Issue 5 of Sunfish magazine recently out, A4 format, 40 pages, with work by:
via Nigel Wood
Issue 5 of Sunfish magazine recently out, A4 format, 40 pages, with work by:
via Nigel Wood
“What is poetry? Poetry is that which is not not poetry.
Poetry sans signifier, poetry after the end of poetry. ”
Read the full interview with Edmund Hardy at “Intercapillary Space”.
origins of process by James Cummins and Collected Letters by Peter Hughes. More information available at the Wild Honey Press site.
A reading of some of Hello Tiny Bird Brain at a recent Xing the Line by Marcus Slease which is just out from Knives Forks and Spoons Press
Curated by Dayana Stetco, available now at the ekleksographia site.
The exceptional nature of the work of Lies Van Gasse, established, formidable and achieved well before her 30th birthday, is clear to all who follow central European poetry and the figures who are now showing themselves as the future of the medium. Emerging from the vivid and remarkable tradition of Flemish poetry, Lies maintains a focus and an exactitude about her work and its direction that well belies her relative youth. Adept and acclaimed at both more traditional lingual poetry and highly original ‘graphic’ poetry, her oeuvre is innovative and confident, straddling the finer points of language and art. Our first Belgian poet to be featured in the Maintenant series, Lies Van Gasse is undoubtedly a figure whose prominence will only increase in the coming decades.
http://www.3ammagazine.com/3am/maintenant-71-lies-van-gasse/
Accompanying the interview are 7 of Lies’ graphic poems, translated into English by Trees Van Gasse.
http://www.3ammagazine.com/3am/seven-poems-oracle-lies-van-gasse/
©_© Press is pleased to announce the publication of _Got On_ by Tom Raworth
and _Confection_ by Ryan Dobran.
All best,
Ian
*
Got On, by Tom Raworth (2011)
£10 (inc. P&P)
20pp. Letterpress.
Colour endpapers by the author.
Cover art by Travis Frazelle.
Edition of 200 copies.
*
Confection, by Ryan Dobran (2011)
£5 (inc. P&P)
16pp. Cover art by Raul Perdomo.
Edition of 200 copies.
The lesson of Furniture by Chad Redden, Leap Year by CL Bledsoe and Uncle Salvador’s Cigar by Gordon Mason now available for free on Red Ceilings Press.
from Punch Press:
http://damnthecaesars.org/punchpress.html#FrancisCrot
FRANCIS CROT | HAX
London, 2011 — Hackney invades the city. In no ways handmade. Trade edition. 160 pages. Cover photo: “Dalston Occupation” (intersection of Dalston Lane and Roseberry Place, Hackney) by Sean Bonney. The structures photographed have since been leveled for the construction of Crossrail Station in advance of the 2012 Olympics.
HAX adjunct HAX
mongrel freehand GOTO w/ beaver-tailed G
::
US $10 UK $15
Simply one of the few boundless poets on the world scene, and already a centrifugal presence in American poetry, Ilya Kaminsky carries with him the power of the great Russian tradition and the obvious potential to be recognised, in an age where poetry is a reticent presence in the public’s eye, as one of the finest writers of the oncoming century. An activist as well as a poet, his remarkable energy and intellect permeate his earnest, fulsome poetry and his unforgettable, idiosyncratic readings. In an interview which seems typically representative of his generous spirit, Ilya has offered one of the most ebullient accounts featured in the Maintenant series, and we are especially excited to have him read at the next Maintenant event in London, this coming october. To mark our 70th edition, Ilya Kaminsky
with thanks to Nikola Madzirov за многу нешта
http://www.3ammagazine.com/3am/maintenant-70-ilya-kaminsky/
To accompany the interview are two of Ilya’s poems.

By Posie Rider. Out now on Critical Documents.
Tom Jenks reviews Stuff by nick-e Melville
Work from Tim Atkins’ The Wrestlers’ Series and James Davies’ Budgies.
Issue 5 of Cambridge Literary Review is out now: 198pp of poetry, fiction and essays, with new work from Peter Gizzi, Andrea Brady, Ray Crump, Eleni Sikelianos, Geoffrey Hartman, Helen Macdonald, Michael Haslam, and many others.
Issue 22 of Otoliths is out now, including poems from Mark Cobley, Grzegorz Wróblewski and Other Room reader Lisa Samuels.

Advanced notice of a new publication from Openned Press:
Sean Bonney – the commons
The book will be launched on Wednesday 21st September at Carnivale, east London. Further details will appear on openned.com.
SJ Fowler’s new collection ‘Fights’ is now available to order from Veer books via Paypal at http://www.bbk.ac.uk/cprc/publications/Veer_Publications/Veer040. The book is £9.00 + £0.80 If paying by paypal use the payee address ESTAPHIN@HOTMAIL.COM ( Stephen Mooney – editor of Veer).
Márton Koppány’s opus of visual poetry stands as a remarkable entry into the ledger of post WWII European poetic innovation and expression. Behind him sits a life’s work, denoted by intellectual rigour and brilliance, as he has quietly, but indelibly, edged his medium forward. Producing work of immense quality, consistently, in the field of visual poetry for over thirty years, he has inspired new generations of poets while working from the inside out of his environs in Budapest and with a capacity for profound inflection and wholly accurate understatement (to a level of humorous / satirical reverence so poorly missing from much experimental poetry) he has tackled the nature of his own family history and it’s entwining with the darker days of modern Hungary. His work is thus indicative of the possibilities, and even the necessities, of visual poetry, his fundamental mode one of honesty in expression, led by a suspicion and engagement with the limits of language. Koppány has always maintained an incisiveness that has attracted the plaudits from poets in his field, and his sophicated, intellectual and urbane corpus has rendered him simply one of Europe’s finest poets and an immense contributor to often the most stimulating field of contemporary poetry.
http://www.3ammagazine.com/3am/maintenant-69-marton-koppany/
Incorporated into the interview are 13 poems by Marton, selected to display the width and evolution of his work over the last 30 years.
Out now on the Streetcake site.