Walter Benjamin’s lost diagrams

In ‘A Berlin Chronicle’ (1932) Benjamin describes a lost diagram:
I was struck by the idea of drawing a diagram of my life, and I knew at the same moment exactly how it was to be done. With a very simple question I interrogated my past life, and the answers were inscribed, as if of their own accord, on a sheet of paper that I had with me. A year or two later, when I lost this sheet, I was inconsolable. I have never since been able to restore it as it arose before me then, resembling a series of family trees. Now, however, reconstructing its outline in thought without directly reproducing it, I should, rather, speak of a labyrinth. I am not concerned here with what is installed in the chamber at its enigmatic centre, ego or fate, but all the more with the many entrances leading to the interior. These entrances I call primal acquaintances; each of them is a graphic symbol of my acquaintance with a person whom I met, not through other people, but through neighbourhood, family relationships, school comradeship, mistaken identity, companionship on travels, or other such hardly numerous- situations. So many primal relationships, so many entrances to the maze. But since most of them—at least those that remain in our memory—for their part open up new acquaintances, relations to new people, after some time they branch off these corridors (the male may be drawn to the right, female to the left). Whatever cross connections are finally established between these systems also depends on the inter-twinements of our path through life.
Walter Benjamin, ‘A Berlin Chronicle’, 1932, in One-Way Street: And Other Writings, trans. by Edmund Jephcott and Kingsley Shorter, London: Verso, pp. 293–346
We are looking for submissions of diagrams in response to this description. A selection of submissions will be published by MA BIBLIOTHÈQUE in June 2017, and presented at MISS READ: Berlin Art Book Festival 2017, July, Haus der Kulturen der Welt. The book will include essays by Sam Dolbear and Christian Wollin with an introduction by Helen Clarke, and is edited by Helen Clarke and Sharon Kivland.
The publication will be a perfect bound paperback, page size 140 mm x 205 mm, portrait format. The scale of page must be considered when submitting: that is, as a double-page image in a landscape format, or single page portrait format. If submitting in landscape format ,please work to a page size of 205 mm x 280 mm and allow for a small gutter loss.
Submissions should be made to lostdiagrams@gmail.com. Only a single submission may be made. Please note that submissions must comply with the following in order to be considered:
• Image: black and white ONLY
• Image: sent as a TIFF
• Deadline of 31 March 2017 (midnight)
Applicants will be notified by 15 April 2017, if their submission has been selected for publication.
The editors and publisher very much regret that they are unable to offer a fee. Each contributor will receive a copy of the book.
The Lost Diagrams Facebook page can be found here: https://www.facebook.com/LostDiagrams/

Para-text reading – Eleanor Chandler, Amy Evans, Jazmine Linklater and Matthew Welton.

We’re delighted to launch the third issue of para·text on Tuesday 28th March at Iklectik, Old Paradise Yard, 20 Carlisle Lane, London, SE1 7LG
Readings from Eleanor Chandler, Amy Evans, Jazmine Linklater and Matthew Welton.
7pm for a 7.30 start, £2 suggested donation. All welcome.
The magazine will be on sale at a reduced price on the night but if you’re unable to come you can purchase copies online at paratext.bigcartel.com.

DEVELOPMENT LAB – CALL OUT FOR APPLICATION

DEVELOPMENT LAB – CALL OUT FOR APPLICATION

We are looking for disabled and non-disabled practitioners to take part in an intensive research and development LAB in either Liverpool, Peterborough orSouthend. These four day workshops are aimed at artists (from all artforms) that work with the body, movement and dance; or are curious to explore with others these themes.

The Metal LAB format is a facilitated work space for artistic enquiry, offering opportunities for exploration, reflection, conversation and risk taking. Led by disabled dance artist and Associate Producer at Metal Kate Marsh, the development LAB’s are all about exploring ‘the in-between’ – the space that sits beyond the binary of the ’normative’ and ‘othered’ body.  The sessions will act as stimulus and springboard proposing new ways of seeing, new ways of moving and new ways of being together.

Each LAB will also be supported by a cohort of guest speakers and mentors. Those confirmed include: Luke Pell, Clare Cunningham, Dan Daw, Martin Forsberg, Dinis Machado, Scottee and Caroline Bowditch.

COMMISSIONS – After the LAB, attendees will be supported to develop R&D  proposals for new commissions based on their research. The artists will be invited into residence at Metal to develop their ideas further supported by a commissioning fund. The resulting collaborative works will be shared locally, showcased at the Southbank Centre (London) and will form part of a new national symposium in 2018 in partnership with the Centre for Dance Research at Coventry University (C-DaRE) to coincide with Unlimited http://weareunlimited.org.uk/

DEADLINE FOR APPLICATIONS IS FRIDAY 17TH MARCH AT 5PMFOR FULL DETAILS AND HOW TO APPLY PLEASE CLICK HERE. 

If you would like to discuss your application or have any further questions please contact Kate Marsh or Mark Richards via email.
Kate.marsh@metalculture.com
Mark.richards@metalculture.com