
Month: January 2014
ALPHABET POEMS by Marianne Morris
Amid the Ruins
January 29, 7 PM at the Daniel Blau Gallery, Hoxton Square, London:
- Sean Bonney
- Amy Cutler
- Joe Luna
- Will Rowe
Otoliths 32
Southern summer 2014 issue, with work from Jennie Cole, Michael D. Goscinski, Howie Good, Kyle Hemmings, Eric Hoffman, Raymond Farr, Jim Meirose, John M. Bennett, Craig Cotter, Philip Byron Oakes, Jack Galmitz, A. J. Huffman, Reed Altemus, Anne-Marie JEANJEAN, Paul Summers, Philip Terry & Tom Jenks, Miro Sandev, Lee Slonimsky, Joshua Comyn, Zachary Scott Hamilton., SS Prasad, Michael Berton, Marthe Reed, Nicola Griffin, Owen Bullock, John Martone, Louise Landes Levi, Kate Tough, Alex Stolis, Elizabeth Allen, Bobbi Lurie, Cecelia Chapman, Demosthenes Agrafiotis, Catherine Vidler, H. Mark Webster, Adam Fieled, Joel Chace, Carol Stetser, dan raphael, Corey Wakeling, Taylor Reid, Johannes Bjerg, Mariapia Fanna Roncoroni, sean burn, Felino A. Soriano, Leigh Herrick, John Pursch, Mark Cunningham, Tony Beyer, Vernon Frazer, J. D. Nelson, Richard Kostelanetz, Lakey Comess, Andrew Brenza, Jeff Harrison, Darrell Petska, Marc Thompson, Spencer Selby, Katrinka Moore, Michael Brandonisio, Eryk Wenziak & Amy Gentile, Branko Gulin, Bogdan Puslenghea, Caleb Puckett, Bob Heman, Marty Hiatt, Gene Flenady, Tim Wright, Collin Schuster, bruno neiva, Geraldine Burrowes, Dylan Kinnett, & Aditya Bahl.
Streetcake 33

Stephen Nelson, JR Clarke, Kris Coffield, Seth Crook, Martin David Edwards, Stephen Emmerson, Michael Goscinski, Mitchell Krochmalnik Grabois, out now.
Tome On The Range
Galatea Resurrects #21
Presenting engagements (including reviews) of poetry books & projects, issue 21 of Galatea Resurrects is now online.
Blue Bus – Sharon Morris, Burt Kimmelman and Jeremy Hilton
The Blue Bus is pleased to present a reading by Sharon Morris, Burt Kimmelman and Jeremy Hilton, on Wednesday 5th February, from 7.30 at The Lamb (in the upstairs room), 94 Lamb’s Conduit Street, London WC1. This is the eighty-fifth event in THE BLUE BUS series. Admissions: £5 / £3 (concessions). For future events in the series, please scroll down to the end of this message.
Jeremy Hilton is a poet, novelist, and composer of contemporary chamber music. He was born in 1945 near Manchester, and has degrees from Cambridge and Bangor Universities. He worked as a social worker for nearly 30 years. His poems have been published worldwide in magazines and anthologies since the 1960s, and he has published 12 collections with the alternative presses, including Shadow Engineering (Galloping Dog, 1991), Slipstream (Ripostes, 2003) and Lighting Up Time (Troubador, 2007). His first published novel, A Sound Like Angels Weeping, appeared from Brimstone Press in 2013. From 1995 – 2012 he published and edited the radical poetry magazine, Fire, which he co-founded with Chris Ozzard. His String Quartet no.1 was performed in concert in North London in March 2012.
Born in Brooklyn, New York, Burt Kimmelman has published eight collections of poetry: Gradually the World: New and Selected Poems, 1982-2013 (BlazeVOX, 2013), The Way We Live (Dos Madres Press, 2011), As If Free (Talisman House, Publishers, 2009), There Are Words (Dos Madres Press, 2007), Somehow (Marsh Hawk Press, 2005), The Pond at Cape May Point (Marsh Hawk Press, 2002), a collaboration with the painter Fred Caruso, First Life (Jensen/Daniels Publishing, 2000), and Musaics (Sputyen Duyvil Press, 1992).Kimmelman has also published a number of books of literary criticism, including The “Winter Mind”: William Bronk and American Letters (Fairleigh Dickinson University Press, 1998), and scores of essays on medieval, modern, or contemporary poetry. In the 1980s and 1990s he was senior editor of the now-defunct Poetry New York: A Journal of Poetry and Translation. Some interviews of Kimmelman are available online: with Tom Fink in Jacket (text), and with George Spencer at Poetry Thin Air (video). Kimmelman teaches literary and cultural studies at New Jersey Institute of Technology.
Born in west Wales, Sharon Morris is a poet and artist who trained at the Slade School of Fine Art, UCL, where she is currently head of the doctoral programme. Her recent artworks include film-poems, and performance readings with video projection. False Spring, her first collection was shortlisted for the Aldeburgh Jerwood Prize, 2007, and her second collection, Gospel Oak was published by Enitharmon Press in 2013.
The Dark Would: Flux magazine features
Flux magazine continues to explore The Dark Would. In on, in, and out – Artist’s text on text Art Richard Barrett, James Davies, Steve Giasson, Vanessa Place & Nick Thurston explore the work of Arthur and Martha, Fiona Banner, Rob Fitterman, Simon Patterson & Lawrence Weiner. You can read the articles HERE.
Two images from two noses of two bombers, each carrying a message that betrays the anxiety of the messenger. In Bollocks, the “unfeasibly large testicles” of one Buster Gonad prove a crippling load, engulfing the phallus that charged with discharging it. Bollocks, in other words, are a load of bunk. In Sperm, thirty missile silhouettes mark the plane’s partial payoff, denoting the fact that most seed simply spills.
Ikleftiko

A new online poetry magazine, with issue one, featuring work by Andrew Taylor, Changming Yuan, Robert Sheppard, Clinton Inman, Brad Garber, Howie Good, Michael Crowley, Tom Johnson, Forrest Jorgensen, Gerard Sarnat, Shelby Stephenson and Gale Acuff.
The Wolf Interview: Robert Sheppard
The Wolf 29 is now out now, including an interview with Robert Sheppard.
Chris Stephenson: a preview
Chris Stephenson will perform at the next Other Room, on Wednesday 5th February, 7 PM start, free entry. The clip above is of Chris performing at the Manchester Poets for Pussy Riot event in 2012. For more, try his work at Spine, or Blart. Bio. below. The other readers will be Gavin Selerie and Frances Presley.
Writing is a body-intensive activity

Charles Bernsteain’s ‘Close Listening’ series, with Maggie O’Sullivan, on Jacket2.
zimZalla 021: Minimus Post Ode Poem

zimZalla object 021 is Minimus Post Ode Poem by MJ Weller, a bookartobject, comprising a booklet and pre-ode post card contained within a textual favour bag. More at the zimZalla site.
Materials
The next reading in the Materials Reading Series will take place on Thursday, 23 January, in the Armitage Room (FF) at Queens’ College, Cambridge, 7.30 for 8pm. An EXTENSIVE SOLO READING! Justin Katko will read
from Songs for One Occasion (Critical Documents, 2012), and new work. — ‘COMRADE! Before / Us! The deep time!’
Within These Latter Days
(a poem committed against purity, precision, perfection) (a sequence of 100+ poems, following stochastically governed sequences of widely varied forms/constraints/recipes, with various repetitions of vocabulary, and varying openness to external language events) (a poem by Peter Philpott), here.
Robert Sheppard – Video from December’s The Other Room
Video footage of Robert Sheppard’s reading, December 2013 at The Other Room
Frances Presley: a preview
Frances Presley will perform at the next Other Room on Wednesday, 5th February, 7 PM start, free entry. The clip above is of Frances reading at Xing the Line in July 2012. For more information about her work, try her author page at Shearsman, or this interview with Matilde Christensen. The other readers are Gavin Selerie and Chris Stephenson, with a preview of Chris to follow soon.
Bio.
Frances Presley was born in Derbyshire, grew up in Lincolnshire and Somerset, and lives in London. She studied literature at the universities of East Anglia and Sussex, writing dissertations on Pound, Apollinaire, and Bonnefoy. She worked as a library and information specialist, in community development and anti-racism, and at the Poetry Library. Publications of poems and prose include The Sex of Art (North and South, 1988), Hula Hoop (Other Press, 1993), and Linocut (Oasis, 1997). She collaborated with Irma Irsara on a project about the fashion trade, Automatic Cross Stitch (Other Press, 2000); and with Elizabeth James in an email text and performance, Neither the One nor the Other (Form Books, 1999). Somerset Letters (Oasis, 2002), with drawings by Ian Robinson, explored community and landscape. The title sequence of Paravane: new and selected poems, 1996-2003 (Salt, 2004) was a response to 9/11/2001, and the IRA bombsites in London. Myne: new and selected poems and prose, 1976-2005, (Shearsman, 2006) takes its title from the old name for Minehead in Somerset. Lines of Sight (Shearsman, 2009) features Neolithic stone sites on Exmoor, and is part of a collaboration with Tilla Brading, Stone settings (Odyssey, 2010). Her latest book is An Alphabet for Alina (Five Seasons, 2012), a collaboration with artist Peterjon Skelt. Presley has written various essays and reviews, especially on innovative British women poets. She has co-translated the work of two Norwegian poets, Hanne Bramness and Lars Amund Vaage. Her work is included in the anthologies Infinite Difference (Shearsman, 2010), and Ground Aslant: radical landscape poetry (Shearsman, 2011). She has also contributed to a collection of poetic autobiographies, Cusp (Shearsman, 2012).
Jackson Mac Low: 27th Light Poem
This previously unpublished Mac Low piece is now available via Jerome Rothenberg on Jacket2. The complete Light Poems will be published later this year on Chax Press.
3 Entertainments by Weldon Kees

3 previously unpublished scripts by Weldon Kees now available to buy from Knives Forks and Spoons.

Part of the New British Poets series on 