Sharon Kivland – READING NANA

READING NANA. An experimental novel, 2017

ISBN 978-1-910055-30-4
MA BIBLIOTHÈQUE,
140 mm x 205 mm, 104 pages, perfect-bound
£10.00

Emile Zola’s novel Nana is re-read and re-written,ghost-written, condensed according to soft furnishings, lighting effects (including metaphor), other women, death and dying, cats, anti-semitism, money, smell, and many other categories. More here.

Otoliths issue forty-five

strata S.A. 6

Karl Kempton, Thomas Fink, Maya D. Mason, John Xero, John M. Bennett, D.J. Huppatz, Daniel de Culla, Seth Copeland, Texas Fontanella, Jim Leftwich, Robert Lee Brewer, Jim Hanson, Olivier Schopfer, William Repass, Steve Dalachinsky, Kyle Hemmings, Craig Cotter, Jon Cone, Dah Helmer, Michael Farrell, Peycho Kanev, Richard J. Fleming, Cecelia Chapman, Jeff Crouch, Jack Galmitz, Philip Byron Oakes, J.J. Campbell, Sanjeev Sethi, Tom Montag, Darren C. Demaree, Hart Broudy, Neil Leadbeater, Volodymyr Bilyk, Stephen C. Middleton, Aidan Semmens, Karen Greenbaum-Maya, Sneha Subramanian Kanta, Bill Wolak, Pete Spence, Clara B. Jones, Andrew Topel, Andrew Taylor & David Spittle, Marietta McGregor, Faleeha Hassan, Diane Keys, Jesse Glass, Kenneth Rexroth, Katrinka Moore, Daniel Y. Harris, osvaldo cibils, Thomas M. Cassidy, Eileen R. Tabios, David Lohrey, Edward Kulemin, Jared Chipkin, Lakey Comess, Baron Geraldo, Shataw Naseri, Logan K. Young, AG Davis, hiromi suzuki, Hugh Tribbey, Anne-Marie Jeanjean, Caleb Puckett, Drew B. David, Jeff Bagato, Márton Koppány, Louise Landes Levi, Jill Chan, Alain Robinet, Raymond Farr, Dennis Andrew Aguinaldo, Willie Smith, Joe Balaz, M A McDonald, Jim McCrary, Sian Vate, Heath Brougher, Owen Bullock, differx, Lynn Strongin, Marcello Diotallevi, Robbie Coburn, Carol Stetser, Chris Brown, Richard James Allen, Grzegorz Wróblewski, Jeff Harrison, David Harrison Horton, Sjoerd van der Weide, Joel Chace, Indigo Perry, Simon Perchik, Richard Kostelanetz, David Baptiste Chirot, Timothy Pilgrim, Nicole Pottier, Natsuko Hirata, Massimo Stirneri, Rebecca Eddy, Josh Smith, major stafford sternwall, John Pursch, Sheikha A., Mercedes Webb-Pullman, Jared Pearce, Keith Nunes, Jake Goetz, Allen Forrest, sean burn, Richard Skelton, Tom Beckett, Shloka Shankar, Seth Howard, Tony Beyer, Sam Langer, Bob Heman, Cherie Hunter Day, Aurélien Leif,  Catherine Fletcher, Johannes S. H. Bjerg, Pragya Vashishtha, Paul Pfleuger, Jr., Pam Brown, & Marilyn Stablein. Available here.

Alan Halsey: Selected Poems 1988-2016

Selected Poems 1988-2016 focuses on Alan Halsey’s longer poems from the period and brings together the previously scattered sequences Ars Poetica, Tracks & Tracts of the Lizopard, A Looking-Glass for Logoclasts and Latin for Today: The Sequel. It includes some revised and expanded texts such as the John Dee libretto Loagaeth alongside poems written since Rampant Inertia, published by Shearsman in 2014.

Arvon Experimental Poetry Course with Scott Thurston and Harriet Tarlo, & Maggie O’Sullivan as guest reader

Arvon Experimental Poetry Course
With Scott Thurston and Harriet Tarlo, & Maggie O’Sullivan as guest reader
Sep 18th – Sep 23rd 2017

Suitable for new poets and more experienced writers who would like to explore innovative poetic techniques, throw over old habits, or push their work further. You will be encouraged to explore a diversity of poetic forms and uses of language, such as open form, collage and juxtaposition. We will bring to bear our background in what is often referred to as the UK’s ‘innovative’ poetry scene, introducing you to the approaches of British and American experimental poets as a means of encouraging you to play and take risks in your own work.

More at the LINK

Anthology out now

Anthology9Cover

Our ninth anthology is out now, featuring Bryony Bates; Susan Bee; Charles Bernstein; Cathy Butterworth; Stuart Calton; Kimberly Campanello; Wayne Clements; Sarah-Clare Conlon; Gary Fisher; Joey Frances; Steven Hitchins; Sarah Kelly; Linda Kemp; Amy McCauley; Geraldine Monk; Iain Morrison; Kerry Morrison; Wanda O’Connor; Maggie O’Sullivan; Martin Palmer; Sam Riviere; Rosanne Robertson and James Wilkes. Go here to buy a copy.

B S Johnson Journal – call for papers

Call For Papers: On the Theme of “Endings”

BSJ: The B.S. Johnson Journal – email: bsjjournal@gmail.com

Deadline for submissions: 25th July 2017

The editors of BSJ: The B.S. Johnson Journal request academic papers, essays, interviews, creative works or remembrances on the theme of endings. Johnson’s novels featured a range of innovative endings; from the “almighty aposiopesis” of Albert Angelo, to the unexploded bomb in Christie Malry, to the metafictional imposition of the House Mother in House Mother Normal. In the interests of exploring endings and the ways in which they can define, fix or unsettle the meaning of texts, we are seeking submissions that engage with our theme; be it a creative piece with an interesting ending, a theoretical engagement with Johnson’s work, or an interpretation of the wider connotations of the theme: limits, finality, death.

We welcome academic papers of between 6,000 and 8,000 words and essays of between 500 and 2,500 words (papers will be thoroughly peer-reviewed and must conform to academic standards, essays do not need to meet these requirements and are usually more journalistic or personal in style). Short stories, poetry and innovative forms are welcome at any length, short or long. Suggestions for reviews may also be made to the editors, but making contact first is recommended to avoid reviewers overlapping. Although submitted work need not be directly about B.S. Johnson, the journal aims to promote his legacy and therefore favours work that display a commitment to truth, formal innovation or working class modernism.

http://bsjohnson.org/

 

The Dreamers

Ameena Anjum, Ameera Al-Aji, Andrea Berry, Emma Bolland, Luke Chapman, Helen Clarke, Louise Finney, Rebecca Jagoe, Sharon Kivland, John McDowall, Debbie Michaels, Rachel Smith, Rachel Taylor, Lunzhao Wu
ISBN 978-1-910055-29-8
MA BIBLIOTHÈQUE
130 mm x 190 mm, 148 pages, perfect-bound
£10.00 / 12 euros
‘Writing, Walking, Dreaming… Walking (literally and figuratively, one might say sleepwalking) is explored herein. Walking and dreaming provide ways of knowing a place. They lead to encounters with strangers and with ourselves. The city is the stage for autobiographical encounters; where houses and memories meet; where the uncanny is both home and away; where the stranger leads us down the rabbit hole. There are drifts through Jacques Lacan’s Seminar on ‘The Purloined Letter’ and Walter Benjamin’s ‘A Berlin Chronicle’; urban nightmares; the homesick child; enigmatic staircases; snapshots of the past and lost objects; reflections on writing; seeing words as images; and prophetic dreams. Amsterdam slips into a New York bar, and a dystopian group recounts its anxieties.’
You can buy  The Dreamers online here.

Walter Benjamin’s lost diagrams

In ‘A Berlin Chronicle’ (1932) Benjamin describes a lost diagram:
I was struck by the idea of drawing a diagram of my life, and I knew at the same moment exactly how it was to be done. With a very simple question I interrogated my past life, and the answers were inscribed, as if of their own accord, on a sheet of paper that I had with me. A year or two later, when I lost this sheet, I was inconsolable. I have never since been able to restore it as it arose before me then, resembling a series of family trees. Now, however, reconstructing its outline in thought without directly reproducing it, I should, rather, speak of a labyrinth. I am not concerned here with what is installed in the chamber at its enigmatic centre, ego or fate, but all the more with the many entrances leading to the interior. These entrances I call primal acquaintances; each of them is a graphic symbol of my acquaintance with a person whom I met, not through other people, but through neighbourhood, family relationships, school comradeship, mistaken identity, companionship on travels, or other such hardly numerous- situations. So many primal relationships, so many entrances to the maze. But since most of them—at least those that remain in our memory—for their part open up new acquaintances, relations to new people, after some time they branch off these corridors (the male may be drawn to the right, female to the left). Whatever cross connections are finally established between these systems also depends on the inter-twinements of our path through life.
Walter Benjamin, ‘A Berlin Chronicle’, 1932, in One-Way Street: And Other Writings, trans. by Edmund Jephcott and Kingsley Shorter, London: Verso, pp. 293–346
We are looking for submissions of diagrams in response to this description. A selection of submissions will be published by MA BIBLIOTHÈQUE in June 2017, and presented at MISS READ: Berlin Art Book Festival 2017, July, Haus der Kulturen der Welt. The book will include essays by Sam Dolbear and Christian Wollin with an introduction by Helen Clarke, and is edited by Helen Clarke and Sharon Kivland.
The publication will be a perfect bound paperback, page size 140 mm x 205 mm, portrait format. The scale of page must be considered when submitting: that is, as a double-page image in a landscape format, or single page portrait format. If submitting in landscape format ,please work to a page size of 205 mm x 280 mm and allow for a small gutter loss.
Submissions should be made to lostdiagrams@gmail.com. Only a single submission may be made. Please note that submissions must comply with the following in order to be considered:
• Image: black and white ONLY
• Image: sent as a TIFF
• Deadline of 31 March 2017 (midnight)
Applicants will be notified by 15 April 2017, if their submission has been selected for publication.
The editors and publisher very much regret that they are unable to offer a fee. Each contributor will receive a copy of the book.
The Lost Diagrams Facebook page can be found here: https://www.facebook.com/LostDiagrams/

Para-text reading – Eleanor Chandler, Amy Evans, Jazmine Linklater and Matthew Welton.

We’re delighted to launch the third issue of para·text on Tuesday 28th March at Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
Readings from Eleanor Chandler, Amy Evans, Jazmine Linklater and Matthew Welton.
7pm for a 7.30 start, £2 suggested donation. All welcome.
The magazine will be on sale at a reduced price on the night but if you’re unable to come you can purchase copies online at paratext.bigcartel.com.