Thus & live stream details for performance at The Other Room, 6th April

Derek Henderson will be live streaming from Utah to the Other Room on 6th April at 7.30 UK time and 12.30 Utah time. For other places in the world check conversion times from the UK time. This reading will feature a number of his sonnets from Thus &: An Erasure of Ted Berrigan’s the Sonnets published by if p then q

This is the link for anyone who can’t make it but would like to watch.

http://www.ustream.tv/channel/thus1

Talk: Dada 1916-2016

Marc Dachy, Director of the DADA Archive in Paris will talk about Kurt Schwitters and DADA. Though it only lasted a decade from 1915, the outpourings of Dada – art, collages, plays – remain the stuff of the avant-garde, from Schwitters’s sound poems to Duchamp’s urinal. Marc Dachy will re-trace the events that lead to Schwitters departure from the movement and then focus on what might distinguish between a DADA and MERZ attitude in art. Followed by a panel discussion

FREE
8th April, International Burgess Centre (as part of Merzman ongoing exhibitions and events)
LINK

Station Stories

Tom Jenks and others are performing at this exciting looking event. Follow the link to book tickets.

Manchester Literature Festival is delighted to be working with the Hamilton Project and Bury Text Festival on Station Stories – a unique site specific live literature promenade event using digital technology and live improvised electronic sound. From platform to platform, café to café and shop to shop, six writers (Jenn Ashworth, Tom Fletcher, David Gaffney, Tom Jenks, Nicholas Royle and Peter Wild) take you on a creative trip of Piccadilly station and read specially commissioned stories inspired by the station and the people who use it and work there.

Audiences are linked to the writers’ microphones by headsets using wireless technology, ensuring they hear every single word, whilst still experiencing the live ambience of the location. Take a journey into this marginal, in-between world, where anything can happen and often does.

Thursday 19th May – Saturday 21st May 2011 (performances at 12noon, 3pm and 7pm)
Manchester Piccadilly Train Station
Tickets £11 book on:

LINK

Conversify: Call for Papers

CALL FOR PAPERS
The University of Edinburgh supported by The Roberts Fund
and in collaboration with the Scottish Poetry Library
ConVersify: Poetry, Politics and Form   10-11th September 2011
[conversifyconference.blogspot.com]

This two day postgraduate led conference will bring together poets and
researchers to engage in a conversation about experimental, innovative
and alternative approaches to poetic form. While many poets
self-report that political objectives underlie their practice, in the
realm of, but not limited to, ideology critique, the assertion or
negation of identity and/or a confrontation with mainstream
publishing, charges of elitism, passivity and inaccessibility can be
levelled. Taking this point of tension as our catalyst, and adopting a
trans-historical perspective, we wish to consider what “experimental”
poetry is, and what it is for.

We are calling for twenty minute papers which: discuss poetry of any
period or genre which challenges or aims to challenge convention
through formal innovation and/or interaction with political, social
and cultural realities; explore the labels we use to denote
“experimental”, “avant-garde” or particular stylistic modes of verse;
question whether political objectives and/or antagonisms can be
articulated or furthered through radical approaches to composition and
language; consider how readers engage with experimental poetry.
Inseparable from these themes is the issue of what we perceive as ‘the
political’, what counts as a political act and whether the writer has
a responsibility to assert political agency; we are particularly
interested in papers in which these questions are at the forefront of
discussion.

Please send 250-300 word abstracts for 20 minute papers as a word
attachment to conversifyconference@gmail.com by 16th May 2011.
The conference will take place at 19 George Square, University of
Edinburgh. We will also be organising evening poetry readings in town
– please mention when you submit your abstract if you would be
interested in reading.
Organised by Lila Matsumoto, Greg Thomas and Samantha Walton.

Via Joseph Walton

Alba Londres Launch Event

You are invited to the… / Estáis invitados al…

Release of Alba London Magazine Issue nº1

On the 17th of February at 6.30pm at the Instituto Cervantes’ Auditorium.
Come along!
Tim Atkins, Gregorio Fonten, Alfonso Grez and Harry Gilonis will be reading their poems.
We will provide some wine!

For more information visit our website: http://www.albalondres.com

Cervantes Institute
102 Eaton Square, London SW1W 9AN, Reino Unido
+44 20 7235 0353
londres.cervantes.es

Looking forward to see you! Thanks for your support.

Lanzamiento revista Alba Londres

El día 17 de febrero a las 18:30h en el Auditorium del Instituto Cervantes.
¡Estáis invitados!
Tim Atkins, Gregorio Fontén, Alfonso Grez y Harry Gilonis nos leerán sus poemas y traducciones.
¡Habrá vino!

Para más información visitad nuestra web: http://www.albalondres.com

Cervantes Institute
102 Eaton Square, London SW1W 9AN, Reino Unido
+44 20 7235 0353
londres.cervantes.es

Os esperamos! Gracias por todo el apoyo.

Maintenant #46 – Holly Pester

Perhaps other than the rarefied skill of performance, originality might be the hardest attribute to find in contemporary poetry. The ability to engender an audience to one’s work without appearing reluctant or melodramatic or trite is a trait often located in the poet’s personal dedication and consideration. Originality is perhaps harder to explicate, given the nature of its newness. These characteristics are what define the work of Holly Pester, and the experience of seeing or hearing her perform leaves an indelible impression on the viewer that they are witnessing a deeply gifted poet, one who it would seem will lead the way in the UK in the near future and beyond. Her work is incisive and wise, unpretentious yet sophisticated. She is without posture or affectation and still her urbane performances entrap and captivate audiences, their exploration of tonality, voice, volume and sound forcing a profound concentration on the potentialities of everyday language, whether that is a potential for oppression or amusement. Truly representative of what we hope to advocate in the Maintenant series, the 46th edition of the series – Holly Pester.

Accompanying the interview are soundfiles of two of her poems and Holly’s reading for Maintenant at the Icelandic embassy.

Tim Atkins Honda Odes and Philip Terry Dante’s Inferno

Tim Atkins – Honda Ode

A5 12pp. ISBN: 978-1-905885-41-1

Although largely indescribable, this pamphlet reverses fast
fusing text & photographic imagery in ways which accurately
escape the sensations of making a fireblade or traversing
expensive adverts on a mule & then a tandem.

her pencil sized
cock made me drop
the tea cup

Philip Terry – Dante’s Inferno
A5 32pp. ISBN: 978-1-905885-43-5

Everyone’s favourite Gothic nursery rhyme moves to Essex,
where Ted Berrigan takes over as guide.

I cried out

“Take pity,

Whatever you are, man or ghost!”

“Not man, though formerly a man,”

he says, “I hale from Providence,

Rhode Island, a Korean vet.

Once I was a poet, I wrote

of bean spasms,

was anthologised in Fuck You.”

£4 each (inc UK p&p). Cheques payable to P.Hughes at
4 Coastguard Cottages, Old Hunstanton, Norfolk PE36 6EL
or Paypal via Oystercatcher website

Maintenant #44 – Tadeusz Dąbrowski

Simply one of the most substantial and powerful poets emerging from Europe as a whole, Tadeusz Dąbrowski is a figure who is climbing toward worldwide prominence. An essayist, critic and editor (of the literary magazine Topos) he has authored five poetry collections and won the Hubert Burda Prize and, from Tadeusz Różewicz himself, the Prize of the Foundation for Polish Culture. His poetry has been translated into thirteen languages. Maintenant, as a series, hopes to be a platform in which readers will be able to come across poets who might grow into the stature of their most reputed and iconoclastic forebears. Perhaps with Tadeusz Dąbrowski we have arrived too late. Fundamentally a product of his generation, and quite definitively, the literary culture of Poland in general, Dabrowski’s is a voice both singular and alert, both wry and contemporary. He is a poet who should, and does, speak for himself.

Accompanying the interview are seven of his poems.
Special thanks to Izabela Banasik for her assistance with this interview.

http://soundcloud.com/maintenant