25th Feb. Sean Bonney at Edge Hill cancelled

This event will not take place. Any tickets purchased will be refunded. But there will be two other events at Edge Hill:

3rd March 2010 Jenn Ashworth was born in 1982 in Preston, Lancashire and studied at Cambridge and Manchester. She’s worked as a barmaid, a waitress, a Samaritan and a cleaner and she currently lives with her daughter in Preston and runs a library inside a prison. She writes a blog here: www.jennashworth.blogspot.com and her first novel was published with Arcadia in May 2009: A Kind of Intimacy Rose Theatre. 7.30: £3.50

20th April : Open Poetry and Poetics meeting: Carrie Etter: 6-8.00, venue in Education Block: E22; free

On her anthology Infinite Difference and her own poetry. Carrie Etter is an American poet resident in England since 2001. Previously she lived in Normal, Illinois (until age 19) and southern California (from age 19 to 32). In the UK, her poems have appeared in, amongst others, New Welsh Review, Poetry Wales, Poetry Review, PN Review, Shearsman, Stand and TLS, while in the US her poems have appeared in magazines such as Aufgabe, Columbia, Court Green, The Iowa Review, The New Republic, Seneca Review. Her first collection, The Tethers, was published by Seren in June 2009, and her second, Divining for Starters, containing more experimental work, is due for publication by Shearsman Books in 2011. he is Senior Lecturer in Creative Writing for Bath Spa University.

Bill Griffiths launch tomorrow

A reminder that Sean Bonney, Ken Edwards, Allen Fisher, Alan Halsey, Geraldine Monk & Maggie O’Sullivan will read the whole of “Cycles” to launch the first volume of Bill Griffiths’ Collected Poems.

It’s in Room Clore 203, Clore Management Centre, Birkbeck College (across the square facing the main entrance), London WC1, starting at 7.30pm.

Entrance free.

Via Ken Edwards

Matt Dalby Reviews The Other Room 14

Interesting discussion of February’s readers and notions of performance in poetry and performance in general. Snippet below:

Despite snow there were around thirty people at The Old Abbey Inn for the latest Other Room reading on Wednesday. The readers were Steven Waling, Holly Pester and Rob Holloway. To be honest I found my attention wandering a lot throughout the evening so my account will be pretty unreliable. That wasn’t the poets’ fault, it’s just been a hazy kind of a week, but it may have contributed to some of the misgivings I had that will become apparent.

READ MORE

Three events at Edge Hill

Via Robert Sheppard:

25th February 2010: Sean Bonney was born in Brighton and brought up in the north of England, and now lives in London. His books include Notes on Heresy (Writers Forum, 2002), Blade Pitch Control Unit (Salt, 2005),Document: hexprogress (Yt Communication, 2006), Baudelaire in English(Veer 2008) and Document: poems, diagrams, manifestos (Barque 2009). He co-edits the press Yt Communication.Together with other younger poets his work marks a progression and continuance of the British Poetry Revival. His ideological drive andenergetic performance style mark him out as a leading proponent of thisschool of poetry, so expect an explosive performance. Rose Theatre 7.30: £3.50

3rd March 2010 Jenn Ashworth was born in 1982 in Preston, Lancashire and studied at Cambridge and Manchester. She’s worked as a barmaid, a waitress, a Samaritan and a cleaner and she currently lives with her daughter in Preston and runs a library inside a prison. She writes a blog here: http://www.jennashworth.blogspot.com and her first novel waspublished with Arcadia in May 2009: A Kind of Intimacy Rose Theatre. 7.30: £3.50

Plus Open Poetry and Poetics meeting: Carrie Etter: 6-8.00 on 20thApril 2010, venue in Education Block; free

On her anthology Infinite Difference and her own poetry. Carrie Etter is an American poet resident in England since 2001. Previously she lived in Normal, Illinois (until age 19) and southern California (from age 19to 32). In the UK, her poems have appeared in, amongst others, New WelshReview, Poetry Wales, Poetry Review, PN Review, Shearsman, Stand and TLS, while in the US her poems have appeared in magazines such as Aufgabe, Columbia, Court Green, The Iowa Review, The New Republic, Seneca Review. Her first collection, The Tethers, was published by Seren in June 2009, and her second, Divining for Starters, containing moreexperimental work, is due for publication by Shearsman Books in 2011.She is Senior Lecturer in Creative Writing for Bath Spa University.

Bill Griffiths discussed on this coming Friday’s The Verb

Sean Bonney and I will be talking about Bill Griffiths’ Collected Earlier Poems on the BBC’s The Verb with Ian McMillan this Friday.

The programme is broadcast on BBC Radio 3 on Friday 5 February at 21:15 GMT, and is available to listen to on the BBC iPlayer for a week thereafter.

Slightly more details at
http://www.realitystreet.co.uk/kens-blog/bill-griffiths-on-radio-3

 and more about the book at
http://www.realitystreet.co.uk/bill-griffiths.php

Via Ken Edwards

Caroline Bergvall- 2 events

Speaking Out: The Spoken Word in Artistic Practice

Saturday 6 February 2010, 10.30–17.30

This symposium focuses on the use of the spoken word in artistic practice and its manifestations in sonic and audiovisual art works. Taking the lead from the recently published anthology of works Playing with Words: The Spoken Word in Artistic Practice, this event encompasses performances, talks and conversations by artists and researchers who employ spoken words as their material and inspiration.
Contributors include Tomomi Adachi, Caroline Bergvall, David Toop, Imogen Stidworthy, Brandon LaBelle, Oswaldo Macià and Trevor Wishart.
In collaboration with CRISAP, Creative Research into Sound Art Practice, London College of Communication, University of the Arts London
Tate Modern  Starr Auditorium
£25 (£15 concessions), booking recommended
http://www.tate.org.uk/modern/eventseducation/symposia/20795.htm
***

Sina Queyras:
Caroline Bergvall’s Lingual Scultpures
Lively posting on a few of Caroline Bergvall’s  pieces by Canadian poet Sina Queyras on the Poetry Foundation’s widely read blog, Harriet.
Includes a sound file.
Posted on 26 January 2010.
To be followed by a written Q&A to be published in the next few days.
http://www.poetryfoundation.org/harriet/2010/01/caroline-bergvalls-lingual-scultpures/#more-7722
***

Other recent events available to view/hear/check up on:
http://www.carolinebergvall.com

Armchair Emblems, Prosthetic Mottos & Walking Definitions: Fact Sheet

Fact sheet below.

See more emblems at onedit – LINK

Armchair Emblems, Prosthetic Mottos & Walking Definitions:

Fact Sheet

“I am on the hunt for constructions. I come into a room and find them whitely merging in a corner.” –Franz Kafka, Diaries

“In my life the furniture eats me.” –William Carlos Williams, Spring & All

EMBLEM

Invented in 1531 by a Florentine legal scholar named Andrea Alciato, the emblem is a tripartite structure composed of a motto or epigram (generally moral in theme), an icon (often referred to as the emblem’s ‘body’) and a commentary on the two in prose or poem form. Many emblems made variations on this formula.

ARMCHAIR EMBLEM

The upholstered emblem or armchair emblem incorporates only the epigram/motto and image tension of the Renaissance emblem but retains its conceptual gist and glyphic structure.

PROSTHETIC MOTTO

An aspirational embodiment or transcorporation for the body-image. “Building the muscles of mind’s legs.” Enhanced mobility via an ingested foreign body.

TRANSCORPORATION

A translation from one body to another. An ingestion or introjection.

WALKING DEFINITION

An indoor walking stick that defines constituents of the built interior as allegories of mind. A measure. A ‘getting underway’ instrument, frequently ‘left around.’

BUILT INTERIOR

An indoor pedestrian structure comprised of mobile furniture for the solicitation of thinking. An allegory of mind.

SOLICITATION

The directed rousal of thinking through upholstered didactic prompts or forms (an intelligent furniture).

FORMS

Ornaments of thought. Including: the glyphic (static—the emblem); the mnemonic (transcorporable—the prosthetic); the definitive (the Walking Definition).

FURNITURE

What is lived with. “The relation of with.” Any instrument or form housing information intended to be absorbed by accompaniment.

–THOMAS EVANS

BILL GRIFFITHS: COLLECTED EARLIER POEMS (1966-80)

We’ve already posted about this, but it’s well worth a reminder that Bill Griffiths’ Collected Earlier Poems (1966-80) is now available. Details of this and the upcoming Birkbeck launch event below, via Alan Halsey:

BILL GRIFFITHS: COLLECTED EARLIER POEMS (1966-80)

Published by Reality Street in association with West House Books

This volume brings together for the first time the late Bill Griffiths’ poetry up to ‘Building: The New London Hospital’. The text, edited by Alan Halsey in consultation with Ken Edwards, includes the full ‘Cycles’ and ‘War W/ Windsor’ sequences that so astonished readers when they first appeared, as well as much other poetry that was published by his own Pirate Press imprint, Writers Forum and other small presses during the 1970s; and also poems and performance texts that have only made fleeting appearances in ephemeral pamphlets and magazines, or have never been published before. The works are presented in largely chronological order. Comprehensive endnotes detail both the publishing history and (Griffiths having been an inveterate reviser) variations in texts and alternative versions.

368pp.
ISBN: 978 1874400 45 5
Publication date 29 January 2010
Pre-publication price £17.50 post free
(after January, £18 + post)

Orders to reality.street@virgin.net or info@westhousebooks.co.uk

LAUNCH at Birkbeck, Wednesday 17th February, 7.30
in Room 203, Clore Management Centre (Torrington Square, facing Birkbeck main entrance)
featuring a reading of the complete Cycles by Sean Bonney, Ken Edwards, Allen Fisher, Alan Halsey, Geraldine Monk & Maggie O’Sullivan

Speak is Code

If you’re in China, near the Jiao Tong Teahouse, catch up with Phil Davenport’s poetry/art exhibition,Speak is Code

Jiao Tong Teahouse 27-30 December 2009
Yao Bo, Philip Davenport, Wang Jun

Jiao Tong Teahouse is a mesh of conversations, meetings, deals made, gambling, gossip and over it all, parrots swing on their perches, aping the human noise. It is an intersection and into it the work of three artists is placed for Speak is Code. The works explore the space between us all, locate the holes in language and – as Davenport’s poem says – “The impasse between skin.”

Yao Bo, ceramicist and painter premieres a version of her continuing major work On Reading Beckett: a long text response to Beckett is handwritten in Chinese script onto manuscript paper. “I was murmur-reading Beckett, muttering to myself. The poem shot sunlight from faraway into my thoughts…” As counterpoint, a series of collapsed pots – like collapsed lungs – are placed onto each piece of paper. From some of the pots comes the sound of the piece being read aloud. Yao Bo’s work explores the delicate seams of identity – where we join and where we fall apart. “These pieces of pottery are like the organs of no-body. Some silent, some murmuring, some…”

My Paintings are Invisible by Philip Davenport is a poem sequence combining Chinese and Western alphabets. The work is dedicated to Hai Zi (1965-89) the Chinese poet. Alphabets of East and West entwine to make word pictures, ‘invisible paintings’, each given an imaginary colour. They are on translucent paper, scripted half in Chinese (by Chinese artists) and half in English. The two alphabets sometimes join, sometimes separate. These are ‘paintings’ of absence, images that never grow clear – and Hai Zi becomes a symbol for all who are missing, all that we cannot say.

(txt/work, Wang Jun 2009)

Wang Jun is an artist whose works balance meaning against nothing. His recent pieces cross-breed industrial processes with the landscapes of hanzi that fill his paintings. He crunches together the Tao Te Ching, Wiggenstein and postmodernity into mould-pressed misfits. He will install a bookshelf of unreadable materials in the teashop.

Exhibition curated by Philip Davenport, artist in residence 501 Artspace. Contributing artists to My Paintings are Invisible; Dan Ting, Deng Chuan, Mao Yan Yang, Pang Xuan, Wang Jun, Xu Guang Fu, Yan Yan, Zheng Li; translation Deng Chuan, Yan Yan and Zhong Na.

Diverse Deeds – Wednesday 16th December

Angela Gardner + the voice of Harry Godwin + Mendoza + Nat Raha + Michael Zand

Café Oto, 18-22 Ashwin Street, Dalston, London E8 3DL.
doors open at 7.30; start at 8.00; end by 10.00; entry £6 (£4 concessions).

This event links the visiting Australian poet and artist Angela Gardner with readings and performances from a group of young and innovative London poets.

Angela Gardner is an Australian poet with a prize-winning reputation in her own country: 2006 Arts Queensland Thomas Shapcott Poetry Prize for Parts of Speech, (University of Queensland Press, 2007) and 2004 Bauhinia/Idiom 23 Prize). Her new book, Views of the Hudson has been published this year in the UK by Shearsman. She already has an international status as a visual artist. Her poetry is often highly visual, always quick, inventive and engaging. She also edits an online poetry magazine, foam:e, and jointly runs Light-trap Press, publishing artists’ books. This is her last reading in Europe before she returns to Australia.

Harry Godwin, Mendoza, Nat Raha and Michael Zand are all poets in their early 20s now (or until recently) based in London. They are part of the exciting innovative poetry scene based around creative writing courses in London and poetry events like Openned, Crossing the Line and Sundays at the Oto. They have so far only had small pamphlets published, mainly from Harry Godwin’s Arthur Shilling press, or appeared in small magazines and websites. They are playful, inventive and wonderfully original, with strong elements of performance in how they present their poetry.

More information here.

Beyond the Book

This is a course i’m teaching in Manchester. It’s good to see the Poetry School venture into such things. Please pass on if you know anybody who’d be interested. The details and blurb are below as well as a rough weekly schedule. There will also be a class website.

Beyond the Book: alternative approaches to writing
Tutor: James Davies
Venue: The Tai Chi Village Hall, Manchester
Duration: 10 weekly sessions
Day & Time Tuesday’s, 7.30-9.30pm
Start Date 12th Jan 2010
Cost £99.00 (£76.00 concs)

Home

The blurb reads:

These days, there are endless exciting opportunities for writers in the way that they write; and how they publish, experience and share their work. On this course you’ll do a number of exercises exploring alternative writing styles (including those spawned by the internet), consider the myriad of possibilities of collaboration (both with real and virtual bodies), and think about blogging, social networking and alternative methods of publishing work other than the traditional book.

Weekly schedule:
1. Internet as playground
2. Internet as resource
3. Internet as resource pt 2
4. Systems
5. Translation
6. Tanslation pt 2
7. Collaboration
8. Interventions
9. Class filming, audio and archiving
10. Class production and distribution

What’s on this week

Events this week from The Other Room calendar. The calendar is open access. If you have an experimental poetry, art or music event you want to publicise, feel free to post. If you would prefer us to post for you, email us at otherroomeditors@gmail.com

Wednesday 25th November

Openned – the final reading: Andrea Brady; Ian Heames; Antony John; Geraldine Monk; Linus Slug; Timothy Thornton. The Foundry, London. 7.30 PM start. Free. More here.

Thursday 26th November

Alec Newman at Manchester Central Library: Reading from Alec Newman, poet and editor of Knives, Forks and Spoons press, with John G. Hall and Simon Rennie. 6 PM start.

Lemke/Gwilliam CD launch: Castlefield Art Gallery, Manchester 6-8pm. fourmill plus quarterinch is the duo of sound artists and improvising musicians Helmut Lemke and Ben Gwilliam. In this collaboration the two artists use different formats of audiotape; pre-recorded, prepared and unprepared. From individual banks of sound recordings on tape comes a subtle and often dense music that is both composed and improvised in concrete time.More here.

Lemke/Gwilliam’s fourmill plus quarterinchback

Do not miss this –

Lemke/Gwilliam’s fourmill plus quarterinchback
Category: Launch
Profile: Castlefield Gallery
Opening hours: (For Castlefield Gallery) Wednesday – Sunday. 1 – 6 pm
Event Date: 18:00 – 20:00 Thursday, 26th Nov 2009
Organisation: Castlefield Gallery
Venue: Castlefield Gallery, 2 Hewitt Street, Manchester, M15 4GB.
Contact: Castlefield Gallery
Email: info@castlefieldgallery.co.uk
Website: http://www.castlefieldgallery.co.uk

Description: Performance and CD Launch of Lemke/Gwilliam’s fourmill plus quarterinch

fourmill plus quarterinch is the duo of sound artists and improvising musicians Helmut Lemke and Ben Gwilliam. In this collaboration the two artists use different formats of audiotape; pre-recorded, prepared and unprepared. From individual banks of sound recordings on tape comes a subtle and often dense music that is both composed and improvised in concrete time.

This CD comes in a 5inch tape reel box, including 5 prints made in conjunction with the recordings. http://www.thosesoundsbetween.co.uk

FREE EVENT, BOOKING REQUIRED To book please call the gallery on 0161 832 8034 or email events@castlefieldgallery.co.uk with your contact details and number of places.

Diverse Deeds

Diverse Deeds: Tuesday, December 1: Caroline Bergvall + Erín Moure + Roshi
Café Oto, 18-22 Ashwin Street, Dalston, London E8 3DL.
doors open at 7.30; start at 8.00; end by 10.00; entry £6 (£4 concessions).

This new series of poetry and music performance events continues with three fascinating and innovative artists, who each blend distinctive international elements into new and exciting forms.

Caroline Bergvall is one of Britain’s leading experimental poets, with a large international reputation. Her work blends written, spoken and graphic language and different languages – blends performance, art installation, electronic media and written text – blends challenge, information and pleasure. This is poetry really at the point where it mutates into the defining art form for the electronic information age – exciting, stimulating and astonishing. “One of the most influential experimental spoken-word artists internationally” (US Publishers Weekly).

Caroline Bergvall describes herself as “Writer & artist. French Norwegian, based in London”. Her most recent performance in London was as part of the Serpentine Gallery Poetry Marathon in October, and she has performed or taken parts in events this year in Los Angeles, New York, Providence Rhode Island, Vienna and Ely. She is at present one of the UK’s AHRC Fellows in the Creative and Performing Arts.

Erín Moure is a Canadian poet visiting Britain this autumn on a programme introducing two new books, Expeditions of a Chimaera (with Oana Avasilichioaei) and My Beloved Wager (essays from a writing practice). As a professional translator, her poetry is often a language

Erín Moure was recently described as one of the 10 best English-language poets in Canada by the CBC’s Barbara Carey, who also refers to her as “one of our best – and most audacious – at expanding the possibilities of language.” She is a powerful and clear performer of her work, and Diverse Deeds is privileged to host one of her few readings on this visit.

Roshi is an exponent of “stunningly beautiful Welsh-Iranian torch song electronica“ says Mixmag. Born in Wales to Iranian parents, Roshi Nasehi is a singer-writer who presents her own evocative songs alongside sometimes quite radical interpretations of the Iranian songs she was brought up listening to. Her songs reflect her origins, influences and experiences in a personal and unique way accompanied by unusual piano or keyboard arrangements – they are reflective, melodic and quirky – her voice airy and tender but possessed of an inner power. When she interprets Iranian song it is in a personal style bringing a contemporary twist combined with an authentic understanding of context and language.

Roshi, with her band, or alone at the keyboard is a regular and welcome live performer especially in London, developing a loyal following. She has had a new CD out in October, The Sky and The Caspian Sea (with Pars Radio, her band), of both original and traditional Iranian songs. She has performed on Radio 3’s The Verb poetry show, and at Diverse Deeds’ predecessor, Sundays at the Oto.

Wednesday, December 16: Angela Gardner + the voice of Harry Godwin + Mendoza + Nat Raha +  Rebecca Rosier
 
This event links the visiting Australian poet and artist Angela Gardner with readings and performances from a group of young and innovative London poets. More information will follow nearer the date.

Angela Gardner is an Australian poet with a prize-winning reputation in her own country (2006 Arts Queensland Thomas Shapcott Poetry Prize and 2004 Bauhinia/Idiom 23 Prize). Harry Godwin, Mendoza, Nat Raha and Rebecca Rosier are all poets in their early 20s now (or until recently) based in London and are part of the exciting innovative poetry scene based around small-scale and internet publishing, with strong elements of performance in how they present their poetry.

Diverse Deeds is a series of poetry and music events, each featuring two or three poets and a musician or two. The emphasis is on contemporary innovative poetry, and music at least inflected by improvisation. Diverse Deeds succeeds last year’s successful afternoon Sundays at the Oto events, but now with an evening scheduling. There will be information available on the night (and beforehand online) on all the performers.

For further information: