Saturday, April 23 · 12:00pm – 6:00pm
Location 122 Birley Street, Newton-le-Willows, Merseyside,WA12 9UN
Readings by over 20 Knives Forks and Spoons poets
All Welcome
Saturday, April 23 · 12:00pm – 6:00pm
Location 122 Birley Street, Newton-le-Willows, Merseyside,WA12 9UN
Readings by over 20 Knives Forks and Spoons poets
All Welcome
Derek Henderson will be live streaming from Utah to the Other Room on 6th April at 7.30 UK time and 12.30 Utah time. For other places in the world check conversion times from the UK time. This reading will feature a number of his sonnets from Thus &: An Erasure of Ted Berrigan’s the Sonnets published by if p then q
This is the link for anyone who can’t make it but would like to watch.
Marc Dachy, Director of the DADA Archive in Paris will talk about Kurt Schwitters and DADA. Though it only lasted a decade from 1915, the outpourings of Dada – art, collages, plays – remain the stuff of the avant-garde, from Schwitters’s sound poems to Duchamp’s urinal. Marc Dachy will re-trace the events that lead to Schwitters departure from the movement and then focus on what might distinguish between a DADA and MERZ attitude in art. Followed by a panel discussion
FREE
8th April, International Burgess Centre (as part of Merzman ongoing exhibitions and events)
LINK
Preview of The Other Room 3rd birthday, April 6th reader Derek Henderson. Derek Henderson will be reading from Salt Lake City via live stream. Next week of course is The Other Room.
Poems
THUS & (new if p then q title)</a>
Analysis
Tom Jenks and others are performing at this exciting looking event. Follow the link to book tickets.
Manchester Literature Festival is delighted to be working with the Hamilton Project and Bury Text Festival on Station Stories – a unique site specific live literature promenade event using digital technology and live improvised electronic sound. From platform to platform, café to café and shop to shop, six writers (Jenn Ashworth, Tom Fletcher, David Gaffney, Tom Jenks, Nicholas Royle and Peter Wild) take you on a creative trip of Piccadilly station and read specially commissioned stories inspired by the station and the people who use it and work there.
Audiences are linked to the writers’ microphones by headsets using wireless technology, ensuring they hear every single word, whilst still experiencing the live ambience of the location. Take a journey into this marginal, in-between world, where anything can happen and often does.
Thursday 19th May – Saturday 21st May 2011 (performances at 12noon, 3pm and 7pm)
Manchester Piccadilly Train Station
Tickets £11 book on:
The rescheduled first meeting of Writers Forum Workshop (North) will now be taking place at MadLab in Manchester on Saturday April 9 from 14:00. Everyone who wants to read and/or discuss their work will have the opportunity to do so.
Writer’s Forum North first workshop on 5th March has unfortunately been postponed. Likely to be rescheduled in early April.
CALL FOR PAPERS
The University of Edinburgh supported by The Roberts Fund
and in collaboration with the Scottish Poetry Library
ConVersify: Poetry, Politics and Form 10-11th September 2011
[conversifyconference.blogspot.com]
This two day postgraduate led conference will bring together poets and
researchers to engage in a conversation about experimental, innovative
and alternative approaches to poetic form. While many poets
self-report that political objectives underlie their practice, in the
realm of, but not limited to, ideology critique, the assertion or
negation of identity and/or a confrontation with mainstream
publishing, charges of elitism, passivity and inaccessibility can be
levelled. Taking this point of tension as our catalyst, and adopting a
trans-historical perspective, we wish to consider what “experimental”
poetry is, and what it is for.
We are calling for twenty minute papers which: discuss poetry of any
period or genre which challenges or aims to challenge convention
through formal innovation and/or interaction with political, social
and cultural realities; explore the labels we use to denote
“experimental”, “avant-garde” or particular stylistic modes of verse;
question whether political objectives and/or antagonisms can be
articulated or furthered through radical approaches to composition and
language; consider how readers engage with experimental poetry.
Inseparable from these themes is the issue of what we perceive as ‘the
political’, what counts as a political act and whether the writer has
a responsibility to assert political agency; we are particularly
interested in papers in which these questions are at the forefront of
discussion.
Please send 250-300 word abstracts for 20 minute papers as a word
attachment to conversifyconference@gmail.com by 16th May 2011.
The conference will take place at 19 George Square, University of
Edinburgh. We will also be organising evening poetry readings in town
– please mention when you submit your abstract if you would be
interested in reading.
Organised by Lila Matsumoto, Greg Thomas and Samantha Walton.
Via Joseph Walton
You are invited to the… / Estáis invitados al…
Release of Alba London Magazine Issue nº1
On the 17th of February at 6.30pm at the Instituto Cervantes’ Auditorium.
Come along!
Tim Atkins, Gregorio Fonten, Alfonso Grez and Harry Gilonis will be reading their poems.
We will provide some wine!
For more information visit our website: http://www.albalondres.com
Cervantes Institute
102 Eaton Square, London SW1W 9AN, Reino Unido
+44 20 7235 0353
londres.cervantes.es
Looking forward to see you! Thanks for your support.
Lanzamiento revista Alba Londres
El día 17 de febrero a las 18:30h en el Auditorium del Instituto Cervantes.
¡Estáis invitados!
Tim Atkins, Gregorio Fontén, Alfonso Grez y Harry Gilonis nos leerán sus poemas y traducciones.
¡Habrá vino!
Para más información visitad nuestra web: http://www.albalondres.com
Cervantes Institute
102 Eaton Square, London SW1W 9AN, Reino Unido
+44 20 7235 0353
londres.cervantes.es
Os esperamos! Gracias por todo el apoyo.
7.30, Fuel Bar, Withington, 445 Wilmslow Road, Manchester
Tim Atkins – Honda Ode
A5 12pp. ISBN: 978-1-905885-41-1
Although largely indescribable, this pamphlet reverses fast
fusing text & photographic imagery in ways which accurately
escape the sensations of making a fireblade or traversing
expensive adverts on a mule & then a tandem.
her pencil sized
cock made me drop
the tea cup
Philip Terry – Dante’s Inferno
A5 32pp. ISBN: 978-1-905885-43-5
Everyone’s favourite Gothic nursery rhyme moves to Essex,
where Ted Berrigan takes over as guide.
I cried out
“Take pity,
Whatever you are, man or ghost!”
“Not man, though formerly a man,”
he says, “I hale from Providence,
Rhode Island, a Korean vet.
Once I was a poet, I wrote
of bean spasms,
was anthologised in Fuck You.”
£4 each (inc UK p&p). Cheques payable to P.Hughes at
4 Coastguard Cottages, Old Hunstanton, Norfolk PE36 6EL
or Paypal via Oystercatcher website
Preview of The Other Room 22 (February 2nd) reader Jow Lindsay. Next week Posie Rider:
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Reading at Rust Belt Books