North’, poetry by Matt Dalby, and graphic interpretations of sound waves by Stacey Dunkinson.
A collection of poetry by Scott Thurston.
Another one by Antony Rowland.
And a collection of art prints by Stacey Dunkinson.

More here.

Praxis Etudes – Justin Katko

“Justin Katko is nay one afraid to build multiple bunkers and is, well, quite luckily, one of the most threatening poets writing today. In arche and future and tender curve to present, the notion of persona does no righteousness of fire to Katko’s affectivity and nerved up prosodic methods. Reader of this, read this book and admire.”

Via Josh Stanley. More here.

Poetry Marathon

Get down to London if you can with short notice would be well worth it…

Park Nights
Poetry Marathon
Saturday and Sunday
17–18 October

Poetry Marathon is a two-day poetry event featuring performances from leading poets, writers, artists, philosophers, scholars and musicians. It is the fourth in the innovative series of Marathons staged in the Serpentine Gallery Pavilion each year, conceived by Serpentine Gallery Co-director Hans Ulrich Obrist. The first Marathon, Interview Marathon, 2006, involved interviews with leading figures in contemporary culture over 24-hours, conducted by Obrist and architect Rem Koolhaas. This was followed by Experiment Marathon, 2007, which included 50 experiments by speakers across arts and science, and Manifesto Marathon, 2008.

Participants include Vito Acconci, Etel Adnan, Caroline Bergvall, Kenneth Bostock, Nathan Cash Davidson, Jimmie Durham, Dominic Eichler, Gilbert & George, Olivier Garbay, Kenneth Goldsmith, Dominique Gonzalez-Foerster, Tim Griffin, Eugen Gomringer, Karl Holmqvist, Ranjit Hoskote, Nick Laird, Sean Landers, Maria Mirabal, Eileen Myles, Gerhard Rühm, Mladen Stilinovic, UbuWeb, Franz West and Cerith Wyn Evans

Tickets
£25/£20 (two day)
£15/£10 (one day)

Available from the Gallery Lobby Desk or
Ticketweb: 08444 77 1000
http://www.ticketweb.co.uk

http://www.serpentinegallery.org/2009/06/poetry_marathonsaturday_and_su.html

Via Caroline Bergvall

Jaime Birch – review of The Other Room 11

Thanks are due to Jaime Birch for reviewing last weeks reading with Michael Haslam and Craig Dworkin:

The 11th reading in The Other Room series was just super – one of my favourites, I think. Craig Dworkin, the first reader, couldn’t be with us in the flesh, and so he’d had himself recorded, reading three pieces of his work. We were shown this film of his during the first part of the evening via a projector. It was great. The video is posted on the site’s home page and, enjoyable as it is to watch on the computer, it was better on the night, on the big screen. We felt like Craig was with us somehow. We gave him a round of applause when he’d finished. If you weren’t there, you should have been. It was very cool and jazzy. It was, for me, all about wry, funky translations of existing texts. Craig said it was ‘conceptual’. It was good fun.

Michael Haslam read next and he too was really good. His poetry seemed more warm and humane than some of the more fragmented, ‘experimental’ stuff that you often find at The Other Room. His poems seemed to have clearer narratives and characters. And he read with gusto; a real celebration of the spoken and written word.

Before he started to read, Michael talked a little bit about how he didn’t really feel like an experimental poet – ‘It may not be clear why I should be (if I am) linked with avantgardists and experimenters. The answer is, historical accident, or, like finding a place to live—having found a loose net of congenial spiritual company, I see no good reason to forgo it.’ (quoted from the internet, not the reading). On the actual night of the reading he said something about all poems being an experiment. I agree with him – the term ‘experimental’ is problematic for me too.
I liked his style. I would’ve bought one of his books had I not been broke as a joke.

So yes, the evening was brill. You, yes You, must come to the next one. Oh yeah, one more thing – poetry readings can sometimes be quite intimidating to walk into on you own can’t they? (yes) Well not at The Other Room! – I’m a girl, from Bolton, and I went there by myself. I was warmly welcomed, to be sure. There were quite a few young ladies there actually; more than usual. Anyway – Come to the next reading and join in the fun, I expect it will be bob on.

if p then q Issue 4 now available

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if p then q issue 4 has finally arrived. To purchase go to THIS LINK

This is the last issue  of the magazine and  is packed full of all your favourites:

  • Caroline Bergvall – Cash for Questions and poem
  • Allen Fisher – 60 Second Interview and poems
  • Lucy Harvest Clarke – What’s in my Fridge and poems
  • Richard Makin – The Writer’s Room and poems
  • Joy as Tiresome Vandalism – Summer Sizzlers
  • Scott Thurston on Stuart Calton and Ira Lightman

    Also poems by:

  • Charles Bernstein
  • Philip Davenport
  • Ray DiPalma
  • Andrew Shelley

    Allen Fisher – Proposals (pdf Sample) – HIT THIS LINK

    Allen Fisher video version of 60 Second interview below

Streetcake issue 7

The latest issue of the always interesting Streetcake magazine is out now and ready to view, featuring:

  • David Barnett
  • David Berridge
  • Sean Burn
  • Adam Fish
  • Stuart Griffin
  • Heller Levinson
  • Wendy Muzlanova
  • Andrew Rihn
  • Milou Stella
  • Cathy Vella
  • Noel Williams
  • Grzegorz Wróblewski

plus Streetcake’s combo compostion. More here.