The Recluse now seeking submissions

We are now accepting submissions for The Recluse 12! All work must be submitted via email to info@poetryproject.org with “Recluse” in the subject line. Please title your word file submission with your last name and the word “Recluse.”

The Recluse is published annually each Spring, and edited by the staff of The Poetry Project. For PDFs of past issues, visit our website. With issue 10, The Recluse moved from print to an online journal.

We suggest that people read an issue or two before submitting work! We are primarily interested in poetry and translations, but will consider other work as well.

The Globe Road Poetry Festival, 13-15 November

The QMUL Centre for Poetry is thrilled to invite you to a three-day world poetry festival, celebrating the diversity of local and global poetic traditions in London’s East End, to be held at Queen Mary University of London, 13-15 November 2015.

Performers include Linton Kwesi Johnson, Daljit Nagra, M. NourbeSe Philip, Myung Mi Kim, Kaiser Haq, Caroline Bergvall, Samira Negrouche, Agnes Agboton, Anthony Joseph, Avaes Mohammed, Siddhartha Bose, Aisling Fahey, Pangaea Poetry, Ladies of the Press, Ross Sutherland, Theo Chiotis, Hannah Silva, Andra Simons, Shama Rahman, Miriam Nash, Michael Vidon, Gareth Evans, and Elaine Mitchener.

Programme and booking information on the QMUL Centre for Poetry website: http://www.poetry.qmul.ac.uk/events/globeroad/152563.html.  Almost all events are free but booking is essential.

Summerstock #8

Online now, with poetry, prose and word art by Hoa Nguyen, David Bartone, Carla Harryman, Charles Bernstein, j/j hastain, Ben Hersey, Robert Roley, Suzanne Mercury, Jennifer Pilch, Patrick Pritchett, Audrey Mardavich, Iona Watson, Travis Macdonald, Linh Dinh, Jessica Rogers, Heather Sweeney, as well as collaborations between Yasamin Ghiasi & Michelle Naka Pierce, and Erica Anzalone & Ashley Siegels.

 

Audience and Readership: A panel with James Davies, Jim Hinks, Alec Newman and Togara Muzanenhamo

Audience and Readership: A panel with James Davies, Jim Hinks, Alec Newman and Togara Muzanenhamo

Who do publishers sell their work to? How do they know where the work of their authors ends up? How do writers go about presenting and promoting their work? Are there any demographics of potential readers who are unaware of a work or publisher’s existence? How do both publishers and poets maintain their readership and also encourage the growth of audience? In this lively panel discussion James Davies, poet and editor of if p then q, poses these questions and more to Jim Hinks editor of Comma Press, Alec Newman editor of Knives Forks and Spoons and Carcanet poet Togara Muzanenhamo.

3pm
11/10/2014
11am – 4pm
Bank Street Arts
Sheffield

This free event is part of Independent Publishers’ Fair at the The Off the Shelf Festival
LINK

Endless / Nameless ~ Rachel Sills & Richard Barrett

The gingerbread silhouette of my father
Is absent today I’m perspiring
Or you could say shimmering over a coastline
In a row pegged-out, colour coded
Three weeks’ worth of hearts
A Freudian couch with sponge cake perhaps?
An arrow, a narrowboat, arrowroot blot
A stair-lift stops, temperamentally
I decline to use the honesty box
But am generous for life-guards
On a good day, only on a good day
A magazine before dinner before, later, the paper
The evening smell of tobacco
‘Papa?’  I hear; to which I answer ‘yes, Nicole?’

More at The Red Ceilings.

New from Crater Press

Crater Press is pleased to announce a Crater pamphlet by Buffalo letterpress buffalo Richard Owens; nine stanzas of ‘Turncoat’ in an attractive articulated broad-but-thin-side arrangement. Anyone who knows Richard Owens will suspect that this will be the real deal and it is the real deal. Two colour; different modes; handprinted, unusual folding, 36 lines of A* poetry.

12 or 20 (small press) questions with Nikolai Duffy on Like This Press

I’ve “…been really interested in the physicality of books and book production for a while, an interest that was piqued in particular when I visited the Tyopgraphy Museum in London several years ago. I think it’s more established now but it was an old, ramshackle place then, hard to find, largely unorganised, with boxes of type lying out on every surface. It was a place in which to lose yourself.” Nikolai Duffy talks about Like This Press on Rob Mclennan’s blog.