Treading water

TREADING WATER – a perambulatory poem in Otterspool Park, Liverpool: July 12 2009 1pm

 This poem-performance has been commissioned by Gaia Project and Living at the Edge for HIGH TIDE – an Environment Agency-funded project which is bringing together ten UK based multi-media artists to interpret and explore the theme high tide, in collaboration with Dr Jason Kirby (Liverpool John Moores University) and Prof Philip Woodworth adviser to the Intergovernmental Panel on Climate Change (Proudman Oceanographic Laboratory, Liverpool).

 Treading Water will explore the prehistory, geology, human and natural history of Otterspool Park in order to imagine distant times, images and stories. Staged as a series of posts throughout the park, the piece will unfold as a poem sequence accompanied by dramatic and visual interventions.

 Otterspool’s history, like Liverpool , has been shaped by water. Its stream was formed by melting glaciers 18,000 years ago which carved a path through red sandstone: the remains of ancient sand dunes. Known as Otirpul in medieval times it was originally a tidal creek, which may have been a Viking landing stage in the tenth century, and was famed for the quality of its fishing and abundance of otters. Later on the creek was used to drive watermills and until the 1930s an old fisherman’s cottage still stood on the banks of the Mersey. The astronomer Jeremiah Horrocks (1618-1641) was born and died here in the now demolished Jericho Lodge. He was a major figure in early British Astronomy and the first person to correctly predict and observe the transit of Venus across the Sun. He later began making the first ever tidal measurements to assist his study of the moon’s orbit.

 The poem will attempt to come to terms with Horrocks’ achievements and consider their relevance to our contemporary view of nature. Creating this imaginative space will crucially enable a confrontation with the future of the park, and, by extension, the future of Liverpool and beyond in the context of climate change.

 Check out the High Tide wiki at:

 http://high-tide.wetpaint.com/

 Otterspool Park on Google Maps:

http://maps.google.co.uk/maps?hl=en&q=otterspool%20park%20liverpool&um=1&ie=UTF-8&sa=N&tab=wl

Bad Flarf Vs Bad Poems

Stan Apps reads some bad ass stuff in Poetry Magazine

Is this about flarf or is it about bad poetry? – you decide.

“I am fascinated by the latest issue of Poetry Magazine, which I picked up because I knew it included some Flarf poems, Conceptual Writing, and related materials. I was excited to get it, among other reasons, because it could be bought at Barnes & Nobles in Tampa FL, for cash. Imagine, buying poetry with an internet connection and a credit card!”

read more at this Link

WAR AND PEACE 4: VISION AND TEXT

warpeace

Judith Goldman and Leslie Scalapino, Eds.

Devoted to collaborations between visual works and poetry, includes collaborative works of Charles Bernstein with Susan Bee, Amy Evans McClure with Michael McClure, Kiki Smith with Leslie Scalapino, Denise Newman with Gigi Janchang, a film on paper by Lyn Hejinian, Alan Halsey’s visual texts, Simone Fattal, and Petah Coyne. Judith Goldman interviews Marjorie Welish, Lauren Shufran interviews Jean Boully, Leslie Scalapino interviews Mei-mei Berssenbrugge. Also included are E. Tracy Grinnell’s homophonic translations of Claude Cahun’s “Helene la rebelle” and poems by Fanny Howe, Thom Donovan, and others.

Cover by Susan Bee.

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Absolute Elsewhere

Absolute Elsewhere is a collaborative mixed media project by Joy As Tiresome Vandalism (poet and The Other Room co-organiser James Davies and photographer Simon Taylor).  The project is updated monthly in text or image form. The lastest instalment, a photograph by Simon Taylor, is online now.

Link

Darragh and Inman – still time for questions

Our interviews with Tina Darragh and P.Inman will take place next week and we are still open to any questions you would like us to ask them. Questions submitted so far cover topics as diverse as politics, the nature of l=a=n=g=u=a=g=e and how to survive as  experimenters and innovators in the 21st century. If you would like to add anything to the pot or just give the pot a big stir, get in touch with us at otherroomeditors@gmail.com.

Poetic speciation and diversification

“Or, Why I am Alarmed at the Role the Academic Environment is Playing in Contemporary British Innovative Poetry

I like using an analogy made by Andrew Duncan to explain the disparate heterogeneity of contemporary British poetry: the SciFi topos of centuries-long space-missions, venturing out from the home planet to reach different stars, and establishing their own separate lineages and cultures. These increasingly diverge from each other and become unable to intercommunicate.”

An interesting perspective from Peter Philpott.

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Can Flarf Ever Be Taken Seriously?

Almost a decade after its creation, the experimental poetry movement Flarf—in which poets prowl the Internet using random word searches, e-mail the bizarre results to one another, then distill the newly found phrases into poems that are often as disturbing as they are hilarious—is showing signs of having cleared a spot among the ranks of legitimate art forms. Despite the group’s penchant for shocking content and outrageous titles (Sharon Mesmer’s “Annoying Diabetic Bitch,” for example, or Gary Sullivan’s “Grandmother’s Explosive Diarrhea”), many in the literary world are taking the poems seriously.

Via David Bircumshaw

Read more HERE

FULCRUM

“FULCRUM: An Annual of Poetry and Aesthetics, #6 (730 pages) features uncollected Samuel Beckett; unpublished Robert Frost and Octavio Paz; essays by Christopher Ricks, Marjorie Perloff, Eliot Weinberger and many others; a feature on “Poetry and Myth”; a debate between poets John Kinsella and Rosanna Warren; translations of Seferis, Vian, Quevedo; and a great deal more.”

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Last ever Sundays at the Oto

 June 21: Jeff Hilson + Ian McLachlan + Johan de Wit
3-5 pm, Café Oto, 18-22 Ashwin Street, Dalston, London E8 3DL    £4 entry.

Expect rigorous, radical and really quite astonishing performances at this event, with a set from two of Britain’s most uncompromisingly experimental poets performing with a well-established multi‑instrumentalist improvising musician, himself with a strong connection with poetry.

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THERE ARE FEW PEOPLE WHO PUT ON ANY CLOTHES (starring it)

“A prose work in 23 sections, mislaid for 35 years and then found in an attic, this is a classic Raworth text from the era of Logbook: fast, profound, knockabout, intense, tricky, brainy, daft, those were the days once again…”

A5, 28pp (price £4.50 including P&P)

Cheques to ‘Equipage’

c/o Rod Mengham, Jesus College, Cambridge, CB5 8BL

You can also buy via Salt Publishing.

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