The Text Festival 2011, Opening Performances

The Other Room was asked to film the opening performances of 2011’s international Text Festival. This represents less than a quarter of the events took place.

On Saturday 30th April The third international Text Festival opened. The montage at the beginning shows a small percentage of the art on display in three galleries around Bury, Manchester. There are performances here by Marco Giovenale, Helen White & Moniek Darge, Marton Koppany, Helmet Lemke & Hans Specht and Sarah Sanders. The Lemke/Specht performance was a durational piece of four hours. What is captured here is only a small portion of that fabulous piece.

The Text Festival 2011 Opening Performances from The Other Room on Vimeo.

Click Here to see the video in a larger screen

Maintenant #61: Marcus Slease

Though the Maintenant series tries not to overstate the importance of the poet’s origin, practicality alone demands an attempt to show the range of European poetries with a representative range of nations. However in actually seeking out those poets creating exciting, original, genuinely evolutionary work, we find many cannot be tied to one single nation – they are migratory, multi-lingual – pan-European if not pan-global. Marcus Slease fits this archetype more than most. By birth he stands as the first Northern Irish poet to feature in our series. However by experience he is a poet of England, America, Poland, Italy, Turkey. Unsurprisingly he is an adroit and worldly writer, defined by his ability to remain elastic and fluid, and utterly unpretentious in his idiom, and yet fulfilling and resonant in his tone. His poetics are extremely contemporary, and yet they seem to maintain the confidence and solidity of time past. A major feature of the current London scene, we are pleased to introduce Marcus Slease as the 61st edition of Maintenant.

http://www.3ammagazine.com/3am/maintenant-61-marcus-slease/

Accompanying the interview are six of Marcus’ poems.

http://www.3ammagazine.com/3am/six-poems-marcus-slease/

Commitment by Marianne Morris

Published May 2011, in collaboration with Bad Press

Limited edition has two-tone stencil cover and sparkly endpapers

Jonty Tiplady on Commitment:
Un dolce amaro, un si e no mi muovi: it is not enough to not commend. Reading this book, you are witness to what Pater calls ‘the struggle of a desolating passion, which yearns to be resigned and sweet and pensive’, and which then unaccountably is. Speed is not good enough, neither is poetry, the era of climate change is an error. I think of Prince confused by his experiments with ecstasy, he made Lovesexy. Morris knows that the psychic thing-cruelty of the art-thing is only almost unavoidable, and so the image-tail wags. Too too tout autre muse. Out of the strong came forth more sweetness. Not only should you read it, you should read it again slowly, and think on.

More here.

Neu Reekie!

Neu! Reekie! is a night of avant-garde poetry, music and film fusions.

The night promises to shock and stun, playing host to the abstract and abstruse, the sinister and sanguine.

Post four suitably seismic shows, Michael Pedersen and Kevin Williamson bring you the fifth part in the N! R! movement.

This is a a collaborative night with Darran Anderson of 3:AM Magazine who are putting up three literature heavyweights as readers!

Also includes a Raffle of the Absurd; Avant-garde Animations; House Band Emelle, plus Pete the Barman and his £2 tonics.

Friday, May 27 · 7:00pm – 9:30pm

Location Edinburgh
Scottish Books Trust, Trunk’s Close, 55 High Street, Edinburgh, EH1 1SR Edinburgh, United Kingdom
Edinburgh, United Kingdom

department #4

A magazine in print for innovative poetry & poetics, for cultural theory & social performance / cultural performance & social theory. A magazine dead set against the dead hand & deadly hands of instrumentalist reason & the banalisation / terrorisation / commodification of everyday life. A situation.

More here.

The Other Room 24 and 25

We are very pleased to announce a double set of events on 7th June (Leeds) and 8th June (Manchester) with Steve McCaffery and Karen Mac Cormack. The Leeds event will also feature Alan Halsey and Geraldine Monk. For the Leeds event we are working in partnership with the legendary Information as Material. A press release for that event can be read below. We will post some previews over the next few weeks of all our readers. Both events are free.

Legendary sound-poet returns to Yorkshire to perform, for one night only.

On 07 June 2011, Leeds Art Gallery will host a very special performance by Yorkshire-born Steve McCaffery, an acclaimed poet and writer in his own right, and a founding member of the legendary sound-poetry group The Four Horsemen. This will be the first time that McCaffery, who is now based in New York, has performed to a Yorkshire audience, despite the fact he grew up in Barnsley and lived in the region until he moved to Toronto, Canada in 1968. This is a unique opportunity to see an artist whose work and critical writing continues to inform artistic practice of all kinds.

McCaffery’s performance is part of an evening of readings by other remarkable writers, organised by The Other Room and Information as Material. The programme includes performances by Zambian born Karen Mac Cormack, a New York based poet who, like McCaffery, emerged as a key figure in Canadian poetry and is often associated with the Language Poets; and the Sheffield-based poets Alan Halsey and Geraldine Monk, both widely respected for their ongoing contribution to writing and publishing. All four performers are connected to one another by publishing collaborations that extend across the Atlantic, and demonstrate the international context in which writers across the North of England are working today.

This free event will take place at 6pm on 07 June 2011, in the Tiled Hall at Leeds Art Gallery. Booking for the event is advised. For more information about the event, and to book your place, please visit http://www.otherroom.org.

To arrange an interview, or request publicity images, please contact:
Simon Zimmerman
Telephone: 07834 070 040
Email: sz@roomman.co.uk

The Other Room is a programme of events organised by James Davies, Tom Jenks and Scott Thurston at The Old Abbey Inn in Manchester. The Other Room presents work by ‘experimental’ writers from all over the world. McCaffery and Mac Cormack will both perform at The Old Abbey Inn on 08 June 2011.

Information as Material is a York-based independent publishing imprint and was established by artist Simon Morris in 2002. It continues to publish and exhibit work by artists and writers who, as their website explains: “reuse existing material – selecting it and re-framing it to generate new meanings – and who, in doing so, disrupt the order of things.” Information as Material is currently undertaking a year-long residency at one of London’s leading visual arts galleries, The Whitechapel.

Steve McCaffery – holder of the David Gray Chair of Poetry and Letters at the State University of New York at Buffalo was born in Sheffield in 1947 and grew up in Barnsley before moving to Toronto in 1968, where he became a member of the legendary sound-poetry group The Four Horsemen.

Karen Mac Cormack was born in Zambia and holds dual Canadian and British citizenship. A key figure in Canadian poetry and a peer of the Language Poets, Mac Cormack’s ‘polybiography’ Implexures traces aspects of her English ancestry whilst opening up to the worlds of history and science.

Alan Halsey ran The Poetry Bookshop in Hay-on-Wye from 1979 to 1997. He continues to work as a specialist bookseller in Sheffield and co-edits West House Books with Geraldine Monk. Halsey produces text-graphics as well as poetry and has published collaborative works with both Mac Cormack and McCaffery.

Geraldine Monk was born in Blackburn and has lived in Sheffield since 1984. During the seventies she lived in Leeds where she came into contact with the poet and painter Jeff Nuttall who admired and encouraged her work. The Salt Companion to Geraldine Monk, edited by Scott Thurston and with a foreword by Nuttall was published in 2007.

The event is supported by Leeds Art Gallery and funded by Art Council England, as part of ‘In a word…’, a regional programme that aims to stimulate support for people who approach writing in new and interesting ways that both respond to and challenge convention.

The event will include the UK premiere of McCaffery’s Sound-text environment Carnival Panel III.

The Text Festival: Rainer Ganahl

Via Tony Trehy:

Guest curators Helen Kaplinsky & Maurice Carlin of Reading for Reading’s Sake bring New York based Rainer Ganahl to the Transport Museum. Ganahl, who represented Austria in the 1999 Venice Biennale, arrives on Wednesday though installation of his exhibition at the Bury Transport Museum starts on Monday. Ganahl has ambitious plans to create various works this week including two films. The show is called Engels…Engels…Engels and is an investigation through videos, assemblage, photos and prints of “The Condition of the Working Class in England” (1844).

As part of the project Ganahl will facilitate Engels seminars on the 18th (6:30-8:30pm), 19th (2-4pm) and 20th (6:30-8:30pm) May at Bury Transport Museum. No prior reading required but to book email kaplinskyhelen@yahoo.co.uk. The artist will also present a talk on Thurs 19th May 6pm at Islington Mill.

More here.

Stupefaction – Keston Sutherland

Stupefaction
A Radical Anatomy of Phantoms

Sutherland examines how speculative and satirical descriptions of stupidity function in art and in argument. His examples include Alexander Pope’s dunce, Adorno’s philistine, Wordsworth’s mechanical adopter of poetic diction, and phenomenologist Michel Henry’s drunkard who rides an escalator to nothingness. Sutherland also provides an important new account of the figure of the bourgeois in Marx and a powerfully original interpretation of commodity fetishism as a satire against bourgeois objectivity. This unusual analysis of the trope of the idiot will appeal to scholars of literature and philosophy alike.

Out now on The University of Chicago Press.

Fluxus reader

 A free pdf has been made available of essays edited by Ken Friedman:

Fluxus began in the 1950s as a loose, international community of artists, architects, composers and designers. By the 1960s, Fluxus has become a laboratory of ideas and an arena for artistic exprmentation in Europe, Asia and the United States. Described as ‘the most radical and experimental art movement of the 1960s’, Fluxus challenged conventional thinking on art and culture for over four decades. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. Despite this influence, the scope and scale of this unique phenomenon have made it difficult to explain Fluxus in normative historical and critical terms. The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group. The Fluxus Reader is written by leading scholars and experts from Europe and the United States.

LINK

Writing (the) Space

Wild Pansy Press Project Space
4 May – 19 May 2011 (Mon-Fri 9-6)
Old Mining Building, University of Leeds, Woodhouse Lane, Leeds LS2 9JT

‘If I hammer, if I recall in, and keep calling in, the breath, the breathing as distinguished from the hearing, it is for cause, it is to insist upon a part that breath plays in verse which has not (due, I think, to the smothering of the power of the line by too set a concept of foot) has not been sufficiently observed or practiced, but which has to be if verse is to advance to its proper force and place in the day, now, and ahead. I take it that PROJECTIVE VERSE teaches, is, this lesson, that that verse will only do in which a poet manages to register both the acquisitions of his ear and the pressure of his breath.’ Extract, Projective Verse, 1950.

Charles Olson’s Projective Verse invites writing to be considered spatially, as OPEN, or as FIELD (of) composition in three dimensions. His proposition is one of text as space of action, of breath as punctuation, and of the bodily pressures of writing in which ‘form is never more than an extension of content’.

WRITING (the) SPACE presses down on and around this unique poetics of writing in contemporary performance related practice – in particular, the possibilities of performance writing in spatial and physical terms. WRITING (the) SPACE is conceived as a period of action research within the Wild Pansy Press Project Space

For WRITING (the) SPACE, Rachel Lois Clapham and Emma Cocker present a new iteration of their ongoing collaborative project Re –, which essays the relationship between performance/document, live/recording, writing/written through the collision of spoken, textual and gestural languages. This iteration of the project addresses the emergent grammar of Re-, exploring the spatial and physical possibilities of writing. Extracted fragments from earlier conversations rub against mute utterances of a finger diagramming, nails pink; a spoken text of dislocated phrases; partial scores awaiting activation; punctuation, the space of breath. Re– (WRITING (the) SPACE) is open to the public from 4 – 19 May, 9-6pm Mon-Fri.

WRITING (the) SPACE Event, 19 May 09.30am – 8pm

Drawing together the practices of diverse artists and writers, this day-long event attempts to further explore notions of physical and spatial writing, drawing on the installation Re – (WRITING (the) SPACE) and Olson’s notion of Projective Verse.

09.30-6pm: > OPEN > < OLSON > < OPEN <.
A laboratory exploring practice based examples of Olson’s OPEN text. Presenting: David Berridge, Rachel Lois Clapham, Emma Cocker, Victoria Gray, Claire Hind and Mary Paterson. Audience space is limited so booking is essential, please email rachellois@opendialogues.com.

6-8pm : How is Art Writing?
Dinner, drink, conversation and live performance by Giles Bailey on the last day of the exhibition as part of the In a word…artists’ dinner series. All welcome but booking essential, click on In a word… to book online.

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WRITING (the) SPACE is developed by Rachel Lois Clapham (Open Dialogues) in partnership with New Work Yorkshire and supported by In a word…

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In a word… is a research programme profiling an ecology of radical writing practice in, around and from Yorkshire. http://writingencounters.squarespace.com/in-a-word/

Open Dialogues is a UK collaboration, founded by Rachel Lois Clapham and Mary Paterson, that produces writing on and as performance. http://www.opendialogues.com

New Work Yorkshire is a proactive, engaged and mutually supportive collection of individuals who aim to develop a vibrant and diverse New Work sector in Yorkshire.

Wild Pansy Press is an art collective, a small publishing outfit affiliated with Leeds University Fine Art and a public venue for experimental works which use the practices of reading, writing and publication as their medium and/or content. wildpansypress.com

Alec Finlay: 4 new events


skying : art, landscape and renewable energy
Alec Finlay in Conversation with Malcolm Fraser and Owain Jones

Alec’s Leverhulme residency at Northumbria University is now underway. The focus of the residency is the contested identity of the windmill turbine in the contemporary landscape. To mark the occasion, he will be joined by award winning Scottish architect Malcolm Fraser and cultural geographer Owain Jones, to discuss the various identities – political, social, aesthetic, ecological, architectural – of the turbine in contemporary society and culture.

Venue: Gallery North, Squires Building, Sandyford Road, Northumbria University, Newcastle upon Tyne, NE1 8ST.

Time: Friday 20th May 2011 3.00 – 5.00 pm

To print-off an invitation, which includes a map:
<http://dl.dropbox.com/u/1599958/Skying%20conversation%20invite%5B1%5D.pdf>


The Road North : A matsuri Festival
This Sunday at The Hidden Gardens, Glasgow

This Sunday, join Alec and fellow poet Ken Cockburn for a matsuri festival at the Hidden Gardens, Glasgow. For the past year Alec and Ken have been travelling through Scotland, guided by the Japanese poet Basho, whose Oku no Hosomichi (Narrow Road to the Deep North) is one of the masterpieces of travel literature. On 15 May their year-long journey will come to an end, and to celebrate they have invited some of those they met along the way to join them for an informal afternoon in the gardens. At 3pm, alongside performances by Gaelic singer Margaret Bennett, poets including Gerry Loose, Larry Butler and Colin Will, will read 100 haiku: heard together, the poems form a word-map of contemporary Scotland.


Venue: The Hidden Gardens, 25 Albert Drive, Glasgow G41 2PE.
<http://www.thehiddengardens.org.uk/flash_content/flash_content.html>

Time: 12pm – 6pm; Reading and songs at 3pm

Print-off an Invitation:
<http://dl.dropbox.com/u/1599958/Matsuri%20Public%20Invite.pdf>

The Road North:
<http://theroadnorth.co.uk/>

Modern Empire : La Scatola Gallery, London
Featuring a new paper-work by Alec

This is Modern Empire’s first public exhibition, at La Scatola; it includes original drawings, paintings, collage, photography, and sculpture, and will feature Alec’s new paper-work word-mntn (1000 Munro, Corbett and Marilyn), alongside Specimen Colony, his 2008 collaboration with Jo Salter. Other featured artists include Vicki Bennett, Charlotte Bracegirdle and Sandy Grant. The Exhibition Runs 24.05.2011 – 04.06.2011. Private View Tuesday 24.05.2011 – from 6 to 9PM

To print-off an invitation:
<http://dl.dropbox.com/u/1599958/Modern%20Empire%20Press%20Release.pdf>

Modern Empire:
<http://www.modernempire.co.uk>

re:place Symposium : ‘Curating the Rural’
Reading from White Peak | Dark Peak by Alec Finlay and David Troupes

In 2009, re:place commissioned white peak | dark peak, for which Alec and a team of fellow poets such as Linda France, Geraldine Monk and Alan Halsey mapped the Peak District National Park, using a combination of walking, letterboxing, renga ‘word-maps’ and field-recordings.

The re:place symposium will explore how contemporary art practice can interrogate, illuminate and reshape the ideas of Derbyshire and of the rural; Alec will read from white peak | dark peak, the book cataloguing his project and containing additional commentary and poems. You can find white peak | dark peak on our Amazon store: <http://www.amazon.co.uk/gp/shops/storefront/index.html?ie=UTF8&marketplaceID=A1F83G8C2ARO7P&sellerID=A2K5GHRHWY9FJE>

Venue:
Gothic warehouse, cromford, Derbyshire

Time: Fri 27 May, 11am – 4pm

To reserve a place email <info@re-place.co.uk>

white peak | dark peak website:
<http://www.whitepeak-darkpeak.co.uk/>

A Map of You

Homeless people in Manchester are writing themselves into the public eye, creating ‘customised’ tourist postcards of Manchester, in collaboration with arts organisation arthur+martha. The postcards are currently exhibited in Bury Transport Museum as part of Bury Text Festival and can also be viewed at BBC Online website. Poems from the project will be shown on the BBC Big Screen in Manchester city centre and tweeted by advertising company LOVE.

a map of you postcards carry tiny stories, little snatches of homeless people’s lives. In the white space between the buildings, the stories appear, some stencilled, some handwritten, some self-explanatory, funny, dour, elusive. The cards are designed to bring attention to a group in society who are often overlooked, but have much to offer.

L, a homeless person in Bury, said: ‘People who suffer have knowledge.’ The skin of these writers is thin; through it they feel the world intensely and report with great vividness.  

The arthur+martha experimental arts organization works with people who are often pushed to the margins of society – older people in hospital, excluded school pupils, children with special needs and many others. The Bury Text Festival pioneers unusual and radical use of language – in this case, helping homeless people find opportunities for self-expression. International poets Geof Huth (USA) Steve Gaisson and Derek Beaulieu (both from Canada) are involved in the project, leading sessions as guest artists and helping to edit work. 

a map of you has been supported by Arts Council England, Bury MBC and The Lowry – and is working in partnership with The Big Issue in the North, The Red Door Housing Concern Centre, Brighter Futures at Bury Adult Learning Service, The Booth Centre and LOVE Creative.

 

Notes for Editors

A slideshow featuring a map of you is at BBC online:  http://www.bbc.co.uk/news/uk-england-manchester-13281902

A BBC Radio Manchester feature can be listened to at http://www.arthur-and-martha.co.uk/pages/a%20map%20of%20you.htm The a map of you postcards are exhibited as part of the Bury Text Festival at Bury Transport Museum until 26 May 2011.

To read more about the project please visit http://arthur-and-martha.blogspot.com/search/label/a%20map%20of%20you

For more information and to obtain free copies of limited edition concertina postcard packs of a map of you- contact project organiser Philip Davenport on 07951 233953 / philipjohndavenport@hotmail.com

Maintenant #60: Luljeta Lleshanaku

It is hard to make a case against Luljeta Lleshanaku being the greatest Albanian poet of the modern era. Such is the measure of her work, and her repute across Europe and America. Her poetry reflects her marked humility and reverence for the written word, utterly unique and yet universal in a way that belies the overuse of that concept. Though a child of political exile and marginalization, let alone physical danger, her work remains dignified and singular, and nor does she allow her poetry to be dominated by the issues of her nation, of it’s politics and history. She is a voice that would be recognized as truly poetic in any language, in any setting and this perhaps her most remarkable achievement. A winner of the International Kristal Vilenica prize (following the likes of Peter Handke, Zbigniew Herbert & Milan Kundera) it is wonderful to announce her first work published in the UK will be released this September with Bloodaxe Books, already a Poetry Book Society Recommended Translation, and she will be attending this year’s Aldeburgh poetry festival in November . It is honour to introduce the 60th edition of Maintenant, a pioneer of Balkan poetry and a rightfully major figure in the current European poetry landscape.

http://www.3ammagazine.com/3am/maintenant-60-luljeta-lleshanaku/

Accompanying the interview are eight of Luljeta’s poems, translated by Ani Gjika.

http://www.3ammagazine.com/3am/eight-poems-luljeta-lleshanaku/

Anything Anymore Anywhere 3

Action packed third issue starring:

Francis Crot, nick-e melville, Justin Katko, Posie Rider, Jacq Kelly, Iain Morrison, jim ferguson, Tony Leuzzi, Michael Farrell, Richard Barrett, J L Williams, S J Fowler, RODNEY RELAX, Rosa van Hensbergen, Thomas Moore, Pete McConville, Richie McCaffery and Greg Thomas

£4

LINK

Surrey Poetry Festival

Saturday, May 21 · 11:00am – 8:00pm

Location The Angel Posting House & Livery
91, High Street
Guildford, Surrey, GU1 3DP

More Info Google Map: http://tinyurl.com/6jbqywr

SURREY POETRY FESTIVAL
hosted by the University of Surrey

A day of modern and contemporary poetry, featuring readings, talks, and installations by:

Sophie Robinson
Tim Atkins
Peter Gizzi
Jeremy Noel-Tod
Emily Critchley
Robert Hampson
Jonty Tiplady
Justin Katko
Elizabeth Guthrie
Holly Pester
Edmund Hardy
Joe Luna
Nat Raha
Jennifer Cooke
Sarah Kelly
David Ashford
Nick Spicer
Amy De’Ath

£6 / £4 concessions
refreshments and lunch served

The University of Surrey is located in Guildford, a 35-minute train ride from London Waterloo station.

Organised by Amy De’Ath, University of Surrey Poet in Residence
For more details please email a.de’ath@surrey.ac.uk