The Other Room 24 and 25

We are very pleased to announce a double set of events on 7th June (Leeds) and 8th June (Manchester) with Steve McCaffery and Karen Mac Cormack. The Leeds event will also feature Alan Halsey and Geraldine Monk. For the Leeds event we are working in partnership with the legendary Information as Material. A press release for that event can be read below. We will post some previews over the next few weeks of all our readers. Both events are free.

Legendary sound-poet returns to Yorkshire to perform, for one night only.

On 07 June 2011, Leeds Art Gallery will host a very special performance by Yorkshire-born Steve McCaffery, an acclaimed poet and writer in his own right, and a founding member of the legendary sound-poetry group The Four Horsemen. This will be the first time that McCaffery, who is now based in New York, has performed to a Yorkshire audience, despite the fact he grew up in Barnsley and lived in the region until he moved to Toronto, Canada in 1968. This is a unique opportunity to see an artist whose work and critical writing continues to inform artistic practice of all kinds.

McCaffery’s performance is part of an evening of readings by other remarkable writers, organised by The Other Room and Information as Material. The programme includes performances by Zambian born Karen Mac Cormack, a New York based poet who, like McCaffery, emerged as a key figure in Canadian poetry and is often associated with the Language Poets; and the Sheffield-based poets Alan Halsey and Geraldine Monk, both widely respected for their ongoing contribution to writing and publishing. All four performers are connected to one another by publishing collaborations that extend across the Atlantic, and demonstrate the international context in which writers across the North of England are working today.

This free event will take place at 6pm on 07 June 2011, in the Tiled Hall at Leeds Art Gallery. Booking for the event is advised. For more information about the event, and to book your place, please visit http://www.otherroom.org.

To arrange an interview, or request publicity images, please contact:
Simon Zimmerman
Telephone: 07834 070 040
Email: sz@roomman.co.uk

The Other Room is a programme of events organised by James Davies, Tom Jenks and Scott Thurston at The Old Abbey Inn in Manchester. The Other Room presents work by ‘experimental’ writers from all over the world. McCaffery and Mac Cormack will both perform at The Old Abbey Inn on 08 June 2011.

Information as Material is a York-based independent publishing imprint and was established by artist Simon Morris in 2002. It continues to publish and exhibit work by artists and writers who, as their website explains: “reuse existing material – selecting it and re-framing it to generate new meanings – and who, in doing so, disrupt the order of things.” Information as Material is currently undertaking a year-long residency at one of London’s leading visual arts galleries, The Whitechapel.

Steve McCaffery – holder of the David Gray Chair of Poetry and Letters at the State University of New York at Buffalo was born in Sheffield in 1947 and grew up in Barnsley before moving to Toronto in 1968, where he became a member of the legendary sound-poetry group The Four Horsemen.

Karen Mac Cormack was born in Zambia and holds dual Canadian and British citizenship. A key figure in Canadian poetry and a peer of the Language Poets, Mac Cormack’s ‘polybiography’ Implexures traces aspects of her English ancestry whilst opening up to the worlds of history and science.

Alan Halsey ran The Poetry Bookshop in Hay-on-Wye from 1979 to 1997. He continues to work as a specialist bookseller in Sheffield and co-edits West House Books with Geraldine Monk. Halsey produces text-graphics as well as poetry and has published collaborative works with both Mac Cormack and McCaffery.

Geraldine Monk was born in Blackburn and has lived in Sheffield since 1984. During the seventies she lived in Leeds where she came into contact with the poet and painter Jeff Nuttall who admired and encouraged her work. The Salt Companion to Geraldine Monk, edited by Scott Thurston and with a foreword by Nuttall was published in 2007.

The event is supported by Leeds Art Gallery and funded by Art Council England, as part of ‘In a word…’, a regional programme that aims to stimulate support for people who approach writing in new and interesting ways that both respond to and challenge convention.

The event will include the UK premiere of McCaffery’s Sound-text environment Carnival Panel III.

The Text Festival: Rainer Ganahl

Via Tony Trehy:

Guest curators Helen Kaplinsky & Maurice Carlin of Reading for Reading’s Sake bring New York based Rainer Ganahl to the Transport Museum. Ganahl, who represented Austria in the 1999 Venice Biennale, arrives on Wednesday though installation of his exhibition at the Bury Transport Museum starts on Monday. Ganahl has ambitious plans to create various works this week including two films. The show is called Engels…Engels…Engels and is an investigation through videos, assemblage, photos and prints of “The Condition of the Working Class in England” (1844).

As part of the project Ganahl will facilitate Engels seminars on the 18th (6:30-8:30pm), 19th (2-4pm) and 20th (6:30-8:30pm) May at Bury Transport Museum. No prior reading required but to book email kaplinskyhelen@yahoo.co.uk. The artist will also present a talk on Thurs 19th May 6pm at Islington Mill.

More here.

Stupefaction – Keston Sutherland

Stupefaction
A Radical Anatomy of Phantoms

Sutherland examines how speculative and satirical descriptions of stupidity function in art and in argument. His examples include Alexander Pope’s dunce, Adorno’s philistine, Wordsworth’s mechanical adopter of poetic diction, and phenomenologist Michel Henry’s drunkard who rides an escalator to nothingness. Sutherland also provides an important new account of the figure of the bourgeois in Marx and a powerfully original interpretation of commodity fetishism as a satire against bourgeois objectivity. This unusual analysis of the trope of the idiot will appeal to scholars of literature and philosophy alike.

Out now on The University of Chicago Press.

Fluxus reader

 A free pdf has been made available of essays edited by Ken Friedman:

Fluxus began in the 1950s as a loose, international community of artists, architects, composers and designers. By the 1960s, Fluxus has become a laboratory of ideas and an arena for artistic exprmentation in Europe, Asia and the United States. Described as ‘the most radical and experimental art movement of the 1960s’, Fluxus challenged conventional thinking on art and culture for over four decades. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. Despite this influence, the scope and scale of this unique phenomenon have made it difficult to explain Fluxus in normative historical and critical terms. The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group. The Fluxus Reader is written by leading scholars and experts from Europe and the United States.

LINK

Writing (the) Space

Wild Pansy Press Project Space
4 May – 19 May 2011 (Mon-Fri 9-6)
Old Mining Building, University of Leeds, Woodhouse Lane, Leeds LS2 9JT

‘If I hammer, if I recall in, and keep calling in, the breath, the breathing as distinguished from the hearing, it is for cause, it is to insist upon a part that breath plays in verse which has not (due, I think, to the smothering of the power of the line by too set a concept of foot) has not been sufficiently observed or practiced, but which has to be if verse is to advance to its proper force and place in the day, now, and ahead. I take it that PROJECTIVE VERSE teaches, is, this lesson, that that verse will only do in which a poet manages to register both the acquisitions of his ear and the pressure of his breath.’ Extract, Projective Verse, 1950.

Charles Olson’s Projective Verse invites writing to be considered spatially, as OPEN, or as FIELD (of) composition in three dimensions. His proposition is one of text as space of action, of breath as punctuation, and of the bodily pressures of writing in which ‘form is never more than an extension of content’.

WRITING (the) SPACE presses down on and around this unique poetics of writing in contemporary performance related practice – in particular, the possibilities of performance writing in spatial and physical terms. WRITING (the) SPACE is conceived as a period of action research within the Wild Pansy Press Project Space

For WRITING (the) SPACE, Rachel Lois Clapham and Emma Cocker present a new iteration of their ongoing collaborative project Re –, which essays the relationship between performance/document, live/recording, writing/written through the collision of spoken, textual and gestural languages. This iteration of the project addresses the emergent grammar of Re-, exploring the spatial and physical possibilities of writing. Extracted fragments from earlier conversations rub against mute utterances of a finger diagramming, nails pink; a spoken text of dislocated phrases; partial scores awaiting activation; punctuation, the space of breath. Re– (WRITING (the) SPACE) is open to the public from 4 – 19 May, 9-6pm Mon-Fri.

WRITING (the) SPACE Event, 19 May 09.30am – 8pm

Drawing together the practices of diverse artists and writers, this day-long event attempts to further explore notions of physical and spatial writing, drawing on the installation Re – (WRITING (the) SPACE) and Olson’s notion of Projective Verse.

09.30-6pm: > OPEN > < OLSON > < OPEN <.
A laboratory exploring practice based examples of Olson’s OPEN text. Presenting: David Berridge, Rachel Lois Clapham, Emma Cocker, Victoria Gray, Claire Hind and Mary Paterson. Audience space is limited so booking is essential, please email rachellois@opendialogues.com.

6-8pm : How is Art Writing?
Dinner, drink, conversation and live performance by Giles Bailey on the last day of the exhibition as part of the In a word…artists’ dinner series. All welcome but booking essential, click on In a word… to book online.

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WRITING (the) SPACE is developed by Rachel Lois Clapham (Open Dialogues) in partnership with New Work Yorkshire and supported by In a word…

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In a word… is a research programme profiling an ecology of radical writing practice in, around and from Yorkshire. http://writingencounters.squarespace.com/in-a-word/

Open Dialogues is a UK collaboration, founded by Rachel Lois Clapham and Mary Paterson, that produces writing on and as performance. http://www.opendialogues.com

New Work Yorkshire is a proactive, engaged and mutually supportive collection of individuals who aim to develop a vibrant and diverse New Work sector in Yorkshire.

Wild Pansy Press is an art collective, a small publishing outfit affiliated with Leeds University Fine Art and a public venue for experimental works which use the practices of reading, writing and publication as their medium and/or content. wildpansypress.com

Alec Finlay: 4 new events


skying : art, landscape and renewable energy
Alec Finlay in Conversation with Malcolm Fraser and Owain Jones

Alec’s Leverhulme residency at Northumbria University is now underway. The focus of the residency is the contested identity of the windmill turbine in the contemporary landscape. To mark the occasion, he will be joined by award winning Scottish architect Malcolm Fraser and cultural geographer Owain Jones, to discuss the various identities – political, social, aesthetic, ecological, architectural – of the turbine in contemporary society and culture.

Venue: Gallery North, Squires Building, Sandyford Road, Northumbria University, Newcastle upon Tyne, NE1 8ST.

Time: Friday 20th May 2011 3.00 – 5.00 pm

To print-off an invitation, which includes a map:
<http://dl.dropbox.com/u/1599958/Skying%20conversation%20invite%5B1%5D.pdf>


The Road North : A matsuri Festival
This Sunday at The Hidden Gardens, Glasgow

This Sunday, join Alec and fellow poet Ken Cockburn for a matsuri festival at the Hidden Gardens, Glasgow. For the past year Alec and Ken have been travelling through Scotland, guided by the Japanese poet Basho, whose Oku no Hosomichi (Narrow Road to the Deep North) is one of the masterpieces of travel literature. On 15 May their year-long journey will come to an end, and to celebrate they have invited some of those they met along the way to join them for an informal afternoon in the gardens. At 3pm, alongside performances by Gaelic singer Margaret Bennett, poets including Gerry Loose, Larry Butler and Colin Will, will read 100 haiku: heard together, the poems form a word-map of contemporary Scotland.


Venue: The Hidden Gardens, 25 Albert Drive, Glasgow G41 2PE.
<http://www.thehiddengardens.org.uk/flash_content/flash_content.html>

Time: 12pm – 6pm; Reading and songs at 3pm

Print-off an Invitation:
<http://dl.dropbox.com/u/1599958/Matsuri%20Public%20Invite.pdf>

The Road North:
<http://theroadnorth.co.uk/>

Modern Empire : La Scatola Gallery, London
Featuring a new paper-work by Alec

This is Modern Empire’s first public exhibition, at La Scatola; it includes original drawings, paintings, collage, photography, and sculpture, and will feature Alec’s new paper-work word-mntn (1000 Munro, Corbett and Marilyn), alongside Specimen Colony, his 2008 collaboration with Jo Salter. Other featured artists include Vicki Bennett, Charlotte Bracegirdle and Sandy Grant. The Exhibition Runs 24.05.2011 – 04.06.2011. Private View Tuesday 24.05.2011 – from 6 to 9PM

To print-off an invitation:
<http://dl.dropbox.com/u/1599958/Modern%20Empire%20Press%20Release.pdf>

Modern Empire:
<http://www.modernempire.co.uk>

re:place Symposium : ‘Curating the Rural’
Reading from White Peak | Dark Peak by Alec Finlay and David Troupes

In 2009, re:place commissioned white peak | dark peak, for which Alec and a team of fellow poets such as Linda France, Geraldine Monk and Alan Halsey mapped the Peak District National Park, using a combination of walking, letterboxing, renga ‘word-maps’ and field-recordings.

The re:place symposium will explore how contemporary art practice can interrogate, illuminate and reshape the ideas of Derbyshire and of the rural; Alec will read from white peak | dark peak, the book cataloguing his project and containing additional commentary and poems. You can find white peak | dark peak on our Amazon store: <http://www.amazon.co.uk/gp/shops/storefront/index.html?ie=UTF8&marketplaceID=A1F83G8C2ARO7P&sellerID=A2K5GHRHWY9FJE>

Venue:
Gothic warehouse, cromford, Derbyshire

Time: Fri 27 May, 11am – 4pm

To reserve a place email <info@re-place.co.uk>

white peak | dark peak website:
<http://www.whitepeak-darkpeak.co.uk/>

A Map of You

Homeless people in Manchester are writing themselves into the public eye, creating ‘customised’ tourist postcards of Manchester, in collaboration with arts organisation arthur+martha. The postcards are currently exhibited in Bury Transport Museum as part of Bury Text Festival and can also be viewed at BBC Online website. Poems from the project will be shown on the BBC Big Screen in Manchester city centre and tweeted by advertising company LOVE.

a map of you postcards carry tiny stories, little snatches of homeless people’s lives. In the white space between the buildings, the stories appear, some stencilled, some handwritten, some self-explanatory, funny, dour, elusive. The cards are designed to bring attention to a group in society who are often overlooked, but have much to offer.

L, a homeless person in Bury, said: ‘People who suffer have knowledge.’ The skin of these writers is thin; through it they feel the world intensely and report with great vividness.  

The arthur+martha experimental arts organization works with people who are often pushed to the margins of society – older people in hospital, excluded school pupils, children with special needs and many others. The Bury Text Festival pioneers unusual and radical use of language – in this case, helping homeless people find opportunities for self-expression. International poets Geof Huth (USA) Steve Gaisson and Derek Beaulieu (both from Canada) are involved in the project, leading sessions as guest artists and helping to edit work. 

a map of you has been supported by Arts Council England, Bury MBC and The Lowry – and is working in partnership with The Big Issue in the North, The Red Door Housing Concern Centre, Brighter Futures at Bury Adult Learning Service, The Booth Centre and LOVE Creative.

 

Notes for Editors

A slideshow featuring a map of you is at BBC online:  http://www.bbc.co.uk/news/uk-england-manchester-13281902

A BBC Radio Manchester feature can be listened to at http://www.arthur-and-martha.co.uk/pages/a%20map%20of%20you.htm The a map of you postcards are exhibited as part of the Bury Text Festival at Bury Transport Museum until 26 May 2011.

To read more about the project please visit http://arthur-and-martha.blogspot.com/search/label/a%20map%20of%20you

For more information and to obtain free copies of limited edition concertina postcard packs of a map of you- contact project organiser Philip Davenport on 07951 233953 / philipjohndavenport@hotmail.com

Maintenant #60: Luljeta Lleshanaku

It is hard to make a case against Luljeta Lleshanaku being the greatest Albanian poet of the modern era. Such is the measure of her work, and her repute across Europe and America. Her poetry reflects her marked humility and reverence for the written word, utterly unique and yet universal in a way that belies the overuse of that concept. Though a child of political exile and marginalization, let alone physical danger, her work remains dignified and singular, and nor does she allow her poetry to be dominated by the issues of her nation, of it’s politics and history. She is a voice that would be recognized as truly poetic in any language, in any setting and this perhaps her most remarkable achievement. A winner of the International Kristal Vilenica prize (following the likes of Peter Handke, Zbigniew Herbert & Milan Kundera) it is wonderful to announce her first work published in the UK will be released this September with Bloodaxe Books, already a Poetry Book Society Recommended Translation, and she will be attending this year’s Aldeburgh poetry festival in November . It is honour to introduce the 60th edition of Maintenant, a pioneer of Balkan poetry and a rightfully major figure in the current European poetry landscape.

http://www.3ammagazine.com/3am/maintenant-60-luljeta-lleshanaku/

Accompanying the interview are eight of Luljeta’s poems, translated by Ani Gjika.

http://www.3ammagazine.com/3am/eight-poems-luljeta-lleshanaku/

Anything Anymore Anywhere 3

Action packed third issue starring:

Francis Crot, nick-e melville, Justin Katko, Posie Rider, Jacq Kelly, Iain Morrison, jim ferguson, Tony Leuzzi, Michael Farrell, Richard Barrett, J L Williams, S J Fowler, RODNEY RELAX, Rosa van Hensbergen, Thomas Moore, Pete McConville, Richie McCaffery and Greg Thomas

£4

LINK

Surrey Poetry Festival

Saturday, May 21 · 11:00am – 8:00pm

Location The Angel Posting House & Livery
91, High Street
Guildford, Surrey, GU1 3DP

More Info Google Map: http://tinyurl.com/6jbqywr

SURREY POETRY FESTIVAL
hosted by the University of Surrey

A day of modern and contemporary poetry, featuring readings, talks, and installations by:

Sophie Robinson
Tim Atkins
Peter Gizzi
Jeremy Noel-Tod
Emily Critchley
Robert Hampson
Jonty Tiplady
Justin Katko
Elizabeth Guthrie
Holly Pester
Edmund Hardy
Joe Luna
Nat Raha
Jennifer Cooke
Sarah Kelly
David Ashford
Nick Spicer
Amy De’Ath

£6 / £4 concessions
refreshments and lunch served

The University of Surrey is located in Guildford, a 35-minute train ride from London Waterloo station.

Organised by Amy De’Ath, University of Surrey Poet in Residence
For more details please email a.de’ath@surrey.ac.uk

Maintenant #59: Gabriele Labanauskaite

It appears self-evident that poetry is remarkably pliant, elastic and apt for innovation. As a sonic artform, poetry, in it‘s truest sense, grows as each individual practitioner allows themselves to explore their own culture, and so from certain artists there arrives unique and memorable experiments within the medium. For the Lithuanian poetry scene, it is Gabriele Labanauskaite who leads the way. Assured, intelligent and engaging, her sonic art is poetry, song & performance. Though a versatile poet, playwright & singer, she is renowned for her fusion of spoken poetry, music and sound, often as part of the collective AVaspo. Her work is explosive as well as satirical, wise as well as energetic and she embraces technological innovation while absorbing a myriad of aesthetics. She is the final poet representing the Maintenant Lithuania events held in London during April 2011 and we are delighted to welcome her as our 59th interviewee and poet.
http://www.3ammagazine.com/3am/maintenant-59-gabriele-labanauskaite/<

Accompanying the interview are ten of Gabriele’s poems, translated Translated by Ada Valaitis and Kenneth Smallwood.

http://www.3ammagazine.com/3am/ten-poems-gabriele-labanauskaite/


{Maintenant Slovakia in association with Literature across Frontiers & Arc Publications}June Saturday 18th 2011 – 7pm – Entrance Free – The Rich Mix arts centre. LondonSlovak poets Ivan ��trpka and Mila Haugova will be joined by a half dozen London-based poets to celebrate the sixth event in the Maintenant series held at the Rich Mix arts centre in London’s Brick Lane. As ever, the Maintenant series will advocate a diverse selection of poetic methodologies, ages & nationalities – collecting together some of the most interesting poets Europe has to offer. Further details to follow…

Crater Spring Event

Monday, May 16 · 7:30pm – 10:30pm

Location The Old Red Lion Pub, Kennington

This is the latest Crater seasonal event – Ken Edwards, Gareth Farmer, Gregorio Fontaine, Rob Holloway and Joseph Luna will showcase their wares in a free and easy poetry enviro. Turn right outside Kennington tube, it’s 100yds on your left. No charge, no dress code.

James Davies’ Plants reviewed

Much of Davies’ work occupies a place between poetry and conceptual art. His poetry is shot through with references to the work of artists as wide ranging as Franz Kline, Vija Celmins and Thomas Fehlmann. Lines such as “next we masticated to Jeff Koons’ record collection”. Formally, his work responds in different ways to that of these artists. His chilly, wet and monotonous poem ‘The Weather’, made up of four identical tercets describing the weather, each tercet ending in the line “I wonder what it will do tomorrow” seems to be a response to the centreless, representational graphite Sea and sky drawings by Celmins.

Colin Herd reviews James Davies at 3am Magazine.

Robert Sheppard and Daniele Pantano

Via Scott Thurston:

Two Edge Hill University lecturers have published four books and two pamphlets of poetry between them in the last few months.

‘To celebrate this we will be launching them with two short readings, a Q and A and a chance to buy the books!’

Daniele Pantano and Robert Sheppard

Reading on Thursday 5th May 2011

at 5.30 in B005 (ground floor Business Centre, Edge Hill University, Ormskirk campus)

Senior Lecturer Daniele Pantano, who is Programme Leader for the BA Creative Writing, has published The Oldest Hands in the World, a new book of poems about exile, translingualism and writing one’s way home, as well as The Possible Is Monstrous, a collection of poems in English translation by Friedrich Dürrenmatt, who is seen not only as the most prominent Swiss novelist, playwright and essayist of the twentieth century but as one of the most influential authors of modern literature.

Both books are published by Black Lawrence Press/Dzanc Books, New York.

Professor Robert Sheppard, who is Programme Leader of the MA Creative Writing, has published a new book of poems, Berlin Bursts. Themes covered include the troubled history of Berlin, Riga and other places ravaged by history. There are poems about poems and a sequence about the doomed attempt to create a hologram poet. His critical book When Bad Times Made for Good Poetry is a history of alternative British poetry and deals with major figures like Iain Sinclair, Tom Raworth and Maggie O’Sullivan. Both books are published by Shearsman Books.

They both have pamphlets out from the enterprising local Knives Forks and Spoons Press–one of our Creative Writing students is currently serving as an intern there. Robert’s book, The Given, is an anti-autobiography, telling his life via events in his diary he cannot remember and others that he’d rather forget. Daniele’s book, Mass Graves (XIX-XXII), is an excerpt from a new collection of poems he’s currently writing that examines the lives, events and connections between an unknown Swiss poet and the savage murder of one of Egon Schiele’s young girls.

Daniele and Robert work together to teach Creative Writing within the English and History Department at Edge Hill.

Book details and links:

1.    Robert Sheppard

Berlin Bursts (poems)

http://www.shearsman.com/pages/books/catalog/2011/sheppardBB.html

When Bad Times Made for Good Poetry (criticism)

http://www.shearsman.com/pages/books/catalog/2011/sheppardWBT.html

The Given (anti-autobiography)

www.knivesforksandspoonspress.co.uk

2.    Daniele Pantano

The Oldest Hands in the World  (Black Lawrence Press/Dzanc Books)

The Possible Is Monstrous: Selected Poems by Friedrich Dürrenmatt (Black Lawrence Press/Dzanc Books) both at:

www.blacklawrence.com/pantano.html

Mass Graves (XIX-XXII) (The Knives, Forks and Spoons Press)

www.knivesforksandspoonspress.co.uk

Hi Zero

Via Joe Luna:

Hi Zero 3 now on sale in super-limited stock (i.e. about 20 copies left). Slim but sleek and fine, with poems from Harry Gilonis (after Mayakovsky), John Wilkinson, Ed Luker, Jennifer Cooke, Sarah Kelly, Laura Kilbride, Edmund Hardy & Joe Luna. =A33.30 inland UK all told, probs a lil more outside. E-mail hizeroreadings@gmail.com to order yours.

Next Hi Zero on Tuesday 24th May, radically fulsome details coming soon, but it WILL feature: Edmund Hardy, Helen Macdonald AND Sophie Robinson.

Thanks for watching!