
Yes, true, here.

Yes, true, here.
It appears self-evident that poetry is remarkably pliant, elastic and apt for innovation. As a sonic artform, poetry, in it‘s truest sense, grows as each individual practitioner allows themselves to explore their own culture, and so from certain artists there arrives unique and memorable experiments within the medium. For the Lithuanian poetry scene, it is Gabriele Labanauskaite who leads the way. Assured, intelligent and engaging, her sonic art is poetry, song & performance. Though a versatile poet, playwright & singer, she is renowned for her fusion of spoken poetry, music and sound, often as part of the collective AVaspo. Her work is explosive as well as satirical, wise as well as energetic and she embraces technological innovation while absorbing a myriad of aesthetics. She is the final poet representing the Maintenant Lithuania events held in London during April 2011 and we are delighted to welcome her as our 59th interviewee and poet.
http://www.3ammagazine.com/3am/maintenant-59-gabriele-labanauskaite/<
Accompanying the interview are ten of Gabriele’s poems, translated Translated by Ada Valaitis and Kenneth Smallwood.
http://www.3ammagazine.com/3am/ten-poems-gabriele-labanauskaite/
Monday, May 16 · 7:30pm – 10:30pm
Location The Old Red Lion Pub, Kennington
This is the latest Crater seasonal event – Ken Edwards, Gareth Farmer, Gregorio Fontaine, Rob Holloway and Joseph Luna will showcase their wares in a free and easy poetry enviro. Turn right outside Kennington tube, it’s 100yds on your left. No charge, no dress code.
A funding opportunity is available for the Creative Writing MA at Salford University, UK, run by Dr. Scott Thurston. Check here for more information. Deadline for applications is Friday 20th May.
The stunning rendition of The Ursonate performed by Jaap Blank, Christian Bok, Florian Kaplik and Christopher Fox, at Warth Mill, Bury, as part of the Text Festival can be found HERE
Much of Davies’ work occupies a place between poetry and conceptual art. His poetry is shot through with references to the work of artists as wide ranging as Franz Kline, Vija Celmins and Thomas Fehlmann. Lines such as “next we masticated to Jeff Koons’ record collection”. Formally, his work responds in different ways to that of these artists. His chilly, wet and monotonous poem ‘The Weather’, made up of four identical tercets describing the weather, each tercet ending in the line “I wonder what it will do tomorrow” seems to be a response to the centreless, representational graphite Sea and sky drawings by Celmins.
Colin Herd reviews James Davies at 3am Magazine.
Via Scott Thurston:
Two Edge Hill University lecturers have published four books and two pamphlets of poetry between them in the last few months.
‘To celebrate this we will be launching them with two short readings, a Q and A and a chance to buy the books!’
Daniele Pantano and Robert Sheppard
Reading on Thursday 5th May 2011
at 5.30 in B005 (ground floor Business Centre, Edge Hill University, Ormskirk campus)
Senior Lecturer Daniele Pantano, who is Programme Leader for the BA Creative Writing, has published The Oldest Hands in the World, a new book of poems about exile, translingualism and writing one’s way home, as well as The Possible Is Monstrous, a collection of poems in English translation by Friedrich Dürrenmatt, who is seen not only as the most prominent Swiss novelist, playwright and essayist of the twentieth century but as one of the most influential authors of modern literature.
Both books are published by Black Lawrence Press/Dzanc Books, New York.
Professor Robert Sheppard, who is Programme Leader of the MA Creative Writing, has published a new book of poems, Berlin Bursts. Themes covered include the troubled history of Berlin, Riga and other places ravaged by history. There are poems about poems and a sequence about the doomed attempt to create a hologram poet. His critical book When Bad Times Made for Good Poetry is a history of alternative British poetry and deals with major figures like Iain Sinclair, Tom Raworth and Maggie O’Sullivan. Both books are published by Shearsman Books.
They both have pamphlets out from the enterprising local Knives Forks and Spoons Press–one of our Creative Writing students is currently serving as an intern there. Robert’s book, The Given, is an anti-autobiography, telling his life via events in his diary he cannot remember and others that he’d rather forget. Daniele’s book, Mass Graves (XIX-XXII), is an excerpt from a new collection of poems he’s currently writing that examines the lives, events and connections between an unknown Swiss poet and the savage murder of one of Egon Schiele’s young girls.
Daniele and Robert work together to teach Creative Writing within the English and History Department at Edge Hill.
Book details and links:
1. Robert Sheppard
Berlin Bursts (poems)
http://www.shearsman.com/pages/books/catalog/2011/sheppardBB.html
When Bad Times Made for Good Poetry (criticism)
http://www.shearsman.com/pages/books/catalog/2011/sheppardWBT.html
The Given (anti-autobiography)
www.knivesforksandspoonspress.co.uk
2. Daniele Pantano
The Oldest Hands in the World (Black Lawrence Press/Dzanc Books)
The Possible Is Monstrous: Selected Poems by Friedrich Dürrenmatt (Black Lawrence Press/Dzanc Books) both at:
www.blacklawrence.com/pantano.html
Mass Graves (XIX-XXII) (The Knives, Forks and Spoons Press)
Via Joe Luna:
Hi Zero 3 now on sale in super-limited stock (i.e. about 20 copies left). Slim but sleek and fine, with poems from Harry Gilonis (after Mayakovsky), John Wilkinson, Ed Luker, Jennifer Cooke, Sarah Kelly, Laura Kilbride, Edmund Hardy & Joe Luna. =A33.30 inland UK all told, probs a lil more outside. E-mail hizeroreadings@gmail.com to order yours.
Next Hi Zero on Tuesday 24th May, radically fulsome details coming soon, but it WILL feature: Edmund Hardy, Helen Macdonald AND Sophie Robinson.
Thanks for watching!

Radio broadcast about Station Stories the imminent and unique writing project taking place at Manchester Piccadilly station. Download the broadcast here. Station Stories features new work by Jenn Ashworth, Tom Fletcher, David Gaffney, Tom Jenks, Nicholas Royle and Peter Wild.
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And what a remarkable piece it is: full of rolling ‘r’s’, labial ‘l’s’, ‘k’s’ and in amongst this the structure of a sonata, including a rondo, a scherzo, a beautiful largo and a cadenza. The readers included Christian Bok, himself a remarkable experimental poet whose pieces in the Text Festival include a poem programmed into the DNA of a bacillus, and Jaap Blonk, himself a sound poet and musician of considerable achievement.
More from Steven Waling on Brando’s Hat.
11.00am – 12.30pm, Whitworth Art Gallery Manchester, free , no booking necessary
The Tuesday Talks series invites leading artists, thinkers and curators to explore the driving forces, influences and sources of inspiration within contemporary art. The series is programmed by Professor Pavel Büchler and Bryony Bond, and is supported by the Manchester Metropolitan University.
10 May
Tuesday Talk: with Alec Finlay
Artist and poet Alec Finlay offers an insight into his work, through his own driving forces, influences and sources of inspiration.
Canadian poet Christian Bök explains how he has encoded his work into the DNA of a bacterium in a bid to make his work live forever on The Verb.

Latest issue of this always interesting electronic publication with a newly deisnged site. Back issues and ebooks also available here.