Golden Handcuffs Review: A Screw in the Shoe: An Anthology of Changes

NEW GHR Publications anthology collectible print edition from 2016! a screw in the shoe: Anthology of Challenges features a cover photograph by Eleanor Antin. Poetry and prose by Carol Watts, Andrea Brady, Maurice Scully, John James, Sarah Hayden, Norman Weinstein, Nancy Gaffield, Stuart Cooke, Norman Fischer, Rachel Blau DuPlessis, Nathaniel Mackey, Richard Makin, Toby Olson, Michael Upchurch, Philip Terry, James Davies, John Hall, Peter Hughes, Peter Quartermain, Richard Makin. Publishing piece by Ken Edwards and reviews by Norman Weinstein and Steve Potter.

Available HERE

FRANK O’HARA: IN THE HEART OF NOISE

Poet in the City presents an evening of poetry and music in celebration of Frank O’Hara, 50 years since his death.

From curating with Jackson Pollock to collaborating with John Cage and his friendship with Billie Holiday, O’Hara was at the restless heart of the 1960s New York creative explosion.

Featuring performance and discussion with poet and critic Mark Ford and players from Aurora Orchestra.

6th November, Royal Exchange, Manchester

https://www.royalexchange.co.uk/whats-on-and-tickets/frank-o-hara-in-the-heart-of-noise

Linda Kemp’s Lease Prise Redux

64 poems of fourteen (!) lines each. Such as: ‘Homelessness | spiders out | the majority of participants | O curb! O vultures! | freedom is mad inside’. Or: ‘the IMF walks the streets at night | if to suck on children’.

‘a cumulative impact which slowly seeps in, like a kaleidoscope of slow-moving debt, arrears and social smallness’. [Stuart Calton]

You can buy it here:
http://material-s.blogspot.co.uk/

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enjoy your homes press presents…

CLAIRE POTTER
Claire Potter, an artist writer from Merseyside, works with live, published and recorded text, installation and performance. Claire’s work addresses modes of speaking and reading to bring considerations of narratology, affect and methods of articulation to the attention of audiences. Claire organises Shady Dealings With Language, an interdisciplinary event series for art and performance writing in the UK. Recent and forthcoming works include performance film Cast Metal Nut, White Rainbow, London, 2016; and, Lads of Aran, a visual essay in Bodies that Remain: Essays on the writer’s body, Punctum Books, New York/London, 2017.
Claire will read CHAVSCUMBOSS, a meditation on the performed masculinity of a Youtube user by the same name.
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STEPHEN CHASE
Stephen Chase composes, improvises, and walks quite a lot. His work veers between generative methods and following-his-nose. He has worked variously with Exaudi, Quatuor Bozzini, Philip Thomas, Ross Parfitt, Choir Brevis, Apartment House, Ensemble Zwischentöne, Music We’d Like to Hear, BBC Singers, omoplate sarangi, murmuration, piggle and Freaking Glamorous Teapot and Bank St Arts.
Stephen will perform one or two pieces which derive from performance scores comprised of words.
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Thursday 20th October 2016
Come to Bank Street Arts, Sheffield, grab a drink and unravel language.
Entry: £4 on the door. Doors: 19:00 for 19:30 start.
More here – https://eyhpress.wordpress.com/2016/09/16/claire-potter-stephen-chase/

Rest and Its Discontents

An exhibition organised by recent Other Room reader James Wilkes.

A number of events during the exhibition – including poetry (James Wilkes, Emma Bennett and Ella Finer), music, activism, debate and meditation – most of which are free. Further info and tickets from http://hubbubresearch.org/event/rest-discontents/

The first of a 3-part series ‘The Anatomy of Rest’ is also out on BBC Radio 4:http://www.bbc.co.uk/programmes/b07v07p0

Storm and Golden Sky

Susan Bee and Charles Bernstein will be reading for us at the Other Room on Monday 3rd October, along with Maggie O’Sullivan. There’s another chance to catch Susan and Charles on their rare visit to the north-west of England on the Friday before, in L:iverpool. Details below.

Storm and Golden Sky
Friday 30th September 2016
Susan Bee and Charles Bernstein
7.30 (entrance £5)
At The Caledonia  (in the Georgian Quarter on the edge of Catharine Street and Cadedonia Street: up the steep stairs at the back of the bar room)

SUSAN BEE is an artist who lives in Brooklyn. She has had seven solo shows at A.I.R. Gallery, NY, and solo shows at Southfirst Gallery, Accola Griefen Gallery, and Lisa Cooley Gallery in NY. She has a BA from Barnard College and a MA in Art from Hunter College. Bee has published sixteen artist’s books. She has collaborated with poets including: Johanna Drucker, Susan Howe, Charles Bernstein, and Jerome Rothenberg. She is the coeditor of M/E/A/N/I/N/G Online. Bee received a Guggenheim Fellowship in Fine Arts in 2014. She teaches at the University of Pennsylvania.

CHARLES BERNSTEIN is an American poet, essayist, editor, and literary scholar. He holds the Donald T. Regan Chair in the Department of English at the University of Pennsylvania and is one of the most prominent members of the Language poets, having co-edited (and co-founded) L=A=N=G=U=A=G=E magazine with Bruce Andrews between 1978 and 1981. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. He has published 17 major books of poetry including Legend, with Bruce Andrews, Steve McCaffery, Ron Silliman and Ray DiPalma (New York: L=A=N=G=U=A=G=E/Segue, 1980), Controlling Interests (Roof Books, 1980), Islets/Irritations (Roof Books, 1992), Rough Trades (Sun & Moon, 1991) The Sophist (Sun & Moon, 1987) and many others, including two selected volumes: Republics of Reality: 1975-1995 (Sun & Moon, 2000) and All the Whiskey in Heaven: Selected Poems (Farrar, Straus and Giroux, 2010). Bernstein is also an important critic and editor of contemporary poetry and this year the University of Chicago press published his Pitch of Poetry. His other remarkable critical writings include:Attack of the Difficult Poems: Essays and Inventions (University of Chicago Press, 2011), My Way: Speeches and Poems (University of Chicago Press, 1999), A Poetics (Harvard University Press, 1992) and Content’s Dream: Essays 1975-1984 (Sun & Moon Press, 1986). Other notable projects include A Conversation with David Antin(Granary Books, 2002) and Shadowtime: a libretto for an opera about Walter Benjamin with music by Brian Ferneyhough (Green Integer, 2005).

This is a Liverpool Biennial Fringe Event.

Off Beat: Jeff Nuttall and the International Underground at John Ryland’s Library

Off Beat:
Jeff Nuttall and the International Underground

8 September – 5 March 2017
Open daily, free entry

Painter, poet, actor and sculptor, a man once described as “the only all-round genius most of us are likely to meet,” Jeff Nuttall was one of the few people in the early 1960s to publish William S. Burroughs’ most experimental writing.

He was also a performance artist, a pioneer of ‘happenings’ and author of nearly 40 books. As a cultural critic, his seminal work, Bomb Culture, was discussed in Parliament. Nuttall was at the centre of the International Underground scene driven by social dissent and the fear of imminent nuclear attack.

Yet, despite being a giant of the counterculture, the Lancastrian-born polymath is little remembered today. That is set to change with our Autumn/Winter exhibition. Off Beat: Jeff Nuttall and the International Underground reveals a network of artists and writers whose work was shared worldwide via the low-fi, self-published magazines of the “mimeograph revolution”.

Chief among them was Nuttall’s My Own Mag. Burroughs was both a contributor and collaborator and displayed in the exhibition is a rare edition showcasing a Burroughs cut-up text. Other countercultural magazines are featured, to which Nuttall himself contributed, including the one-issue only “newspaper” The Moving Times, and five of Nuttall’s books.

It is Nuttall’s combination of word and image, art and activism – and content that remains provocative and sometimes shocking – that made him a legend in his own time. As we face our own uncertain times, Nuttall’s work feels as prescient today as it did five decades ago.

Please note: because of the adult nature of the content in this exhibition, it is not suitable for children.

Share your experience: #jrloffbeat @TheJohnRylands

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